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Search Results for: Latin dance world

Why Does Everyone Know La Bodeguita Del Medio In Prague?

The Most Emblematic Restaurant / Bar In Havana (Cuba) Turns 19 Years In The “City Of Hundred Spires”

Five women sitting and toasting at the La Bodeguita del Medio bar
Spanish is also spoken in La Bodeguita Del Medio in Prague

Prague (Capital of the Czech Republic) has become one of the most hospitable major cities for Cuban migrants.

In this bohemian region nicknamed the “City Of Hundred Spires”, beer is the traditional drink of any establishment, so an authentic Mojito (made with natural spices that aid good digestion) is a delight for the palate of any inhabitant or tourist of the area. And you can only taste it in an authentic Cuban place such as La Bodeguita Del Medio.

This Restaurant / Bar was founded in the city of the Astronomical Clock 19 years ago (December 17th, 2002), six decades after the opening of the original restaurant in Havana (Cuba).

La Bodeguita del Medio is designed in the colonial style of 20th century Havana with live music and daily dance acts. It has two original bars and a replica of the famous Sloopy Joe’s Bar (a 20-meter long mahogany bar with high stools and luxurious display cabinets) that was made in Colombia. In this bar, besides the mojitos, you can also try more than 150 types of short and long drinks.

View from the stage with a pianist and singer performing at the bodeguita del medio in prague
Usually, there is a notice that says: Tonight Latino Dance Show

Regarding the menu, you will find typical Havana specialties, as well as seafood, fish, vegetables, and meat specialties. Also, and adding a bit of tradition, you will find the menu in Spanish and if you can attend every day at noon you will delight the international European menu.

Additionally, while you taste the variety of dishes and cocktails, you will enjoy a live Cuban band (generally trios) and performances by Latin dancers every night.

Six Decades Of La Bodeguita Del Medio

Night shot of the neon green facade of the Bodeguita del Medio in Prague
Food is prepared with fresh ingredients and according to the season in La Bodeguita Del Medio (Prague)

Based on the story written by La Bodeguita Del Medio in Prague

“For some reason unknown to us, it is said that La Bodeguita is located at a distance of one hundred cobblestones (stone carved in the shape of a rectangular prism for paving streets) from the largest American Baroque building in Cuba, which if proven, indisputably turns out to be true and is the Havana cathedral.

In 1950, La Bodeguita del Medio restaurant opened its doors at number 207 cobbled street…

Upon entering La Bodeguita (in Havana) for the first time, the olfactory senses revel in the delicious aroma of Cuban mint, while tasting the special herbs, which do wonders for the digestive system. Thus, these inseparable ingredients became the rudiments of the famous drink that we know today as MOJITO, whose current shape and flavor were developed in La Bodeguita.

At the back of the Havana Bodeguita restaurant, guests have the opportunity to sample excellent Cuban cuisine, while enjoying the sounds of traditional melodies sung by a Cuban trio.

Now let’s go back to… 1942 when Ángel Martínez Borroto bought a small shop in the still fortified old town of the city. A short time later, he dedicated himself to managing and developing his small business, called La Casa Martínez… For some time… clients would come to La Bodeguita to settle their business with a glass or two of rum.

Among the most prominent regulars who frequented the Bodeguita at that time, were the classic Cuban poet Nikolas Guillén and the notable prose writer Alejo Carpentier. Little by little, La Bodeguita established an impressive client base, which turned out to be a popular choice for intellectuals, artists, and bohemians… In fact, over time, La Bodeguita became a forum for progressive-thinking intellectuals (who came from Latin America and the world) to meet and debate.

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…Initially, meals were only available to family members and the few waiters, prepared by Martinez’s wife, nicknamed “Armenian girl” (presumably because of her dark skin tone).

At this time, the main ingredients were a combination of black beans and white rice or as it were more often called: maoríes y cristianos.

To finish, the guests were served baked pieces of pork, called “Fried Pork Masses” and fried plantain chips known to the locals as “Plantain Tostadas.”

Martínez was dedicated to satisfying the requests of his most trusted customers and later began serving food, even though people only paid for drinks.

Crowded bar area in Prague's Bodeguita del Medio
Smoking is allowed in this establishment (La Bodeguita Del Medio-Praga)

In 1950, the title of Martínez’s company was indefinitely changed from La Casa Martínez to the name the regulars had been using for some time: La Bodeguita.

This same decade also saw the arrival of a new wave of clients from around the world, including artists such as American singer Nat King Cole, Nobel Prize Winner for literature Ernest Hemingway, and female beauty idols Brigitte Bardot and Sophia Loren.

…Today La Bodeguita del Medio serves as an unwavering reminder of its bohemian past where guests, whether intellectuals, politicians, or passersby, continue to meet and pass the time.

As for the colonial Bodeguita building, dating from the late 19th century, many visitors believe that the collection of priceless signatures, memorabilia, and photographs preserved on the stone walls deserves to be listed in the Guinness Records Book.”

Everything You Always Wanted To Know About La Macumba

The Number One Latin Music Bar In The Czech Republic

Couple dressed in black dancing in La Macumba, Prague
La Macumba opens its doors from Monday to Saturday from 5:00 PM to 4:00 AM

Experts say that La Macumba is the Latin bar chosen by tourists as the number one among the best places for fun with Afro-Caribbean music to visit in the capital of the Czech Republic.

Every day (except Sundays) are days of continuous eleven-hour parties (from 5:00 PM to 4:00 AM) in a Cuban atmosphere and at the cost for admission of approximately five euros.

Saturday nights are the busiest days, thus it is recommended to go before 11:00 PM to dance on the dance floor having a great space. Likewise, to order your favorite cocktail you don’t need to know the Czech language because the bartenders are Cuban and speak Spanish, so your fun will never disappear neither an instant.

To attend La Macumba you must wear casual clothing and not carry excess belongings because inside there is little space to sit and leave them. The environment is designed with an American car from the 50s, there is an area allusive to the streets of Havana, and added to this, all the decoration includes the illusion of beaches and palm trees of the Cuban capital, so your stay in the bar will be one of the fastest trips you will make to Havana in one night.

Facilities of the Latin bar La Macumba in Prague with dancers on the dance floor
In this Latin bar, you can taste varieties of traditional Cuban drinks as well as cocktails

The recommended minimum limit to have fun inside the Latin bar is two hours due to a large number of activities, the best DJs in Prague mixing the greatest hits of Latin music (DJ Alejandro, DJ Chocolino, DJ Lázaro, DJ Mario, and DJ El Rey), theme parties with a program and demonstrations several times a week, and various instructors who teach amateurs and enthusiasts to move to the Salsa rhythm.

The owners of the Macumba are the dancer Mandy Valdés and Robert Šmítek.

Mandy is a Cuban immigrant with many years of experience as an instructor in the Czech Republic. He was one of the first Salsa teachers in the country and many of today’s teachers were his students. Mandy in addition to the Salsa, teaches Cha-Cha, Merengue, and Bachata. Also, he played percussion in various Cuban bands and still performs occasionally.

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Mandy can convey a love for Salsa and dance techniques with patience and humor. He is aware that each learner assimilates the lessons at his/her speed, so he generates an individual approach throughout the teaching stage.

His classes are based on mastering the basic movements that should look elegant and natural. “You won’t see so many variations dancing in Cuba, but the dancers are incredible and sensual. And that’s what Hot Salsa is all about. Salsa is not science, it’s fun”. Mandy commented.

On the one hand, Robert began dancing at 16 years old in dance clubs in the country. He has been a champion in dance performance since 1999, Czech vice-champion, a semi-finalist at the World Championships. He won the Cup in Torino (Italy) and first place in the Salsa championship of the Czech Republic in 2002, just to mention some of his greatest successes.

64 / 5000 keyboard Resultados de traducción Dancers dressed in red dancing in the Latin bar La Macumba
Every day is a Cuban party in La Macumba

The name of the bar La “Macumba” means black magic in the Latin American world and just in the heart of Havana, the people enjoy with great interest a club called with this name, “Macumba”, which is the most sought-after and popular company in Caribbean island. It is why Robert and Mandy decided to bring this positive Latin American charm to this golden city located in the heart of Europe, Prague.

This Latin bar has Salsa lessons every day. On Tuesdays, Wednesdays, and Saturdays, the Salsaholics professors are teaching the Casino or Salsa Rueda style. In these lessons, you will have a lot of partner swapping and the dynamics are very natural as well as fun. Here, you will get a wide skill of performing figures led by a lead dancer.

Also in La Macumba, you can learn Cuban Salsa with the instructor León. The experienced teacher León and his dance partner Saška will introduce you to the tradition of the Afro-Caribbean land so that you can feel and understand the roots of Salsa. The classes have twirls and dance steps of this genre that are increasingly the connecting of joy in people around the world. You can find León at this club every Monday and Thursday.

La Macumba Is The Number One Latin Music Bar In The Czech Republic

Venue: Štefánikova 230/7 150 00 Prague 5-Anděl, Czech Republic

 

Jorge Luis Suárez is a singer, musician and multifaceted artist and a bastion of Afro-Caribbean music

In Venezuela, the musical talent is undoubtedly first line and proven quality on any stage nationally and worldwide.

Specifically in the state of Lara and in the city of Barquisimeto, a great number of artists with category and hierarchy have emerged and been born, exalting our Latin rhythms.

For this edition of “Salsa Escrita”, we are honored to have as a special guest vocalist Jorge Luis Suarez, pride and bastion of Afro-Caribbean music and various genres, who, for years, demonstrates his class and professionalism.

Jorge Luis is a singer, musician and multifaceted artist; born on August 7 in the city of Maracaibo, son of parents from the city of Carora, where he spent part of his childhood in that state and began to lean towards music, having as main influence his father, who played the guitar and sang romantic music.

In the early 80’s, he moved to Barquisimeto to attend university and was discovered as a singer and player of the bass, cuatro and guitar. Welcome Jorge Luis Suarez to “Salsa Escrita”, through International Salsa Magazine, www.salsagoogle.com.

Vocalist Jorge Luis Suárez, pride and stalwart of Afro-Caribbean music
Vocalist Jorge Luis Suárez, pride and stalwart of Afro-Caribbean music

To begin this pleasant, enjoyable and long awaited meeting, because we wanted to have you as one of our interviewees and tell us about your experiences about your artistic career, which has been very successful nationally and worldwide for the pride of all who know you.

Thank you Professor Carlos Colmenárez, for inviting me to your well read and recognized salsa column, unique in the center-west of the country and in which you project Venezuelan musicians worldwide.

Jorge Luis, with which groups did you begin your journey through this wonderful art, in which you have demonstrated versatility, perseverance, discipline and quality?

Jorge Luis is a singer, musician and multifaceted artist
Jorge Luis is a singer, musician and multifaceted artist

Well, let me tell you that I started my musical activity professionally, being part of groups of regional renown, among them: “Las Estrellas del Momento”, “Orquesta Alegría” and then “Venezuela en Gaitas”, “Sazón Latino” and in the late 80’s and early 90’s, I became part of the staff of the orchestra “La Banda Actual”, a salsa icon in the state of Lara.

By the way Jorge, we remember your beginnings with “La Banda Actual” and it was an obligatory reference to be hired in private parties, night clubs and of course to share the stage with great artists and luminaries of the Latin-Caribbean music genre.

In which billboards did you have the joy and privilege of singing, alternating with national and international stars?

Indeed professor, with Banda Actual we performed with Héctor Lavoe, Wilfrido Vargas, Las Chicas del Can, Porfi Jiménez, Guaco, Los Melódicos, Hermanos Carruyo, Billos Caracas Boys, Orquesta La Crítica and many more, in their visits to Barquisimeto, having as locations the Domo Bolivariano, Complejo Ferial, among others.

In fact, Jorge Luis and due to your outstanding and outstanding vocal ability, the son of the maestro Billo Frómeta, Luis Frómeta, called you to join the ranks of the Billo Caracas Boys, how was that experience?

With Billo I learned to have more artistic discipline and gain experience for 4 years, recording three albums touring Latin America, the United States and Europe; precisely in the carnivals of Tenerife we starred in the Güines Record in public attendance at a bailanta, sharing the stage with Celia Cruz and Oscar D’León.

Jorge, tell us about your entrance to the orchestra of the world’s sonero Oscar D’León.

Professor Carlos, precisely because of that event in the Canary Islands, maestro Oscar called me and told me that he needed a vocalist with my characteristics to accompany him in his shows and international tours and honestly it was a difficult decision because with Billo Caracas Boys I was well established along with other Barquisimetans: Ely Méndez and Wolfang Perdomo, integrating the line of vocalists at that time, pure “guaros”.

But maestro Oscar’s offer seemed interesting to me and I finally said yes. With the Sonero del Mundo, to whom I owe a lot, because thanks to him I established myself even more as a performer and especially in salsa, taking his recommendations to the letter and of course it was an unforgettable experience, because with his orchestra we toured many countries and performed in venues such as: Carnegie Hall, Madison Square Garden, House off Blue in Los Angeles, Orange Ball, jazz festivals in Europe, sharing with renowned artists.

Professor, I wanted to tell you that at the same time working with Oscar’s orchestra, I recorded my production “Una Tercera Persona”, in the middle of 1992, which included the hit “Niégalo Todo”, obtaining the first places in the hit parade.

In that production I was accompanied in the recording by renowned musicians such as: Luisito Quintero, Roberto Quintero, Robert Vilera, Raul Agraz, Yorman Leon and the Nicaraguan Luis Enrique.

Jorge Luis is a singer, musician and multifaceted artist, born on August 7 in the city of Maracaibo, son of parents from the city of Carora, Venezuela.
Jorge Luis is a singer, musician and multifaceted artist, born on August 7 in the city of Maracaibo, son of parents from the city of Carora, Venezuela.

Jorge, how many years did you stay with Oscar and why did you decide to leave his orchestra?

I was with Oscar for about four years and I decided to leave the group due to major reasons, as a result of business and commercial commitments that I had and still have in Barquisimeto.

For those who do not know, Jorge Luis is a multifaceted artist and has managed to venture as a vocalist in different musical genres, from salsa, gaitas, tropical danceable, guaracha, merengue, Venezuelan and boleros; achieving in this last aspect, being the arranger and musical producer of the trio Carora International at the end of 2014.

At the same time, he produced and performed 19 songs of Venezuelan music with arrangements by Jean Piero Gonzalez, which will be released soon.

Jorge Luis, having settled again in the musical capital of Venezuela, with whom have you recorded? Professor, in Barquisimeto I have been invited to record with the following groups: Venezuela Somos Gaita, Nikitao, Amantes de la Gaita, Venezuela en Gaitas, Unión Gaitera, Rafa y sus Diamantes, Grupo Colorama, Con Klase, Orquesta Variación, Orquesta la Mayor, Orquesta la Gran Premiere, Venezuela Rumba, La Orquesta Raza Caribe, recording with the latter 8 songs in the production that is about to be released. I was also invited to record with the Orquesta Son Colón de Maracay and with the Latin Grammy nominees, our Grupo Santoral de Barquisimeto, participating with them as a special guest in the show “El Amor se Canta”, in celebration of the Day of Love and Friendship, touring, starting at the Teatro Juares and other cities in the country, as well as private presentations.

As for current projects, what can you tell the readers of Salsa Escrita? Currently my second solo production in the salsa genre is about to be released, with arrangements by multi-instrumentalist Taylor Aranguren from Barquisimeto and myself.

We are launching the record label, precisely this June with the promotional track “No lo beses”, a song that was interpreted by Alejandro Fernandez, by the Mexican composer Jose Luis Roma.

The production is called “José Luis Suárez Covers”, which includes songs that have been hits around the world, such as: Cobarde cobarde, Escándalo, La bomba, Cuatro rosas, Darte un beso, El amor más grande del planeta, Bailando, No lo beses, among others. In this production, I am accompanied by my nephew Taylor Aranguren, the musicians: Carlos Giménez, Rómulo Paiva, Jeison Marchán, Wílner Navas, Freddy Adrián, in the master and mixes: Latín Récods Digital. Sound engineer: René Zerpa and in the general production: Jorge Luis Suárez. Jorge Luis, what are your social networks or digital platforms to interact with your followers? My contacts are, Instagram: @jorgeluissuarezoficial, Youtube: Jorge Luis Suárez Oficial, [email protected]. Jorge Luis, to finish, we want to congratulate you for your perseverance in music and wish you to continue harvesting triumphs, because you have quality and to spare.

Salsa Escrita “La Columna Salsera de Barquisimeto”, will be at your disposal to support you in your present and future projects, good luck… Thank you professor and personal friend, Carlos Colmenárez, for giving me your support in your salsa column, unique in the west of the country and thus allowing you to reach your regular readers around the world; again a thousand thanks, blessings and long live Venezuela!

Article of Interest:  Gerson Aranda “La Tabla de Caracas”

Carlos Colmenárez

Correspondent in Venezuela for International Salsa Magazine

2022: the International Salsa and Bachata Oaxaca Festival.

For the year 2022, in Mexico the capital “Oaxaca” gives us a preview of its next musical event, especially salsa and that is the “International Festival of salsa and bachata, Oaxaca the salsa capital of Mexico” which will take place from March 17 to 20, 2022, the participants and organizers of the festival are known as a very competitive community in the genres of Salsa and Bachata where they show all their capacity during the course of the festival through the competitions held in each of their categories of dance.

For this new event it has some of the best exponents of these genres in the country and they are concentrated in the state of “Oaxaca” and to date they currently have the participation of some of the most important directors of the country and dance companies, which are:

  • Rhythm and Flavor (Joel and Erika),
  • Na´Ma sauce (Jorge Martinez),
  • Son and Cache (Fito Burgoa),
  • The Latin Show (Enrique Jarquin),
  • The Salsa Hall (Carlos Vargas)
International Salsa and Bachata Festival Oaxaca 2022
International Salsa and Bachata Festival Oaxaca 2022

In this 8th edition of Oaxaca Salsa and Bachata Festival, the organization offers you 2 lodging options near the host hotel (the Hotel Misión Oaxaca San Felipe), the Suites Xadani and La Casona Colorada hotels, which will begin to reserve your room. from now on, and if you have any questions, you can contact Mrs. Mavis Escobar at the number +52 9511181624

  • From Mexico will be the teacher Fernando Sosa and his team Tropical Gem.
  • From Spain, for the first time in Mexico, Oaxaca, the teachers and world champions, Adrian and Anita.
  • From Spain and also for the first time in Mexico and Oaxaca, the multi-time bachata champions, Andres and Yessica.
  • From Cuba will be the teachers of teachers, Tito Ortos and Tamara Livolsi.
  • From Cuba and currently based in Europe, for the first time in Oaxaca, the great teacher, Yoandi Villaurrutia (Yoyo Flow).
  • From Cuba will be your beloved teacher, Alien Ramirez
  • From the United States (USA), the artistic director, Zeke Ruvalcaba
  • From Colombia once again being part of the cast, Dany Salsita y su Fábrica.
  • From the United States, for the first time in Oaxaca, the maestro Celso Orozco and his Speranza Pro Team.
  • From Costa Rica, there will be one of his great friends from the event, David and David.

For more information about the festival that will take place in the capital of Salsa “Oaxaca”:

  • Facebook: @OAXACASALSAYBACHATAFESTIVAL

Nelly Ramos, A Woman of Wood “Honorary Teacher”

Growing up with music, living from music, producing music, performing music, studying music, is not a cacophony, they are different states that a music lover can go through.

Either involved with one or several roles on the subject simultaneously. It is true that their development is transversed by music as a field that requires developing cognitive, motor, intellectual, and social skills, and even those required by the industry, such as those related to negotiation and marketing.

 Nelly Ramos, A Woman of Wood “Honorary Teacher”
Nelly Ramos, A Woman of Wood

This means that music involves memory for the need to learn, remember and evoke; it involves dance as a pleasant form of non-verbal communication; it involves musical performance for the execution in various disciplines; it involves ingenuity and creation, to make arrangements and compositions; it involves social interaction, for the role of music in dances, concerts, programs, parties, festivals, competitions, orchestras and groups and finally it involves a field that very few are concerned with, such as research.

But even though for the music lover music occupies a transversal axis, his daily life demands him to fulfill the necessary requirements to live in society, in them, the need to work, study, and take care of the family without neglecting to cultivate himself as a person simultaneously with enriching his spiritual demands.

Linked to all this panorama is a basic principle based on birth as a source of explanation of what men and women will be and will do. We came into the world unprotected, it was our parents who at that stage facilitated our adaptation to life, and as we grew up they unconsciously drew up a script for us about what we would be in the future, often being disappointed by not seeing any of their projections fulfilled.

Growing up with music, living from music, producing music, performing music, studying music, is not a cacophony, they are different states that a music lover can go through.
Awarded as “Honorary Teacher” of the National University of the Arts.

During the first years of life, the school and the family took the reins of our formation, socialization and the transmission of values, but in this process, the influence of the environment played a preponderant role by carrying behind it a hidden curriculum whose function was to transmit information to us, different from what the school or the family could have covered. In my personal growth,

the influences received by the environment that offered me living in a neighborhood such as the Marín neighborhood in the parish of San Agustín del Sur in Caracas were decisive.

It was living my adolescence in the ’70s, wrapped in the confluence of uses, customs, traditions and a whole diversity of socio-cultural practices inherent to the daily life of the neighborhood all culminating in shaping my tastes, my preferences, my interests, my way of being, of saying and acting.  How to escape, for example, from the practice of a neighbor located at the top of the neighborhood who habitually listened to salsa amplifying it for the whole community; to coexist with the Saturday rehearsals of Frank y su Tribu and Mon Carrillo and his sextet or the almost daily practices of Alfredo Padilla studying his timbal on the balcony of his house, or Pedro García “Guapachá teaching the youngsters his tumbadora techniques; or waiting every year end for the street descargas; dancing in the parties and temples enjoying the song “Rómpelo de los Dementes, “Guasancó” by Sexteto Juventud or “Pao Pao” by Federico y su Combo Latino; listening to the salsa hour with Phidias Danilo Escalona was a must at lunchtime, and at night “Quiebre de Quinto” with Cesar Miguel Rondón.

 Nelly Ramos, A Woman of Wood “Honorary Teacher”

Nelly Ramos, A Woman of Wood “Honorary Teacher”

Obviously, what I have said in this account is nothing more than a brief synopsis of how much influence I may have received, but when added together they give as a result of the support of my expansion through a cultural world that was seasoned by pop music and the expressions of the hippie movement during the 70s.

I continued my formal education studying Psychology at the Central University of Venezuela, simultaneously I studied Theory and Solfeggio with Professor Eduardo Serrano and then at the José Lorenzo LLamozas School, another part of my time was dedicated to studying Traditional Dances at the National Institute of Folklore.

In 1977, a group of musicians and young people from the Marín neighborhood promoted the creation of the Madera Group, through which we were able to channel all those concerns experienced in everyday life.

Maintaining the activity with the group, I got involved with Choral Singing at the Vinicio Adames Foundation.  At the Bigott Foundation, I studied percussion with Professor Alexander Livinalli and popular singing with Professor Francisco Salazar.

I was a member of the group “Afroamérica” formed by Jesus Chucho Garcia, Miguel Urbina, Benigno Medina, Orlando Poleo Johnny Rudas and Faride Mijares. Since 1988 I dedicated myself to the production of Didactic Encounters of percussionist musicians teaming up with Jesús “Totoño” Blanco (R.I.P) and José Agapito Hernández.

In 1993 I was chorister of Marianella y su Orquesta. I was part of the Editorial Board and at the same time an article writer of the magazine “Así Somos”, a publication of the Ministry of Culture.

Pending not to neglect my academic interests, I dedicated myself to pursuing a Doctorate in Education at the Universidad Católica Andrés Bello.

Moving on to another facet, I had participated as an actress in the film “Pelo malo” by Mariana Rondón (grandmother Carmen) obtaining the award for a best supporting actress at the Tribeca Film Festival in New York (2014), in the Venezuelan Film Festival-Cinelco (2014) and the Municipal Film Award (2015), then I participated in the video clip of “De tú a tú” of Lasso’s promotional album in 2014.

Nelly Ramos y Dj. Augusto Felibertt
Nelly Ramos y Dj. Augusto Felibertt

Awarded as “Honorary Teacher” of the National University of the Arts (Unearte), in recognition of the cultural work developed.

Facebook: Nelly Josefina Ramos Tovar

Article of Interest: Professor MSc. Carlos Colmenárez and his “WRITTEN SALSA”

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.