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Ray Rodríguez and The Colao Band promote Latin music in San Antonio, Texas
Ray Rodríguez is a talented professional musician and ex-serviceman with whom we’ve had the great pleasure of talking to about his career and other interesting details of his life in general. This descendant of Puerto Ricans has shown us a little-known side of himself, and we’re more than happy to share it with our dear readers today, May 1, 2026.

How Ray got his start in Music and who inspired him
Ray came from a family full of musicians, but his father and grandfather dedicated themselves to the craft of building string instruments such as guitars, requintos, and cuatros. His grandfather, besides being a craftsman, was also a very talented musician, so he was in high demand in his town to liven up events of all kinds. Seeing so many musicians testing the quality of the instruments at home all the time, little Ray tried to be around to learn the tones he heard.
Over time, he had his own guitar and carried it with everywhere he went, something that his family always supported, and he is so grateful for that.
Enlistment into the United States Army
Music was always very present in Rey’s life, but he had not yet mastered it very well, and his interest in it had not developed much at all, so he joined the United States Army. However, once there, some of his fellow soldiers were also musicians, and taught him to play other instruments, but it did not end there. It was at this stage that his interest in singing was sparked and he dedicated to this profession after his retirement. That was 26 years ago.
He came to be there for a total of six years. In the beginning, he joined as an infantryman and later became an artilleryman. He also attended aviation school for about a year, but unfortunately had an accident that fractured his leg in six places, so he was given the option of staying or changing jobs again, and he chose the latter.
It should be noted that he spent much of his service in Germany, and being there, he devoted much of his free time to listening to music that reminded him of his roots and playing it as a hobby.

Why he chose Texas back to the United States
Having been born in Boston, Massachusetts, it struck us that he chose Texas as his new home. On this subject, he told us that his best friend was parked at Lackland Air Force Base in San Antonio and invited Ray to visit him. The artist enjoyed his walk around the city so much that he decided to stay there, so he applied to work at the City of San Antonio Aviation Department and got the position. After completing his retirement procedure, that was how he went directly to San Antonio, where he continues to live to this day.
As for the musical panorama he found there, what dominated the most at the time was regional Mexican music, so salsa, merengue, and other genres of that type were just beginning to take their place on the local music scene. Fortunately, things have changed since then. During those same years, Ray was invited to a rehearsal with the merengue band Grupo Chocolate to serve as a backup singer, and he spent about six years singing with them, but also became the band’s manager and owner.
Already in the year 2007, the band unfortunately broke up and all the members went their separate ways, which is when Ray finally decided to form his own band, The Ray Colao Band.
The Colao Band
For a time, Ray was the singer of Tito Puente Jr.’s band, and both he and the timbalero were having lunch at a restaurant and talking about the band Ray wanted to start. Ray explained to him that his project was like a mix of everything and that it was all “colado” (in this context, it means everything is mixed together). In addition, he always snuck into someone else’s stage without being part of the group (”colado’’ in Spanish), so Puente gave him the idea to use that name for his band, and it was.

As for his accompanying musicians today, we can mention guitarist and singer Jessi García, guitarist, pianist, and bassist Rogelio Romer Hidalgo, singer Gilberto Álvarez, percussionist Georgie Padilla, and the late Jesús Navarrete. These were the members who formed the core of the band, and almost all have been working alongside Ray for about 18 years continuously, except for Gilberto, who spent some time in Puerto Rico but then rejoined them. After them, The Colao Band also welcomed Hainel García and Robert García.
In addition to the band, Ray has also been able to open his own restaurant, Cuba 1918, which he has been running for about four years. He says the project is going very well and that it has become a music and arts venue where he hires various bands to entertain customers during their meal.
Read also: Actress, comedian, and singer Carmen Nydia Velázquez tells us about the best of her career
Latin America / May 2026
Bailatino & Negramenta
Latin America / Venezuela / Caracas
Bailatino & Negramenta

This December, Hard Salsa Bar—the go-to spot for themed parties dedicated to spreading, promoting, and enjoying Latin music—invites you to experience an incredible atmosphere in their top-notch facilities.
They have just announced their year-end bash taking place on December 17th. The event features a New Year’s dance hosted by Hard Salsa Bar and Christian Paul Escobar (Splinter), starring two of the best Venezuelan orchestras today: Bailatino and Negramenta. It will be an authentic “mano a mano” (head-to-head) performance featuring their greatest hits.
The night will be soundtracked by DJs Augusto Rafael Felibert Palacios and Jesús Adrán, who will keep the energy high with stellar musical repertoires. It’s a night designed to satisfy true salsa aficionados and keep everyone dancing until dawn. Get ready for a world-class celebration as we gear up to say a grand goodbye to 2016 in the coming days.
This exciting event will take place on the second floor of Posada del Pollo on Panteón Avenue, Caracas. The party kicks off at 8:00 PM and will keep going until 6:00 AM the following morning. For all those attending this great event, guaranteed security will be provided, along with free on-site parking (limited to 50 vehicles).

Starting December 1st, tickets will be priced at 6,000 Bs. Please note that tickets will not be sold at the door, and availability is limited.
Affordable drink prices are guaranteed throughout the night; however, there are certain entry requirements and house rules to keep in mind:
- Prohibited Items: No weapons, t-shirts, caps, backpacks, or luggage allowed.
- Age Limit: Must be at least 21 years old with a valid ID (cédula).
- Dress Code: Semi-formal attire.
- Seating: Tables cannot be reserved (first-come, first-served).
- Admission: We reserve the right of admission; disruptive or intoxicated individuals will not be permitted.
“By following these guidelines, we can all enjoy the long-awaited dance that Hard Salsa Bar has put together for the community.”

For more information or to purchase/reserve your tickets, contact:
- Phone: (0414) 396-3465 / (0412) 589-5160
- Email: [email protected]
- Facebook: @hardsalsabarcaracas
Paoli Mejías A Talent Forged in the Streets and Discipline with a New Sound in Latin Jazz
From legendary sideman to the leader of a limitless musical vanguard.
Paoli Mejías is a pivotal figure in the evolution of contemporary percussion, renowned for his seamless fusion of Latin jazz with masterful conga technique.

Paoli Mejias: From accompanying legends to leading a musical vanguard without borders
While he is an exceptional multi-percussionist, his command of the congas has established him as one of the most in-demand soloists in the world.
He is distinguished by a melodic style; he doesn’t just keep time he makes the drums “sing,” utilizing precise tuning and astonishing speed.
After touring the globe alongside icons such as Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea, and Marc Anthony, Mejías has solidified his status as an international benchmark. His vast musical, folkloric, and cultural knowledge positions him today not only as a percussion virtuoso but as a visionary leading his own quintet.
With a career marked by success, Mejías has produced three high-caliber independent albums: Mi Tambor (2004), which received a Latin Grammy nomination, Transcend (2006), and Jazzambia (2008).

Paoli Mejías, a talent forged in the streets and through discipline
These works have placed the Puerto Rican percussionist at the forefront of the genre, earning glowing reviews in the world’s most influential publications, including JazzTimes, DownBeat, Jazziz, and Modern Drummer.
A Talent Forged in the Streets and Discipline
Born in Río Piedras, Puerto Rico, on March 7, 1970, Paoli discovered his calling at the age of twelve. Inspired by the records of Carlos “Patato” Valdés and Ray Barretto, and the innovation of groups like Batacumbele and Irakere, he bought his first conga and began a self-taught journey.
Without formal teachers, he learned the language of percussion by mimicking the sounds emanating from his favorite vinyl records.

Paoli Mejía with Nuevo Sonido en el Jazz Latino
His true training took place in the effervescent musical atmosphere of San Juan, absorbing the styles of his mentors in street rumbas.
His professional debut came via Rafú Wagner (former vocalist for Bobby Valentín), and while still a teenager, he was already collaborating with renowned local artists such as José Nogueras, Glenn Monroig, and Charlie Sepúlveda.
The Leap to the Global Stage
His impeccable technique and melodic sensitivity quickly made him the preferred sideman for the greats. For over eight years, he was a key member of maestro Eddie Palmieri’s orchestra, recording on historic projects like Masterpiece/Obra Maestra (with Tito Puente), which won a Grammy Award.

His discography now exceeds 20 commercial productions, including the nominated Acuarela de Tambores.
This exposure to world music enriched his creative fire. As Elmer González noted in Latin Beat: “Through Mi Tambor, Paoli achieves a watercolor of rhythms and textures that make this album one of the best Afro-Latin jazz productions released as a leader, and he aspires to continue a career forged on the stages of the world’s most important festivals.”
Beyond the Traditional Genre
Today, Paoli Mejías’ group offers a style that transcends labels. His proposal fuses the “Salsa Gorda” of the big orchestras with Puerto Rican bomba and plena, incorporating nuances of Greek, Flamenco, Indian, and African music. The result is a vibrant experience where the audience ceases to be spectators and becomes participants.
His versatility was cemented at the Heineken Jazz Festival, where critics highlighted his absolute mastery of minor percussion, timbales, bongos, and ethnic instruments like the Nigerian Udu, hailing him as one of the most complete percussionists of our time.

Paoli was there: Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea and Marc Anthony
Beyond his role as a performer, the “Maestro” shares his knowledge by conducting clinics at prestigious institutions such as the University of Washington, the University of New Mexico, and the Puerto Rico Conservatory of Music.
Sponsored by leading brands like Latin Percussion and Sabian, Paoli Mejías continues to elevate the legacy of Latin jazz into exciting new dimensions.
Member of Santana
Paoli Mejías is a world-renowned percussionist who was a member of the band Santana, led by Carlos Santana.
Joining Santana: Paoli joined the group in 2013, taking over the conga chair. His arrival brought an impressive technical energy and rhythmic depth, establishing him as a fundamental piece of the band’s world tours for several years.
Source: Paoli Mejías
Photos: Paoli Mejías Archives / © Martin Cohen
Also Read: Carlos “Patato” Valdés: One of the Greatest Percussionists in Latin Jazz History





























