Search Results for: Merengue

3 Reasons To Stay In Paris This Season

We show you the different places to visit with authentic Salsera fun

Paris (France) has always been a popular tourist destination with musical tradition, and the rhythm of Salsa is no exception. There are plenty of places to dance if you like this Afro-Caribbean tune, but what makes it especially appealing this season? We show you three reasons why you will want to spend more time in the capital of this beautiful Western European country during December 2022.

Latin New Year’s At Cabaret Sauvage

Cuarteto Cubano has toured France’s stages for four years

The biggest Latin New Year’s Eve in Paris will be at Cabaret Sauvage with the live presentation of Cuarteto Cubano playing the great classics of Cuban and French music that will make you travel through old Havana and give French hits an air of partying and joy. The Cuban Quartet www.cuartetocubano.com has toured the stages of France since 2018, always with the same goal of “making people dance and smile”.

Then, the wild mixes by DJ El Dany, DJ Hot Rod, and DJ El Cuco will begin with the best of Salsa, Merengue, Bachata, Guaracha, Reggaeton, Dembow, Funk, and Cumbia together with the magical voice of Cuban singer Denis Mora.

All of this is accompanied by the show of the Latin Cabaret and intelligent Pitshow that will take you into the idyllic atmospheres of the Latin American carnivals with the performances of the divine Cuban dancers Roima and Diane Alcalá who form the duo “Las Mulatas del Sabor” that will transport you to a paradise of the burning party of Havana, Cuba.

Cabaret Sauvage will open its magical doors on Saturday, December 31^st, 2022, from 10 PM to 5:30 AM on Sunday, January 1^st, 2023. Tickets are already available for reservation, but if you want to purchase them at the box office, they will have a value of €50 all night. Cabaret Sauvage is located at 59, bd MacDonald – Parc de La Villette – Paris 19 M° Porte de La Villette.

¡Vamos Pa’ La Rumba!

Cabaret Sauvage starts Christmas on December 3rd

If you like to dance Salsa, then you can go to Cabaret Sauvage https://www.cabaretsauvage.com/agenda throughout this season. Yes, we continue with the Latin party in this magnificent place.

The ingredients are assembled on the table to make La Rumba an unmissable event for all lovers of Latin music and Latin American culture in a unique party experience in Paris.

The Salsa Concerts will present the best current and classic pieces from the orchestras that make life in the capital of this country, renowned for its wines and haute couture brands.

On the stage of Cabaret Sauvage on Saturday, December 3^rd, you will satisfy your Salsa cravings with Salsa Caleña classes with Calisabor instructors, a performance by the Jim López & La Nueva Edición orchestra, and tonight will be enlivened by the Show Super Heroes of Salsa and the mixes of DJ El Dany, DJ Dominicano, and DJ El Cuco de la Salsa.

On the second Saturday of the month (December 10^th), the Rumba continues with the second edition of El Perreo de Navidad: Mega Reggaeton Party with the opening of its doors at midnight. Here, you will find until 6 AM the best selection of this urban rhythm that has guaranteed its permanence at the top of popularity among the youngest in France and the world. The DJs present will be DJ El Dany, DJ Ortega Dogo, DJ Lina, and DJ Driver MC. The ticket price at the box office is €20.

France’s Clubs

This season you can have fun in Paris with its landscapes, winter climate, cultural offer, sophisticated gastronomy, and above all in the various clubs that offer a palette of Afro-Caribbean colors and Salsa enjoyment, among which the Le Balajo nightclub stands out https://www.balajo.fr/ open since 1936. Every Tuesday there are Salsa and Bachata classes for beginners and intermediate level dancers followed by a Latin party hosted by DJ Karim until 2 AM.

The Parisian Restaurant/ Bar/ Nightclub Pachamama https://www.pachamama-paris.com/index.php/en/home-alt-2/ is located at 46-48 rue du Faubourg Saint Antoine, 75012, in a historic building from the 19th century designed by Gustave Eiffel in the neo-vintage colonial style. It has three levels and is open from Thursday to Saturday from 8 PM to 5 AM with resident DJs lighting up the dance floor (Ground Floor) with harmonious mixes between Latin Music, Soul, Pop, and Deep House.

Finally we bring you the Bar/ Restaurant/ Club La Pachanga https://www.lapachanga.fr/, a place of reference for lovers of Salsa, it is located near the Eiffel Tower at 8, rue vandamme 75014.

At La Pachanga you can attend two-hour Cuban Salsa and Puerto Rican Salsa dance classes from Tuesday to Thursday from 7:30 PM to 9:30 PM, continuing with social dancing and a DJ set until 2 AM. On Saturdays La Pachanga closes its doors at 5 AM.

You Can Also Read: Where To Go Dancing Salsa In Paris?

Where Will The “German Salseros” Celebrate In December?

Marathon, Festival, and current Salsa clubs we bring you for this season

Germany has become one of the most hospitable countries for Latin American immigrants. In recent years, the number of people from Latin America has been on the rise, and this is due to the fact that this country located in the center of Europe offers a large number of job and educational opportunities, as well as a high quality of life.

Therefore, it is not surprising that many immigrants from the Caribbean and South America decide to celebrate their festivals and traditions in this region. In particular, the German Salseros (Latin American immigrants residing in Germany) are usually very active during the month of December, and this is because the Salsa events take place during this time of the year. So join us and discover all the Latin parties that Germany has prepared for you this month.

One of the most important social dance events in this country that borders nine nations is the 18th Stuttgart Latino Festival. This festival begins on the second day of December and will offer 36 hours of Workshops (Salsa On1, Salsa On2, Mambo, Pachanga, Bachata, Fusion Styles, and Body Movements), a lineup of more than 20 world stars of Salsa, Mambo, and Bachata, numerous national and foreign participants, and incredible international DJs mixing the best songs (DJ Rumbero – Salsa and DJ Milad – BACHATA) on three dance floors. The Stuttgart Latino Festival https://www.facebook.com/groups/latinfestival culminates on Sunday, December 4^th, and will take place at the Sängerhalle Untertürkheim (Lindenschulstraße 29, 70327 Stuttgart). Tickets can be purchased at €179.

Another event I present to you this month is Hamburg Salsa Marathon 2022 – NYE Edition. Hamburg Salsa Marathon 2022 – NYE Edition. This gender-balanced, high-level dance family Salsa-marathon will take place from Wednesday, December 28th (9 PM) to Sunday, January 1st, 2023 (8 PM) at Beerenweg 1D, Hamburg, 22761, De.

“The Marathon Pass NYE Edition https://hamburgsalsamarathon.com/nye-edition?fbclid=IwAR2QJVxpxsQdQR9IRNZT-l5OI1TNrB3uXJMHx9buozmK13cqevAi0RuS8IY costs €190 (€180 couples pass) and includes 4 days and 4 nights of social dance practice. It also includes unlimited free drinks like coffee, tea, and water, some afternoon snacks, brunch on Thursday, Friday, Saturday, and Sunday, plus NYE dinner on Saturday.”

And if you are wondering why they carry it out during these dates. Here, I give you the answer. The principal mission of its organizers is to be the perfect host so that you feel in a cozy atmosphere while you continue with your unstoppable passion for learning a social dance. In this way, they make sure to collaborate with the opportunity to spend the last days of the old year, where there were adventures and challenges, with friends.

Finally, I remind you that you don’t forget to stop by the Havanna club https://www.havanna-berlin.de/ located at Hauptstr.30 10827 Berlin, where you can enjoy Salsa, Merengue, Bachata, and other rhythms on four tracks dance with resident DJs. You can also try the mojitos in one of the seven bars, and as a prelude, you can take Salsa classes with qualified instructors at both advanced and amateur levels.

Ah! Here, I leave you this list of clubs where you will also find the “German Salseros” during December: Mint Club https://www.facebook.com/mintclubmunchen/?ref=page_internal (Munich), Buena Vista http://www.buena-vista-bar.de/ (Munich), Tank Bar https://tankbar-leipzig.de/ (Leipzig), Latin Palace Changó http://www.latinpalace-chango.de/ (Frankfurt), and Clärchens Ballhaus https://claerchensball.haus/ (Berlin).

Producer, composer, and singer D’ William tells his story

Who is D’ William?

William Pagán Díaz, artistically known as D’ William, is a talented producer, composer and singer with extensive experience in various tropical genres. He was part of the Oro Negro Orchestra and the Tañón Band before starting his solo career. We were fortunate to talk to him and learn a little more about his history and career.

Producer, composer, and singer William Pagán Díaz

How his career began

The Oro Negro Orchestra represented his first musical experience and he was about 17 years old at the time. In fact, his mother had to sign a contract for him to be part of the group because he was underage. He stayed there for a year until he got asked to audition for the Tañón Band, a group that Olga Tañón was creating at the time.

After auditioning with 300 or 400 candidates, I was chosen as the last missing member for the group because it required four and there were only three. D’ William told us that he felt he had the world in his hands due to work with Olga Tañón, but unfortunately she decided to broke up the band because she had other plans. At that time, Pagan did not know what to do with his life because he thought he had already pursued the ultimate in his career, so he decided to turn his life around, enlist in the army and forget all music.

These years of his life contributed a lot to strengthen his discipline, but he also realized that he did not want to dedicate himself to military life forever. After he retired, he moved to Japan and lived there for about seven years, during that time he was introduced to Puerto Rican salsa thanks to some friends. He started singing salsa, but always saw music as sort of a hobby and not as something he wanted to do professionally.

He toured all over Japan with the Conquistando Orchestra and composed for other artists and various franchises, but nothing for himself. In 2010, he decided that he wanted to change that situation and recorded six salsa songs with the idea of moving to Puerto Rico thinking he was going to find the same country in the musical field. Then, all the songs recorded by him stayed on the hard drive of his computer and he could not do anything with them.

D' William at the Estela Awards — D’ William at the Estela Awards

Unable to get a job, he decides to use his veteran’s benefits to complete his education, which leads him to study criminal justice and law. In 2018, a job opportunity as a lawyer for the federal government in Washington DC arose, so he moves there and meets some people who reconnect him with music thanks to his career in Japan.

When the COVID-19 pandemic arrived, he finally made the decision to start his solo career and choose a stage name that referred to his real name, which led him to use D’ William. In September 2020, he recorded his first song titled “24 horas enteras” giving start to his solo career.

Why use merengue as a base for his music?

Although merengue has not had such a boom in recent years, D’ William is passionate about this genre that he never wanted to leave aside and even said that “a party without merengue is not a party”. The artist wanted to do something that included a tropical genre handled very well by him and he knows he was right about deciding on merengue, since he has observed a renaissance in the popularity of this set of rhythms with the help of artists such as Elvis Crespo, who was again seen in awards recently.

Music for millennial ears

D’ William points out that the most important elements of merengue will always be present in his work, but in his own words, ”the years and generations make the music evolve”. Since the performer did not want to stignate in the same thing, he tries to experiment with a new style of singing merengue and writes some of his lyrics with other genres in mind, such as dembow. He also incorporates kicks, snares, synthesizers and other sounds to reach millenial ears.

This combination of the above elements has made the reception to the artist’s music great.

D' William performing on stage — D’ William performing on stage

Experience in Guatemala

D’ William also told us about the Estela Awards in Guatemala, which he did not knew nothing about until he was invited to attend. Once there, he noticed the importance of these awards for Central America, as they recognize the talent of Guatemala, El Salvador, Costa Rica, Nicaragua, Mexico and many more.

He had the honor of being in its sixth edition and seeing how artists who did not have the opportunity to be in bigger events such as Billboard, Tu Música, Latin Grammy, among others, were awarded. Something very special about this year was the participation of a Puerto Rican delegation of for the first time in its history, in which D’ William was with several of his compatriots.

The reception of the public and press towards this group was great and they really enjoyed the show. They were so well received that they plan to return soon in December to continue delighting Guatemalans with their talent.

What did D’ William do during the pandemic?

D’ William told us that he did a lot of things for himself and other colleagues during the pandemic. He did a great collaboration on a track with Dominique Patrick Noel, a French percussionist with whom we had the pleasure to talk beforehand. They have done several songs together in which the Puerto Rican sings and does some arrangements with Noel.

He also sang with Eduardo Padua, who is a very famous Puerto Rican conguero in Virginia and Peruvian Andy Caseda.

D' William did interesting collaborations during the pandemic — D’ William did interesting collaborations during the pandemic

Duo: Yiyo Sarante and Fefita La Grande In Concert

The perfect union of Salsa and Typical Merengue in a night to remember

An evening full of emotions will be lived next Saturday, November 12^th at the Masal Deluxe facilities (Küchgarten 21 Küchgarten 21 21073 Hamburg, Germany) with the presentations of the exponent of Salsa Yiyo Sarante and Merenguera Fefita La Grande starting at 9 PM to 5 AM accompanied by DJ Cesar (Hamburg), DJ Miguelin Beatz (Berlin), and DJ Sonrisa (Frankfurt) mixing the best of tropical music. Tickets range from €60 (General) to €120 (Platinum VIP).

Yiyo Sarante debuted as a solo artist in 2010

Eduardo Sarante whose artistic pseudonym is “Yiyo Sarante” exponent of hits like Pirata, Maldita Primavera, Tierra Mala, Nos engañó a los dos and Tres semanas, was born in Baní “La Capital del Sur”, the most important city in the province of Peravia in the Dominican Republic.

He comes from a musical family, the seventh son of nine brothers, five musicians and singers. In 1999 Yiyo performed in Bávaro (Punta Cana, Dominican Republic), and four years later he was a member of the Oro Duro orchestra led by his brother Julián Sarante.

In 2011 Yiyo obtained international recognition thanks to the support obtained from radio stations in the state of Florida and the East Coast of the United States for the single Maldita Primavera from his EP titled Single launched in 2103.

During that same year, Sarante made his first tour outside his native country, taking him to step on the different stages of some Caribbean countries such as the Virgin Islands, Aruba, and Saint Martin.

Yiyo Sarante’s discography https://www.facebook.com/yiyosarante extends from his albums Lo Nuevo de Yiyo Sarante (EP-2013), La Voz de la Salsa (2015), La Voz de la Salsa. Vol 2 (2019), Clásicos (2019) to his most recent singles released this year Quiero Perderme Contigo, Llorarás, Eres Pasado, Demonio, and Prohíbeme Verte.

Fefita La Grande is also known as La Vieja Fefa and La Mayimba

On the other hand, the singer, composer, and extraordinaire accordionist, Fefita La Grande (Manuela Josefa Cabrera Taveras) during the last four decades has been an icon of the Dominican Merengue Típico.

This representative of the main musical genre of the Dominican Republic was born on September 18^th, 1944, in the municipality of San José de Ocoa. Her father was Eliseo “Seito” Cabrera, an accordionist and owner of a musical instrument repair shop.

Her incursion into the artistic world at a professional level was in 1976 with her first LP Si quiere venir que venga, obtaining great acceptance by the public due to the incorporation of the Saxophone, Congas, and Electric Bass in her melodies when until now there had only been groups of Merengue with traditional instruments: Accordion, Güiro, and Tamboril.

With this new variant of Merengue and with a musical environment dominated by men, Fefita became the first woman to transcend borders and travel to Europe to present this new and authentic style of the Caribbean, in addition to taking her performance to different countries of Latin America thus defining the path for the new generations of Dominican women dedicated to music.

Throughout her artistic career, the performer of La Chiflera (1999), has received various distinctions and has played at Yankee Stadium (New York) with Romeo Santos, and her popularity has led her to participate in major film productions in her country native as Nueba Yol 3: Bajo la nueva ley (1997), Perico Ripiao (2003), and Ponchao (2013) among others.

In 2017, she made the single La Pimienta Es La Que Pica in collaboration with Milly Quezada and Maridalia Hernández, obtaining great support from her followers.

Fefita La Grande https://www.facebook.com/viejafefard has recorded more than 200 songs and her repertoire of greatest hits includes Vamo’ a hablar inglés, O te menea o te apea. Her latest production is La Ciudad Corazón launched in 2021.

AQUILES BÁEZ

Swing And Tradition Of A Distinguished Venezuelan Artist

Chapter I: Aquiles’ Farewell

“With all the pain in my soul, I must publicly communicate that my friend, my brother, my accomplice Aquiles Báez passed away this morning at 5 in the morning in the city of Aachen, Germany. Aquiles was in the middle of a concert tour here in Europe. He flies high gordito.” Ramón Arturo Aular (Báez’s friend, musician, and professor at the Aachen Conservatory of Music) informed the community through his Twitter account the Monday, September 12^th.

The virtuoso musician, noble guitarist, arranger, and excellent composer died of a sudden heart attack at the residence of his friend Ramón Aular. His last concert was held in the city of Cologne located in western Germany as part of his 2022 European tour, the first he did after the cessation of activities due to the Covid-19 pandemic.

The noble 58-year-old artist had already performed in Spain and was preparing to present his music in some German cities such as Berlin, Tubingen, and Hamburg, before finishing his tour in France and Portugal.

“I think it is important to project the work that one has been developing in other latitudes. This is very interesting because I realize that the music I make is universal, it is not limited only to playing for the Venezuelan diaspora, which of course also provides an audience”. Báez expressed this to an international media.

During his artistic career, he recorded 17 albums and collaborated on more than 150 recordings with other artists. Báez was a professor at the Berklee College of Music (Boston, Massachusetts) and was recognized for his mastery of the guitar with “elements of mixed Caribbean and Afro-Venezuelan cultures with classical music and Jazz.” Fragment extracted from his biography.

In life, he shared stages with artists such as Paquito D´ Rivera, John Patitucci, Romero Lubambo, C4 Trío, Ilan Chester, Simón Díaz, Huáscar Barradas, Worlds of Guitars, Aquiles Machado, Serenata Guayanesa, Iván Pérez Rossi, Fareed Haque, Dawn Upshaw, Richard Bona, Luisito Quintero, Solo Razaf, Marco Pereira, Oscar Stagnaro, and Ensamble Gurrufío.

Before passed away, Aquiles Báez was preparing the publication of two studio albums and the creation of five more. He was also in charge of making the music for the Venezuelan play Mi último delirio, which premiered on September 2^nd with the lead role of his friend Héctor Manrique and with great reception from the public and specialized critics.

Chapter II: Getting to know the musicians’ Master to the rhythm of the compass

His older brother, Julio, was the one who instilled in him a love for music by giving him his first instrument, the Cuatro.

Aquiles Báez was always an irreverent musician who made the type of music that he felt. “It is important to make music from what one feels it is, from that forceful energy that is the act of creating…Lately, I have been respected. It was hard to get that position. They have not always respected me, perhaps because of my way of being, irreverent. The people who manage cultural spaces have always taken me as an anarchist… I consider myself someone accessible, the teacher thing hasn’t gotten to me, seeing everyone below me, that seems pathetic to me…” Aquiles expressed this to a Venezuelan media.

“Throughout his career, Aquiles has received various awards and recognitions. These include Pepsi music awards and the William Leavitt award given by the Berklee College of Music; In addition, he has stood out with more than a dozen awards as a composer of music for film, theater, and dance. Extracted from his biography.

In 1996, at the age of 32, Aquiles decided to move to the United States to study at the Berklee College of Music in Boston. After two semesters he dropped out, considering that he was “learning the same thing but in another language.” And that was not only his thinking, but also what he demonstrated during his stay as a student at the academic campus, so shortly after he entered the Berklee College of Music again, but this time as a professor.

On this academic campus, he gave “clinics, workshops, and seminars at different universities and musical institutions such as Indiana University, Temple University, Queen College, Krems Summer camp, Curitiba Music Office, The Jazz School in San Francisco, among others, in Europe and the United States”, according to his biography.

Shortly after, he participated as a guest musician on the albums of Panamanian artist Danilo Pérez: Central Avenue (1998) and Motherland (2000), both albums nominated for Grammys.

Aquiles Báez was a founder and member of the board of directors of Guataca productions. In this space, they continue to support emerging Venezuelan artists. Báez’s methodology for finding new talent was to research, listen to them live and contact them. “Why not support those guys who come after you? Why not make life more pleasant for them? Or a lighter path than one had. This road is not easy at all, it has been very hard, and it continues to be hard. And one continues and believes that he has acquired a certain reputation…” Báez expressed this in an interview conducted by a Venezuelan media outlet.

Chapter III: Anecdotes of a famous life

Last night sharing with the beloved Maestro Carlos Cruz Diez (Panama. October 29, 2016)

Countless artists expressed their affection and grief for Aquiles’ departure, expressing testimonies of a life full of joy, love, and passion for musical colors.

“One of the artists who has inspired me the most and a great human being. He made it possible for us to make our first album, the tour of the United States and opened the doors of his home for us. We made a lot of beautiful friends with Aquiles. D.E.P, Maestro, compaíto Aquiles Báez”. Jorge Glem (Cuatrista and member of the group C4 Trio).

“The wonderful Aquiles Báez was a musician capable of playing all Venezuelan music of all genres“. Alfredo Naranjo (Vibraphonist)

“Dismayed by the sudden death of my dear friend Aquiles Báez, one of the great musicians of our country, guitar teacher, and eternal officiant of humor and simplicity”. Leonardo Padron (Writer)

“Today we are less. I have just been informed that our admired and beloved musician and my dear friend, Aquiles Baez, has passed away. This news is heartbreaking and unfair. Aquiles is one of the most creative and generous people I have ever met”. Héctor Manrique (Director and theater actor)

“Thank you for being an inspiration in music and a big brother in life. Without your unconditional support, I would not have even reached the corner”. Álvaro Paiva Bimbo (Guitarist and 2022 Oscar nominee for the soundtrack of the Disney movie “Encanto”)

“How can we forget this great friend and fellow adventurer”. Claudio Nazoa (Comedian)

“I was left with the desire to carry out the project we had to record an album together. What profound sadness!” Miguel Delgado Estévez (Musician, arranger, and producer)

Finally, the Venezuelan percussionist Omar Ledezma Jr. expressed his sorrow for the death of Báez.

LENTEJAS. That’s what the gordo called me. 7 years of my life I played and toured the world with Aquiles Báez. We met at one of his concerts at the Bellas Artes thanks to my dear Carlos Reyes, another great guitarist from our country, at the time I worked at the MACCSI. Years later, arriving in Boston, he called me to be in his group and I couldn’t believe it. The gordo was my musical hero thanks to his Platabanda and the number of times I saw him accompanying great singers. He was the one who told me to grab El Cajón and start putting in the merengue and the gaitas. I knew his bad jokes by heart: “Vamos a tocar la canción de DC: Di si encontraste…”, with him, I learned to be a person first, then a musician, I learned not to make ugly faces if I made a mistake, with him, I had to press on reading, to be punctual, to put my batteries.

Anyway… with the gordo I learned to be a professional musician, because with his virtues and defects, for me, he was the best.

I love you my gordo, wherever you are. Thanks. #aquilesbaez”.

You can continue reading the article about Omar Ledezma Jr. From The Venezuelan Melody To The Caribbean Rhythm.

Here is a small excerpt from this interview of 2021:

Years later, and with experience acquired in presentations, and groups, Omar Jr. met his first mentor, Aquiles Baez, a famous Venezuelan artist, guitar virtuoso. Together with Aquiles, he made his first international tour of the United States. “With Aquiles, I had the pleasure of playing Venezuelan music. We play with many artists in the United States… Thanks to him I developed percussion (Non-autochthonous element) in Venezuelan music”. Ledezma Jr. commented.