

Domingo ”Tito” Gutiérrez is one of those names that can never be missing when talking about Latin music in the United States, since the contribution made by this musician has been invaluable. That is why we found this to be a good opportunity to look back on the trajectory of this great artist, who has demonstrated again and again that the language of music is universal and crosses borders.

Tito Gutiérrez was born in Guánica southwest of the ”island of Enchantment”, Puerto Rico on August 16, 1957 into the heart of a culturally Latin family, especially in the case of music. However, he moved with his parents to New York City when he was about 11 years old.
Given that little Domingo had to start making friends again after the move, he took every opportunity to interact with other children of the same age, which led him to meet a group of kids enthusiastically playing instruments in a park.
The boy had never played an instrument before in his life, so he felt a little intimidated at first, but that did not stop him from approaching them and saying he wanted to play with them. When asked him what instrument he played, he replied that he played the bongo, since he noticed that the improvised band did not have one.
This is how Domingo joined them, started playing the bongo and continued playing it until he became a professional of this instrument.

In 1972, he finally ventured into music at a professional level with the same instrument with which he began in this world during his childhood and it was the group El Son De Hoy that gave him his first job opportunity.
Not much time would pass before he became a musical director and founder of an orchestra when he created his own group called Orquesta Borinqueya. At the same time, he was also working with the Orquesta Alianza Boricua, with which he was recording a studio album.
For a period of approximately five or six years, the artist has been recording with countless local orchestras with which he has continued to make a career and expand his musical curriculum, such as Orquesta La Crítica, Orquesta Nelson Feliciano, Orquesta Crisis, Orquesta Guainía, among others.
In 1978, he went to live in New York and did his thing with the bongo along with some groups such as Grupo Melao, Conjunto Avicú and Peter Brown Jazz Cuartet.

In the late 90’s, his fame had grown so much that he has had the opportunity to work in orchestras of international stature such as Orquesta La Terrífica, Orquesta Costa Brava, Orquesta de Simón Pérez, Orquesta de Roberto Ortiz and more. He has also shared the stage with Ismael Miranda, José Alberto ”El Canario”, Andy Montañez, Cano Estremera, among others.
Today, he plays for La Sonora Ponceña of Puerto Rico, ”45 Aniversario” being the first project he recorded with the group and has participated in a number of albums with this great team.
While on tour with the different orchestras to which he has belonged, he was able to visit a large number of countries such as Venezuela, Ecuador, Mexico, Colombia, Costa Rica, Peru, Panama, Spain, France, Italy, among others.
Parallel to all this, Domingo has his own line of bongos which he named ”Tito Gutierrez Bongo Series”. This line is part of an initiative of the Reyes Family, who are a group of Colombian artisans who are dedicated to designing bongos of different colors and sizes.
Read also: Jerry Rivas, career, and support for the Spaha Salsa Gallery Museum

Johnny Cruz Correspondent for ISM in New York City
Latino America / Colombia / Medellin

On July 10, 11 and 12 in Medellín, 3 days of great experiences were lived, we were part of the 1st edition of a great festival, the Guaguancó Salsa Fest, developed in the beautiful town of Envigado.

We were able to see a gala of great talents of dancers from all over the country, from Cali, Bogotá, Ibagué, Barranquilla, Popayán and local schools.


From the first day we were able to demonstrate the professionalism of soloists, couples and groups, from the largest to the stars of the festival, the smallest, who left the audience in shock with their talent.

Semifinals and finals were full of high-level choreographic samples, steps, turns, cleans, tricks and the best acrobatics filled the afternoons of that weekend with a great show, equally full of parties for the local celebrations in Envigado. The most attractive categories were those guided by acrobatics, the well-known Cabaret, children and adults showed their best tricks, movements of great technique and high level of complexity.


In future editions we will be showing the great results of the competitors, academies that have been working to give the best of their talent in the national and international competitions to which they have a place.

Latin America/ Puerto Rico / San Juan
Recognized as one of the most innovative musicians of his generation, Humberto Ramírez grew up in a home where the music of Miles Davis, Thelonious Monk, John Coltrane, Lee Morgan, Tito Puente, Tito Rodríguez, Cal Tjader and Machito was heard.
His father, who is a saxophonist and conductor, was the one who inspired him to play the flugelhorn at age 11.
By the age of 14, Humberto was performing professionally with his father’s orchestra and at the same time taking orchestration courses with bassist Inocencio “Chencho” Rivera.

At the age of 18, after graduating from the Escuela Libre de Música de San Juan, his interest in composing and arranging music motivated him to enroll at Berklee College of Music in Boston, Massachusetts where he obtained his bachelor’s degree in music, then studied composition and orchestration for film and television at the Dick Grove School of Music in Los Angeles, California.
In 1985, and for a period of four years, Humberto worked with the Willie Rosario orchestra, one of the most popular bands in Puerto Rico.
In 1989 he became the musical director of Tony Vega.
His admirable ability as a producer and arranger led him to make important collaborations with great figures in music.
In 1999 he took over the musical direction of merengue and tropical music star Olga Tañón.
His work as a producer, arranger, composer and director for tropical music artists such as Willie Colón, Gilberto Santa Rosa, Marc Anthony, India, Domingo Quiñones, Lourdes Robles, Rubén Blades, Brenda K. Starr, Tito Nieves, Víctor Manuelle and others , has established him as one of the busiest arrangers and producers in the industry.
He has also had the responsibility of directing the concerts of important exponents of reggaeton such as Daddy Yankee, Tito El Bambino and Zion, which undeniably demonstrates his broad musical mastery in various genres.
His great dream was always to develop a career in Jazz. In 1992, Humberto Ramírez debuted as group leader in his first production for the Tropijazz label entitled “Jazz Project”.
Since then he has shared the stage with important jazz musicians such as Freddie Hubbard, Justo Almario, Alex Acuña, Chick Corea, McCoy Tyner, Gonzalo Rubalcaba, Tito Puente, Hilton Ruiz, Michel Camilo, Herbie Hancock, Eddie Gómez, Michael Brecker, Paquito D ‘Rivera, Chucho Valdés, Ray Santos, Gato Barbieri, Terence Blanchard and Herb Alpert, with whom he recorded the album “Passion Dance”.
His music has received rave reviews from prestigious publications such as Down Beat, Jazz Times, Jazziz, Latin Beat, CD Review, Hispanic Magazine, New York Daily News, The Plain Dealer, Miami Herald, The Boston Globe, and Austin Chronicle.
From the launch of his first record proposal, Humberto Ramírez has established himself as the most important exponent and promoter of Jazz in Puerto Rico.
He has recorded 26 albums in which he has experimented with all kinds of formats: duets, trios, quartets, quintets, sextets, octets and “Big Bands”.
His collaborations with the group Rumbantela and with the queen of filin, Lucy Fabery have received great praise from specialized critics. In 2005 he founded his own record label, Nilpo Music and last year he began to present his own Jazz festival: Puerto Rico Jazz Jam, marking a new stage in his musical career.

This year 2011 celebrates its 20 years cultivating the difficult expression of Jazz, a career that began with its debut as a leader in the first edition of the Puerto Rico Heineken Jazz Fest in June 1991. This year 2016 celebrates its 25 years.
Humberto Ramírez has received 4 Grammy Award nominations as a producer. His first nomination was for the album “Nueva Cosecha” by Willie Rosario in 1985, then for “Hecho en Puerto Rico” by Willie Colón in 1993, “Tony Vega” in 1996 and “Olga Viva, Viva Olga” by Olga Tañón, which earned him the Grammy Award in 2000.
In 2013 he was nominated for a Latin Grammy for his album Sentimentales with Lucy Fabery.
Among the awards he has received are 6 Platinum records, 12 Gold records, 4 “Visionary Awards” and six “Tu Música” awards. He has received tributes from Ohio State Representative Dennis J. Kucinich and from the Senate of Puerto Rico.
In 1997 he had the honor of entertaining the inauguration of the President of the United States, Bill Clinton in Washington, D.C. In October 2009 he was invited to play at the White House for President Barack Obama.
After having received several awards and nominations, as well as having recorded his own record successes, Humberto Ramírez shows that his creative explosion is still in its infancy.
https://www.humbertoramirez.com/#home-section
https://www.facebook.com/Humberto-Ram%C3%ADrez-Jazz-Project-110525453672/