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Search Results for: Latin dance world

You know “Domi Dance” Online

A new brand for dance comes to New York 

Domi Dance a brand of dance products, designed by ex-dancers for dancers.

The city of New York saw the birth in 2019 of a new brand of products for the dance world, a brand that seeks to reach all corners where music, rhythm and dance can be presented, by the hand of Dorelys Rodriguez, a former dancer who Since she was 7 years old, she has shown the world of dance, going from ballet, flamenco, salsa among other genres, I always dream of achieving many things in the dance world, hence it will never be possible to separate from this beautiful discipline. In his professional studies and work experience in the world of Marketing, he managed to devise a proposal that would manage to marry his great passions, his line of work in the world of sales and his passion for dance, from here DomiDance arises.

In the United States, Dorelys saw the opportunity to exploit his abilities to create a brand, a product, an object that would allow him to give him a new business and business life, without forgetting the main point of his idea, to be what the dancer needs, to reach your specific needs with a range of high-quality products at well-affordable prices for everyone, from the professional to the beginner who ventures into any discipline of this art.

Since 2019 Domi Dance has been able to position itself in many of the corners of dance, starting with its first product presented the openwork stockings, little by little it developed innovative strategies to enter the commercial game, facing large brands established in the American market, it was able to enter through of online sales a channel that allowed him to reach many people due to the boom in shopping through the web.

Domi Dance
Domi Dance Company

The brand claims to present its products under a first-level raw material line, quality is the main object in its line, they seek to offer quality above any point, customers can be sure of acquiring an object that will not be easy to beat. When it comes to bringing life to life on the stage and in the dance halls, Dorelys tells us ¨ we do not want a dancer to be under pressure not to sit on the floor for fear of breaking the stocking or shoes on difficult floors, we do not sell products unbreakable but difficult to beat¨.

Domi dance is not a sales space for other products, they are manufacturers, they are exclusive when designing products for their brand, they generate new ideas based on the direct experience of the dancer, they are concerned with investigating the experiences lived with the use of clothing and footwear in the scene, an element that drives them as a brand concerned with giving the artist what they need.

To date, it has a range of first-class textiles, ballet shoes, urban clothing and much more, all aimed at meeting needs in many disciplines. They continue to bet on their sales framework through digital platforms such as Amazon, Ebay, social networks such as Instagram, Facebook, among others. They have already developed a point of sale for Latin America, a business established in Panama, Colombia, Argentina, Venezuela and moving to other latitudes.

For this 2020 the projects are aimed at designing footwear for flamenco, tap, extending its textile line into leotards and garments in greater demand, working with masculine elements and continuing to advance in its extension project in America and Europe. Follow them on their social networks through @ domi.dance

By Jose Perez Correspondent, Bogota, Colombia

Orestes Vilató is one of the most influential figures in the world of Latin percussion

The Cuban multi-percussionist, Orestes Vilato, is undoubtedly one of the greatest figures in the history of Cuban drums known as timbales.

He is one of the most influential figures in the world of Latin percussion.

He was born on May 4, 1944 in Camagüey, Cuba, and currently resides in San Francisco, California in the United States.

He has worked with many of the best exponents of Cuban popular dance music and Latin jazz, from José Antonio Fajardo and Israel López (Cachao) to Rubén Blades and Carlos Santana.

He is one of the most influential figures in the world of Latin percussion. He was born on May 12, 1944 in Camagüey, Cuba, currently resides in San Francisco, California in the United States
Orestes Vilato is one of the most influential figures in the world of Latin percussion

During the 1950s, the Vilato family moved to New York, the world capital of salsa, where the young Orestes would rise to fame as an innovator of his beloved traditional instrument, “Los Timbales.

While living in New York City for 25 years, Orestes was intimately involved with many musical organizations that played key roles in shaping the course of Latin music around the world.

Among the many groups were: Fania All Starts (founding member), Ray Barretto, Tipica 73 (founding member), Los Kimbos (founder-director), Tito Puente, Johnny Pacheco, Cheo Feliciano, Ismael Rivera, Joe Cuba, Eddie Palmieri, Ruben Blades, La Lupe, Celia Cruz, Rolando La Serie, Chico O’Farril, Lionel Hampton, Los Chavales de España, Cal Tjader.

Other artists he has recorded or worked with include: Winton and Bradford Marsalis, Paco De Lucía, Whitney Houston, Linda Ronstadt, Aretha Franklin, Willie Nelson, Herbie Hancock, McCoy Tyner, Cachao, Andy García, Emilio Estefan, Gloria Estefan, Paquito de Rivera, Dave Valentín, Mongo Santamaría, Armando Peraza, John Santos, Rebeca Mauleon, Giovanni Hidalgo and Raúl Rekow.

In 1980 he moved from New York to San Francisco, California, where he worked with Armando Peraza, in the band of Chicano rocker Carlos Santana.

He later recorded with American jazzmen Bobby Hucherson and Buddy Montgomery, and with Cuban percussionist Luis Conte.

He also works with Jon Santos’ Batachanga Orchestra and Machete Ensemble.

He is one of the most influential figures in the world of Latin percussion. He was born on May 12, 1944 in Camagüey, Cuba, currently resides in San Francisco, California in the United States
Orestes Vilató Born May 12, 1944 in Camagüey, Cuba

In 1992 he recorded with Israel López (Cachao) as well as with Cuban percussionist José Luis Quintana (Changuito).

In 2009 he recorded his production entitled Orestes Vilató ?- Its About Time, with a repertoire in the style of Salsa, Latin Jazz, Descarga.

In 1981, Mr. Vilato moved to the San Francisco Bay Area, where he continues to reside with his family.   From 1980 to 1989 he recorded and toured with Carlos Santana’s renowned band.

Orestes was nominated for a Grammy in 1995 (Latin Jazz category) for his CD, Ritmo y Candela con Patato y Changuito. In 2009 his solo CD Its About Time was nominated for a Latin Grammy.

Orestes has recorded several film soundtracks including  Our Latin Thing, Mambo Kings, Carlito’s Way, Steal Big Steal Little, The Bird Cage, Dance With Me, Just A Ticket, Things To Do In Denver and The Lost City.

He has been a special guest artist at multiple jazz festivals around the country and in Puerto Rico, including the San Jose Jazz Festival.   He has performed and taught at numerous music conservatories including the Berkeley School of Music, UCLA, the University of Fresno, Stanford University, as well as many conservatories abroad.

Orestes was honored at the Yerba Buena Garden, Monterey and San Francisco Jazz Festivals.

Orestes’ style is one of the most imitated and emulated among recording artists.

Orestes Vilató It's about time
Orestes Vilató It’s about Time

Credits
Acoustic Bass – Carlitos Puerto Jr.
Backing Vocals, Handclaps – James Zavaleta
Bass – René Camacho
Bongos, Cowbell – Johnny “Dandy” Rodriguez
Co-producer, Timbales, Bongos, Lead Vocals, Cowbell, Cajón, Guiro, Maracas, Claves, Handclaps, Backing Vocals, Music Director – Orestes Vilató
Congas – Joey De León
Engineer [Assistance] – Joshua Blanchard
Engineer, Mixed By – Jimmy Branly
Executive Producer – Camerina Campillo, Ralph Campillo
Flute, Soprano Saxophone, Alto Saxophone, Tenor Saxophone – Justo Almario
Lead Vocals, Handclaps, Backing Vocals – Adonis Puentes
Mastered By – Peter Doell
Piano – Alberto Salas
Piano, Arranged By, Handclaps, Backing Vocals, Music Director – Rebeca Mauleón
Producer [Associate] – Manolo Santana
Tres, Acoustic Guitar – Ramón Stagnaro
Trumpet – Luis Eric González*, Sean Billings

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Rónald Gómez Original Venezuelan Sonero for the World

Rónald Gómez, One of the most respected young soneros of the New Generation

He belongs to the new legion of young soneros and projects himself as one of the greatest exponents of Venezuelan salsa at the national and international level; I am referring to Rónald Eduardo Gómez Ávila, known artistically as Rónald Gómez, born in Caracas on March 11, 1995, son of Sonia Ávila and Rónald Gómez; his brothers: Jesús Eduardo and Rónner Eduardo.

He completed his high school studies at the Orinoco High School and his university studies at UNEARTE in Caracas.

He has been living in Los Teques for some time and is currently living in Valencia.

The singer and sonero Rónald, started in music since he was 4 years old, when his father, also a musician, invited him to sing the song “Llorarás”, with the free orchestra of the UCV and from that moment he won people over with his charisma and his swing. At the age of 6, he joined the Chiky Salsa orchestra and due to his versatility, he later joined the Porfi Baloa Teenagers, first as a musician and then as a vocalist, and later as a member of the Porfi Klan staff.

Rónald Gómez soneros of the New Generation
Rónald Gómez One of the most respected young soneros of the New Generation

It is worth mentioning that Rónald Gómez, besides being one of the most respected young soneros in our country, has stood out as an excellent sportsman, being a member of the Miranda State Volleyball Team in various national competitions.

Gómez has had the honor of sharing the stage with salsa greats such as: Tony Vega, Maelo Ruiz, El Gran Combo de Puerto Rico, Cheo Feliciano, Ismael Miranda, Hermanos Lebrón, Frankie Vásquez, Hermán Olivera, Adalberto Santiago, Oscar D’León and was a special guest to sing along with Sonora Ponceña and La India from New York.

Rónald has worked with the orchestras La Dimensión Latina, the Dance Orchestra “La Resistencia Salsera de Venezuela”, the Cheo Navarro Tribute Orchestra and currently Los Adolescentes.

Ronald Gòmez One of the most respected young soneros of the New Generation
Orchestra los Adolescentes

Among the countries where Rónald Gómez has represented Venezuela are United States, Peru, Canada, Colombia, El Salvador, Ecuador, Mexico and Cuba.

Some of the songs he has recorded are: “No puedo vivir sin ti”, “Ya la vi” with Bailatino and “No temas al amor” and “Tengo un amor” with Los Adolescentes, which are played on radio stations and social networks.

What are your current projects, Rónald? Carlos, I am currently continuing with the Teenagers and I also have projects as a soloist; I am recording some things on the fly individually, obviously without leaving the orchestra and at the same time I have in mind to enhance the image as Rónald Gómez. Have you recorded any new songs? Indeed, professor, I have recorded some with the Teenagers and as I told you, I am going to record with some guests together with myself; that is going to be good and I hope you enjoy it; in due time I will make them known.

Ronald, where are you currently with the Teen Orchestra? At the moment I am in Miami, last week we were in Los Angeles, San Francisco and Santa Ana.

What can you tell us about your next tour? We are going to Colombia at the beginning of March, we will be alternating with Diego Galé and Maelo Ruiz, then we will be on a break there in Venezuela and then we will continue with the full tour in the United States, having concerts in: Houston, Utah, Ohio, among many other cities.

Finally, Rónald tells us that he feels satisfied by his successes at a professional level and wishes to continue to succeed inside and outside our country, with the support of all his family, musicians, friends and all the salsa musicians who enjoy his presentations.

It is important to emphasize that Rónald Gómez is characterized by his simplicity, professionalism and gift of people who will surely make him one of the greats of Latin music.

From “Salsa Escrita” and International Salsa Magazine, we wish Rónald the best performance and he always counts on us.

To contact Rónald Gómez, you can do it through the Instagram: Ronaldadolescentes.

Ronald Gomez soneros of the New Generation
The singer and sonero Rónald Gòmez

 

 

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Kaem and Marina. The Dynamic Duo in France

Europe / Francia

Kaem and Marina are most known as choreographers, international instructors & performers. They are the creators of the AsOne style in kizomba, and the founders of the KizAcademy Studios and the KizAcademy TEAMS worldwide.

Photo 1: Kaem and Marina
Photo 1: Kaem and Marina

They owe their international success to the stunning emotional power of their improvisations, the huge diversity, creativity and complexity of their moves and the artistic depth of their performances.

Their workshops became among the most praised in the world thanks to their groundbreaking methods of training inspired by hip-hop, contemporary, martial arts, athletics, acting, but also Tao, zen meditation, mindfulness therapy and spiritual practice.

Their 10 hours programs aim to make the student able to connect to himself, free himself from fears and judgement, dive in his creative world, learn to see his own technical flaws, master the movements in a very deep way, fully connect to his partner emotionally, master the energy flow between the partners, and the most important: learn to train by himself and build his own tools to become independent, and therefore free.

In June 2017, after 21 months of dedicated research and preparation, they created the KizAcademy Instructors School: the world’s finest and most complete program for instructors. Kaem & Marina’s career probably had one of the fastest growths the afro-Latin dance world has ever witnessed.

Only 10 months after they started learning kizomba, they made ” THE PIANO SOLO” a kizomba video that hit 1 million views within 4 days, and got them teaching and performing in festivals and events all over the world. After only one year of international career, they decided to stop working with festivals, to work with their teams and to launch their own schools worldwide.

Photo 2: Kaem and Marina
Photo 2: Kaem and Marina

They created the AsOne style, and reached their goal within 4 months and been able to welcome around 70 students in every class they taught. That allowed them to be totally independant from any other institution and to focus full time and with total freedom on their pedagogy, their technical mastery, and most importantly:

Their creative journey. But why is this path relevant?

Such a fast and rare evolution was only possible thanks to 9 pillars every artist has: o Vulnerability, self-acceptance, self-discovery and self-mastery.

  • Inspiration and exploration of what touches one’s heart
  • Developing one’s own style ,with sincerity and overcome the fear
  • Creating a program of training for oneself
  • Training on the deepest layer of movement : the natural motion and the biomechanics
  • Creating a program of workshop
  • Public speaking ,pedagogy and psychology of learning
  • Choreography drafting and cinematic video making
  • Expansion strategy, marketing and management

Anyone with an open and curious mind can learn all those things, The issue is that no one, so far, was teaching them.

Most of the masterclasses only focus on succeeding at making fancy moves. They totally disregard the development of the creative universe of the students, and they ignore all the other skills that make a complete creative dancer and a successful artistic entrepreneur.

Photo 3: Kaem and Marina
Photo 3: Kaem and Marina

During their carrier, Kaem & Marina became more and more aware of this mismatch between the existing concept of masterclass and what is really important to grow as an artist and have an international career. Therefore, they decided to create a full program for instructors that would prepare for the most important journey a dancer could ever experience: Self Discovery, Technical and creative Mastery and full self-expression.

For further information and courses https://www.facebook.com/KaemMarineAsone/

Eddie Palmieri brought salsa for the first time and live from Sing Sing Penitentiary in New York

In the early 1970s, the American social landscape was dominated by the Vietnam War and the birth of several protest movements advocating for equality, justice and the defense of human and civil rights, and from sing sing a historic concert.

In the midst of all that collective turbulence, Eddie Palmieri and his orchestra were giving free rein to their social rebellion with a sweeping musical proposal.

But Palmieri’s rebelliousness was not only reflected in his music, but also in his decision to take his group’s sound to atypical and controversial scenarios that would attract the attention of the authorities.

By the beginning of 1972, Eddie Palmieri had already performed in some correctional institutions, including the Louisville Correctional Facility and the Attica and Rikers Island prisons in New York, but the pianist wanted something more.

Eddie Palmieri brought salsa for the first time and live from Sing Sing Penitentiary in New York
Eddie Palmieri brought salsa for the first time and live from Sing Sing Penitentiary in New York

In those days, a good friend of Eddie Palmieri was incarcerated in the sinister and historic Sing Sing Correctional Facility, also known as Sing Sing Prison, infamous for the reputation of its inmates and for its executions with electric chairs.

It was at that moment that the idea of an unprecedented performance at the facility was born.

Palmieri’s group was not only the orchestra of choice for Hispanics, it was also favored by the majority of African-Americans in the Latin dance world, and at that time the prison population at Sing Sing was composed mostly of Hispanics and African-Americans, so the stage was perfect.

However, it was not easy to perform a concert in a maximum security prison like the dreaded Sing Sing Prison.

However, at the request of Eddie Palmieri himself and with the coordination of Roulette Records and the prison administration, the performance took place on Wednesday, April 12, 1972.

By the beginning of 1972, Eddie Palmieri had already performed in some penitentiary institutions.
By the beginning of 1972, Eddie Palmieri had already performed in some penitentiary institutions.

Sing Sing Correctional Facility is a New York State Department of Correctional Services prison in Ossining, New York State, United States. The name comes from the original name of the town of Ossining.

It was the third prison in New York State, built in 1825. The state legislature allocated $20,100 to purchase the Silver Mine farm. The prison was to be self-supporting and not require a state budget.

Elan Lynds, a jailer at Auburn Prison (New York’s second prison), brought 100 convicts from Auburn to the new prison and employed them for its construction.

Harris A. Smiler was the first person executed by electrocution at Sing Sing on July 7, 1891. From 1914 until 1971, only the electric chair at Sing Sing was used for executions.

On January 8, 1983, more than 600 inmates in B Block started a riot, taking 17 officers hostage; it ended 53 hours later.

Sing Sing in popular culture

Near the end of Herman Melville’s short story Bartleby, the Scribe, it is mentioned that Monroe Edwards died of tuberculosis in Sing Sing Prison.

There is a song called La cárcel de Sing Sing, written by Bienvenido Brens, which tells the story of a prisoner in this jail who was sentenced to death for killing his wife and her lover. The song was made famous by José Feliciano. It is also performed by Colombian singer-songwriter Alci Acosta.

Sing Sing Penitentiary in New York City
Sing Sing Penitentiary in New York City

In addition, it was performed live by the band Corizonas (union of Arizona Baby and Los Coronas) in their live album “Dos bandas y un destino”.

There is a song by the salsa group Conjunto Clásico on the album El panadero released in 1986, called A los muchachos de Sing Sing, which has a message of encouragement to convicts.

There is a song by the French-Tunisian singer-songwriter (Michel) Laurent entitled Sing Sing Barbara, from 1971, which tells the story of an inmate who sends desperate messages of love to his wife from this prison.

There is a song by the Madrid group Los Nikis entitled Diez años en Sing Sing, which also gives title to the tribute album to that group.

There is a song by the Basque group Sorotan Bele titled Sing Singatiko Folk & Rolla.

In 1932 the film Twenty Thousand Years in Sing Sing was shot, directed by Michael Curtiz and starring Spencer Tracy and Bette Davis. The film is based on the book of the same name by Lewis E. Lawes.

In the film Constantine, and in the official Constantine comic book, John Constantine is seen to use the Sing Sing prison chair to connect to hell.

In the film Citizen Kane, protagonist Charles Kane threatens his political rival, Jim Gettys, to send him to Sing Sing, when Gettys informs Kane that he will publish his affair with Susan Alexander in the newspapers if he does not withdraw from the election.

In the film The Pilgrim, Charles Chaplin plays the role of a convict recently escaped from prison, who, when he is at the train station, moves his finger without looking over the board of destinations to choose one at random and falls on Sing Sing, so he repeats the process again when he realizes his unfortunate choice.

In the movie Breakfast at Tiffany’s, Holly Golightly periodically visits inmate Sally Tomato at this prison.

In the movie and musical The Producers, the main characters stop at the same prison and create a musical called Prisoners of Love.

In the video game Driver Parallel Lines, the protagonist spends 28 years in Sing Sing.

In the ABC television series Castle, Sing Sing is cited during an episode of the fourth, fifth and eighth seasons.

In the film noir movie Odds Against Tomorrow, Johnny, the character played by Harry Blafonte, says, “I know they changed his color when they rehabilitated him in Sing Sing.”

In the AMC television series Mad Men, Sing Sing is quoted during an episode of the third season.

In the series Breakout Kings, prisoners are transferred to Sing Sing for their help.

In the song Báilalo como tú quieras, by artist Tego Calderón, the phrase “If rapping was a crime, I’d be in Sing Sing!” appears.

In the horror movie saga Maniac Cop, cop Max Cortell is killed in Sing Sing prison by inmates and is resurrected in the form of a “maniac cop”.

In the Netflix series The Punisher, Arthur mentions to Billy Russo having been imprisoned 10 years in Sing Sing, in episode 4 of the second season.

In the novel “The Ppsychoanalyst” by John Katzenback published in 2002, the Sing Sing prison where a man served six months is named.

In Georges Simenon’s novel The Hound Dog starring Commissar Maigret, one of the characters spends several years in Sing Sing prison.

In the comics “Mortadelo y Filemón”, by cartoonist Francisco Ibáñez, when a character has done something barbaric, he is sentenced to Sing Sing prison and appears with the typical black and white striped prisoner’s suit, chopping stone with an iron ball chained to his leg.

In the series Law and Order the Sing Sing prison is constantly mentioned.

Also Read: Carlos “Nene” Quintero comes from a family of musical prodigies

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.