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Search Results for: Latin dance world

That’s how the Latin Grammys were

The 21st edition of the Latin Grammy

As expected, due to the global pandemic situation that hit us this year, the awarding of the 21st edition of the Latin Grammy was held online. In this way, neither the public nor the red carpet had participation this year. Some creatives recreated them in their homes and took the opportunity to take their respective photography.

The gala was held in the city of Miami with headquarters in other cities in Latin America. Several of the artists’ participations were also carried out under this modality.

The musical presentations were opened by the J Balvin show, one of the great favorites of the night. Who also broke a Guinness record for more nominations, surpassing the title obtained by Calle 13 in 2011. To receive his gramophone, he was dressed in black and then appeared in white. He interpreted the song “Rojo” and dedicated it to those who have had to fight against the COVID-19 virus. Balvin has recognized that this situation has affected him seriously and he has been immersed in depressive pictures.

“My heart is crying,” Balvin commented.

To the surprise of many, his heart actually turned the color of blood. His suit was dyed through some internal mechanism but leaving a large red stain on Balvin’s suit. Really, it seemed like his chest was bleeding incessantly.

J Balvin bled in the stage of the Latin Grammys

“Music humanizes us” was the theme of this year’s meeting. With the singer’s presentation, many were stunned and very sensitive. What did you think of his form of expression?
Natalia Jiménez paid tribute to Julio Iglesias, while the great Hector Lavoe also received recognition. Ricardo Montaner, Ivy Queen and Rauw Alejandro led the tribute.

Jesús Navarro, Ricardo Montaner, Victor Manuelle, Ivy Queen and Rauw Alejandro gave life to the song ‘El Cantante”’ in homage to Héctor Lavoe. Each of the interpreters, from their respective rhythms, created a perfect harmony and joined in a very emotional show. They quickly went viral and comments on social media grew by leaps and bounds. The spectators were pleased by a presentation that moved fibers.

Winners of the night

Natalia Lafourcade, Alejandro Sanz, René Residente, Mike Bahía, Ricky Martín, Caminlo, Rosalía, Bad Bunny, J Balvin, Ozuna, Carlos Vives, Grupo Niche, Eddy Herrera and Daniel Santacruz were the winners of the night. The winners’ social networks were filled with videos of celebration and appreciation. A different night but full of many emotions!

In the Mejor Canción Tropical category, singer-songwriter Carlos Vives shone with his song “Canción para Rubén Blades”, in which Blades participated as a composer. Vives was excited, he did not hesitate to thank Rubén Blades for his support.
“This award with Rubén, congratulations to all the nominees, all the participants, Kany a very big kiss, thank you Sony, thank my entire team, our producers, the artists, Andrés Leal, thank you,” he said in the middle of happiness.

In his social networks he also wanted to dedicate his award to La Academia, his country, his people, each of his followers, his wife and his entire production team. He was also shown celebrating from home, together with family and friends.

In the Mejor Álbum de Salsa category, Grupo Niche shone. Album 40 is a tribute to the group’s musical trajectory. It is the first Latin Grammy that Colombian salseros receive, after having been nominated twice, in 2001 and in 2016.

“We have won the @LatinGRAMMYs for best salsa album for ’40’ our most recent musical production. With great emotion we say to you: Salseros and Nichistas of the world, infinite Thanks! Long live Latin music, salsa, long live the teacher # JairoVarela and long live Colombia!”, They expressed on their Twitter account.

The winning album was recorded for almost a year in studios in Miami, Cali and Puerto Rico. They wanted to maintain the musical guidelines of Jairo Varela and thus remember his roots, without losing his essence.

As Mejor álbum de Merengue/Bachata we have two winners, two Dominicans. A historical event that both celebrate with great fury. Eddy Herrera and Daniel Santacruz were the lucky ones. They tied in one of the closest categories!

Two Dominican Winners
Both Dominicans won the Latin Grammy in the same category

Eddy Herrera has a long history in the genre, known as “El Galán del Merengue”. The followers of his career also celebrated this achievement, being the singer’s first Latin Grammy. “Eddy Herrera Ahora” contains some of his most recent songs.

“It is an immense joy that I also want to share with all my followers and lovers of my performances. Thank you for supporting me throughout these years where you have been faithful to my musical productions ”, he expressed.

The Dominican did not hide his happiness and dedicated himself to thanking those who have supported him during so many years of journey.

“I am extremely grateful to the entire production team, as well as my fans, who are always the impetus to keep going. To achieve this magnificent product, we had, as in other opportunities, the dedication of one hundred percent of our great team, who gave themselves with the charisma, vocation and professionalism of always, an essential symbol of our artistic productions ”, said Eddy Herrera.

For his part, Daniel Santacruz will fondly remember the day that “Larimar” made him the recipient of his first Academy Award. After several nominations, his long-awaited moment finally arrived. In fact, his brother Manny Cruz was also among the nominees.

Even though he was born in the United States, he is of Dominican descent and grew up on its streets. He learned about its culture, its influences and is very proud of its roots.
“Grateful to God, to the Recording Academy and to all those responsible for participating in this important production that represents the sacrifice of many years of career and effort,” expressed the artist.

Santacruz was also part of the singers who entertained the meeting. He appeared from Boca Chica, Dominican Republic to the rhythm of “Larimar”, the promotional song for his album.
The young Dominican posted a video on his Instagram account where he is very happy. He thanked his family, wife, mother and his brother Manny Cruz. To its engineers, musicians, fans and manager. As well as his country, the people who listen and dance bachata, merengue and all his followers. Long live the Dominican Republic!

The event was one of total innovation and, surely, it will become a starting point for other awards. Of course, the dedication and effort on the part of the organization cannot be denied; as well as the artists involved, all left their hearts on stage and showed that better times are to come. So be it!

You know “Domi Dance” Online

A new brand for dance comes to New York 

Domi Dance a brand of dance products, designed by ex-dancers for dancers.

The city of New York saw the birth in 2019 of a new brand of products for the dance world, a brand that seeks to reach all corners where music, rhythm and dance can be presented, by the hand of Dorelys Rodriguez, a former dancer who Since she was 7 years old, she has shown the world of dance, going from ballet, flamenco, salsa among other genres, I always dream of achieving many things in the dance world, hence it will never be possible to separate from this beautiful discipline. In his professional studies and work experience in the world of Marketing, he managed to devise a proposal that would manage to marry his great passions, his line of work in the world of sales and his passion for dance, from here DomiDance arises.

In the United States, Dorelys saw the opportunity to exploit his abilities to create a brand, a product, an object that would allow him to give him a new business and business life, without forgetting the main point of his idea, to be what the dancer needs, to reach your specific needs with a range of high-quality products at well-affordable prices for everyone, from the professional to the beginner who ventures into any discipline of this art.

Since 2019 Domi Dance has been able to position itself in many of the corners of dance, starting with its first product presented the openwork stockings, little by little it developed innovative strategies to enter the commercial game, facing large brands established in the American market, it was able to enter through of online sales a channel that allowed him to reach many people due to the boom in shopping through the web.

Domi Dance
Domi Dance Company

The brand claims to present its products under a first-level raw material line, quality is the main object in its line, they seek to offer quality above any point, customers can be sure of acquiring an object that will not be easy to beat. When it comes to bringing life to life on the stage and in the dance halls, Dorelys tells us ¨ we do not want a dancer to be under pressure not to sit on the floor for fear of breaking the stocking or shoes on difficult floors, we do not sell products unbreakable but difficult to beat¨.

Domi dance is not a sales space for other products, they are manufacturers, they are exclusive when designing products for their brand, they generate new ideas based on the direct experience of the dancer, they are concerned with investigating the experiences lived with the use of clothing and footwear in the scene, an element that drives them as a brand concerned with giving the artist what they need.

To date, it has a range of first-class textiles, ballet shoes, urban clothing and much more, all aimed at meeting needs in many disciplines. They continue to bet on their sales framework through digital platforms such as Amazon, Ebay, social networks such as Instagram, Facebook, among others. They have already developed a point of sale for Latin America, a business established in Panama, Colombia, Argentina, Venezuela and moving to other latitudes.

For this 2020 the projects are aimed at designing footwear for flamenco, tap, extending its textile line into leotards and garments in greater demand, working with masculine elements and continuing to advance in its extension project in America and Europe. Follow them on their social networks through @ domi.dance

By Jose Perez Correspondent, Bogota, Colombia

Orestes Vilató is one of the most influential figures in the world of Latin percussion

The Cuban multi-percussionist, Orestes Vilato, is undoubtedly one of the greatest figures in the history of Cuban drums known as timbales.

He is one of the most influential figures in the world of Latin percussion.

He was born on May 4, 1944 in Camagüey, Cuba, and currently resides in San Francisco, California in the United States.

He has worked with many of the best exponents of Cuban popular dance music and Latin jazz, from José Antonio Fajardo and Israel López (Cachao) to Rubén Blades and Carlos Santana.

He is one of the most influential figures in the world of Latin percussion. He was born on May 12, 1944 in Camagüey, Cuba, currently resides in San Francisco, California in the United States
Orestes Vilato is one of the most influential figures in the world of Latin percussion

During the 1950s, the Vilato family moved to New York, the world capital of salsa, where the young Orestes would rise to fame as an innovator of his beloved traditional instrument, “Los Timbales.

While living in New York City for 25 years, Orestes was intimately involved with many musical organizations that played key roles in shaping the course of Latin music around the world.

Among the many groups were: Fania All Starts (founding member), Ray Barretto, Tipica 73 (founding member), Los Kimbos (founder-director), Tito Puente, Johnny Pacheco, Cheo Feliciano, Ismael Rivera, Joe Cuba, Eddie Palmieri, Ruben Blades, La Lupe, Celia Cruz, Rolando La Serie, Chico O’Farril, Lionel Hampton, Los Chavales de España, Cal Tjader.

Other artists he has recorded or worked with include: Winton and Bradford Marsalis, Paco De Lucía, Whitney Houston, Linda Ronstadt, Aretha Franklin, Willie Nelson, Herbie Hancock, McCoy Tyner, Cachao, Andy García, Emilio Estefan, Gloria Estefan, Paquito de Rivera, Dave Valentín, Mongo Santamaría, Armando Peraza, John Santos, Rebeca Mauleon, Giovanni Hidalgo and Raúl Rekow.

In 1980 he moved from New York to San Francisco, California, where he worked with Armando Peraza, in the band of Chicano rocker Carlos Santana.

He later recorded with American jazzmen Bobby Hucherson and Buddy Montgomery, and with Cuban percussionist Luis Conte.

He also works with Jon Santos’ Batachanga Orchestra and Machete Ensemble.

He is one of the most influential figures in the world of Latin percussion. He was born on May 12, 1944 in Camagüey, Cuba, currently resides in San Francisco, California in the United States
Orestes Vilató Born May 12, 1944 in Camagüey, Cuba

In 1992 he recorded with Israel López (Cachao) as well as with Cuban percussionist José Luis Quintana (Changuito).

In 2009 he recorded his production entitled Orestes Vilató ?- Its About Time, with a repertoire in the style of Salsa, Latin Jazz, Descarga.

In 1981, Mr. Vilato moved to the San Francisco Bay Area, where he continues to reside with his family.   From 1980 to 1989 he recorded and toured with Carlos Santana’s renowned band.

Orestes was nominated for a Grammy in 1995 (Latin Jazz category) for his CD, Ritmo y Candela con Patato y Changuito. In 2009 his solo CD Its About Time was nominated for a Latin Grammy.

Orestes has recorded several film soundtracks including  Our Latin Thing, Mambo Kings, Carlito’s Way, Steal Big Steal Little, The Bird Cage, Dance With Me, Just A Ticket, Things To Do In Denver and The Lost City.

He has been a special guest artist at multiple jazz festivals around the country and in Puerto Rico, including the San Jose Jazz Festival.   He has performed and taught at numerous music conservatories including the Berkeley School of Music, UCLA, the University of Fresno, Stanford University, as well as many conservatories abroad.

Orestes was honored at the Yerba Buena Garden, Monterey and San Francisco Jazz Festivals.

Orestes’ style is one of the most imitated and emulated among recording artists.

Orestes Vilató It's about time
Orestes Vilató It’s about Time

Credits
Acoustic Bass – Carlitos Puerto Jr.
Backing Vocals, Handclaps – James Zavaleta
Bass – René Camacho
Bongos, Cowbell – Johnny “Dandy” Rodriguez
Co-producer, Timbales, Bongos, Lead Vocals, Cowbell, Cajón, Guiro, Maracas, Claves, Handclaps, Backing Vocals, Music Director – Orestes Vilató
Congas – Joey De León
Engineer [Assistance] – Joshua Blanchard
Engineer, Mixed By – Jimmy Branly
Executive Producer – Camerina Campillo, Ralph Campillo
Flute, Soprano Saxophone, Alto Saxophone, Tenor Saxophone – Justo Almario
Lead Vocals, Handclaps, Backing Vocals – Adonis Puentes
Mastered By – Peter Doell
Piano – Alberto Salas
Piano, Arranged By, Handclaps, Backing Vocals, Music Director – Rebeca Mauleón
Producer [Associate] – Manolo Santana
Tres, Acoustic Guitar – Ramón Stagnaro
Trumpet – Luis Eric González*, Sean Billings

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Rónald Gómez Original Venezuelan Sonero for the World

Rónald Gómez, One of the most respected young soneros of the New Generation

He belongs to the new legion of young soneros and projects himself as one of the greatest exponents of Venezuelan salsa at the national and international level; I am referring to Rónald Eduardo Gómez Ávila, known artistically as Rónald Gómez, born in Caracas on March 11, 1995, son of Sonia Ávila and Rónald Gómez; his brothers: Jesús Eduardo and Rónner Eduardo.

He completed his high school studies at the Orinoco High School and his university studies at UNEARTE in Caracas.

He has been living in Los Teques for some time and is currently living in Valencia.

The singer and sonero Rónald, started in music since he was 4 years old, when his father, also a musician, invited him to sing the song “Llorarás”, with the free orchestra of the UCV and from that moment he won people over with his charisma and his swing. At the age of 6, he joined the Chiky Salsa orchestra and due to his versatility, he later joined the Porfi Baloa Teenagers, first as a musician and then as a vocalist, and later as a member of the Porfi Klan staff.

Rónald Gómez soneros of the New Generation
Rónald Gómez One of the most respected young soneros of the New Generation

It is worth mentioning that Rónald Gómez, besides being one of the most respected young soneros in our country, has stood out as an excellent sportsman, being a member of the Miranda State Volleyball Team in various national competitions.

Gómez has had the honor of sharing the stage with salsa greats such as: Tony Vega, Maelo Ruiz, El Gran Combo de Puerto Rico, Cheo Feliciano, Ismael Miranda, Hermanos Lebrón, Frankie Vásquez, Hermán Olivera, Adalberto Santiago, Oscar D’León and was a special guest to sing along with Sonora Ponceña and La India from New York.

Rónald has worked with the orchestras La Dimensión Latina, the Dance Orchestra “La Resistencia Salsera de Venezuela”, the Cheo Navarro Tribute Orchestra and currently Los Adolescentes.

Ronald Gòmez One of the most respected young soneros of the New Generation
Orchestra los Adolescentes

Among the countries where Rónald Gómez has represented Venezuela are United States, Peru, Canada, Colombia, El Salvador, Ecuador, Mexico and Cuba.

Some of the songs he has recorded are: “No puedo vivir sin ti”, “Ya la vi” with Bailatino and “No temas al amor” and “Tengo un amor” with Los Adolescentes, which are played on radio stations and social networks.

What are your current projects, Rónald? Carlos, I am currently continuing with the Teenagers and I also have projects as a soloist; I am recording some things on the fly individually, obviously without leaving the orchestra and at the same time I have in mind to enhance the image as Rónald Gómez. Have you recorded any new songs? Indeed, professor, I have recorded some with the Teenagers and as I told you, I am going to record with some guests together with myself; that is going to be good and I hope you enjoy it; in due time I will make them known.

Ronald, where are you currently with the Teen Orchestra? At the moment I am in Miami, last week we were in Los Angeles, San Francisco and Santa Ana.

What can you tell us about your next tour? We are going to Colombia at the beginning of March, we will be alternating with Diego Galé and Maelo Ruiz, then we will be on a break there in Venezuela and then we will continue with the full tour in the United States, having concerts in: Houston, Utah, Ohio, among many other cities.

Finally, Rónald tells us that he feels satisfied by his successes at a professional level and wishes to continue to succeed inside and outside our country, with the support of all his family, musicians, friends and all the salsa musicians who enjoy his presentations.

It is important to emphasize that Rónald Gómez is characterized by his simplicity, professionalism and gift of people who will surely make him one of the greats of Latin music.

From “Salsa Escrita” and International Salsa Magazine, we wish Rónald the best performance and he always counts on us.

To contact Rónald Gómez, you can do it through the Instagram: Ronaldadolescentes.

Ronald Gomez soneros of the New Generation
The singer and sonero Rónald Gòmez

 

 

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Kaem and Marina. The Dynamic Duo in France

Europe / Francia

Kaem and Marina are most known as choreographers, international instructors & performers. They are the creators of the AsOne style in kizomba, and the founders of the KizAcademy Studios and the KizAcademy TEAMS worldwide.

Photo 1: Kaem and Marina
Photo 1: Kaem and Marina

They owe their international success to the stunning emotional power of their improvisations, the huge diversity, creativity and complexity of their moves and the artistic depth of their performances.

Their workshops became among the most praised in the world thanks to their groundbreaking methods of training inspired by hip-hop, contemporary, martial arts, athletics, acting, but also Tao, zen meditation, mindfulness therapy and spiritual practice.

Their 10 hours programs aim to make the student able to connect to himself, free himself from fears and judgement, dive in his creative world, learn to see his own technical flaws, master the movements in a very deep way, fully connect to his partner emotionally, master the energy flow between the partners, and the most important: learn to train by himself and build his own tools to become independent, and therefore free.

In June 2017, after 21 months of dedicated research and preparation, they created the KizAcademy Instructors School: the world’s finest and most complete program for instructors. Kaem & Marina’s career probably had one of the fastest growths the afro-Latin dance world has ever witnessed.

Only 10 months after they started learning kizomba, they made ” THE PIANO SOLO” a kizomba video that hit 1 million views within 4 days, and got them teaching and performing in festivals and events all over the world. After only one year of international career, they decided to stop working with festivals, to work with their teams and to launch their own schools worldwide.

Photo 2: Kaem and Marina
Photo 2: Kaem and Marina

They created the AsOne style, and reached their goal within 4 months and been able to welcome around 70 students in every class they taught. That allowed them to be totally independant from any other institution and to focus full time and with total freedom on their pedagogy, their technical mastery, and most importantly:

Their creative journey. But why is this path relevant?

Such a fast and rare evolution was only possible thanks to 9 pillars every artist has: o Vulnerability, self-acceptance, self-discovery and self-mastery.

  • Inspiration and exploration of what touches one’s heart
  • Developing one’s own style ,with sincerity and overcome the fear
  • Creating a program of training for oneself
  • Training on the deepest layer of movement : the natural motion and the biomechanics
  • Creating a program of workshop
  • Public speaking ,pedagogy and psychology of learning
  • Choreography drafting and cinematic video making
  • Expansion strategy, marketing and management

Anyone with an open and curious mind can learn all those things, The issue is that no one, so far, was teaching them.

Most of the masterclasses only focus on succeeding at making fancy moves. They totally disregard the development of the creative universe of the students, and they ignore all the other skills that make a complete creative dancer and a successful artistic entrepreneur.

Photo 3: Kaem and Marina
Photo 3: Kaem and Marina

During their carrier, Kaem & Marina became more and more aware of this mismatch between the existing concept of masterclass and what is really important to grow as an artist and have an international career. Therefore, they decided to create a full program for instructors that would prepare for the most important journey a dancer could ever experience: Self Discovery, Technical and creative Mastery and full self-expression.

For further information and courses https://www.facebook.com/KaemMarineAsone/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.