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Search Results for: Los Angeles

“The Sun of Latin Music” the first Grammy Award for Salsa Eddie Palmieri’s historic album

It has been 49 years since “The Sun of Latin Music”, Eddie Palmieri’s historic album, which marked a fundamental milestone in the history of Latin music by becoming the first production to win a Grammy Award in the category of Best Latin Recording, awarded on February 28, 1976.

"The Sun of Latin Music" the first Grammy of Salsa Eddie Palmieri's historic album
“The Sun of Latin Music” the first Grammy of Salsa Eddie Palmieri’s historic album

Recorded in New York at Electric Lady Studios, the album was released by Coco Records on Wednesday, September 18, 1974.

The album featured vocals by Lalo Rodríguez, who was only 16 years old at the time.

It includes: ‘Nada De Ti’, ‘Deseo Salvaje’, ‘Una Rosa Española’, ‘Nunca Contigo’, ‘Un Día Bonito’, ‘Mi Cumbia’.

“The Sun of Latin Music” proved to the world that Latin music, especially Salsa, was an honorable art form and opened the doors for many other Latin artists to receive solid recognition for their talent and work.

Eddie Palmieri

The sun of Latin music

MP, 1990. MP-3109 CD

Recorded in 1975

The Sun of Latin Music was a controversial album. It was too far from the easy formula of the middle salsa boom – what César Miguel Rondón calls the “mtancerization of salsa”.

“Ahead of its time” was one of the comments; “a piece like Un día bonito, had to be mutilated” with a 6-minute piano intro just to be able to play it on the radio; a danzón (Una rosa española) with lyrics by the Beatles; a cumbia that is not very Colombian, despite the name (Mi cumbia) and the chorus that says “very Colombian…”.

Nevertheless, this album represents the strength of the spirit of salsa: the encounter between the harshness of the street and the majesty of the most sophisticated musical sound.

One of the best albums of Caribbean music ever released.

Palmieri was always in search of something new. The Sun Of Latin Music is the culmination of a phase that began with an earlier album, Sentido (1974).

This time he chose the Panamanian Vitín Paz for the trumpet solo, Barry Rogers for his trombone and an unusual tuba, which formed a kind of basso continuo, and besides Barry, José Rodrigues, who for a long time was, and despite his absence still is, his most emblematic trombonist.

Cover of issue 36 of Latin New York magazine (April 1976) where Eddie Palmieri appears.
Cover of issue 36 of Latin New York magazine (April 1976) where Eddie Palmieri appears.

Ronnie Cuber and Mario Rivera were chosen as the first saxophonists in a Palmieri orchestra.

For many it is Palmieri’s best album, the most experimental and universal. One that borders on academic music, but without forgetting the dancer.

With spices like the violin of Alfredo de la Fe, who contributes his creativity everywhere, the tuba, the penetrating power of the brass, the overwhelming percussion.

Thus, Una rosa española is a modern danzón that later becomes a montuno that revives the joyful Palmerian game with the dignified uproar of trumpets, saxophones and trombones.

A young man of only 17 years, Lalo Rodríguez, who years later would become the standard-bearer of what was called salsa erotica, was chosen as the singer. Another novelty: the timbre of his voice, with a very high register, and the way he faced the montuno, which did not correspond to his age, caused different reactions.

But the most amazing thing about this 1974 album is the 14:20-minute track Un día bonito, arranged by Barry Rogers, which would keep even the most trained dancers busy. But Palmieri wasn’t just thinking about leg sets or dance floors.

The piece begins with a long piano interlude, the same structure he used in the track Adoración from the album Sentido, which would mark a new musical phase in his career.

It was more than experimental, it had some electro-acoustic music; no one had ever had the audacity to do that on a salsa album. Palmieri made the leap, he could do it, it sounded more like Stravinsky or Milhaud than Puente or Fania.

Suddenly, back in the piece, the orchestra bursts in, harder and heavier than ever, wishing the city of Los Angeles a beautiful day and San Francisco a “warm greeting,” and it is certain that Keruack and Borrough heard the call.

First Eddie Palmieri Grammy
First Eddie Palmieri Grammy

Then Eddie Palmieri was consecrated by the intellectuals and the educated and also by the Grammy.

Eddie Palmieri

The sun of Latin music

Produced by Harvey Averne

Eddie Palmieri: piano

Lalo Rodríguez: vocals

Vitín Paz: trumpet

Virgil Jones: trumpet

Barry Rogers: trombone, tenor tuba

José Rodrigues: trombone

Ronnie Cuber: Baritone Saxophone, Flute

Mario Rivera: Baritone Saxophone, Flute

Alfredo de la Fe: Violin

Eddie Guagua Rivera: Bass

Tommy Chuckie Lopez, Jr.: Bongo

Eladio Pérez: conga

Nicky Marrero: timbales, percussion

Peter Gordon: French Horn

Tony Price: Tuba

Jimmy Sabater: Chorus

Willie Torres: Chorus

Tommy López Sr.: conga

Tracks: Nada de ti; Deseo salvaje; Una rosa española; Nunca contigo; Un día bonito; Mi cumbia

Arrangements by René Hernández and Barry Rogers

One of the most valuable pieces in the exhibition “Rhythm and Power: Salsa in New York”, which will be presented until next November at the Museum of the City of the Big Apple, is the first Grammy in the history of Latin music, awarded in 1976 to Eddie Palmieri for his album “Sun of Latin Music”.

“The Sun of Latin Music”
“The Sun of Latin Music”

Sources:

Anapapaya

Salsero Radio

D j. Augusto Felibertt

Also Read: Salsa and its detractors “Caiga quien Caiga”

California Directory / 2023

Noypitz
333 S Alameda St Suite 115 Los Angeles, CA 90013

Globe Theatre Los Angeles
740 S Broadway Los Angeles, CA 90014

The Mayan Restaurant
1038 S Hill St Los Angeles, CA 90015

Los Globos Nightclub
3040 W Sunset Blvd Los Angeles, CA 90026

Vermont Hollywood
1020 N. Vermont Ave. Los Angeles, CA 90029

El Floridita Hollywood
1253 Vine St Los Angeles, CA 90038

Stevens 75 Anniversary
5332 Stevens Pl Commerce, CA 90040

Riviera 31 Lounge Bar
8555 Beverly Blvd, Los Angeles, CA 90048

7 Kingdoms Bar & Lounge
11301 W Olympic Blvd Los Angeles, CA 90064

State Social House Restaurant
8782 W Sunset Blvd West Hollywood, CA 90069

Rock It loungue
14239 Hawthorne Blvd Hawthorne, CA 90250

The Victorian restaurant and nightlife
2640 Main St Santa Monica, CA 90405

Alegria Nightclub Long Beach
115 Pine Ave Long Beach, CA 90802

Sagebrush Cantina, CA
23527 Calabasas Rd Calabasas, CA 91302

Latin Nights at V Lounge -Salseros
6101 Reseda Blvd Tarzana, CA 91335

Black and Blue
342 S Thomas St Pomona, CA 91766

The Canyon
5060 E Montclair Plaza Ln Montclair, CA 91763

Carnaval
342 S Thomas St Pomona, CA 91766

The Granada LA
17 S 1st St Alhambra, CA 91801

Sevilla Night Clun - San Diego
353 5th Ave San Diego, CA 92101

Del Rey
3567 Del Rey St San Diego, CA 92109

Cosmos
12409 mariposa rd Victorville, CA 92395

Sevilla Night Club - Costa Mesa
1870 Harbor Blvd Costa Mesa, CA 92626

Legacy
4647 Macarthur Blvd Newport Beach, CA 92660

The Grape Ventura Ventura, CA
2733 E. Main Street Ventura, CA 93003

Alberto' s SalsanightClub & Ultra Lounge
736 W Dana St Mountain View, CA 94041

Cascal
400 Castro St Mountain View, CA 94041

Valencia grill
1153 Valencia St San Francisco, CA 94110

Kimbara Ritmo y Sabor
3380 19th Street San Francisco, CA 94110

Roccapulco Supper Club
3140 Mission St, San Francisco, CA 94110

Cigar Bar & Grill
2424 Mariposa St San Francisco, CA 94110

Rockwellsf
3200 Fillmore St. San Francisco, CA 94123

550 Dance Fridays
550 Dance Fridays
550 Barneveld Avenue San Francisco, CA 94124
+1 415-309-1284

Cigar Bar
850 Montgomery St San Francisco, CA 94133

Gaucho
2410 San Ramon Valley Boulevard San Ramon, CA 94583

Retro Junkie Bar
2112 N Main St Walnut Creek, CA 94596

Yoshi's
510 Embarcadero West, Oakland, CA 94607

Zanzi
19 Grand Ave Oakland, CA 94612

Sausalito Seahorse Restaurant
305 Harbor Dr Sausalito, CA 94965

Charley' s
15 N Santa Cruz Avenue Downtown Los Gatos, CA 95030

John Narváez and Elizabeth Rojas from Salsamania

John and Liz from Salsamania  

Between days 23 and 25 March, 2023, the San Francisco Salsa Festival took place, which brought together some of the cream of The Bay Area Latin music scene. One of those attending this great event was the main editor of International Salsa Magazine, Mr. Eduardo Guilarte.   

On site, he had the opportunity to share with other guests and some of the organizers such as Elizabeth Rojas, affectionately known as Liz, and John Narváez. We had the chance to talk with both dance professionals to know more about their beginnings, festivals and projects. Do not miss it!  

John and Elizabeth
Colombian dancers John Narváez and Elizabeth Rojas

Beginnings   

After several attempts to schedule a meeting with John and Liz, we finally managed to talk with these Colombian dancers and entrepreneurs, who began by thanking us for the contact and the opportunity to promote their passion for salsa and the community they represent.   

This love they have for the aforementioned musical genre has much to do with their roots. Both were born in Colombia and left the country when they were 12 years old (they are the same age) because of the violent situation caused by the guerrilla that existed in those years.   

Although those were hard times, John says these were very nice years from which he has fond memories. He remembers almost all his family members singing or playing an instrument, while he was the only dancer. All this influenced him in such a way that Latin music remains his north after so many years.  

Moving to the United States 

Since the social situation did not allow them to live in their country, they decided to move to the United States and apply for political asylum. At the beginning, it was not easy and the focus was on working hard to get ahead in this new country and to learn English. However, all that changed over time. 

With the arrival of economic and family stability, priorities changed. John comments that his interest in music and dance perked back up due to the family gatherings that his relatives celebrated such as birthdays, quinceañeras, weddings, among others. 

Although at the time dancing was not considered a serious profession, both John and Liz began to practice it at amateur level. Once they turned 21, they started going to the most popular salsa clubs, but it was all for recreational purposes. It was years later before they began to analyze all the technical and historical part of dancing to understand it better and take it more seriously.  

John, Liz, and Barbara
John and Liz with Barbara on Despierta América

Dancing as a profession 

John and Liz started to take dancing seriously in 1999. They both attended a three-day salsa event in Los Angeles, but what they did not know is that this was the first world salsa congress in America.   

This gave them the opportunity to share with the best salsa dancers in the world and they saw such impressive things that they were inspired to return next year with a well-established dance team with which they could participate fully in these activities. 

Being full of motivation, they decided to create Salsamania Dance Company and performed with their team at the festival. They started doing the same thing every year, which helped them gain experience and evolve their styles. 

After earning the trust of the festival organizers thanks to their talent and professionalism, they were given the opportunity to start teaching salsa workshops at the aforementioned congress. This is how little by little John and Liz began to build the reputation and credibility they have today.   

 In 2004, it got to a point where John took the important decision to quit his job to devote himself to dancing and Liz was quick to do the same. His resignation came with the opportunity to take a three-month trip to Hong Kong to teach salsa in a community where people did not dance it. 

They managed to build a community from nothing, since at that time, Hong Kong was not a place where people listened to salsa. However, everything went well and the dancers managed to seamlessly connect with the local audience. As John rightly said, ”salsa is a universal language and you don’t have to speak that language to feel the music”. 

On returning to the Bay Area, they began to practice dancing as a profession in the United States. 

On this point, Liz commented that her parents became very upset with her when she quit her job because of dancing, but today, they admit that it was the right decision and support her totally.  

Liz and John dancing
Liz and John during a social dance in Boston

Salsamania Dance Company 

Liz told us that it was difficult to create Salsamania Dance Company because it requires a lot of discipline and healthy coexistance between different types of personalities to create a group like this and keep it together. Fortunately, John is an industrial psychologist, so he helped to prevent these aspects to be a problem. 

Basically, Liz is responsible for the company’s management and John is the one who takes care of the human part of all the staff. 

They started the whole process like any regular company and drew up the contracts for all those who were going to work with them, making Salsamania a much more established, structured and serious project in the eyes of everyone else. Today, it is one of the largest companies in the Bay Area.   

They also took it a step further and built a salsa academic program with a thoroughness and detail that has not been seen in other projects of this kind.   

San Francisco Salsa Festival  

San Francisco Salsa Festival is one of the biggest salsa events in California and the United States in general and we were fortunate to have representation there with our editor Eduardo Guilarte.  

It began to be celebrated in 2008 with the support of international salsa promoter Albert Torres, who was a fundamental piece in the development of the festival and talent recruitment for an event of this size, as there were many things John and Liz had to learn. That is why they are both incredibly grateful for what the congress organizer did for them back then.  

To recruit artists, the dancers only require candidates to be good teachers, to share with the salsa community and to put on a good show for the audience. 

They also often invite colleagues they have known for years and some recommended to whom they give them the opportunity to shine and make themselves known during those days. 

Every year, they look for dancers, dance instructors, DJs and live orchestras. For Liz and John, the thing about live bands is very important, as they are concerned that there are so many clubs and venues that no longer hire these talents. This year, they focused on local bands that play on Thursdays and Fridays in San Francisco and were very happy with the results.  

It is expected that the next San Francisco Salsa Festival is scheduled between days 22 and 24 March, 2024 at the same venue, which is the Marriott Waterfront Hotel.   

The orchestras hired to perform for next year are Cabanijazz, The Latin Rhythm Boys and Orquesta Boyacán. The dancing couples are Alex and Judy from Colombia, Colombians Felipe from Colombia and Kathe and Mauricio and Danny from Mexico.   

John, Liz, and Oscar D’ León
John and Liz with Venezuelan singer Oscar D’ León

Difficulties in the pandemic 

As dancing is an activity with a lot of physical contact and closeness, we were curious to know how they lived the pandemic and what they did to keep their project afloat in this situation. 

Though they admit that those months were not easy, they have always been very disciplined with their money and had enough to resist as long as possible without working.   

They tried to make up for lost time by teaching classes via Zoom as did most of their colleagues and designing new choreographies to apply when they went back to their usual activities. 

In addition to this, both had not spent time with their respective families in a long time, so they also took advantage of the absence of work to reunite with their loved ones and take up those important contacts that were lost due to stress and routine. 

Read also: Here we have Salseros With Attitude 

Mimi Ibarra singer-songwriter from Colombia to the world

Latin America / Colombia / Bogota

Mimi Ibarra Colombian singer-songwriter. Her talent makes Latin American women proud

Elizabeth “Mimi” Ibarra was born in Colombia in the department of Choco. Since she was a child she dreamed of being able to venture into music as a performer, but “Mimi” was far from imagining that she would first become known internationally as a composer.

It all started when “Mimi” Ibarra dedicated herself to writing melodies, she felt happy doing it and as she describes it “it was definitely a gift from God” she kept the songs she wrote. She composed some songs for a record label in her native Colombia.

Mimi Ibarra - Tu no me mandas
Mimi Ibarra – Tu no me mandas

Her first song as a composer “Amor ingrato” was recorded in Puerto Rico by Milly, Jocelin y los Vecinos for the Musical Productions label.

“Mimi” Ibarra wrote songs that were definitely hits such as: “Señora”, “Nobody’s Toy”, “Déjala”, “Morena Linda”, “Tell him” and “Te Propongo” in the voices of well-known salsa performers like Tito Rojas, La Puerto Rican Power, Tito Gómez, Anthony Cruz, Maelo Ruiz among others.

“Mimi” Ibarra, romantic par excellence… a woman who has the virtue of writing beautiful songs dedicated to love, but who in turn considered that it was time to offer the public songs with romantic lyrics that were also danceable.

After becoming known as a composer “Mimi” Ibarra, she makes her most cherished dream come true… to become a performer. In the first production, the eight songs are of his inspiration, among them “así”, “que tiene ella”, “Para Quererte” and “No puede ser” in duet with Anthony Cruz.

In the second production the themes “hurts” (a duet with Tito Rojas), “I love you like this”, “Private Property” were heard.

These productions have taken her with her music to different places such as Panama, Colombia, the Dominican Republic, Puerto Rico; and cities like New York, Houston and Los Angeles, among others.

Now, he presents us with his fourth record production, with a very varied repertoire to satisfy all his followers.

The bachata “because I loved you so much” stands out, a theme that in turn was recorded as a ballad, in addition to “the Tun Tun dance, which is an indigenous rhythm of Colombia.

All songs are authored by Mimi Ibarra, arranged by Rafael “Bodo” ​​Torres, Ramón Sánchez and Julio “Gunda” Merced.

Mimi Ibarra singer-songwriter
Mimi Ibarra singer-songwriter – Colombia

Hit compositions by Mimi Ibarra

  • Nobody’s Toy – Puerto Rican Power
  • Déjala – Tito Rojas in duet with Tito Gómez
  • I propose – Hector Rey
  • I need you my love – Maelo Ruiz
  • Why do I love you so much – Tito Rojas
  • For that woman – Tito Rojas
  • Lady – Tito Rojas
  • It also hurts us – Tito Rojas
  • I will cry – Tito Rojas
  • Why do you refuse – Roberto Roena
  • Compare me – Roberto Lugo
  • If you let me love you – Roberto Lugo
  • I couldn’t help it – La Mulenze Orchestra
  • Blame Me – Luisito Carrion
  • Your way of loving – Pedro Conga
  • You are the only one – Nino Segarra
  • Win – Tito Gomez
  • Never let you down – Anthony Cruz
  • Tell Him – Anthony Cruz

Mexico Directory 2023

Barzzito Canta-Bar
Barzzito Canta-Bar
Av Costera Miguel Alemán 51, Deportivo, 39690 Acapulco de Juárez, Gro., Mexico
+52 744 481 2081

La Bodeguita del Medio Mexico
La Bodeguita Del Medio
Cozumel 37, Roma Nte., Cuauhtémoc, 06700 Ciudad de México, CDMX, Mexico +52 55 5553 0246
Malecón 858 Puerto Vallarta, Jalisco, Mexico +52 322 223.1585
5ta Avenida Esq. Calle 34 Norte, Playa del Carmen, Quintana Roo, Mexico +52 984 803.3951

La Flor del Son Nightclub
La Flor del SonLa Flor del Son Puebla 52, Roma Norte, 06700 Ciudad de México, MexicoLa Flor del Son Puebla 52, Roma Norte, 06700 Ciudad de México, Mexico +52 55 5207 1553

La Maraka
La Maraka Mitla
410, Narvarte Poniente, Benito Juárez, 03020 Ciudad de México, CDMX. Mexico
+52 55 5682 0636

Mama Rumba Nightclub
Mama Rumba
C. Querétaro 230, Roma Norte Cuauhtémoc, 06700 Ciudad de México, CDMX, Mexico
+52 55 5564 6920

Mambocafé Nightclub
Mambocafé
Insurgentes Av. de los Insurgentes Sur 644, Col del Valle Centro, Benito Juárez, 03100 Ciudad de México, CDMX, Mexico
+52 55 5523 9521

Salón Los Ángeles Nightclub
Salón Los Angeles
Lerdo 206, Guerrero, Cuauhtémoc, 06300 Ciudad de México, CDMX, Mexico
+52 55 5597 5181

La Terraza Nightclub
La Terraza
Isla Mujeres Calle Miguel Hidalgo, col. Centro, 77400 Isla Mujeres, Q.R., Mexico
+52 963 185 4475

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.