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Search Results for: Merengue

Danibel Breton “The Barbie of the Accordion in the Dominican Republic”

Danibel Breton was born on November 13, 1997, at the Santiago Rodriguez General Hospital in San Ignacio de Sabaneta.

She is the second daughter of Mr. David Breton and Mrs. Maribel Breton.

When she was a few months old, her family moved to Santo Domingo East in search of better opportunities. She was always a happy child, intelligent and very dedicated to her studies.

Her mother recalls that in her first years of school when Danibel arrived home she immediately took out her school supplies and began to do her homework.

She has always shown a vocation for painting, the arts and she loved to sing and dance. She participated for several years in the dance ministry in her parish.

His interest in typical music was born at the age of thirteen. Accordionist Reyes Pilarte would go to La Barbie’s house to teach her father, David Breton, how to play.

One day after witnessing several accordion lessons Danibel asked her father for the accordion and performed the merengue “El puente seco” much better than her father. After that day she started taking weekly accordion lessons with Reyes Pilarte, a native of Los Bombones, Santiago Rodriguez.

Her first stage performance was at El Rincón Santiago Rodríguez where Bartolo Alvarado El Ciego de Nagua, gave her the opportunity to play for the first time.

Maestro Bartolo Alvarado was very impressed by her playing at such a young age. When he felt Danibel’s face with his hands, El Ciego de Nagua said: “She is a doll”, and from there Danibel Breton’s first artistic name was born: “La Muñeca del acordeón” (The Accordion Doll).

A few weeks later they discovered that there was already an accordionist with the name “La Muñeca”, so Danibel Breton was baptized as “La Barbie del Acordeón” because of her similarity to the popular doll with blonde hair and light eyes.

Other artists that gave her participation on stage before she launched herself professionally were: Narciso El Pavarotti, Manny Jovany, El Prodigio, La Reyna Maria Diaz, Banda Real, among others. These presentations helped her to grow as an artist, to fall in love with the stage and to discover her passion for typical music.

Along with her music, accordion and singing lessons, Danibel Breton studied English, Voiceover and Accounting before working professionally in music. At the present time she continues to receive singing lessons and is studying law, which she started at the Universidad Católica del Este (UCADE) and continued in Santiago at the UAPA University.

Since she wrote her first merengue with the help of her father and older sister, she and her family have dreamed of launching the musical project of Accordion Barbie.

As God’s timing is perfect, the opportunity to start the project professionally presented itself at the beginning of 2018, when David Breton, Barbie’s father and an ensemble of typical music professionals carefully selected each of the musicians and arrangers that are part of La Barbie del Acordeón.

On September 29, 2018 at The New Monte Bar, in Santiago de los Caballeros, the grand Debut of “La Barbie el Acordeón” took place. Danibel Breton narrates that she says she felt very excited to see her dream come true.

For her, playing typical music is an opportunity to represent Dominican women in the new generation of perico ripiao artists, to preserve the merengue derecho or “de línea” and at the same time to make modern songs to captivate a young audience.

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Businessman, producer and broadcaster Jimmy Castro promotes his Ritmo Caribe Promotions Radio

Jimmy Castro and his radio station Ritmo Caribe Promotions Radio

We had the pleasure of interviewing businessman, producer and broadcaster Jimmy Castro, who started his radio show “El Toque Latino” on radio station WTCY 1400 AM from 1998 to 2002 in Harrisburg, Pennsylvania. He then worked as a producer on “The Latin Jazz & Salsa Show” in Richmond, Virginia on station WCLM 1340 AM between the years 2008-2014. He eventually launched his own online Radio station Ritmo Caribe Promotions Radio in 2018 through the link www.ritmocaribepromotionsradio.com. Here, listeners can find salsa, Latin jazz and Afro-Cuban music.

Producer, promoter, and broadcaster Jimmy Castro

Here is our conversation:

You founded Ritmo Caribe Promotions in 1998. What made you found this company and why focus on setting up festivals and concerts?

I started the company as a DJ Record Pool called Caribbean Rhythms Record Pool in 1996 in Harrisburg Pennsylvania. I began meeting many of the artists that I was receiving music from, who began asking me if I would bring them to Harrisburg, Pennsylvania to perform. That’s when I changed the company name to Ritmo Caribe Promotions, and produced many concerts and festivals there featuring artists to include Larry Harlow, Tito Puente, Cano Estremera, Hector Tricoche, Van Lester, Miosotis, Edgar Joel, Yomo Toro, Eddie Palmieri, and more.

Why focus specifically on salsa, Latin jazz and Afro-Cuban music?

I used to promote more genres when I began such as Merengue, Bachata, Reggaeton, and Mexican but as the years went on it began getting more difficult because I was receiving so much music but I had a limited staff to and wouldn’t be able to focus on so many artists. I decided to limit it to the genres I had the most experience in.

Jimmy Castro while leading his old show “El Toque Latino”

I knew that Ritmo Caribe Promotions has co-produced songs by several well-known artists. Let’s talk a bit about your role as producer and record label.

Throughout the years, I have always dreamed of producing a Salsa song with my company. In 2020, I had the opportunity to co-produce my first Salsa song with JA Creations entitled “Mariana” by Colombian Salsa vocalist Jaime Andres featuring Frankie Vazquez “El Sonero del Barrio!” Since then I have co-produced 3 more Salsa tunes, “Nuestro Camino” by Leonardo Garcia featuring country vocalist Cat Beach, Max Rosado, and special guest Nestor Torres, “Mi Motivo” by Leonardo Garcia featuring Grammy nominated Miss YaYa, and “Lo Afortunado Que Soy” by William Mendoza’s Latin Heartbeat Orchestra featuring Cuban vocalist Amauri Menocal. Finally, on August 15, 2022 I will be releasing my first Salsa tune as Executive Producer entitled “Historia de Un Amor” featuring a vocalist from The Netherlands, Julie Huard.

What leads you to launch your own online radio station in 2018?

I started in radio broadcasting in 1997 with my own radio show called “El Toque Latino” on a commercial radio station, WTCY 1400 AM in Harrisburg, Pennsylvania. I was on the air for 5 years. I then moved to Richmond, Virginia where I worked as a producer on The Latin Jazz & Salsa Show on WCLM 1450 AM / WHAP 1340 AM for 8 years. I was also the entertainment producer for 10 years for the annual Latin Jazz & Salsa Festival, with The 15th Annual Latin Jazz & Salsa Festival scheduled this year on August 27th, in which I will be bringing headline artist Herman Olivera.

Finally, in 2018, I no longer was interested in working on everybody else’s radio station, and decided to launch my own 24/7 internet radio station, Ritmo Caribe Promotions Radio, where I am able to program exactly the way I want to. www.ritmocaribepromotionsradio.com.

Jimmy Castro with the “King of Timbales” Tito Puente

You have also produced theatrical plays and film productions. Give us more details about that.

The play I am most proud of was produced by my company Ritmo Caribe Promotions and Yamile Music (Los Angeles) entitled “Melena: A Cultural & Musical Journey into my Afro-Cuban Roots” which was the true story of Afro-Cuban latina percussionist Melena, and her journey from Cuba and becoming one of the best female percussionist in the world. You could check out the play in 3 parts on YouTube by searching for “Melena: A Cultural & Musical Journey into my Afro-Cuban Roots (Part 1, 2, and 3).”

You also receive music in mp3 format from the audience to place on the station. What basis do you have for choosing between the tracks you receive?

I accept music from artists from around the world, again Salsa, Latin Jazz, and Afro-Cuban music, and I listen to all the music I receive and focus on the quality of the production, ensuring I receive mp3/wave along with the album cover image, and last but not least the music has to be GOOD! I also send it to many Salsa dancers who I am connected with to get their opinion on the tune.

What you can say about your show “El Toque Latino”? How has this show changed with the passage of time?

I mentioned “El Toque Latino” in a question above, however, this show is no longer on the air. Now, it is only “Ritmo Caribe Promotions Radio” 24/7 at www.ritmocaribepromotionsradio.com.

Jimmy Castro with Puerto Rican salsa singer Cano Estremera

 

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Joseíto Mateo “They call me the Negrito del Batey, because work for me is an enemy”

Joseito was a consecrated Dominican merenguero who began his career in the 1930’s, better known as “El rey del merengue, El diablo Mateo”.

As a child he learned to sing and dance. He sang at the “Fiestas de la cruz” and at wakes, since at that time the deceased were prayed to with songs.

Mateo began his career as a singer during the 30’s, a period in which he was gaining the public’s favor.

Some time later he was requested by the record label “SEECO” to join the cast that in Havana would record with the Sonora Matancera.

Those were the years of the Trujillo Era in which Dominicans required an exit permit to travel abroad.

At first, this document was denied to Joseito.

As a consequence, in Havana, once the record was contracted and the pieces that would be part of it had been selected, including “El negrito del batey”, Joseito’s place was taken by the Dominican singer Alberto Beltrán, who was known since then by the Cuban public as “El negrito del batey”, instead of his true inspirer.

He was born on April 6, 1920 in Santo Domingo (Dominican Republic).

In one of his later trips, he decided to stay in Cuba to sing in CMQ, together with Celia Cruz and La Sonora Matancera, a very popular group at that time.

After the assassination of Rafael Trujillo on May 30, 1961 and the end of his dictatorship, Joseito decided to try his luck in Puerto Rico.

In 1962, Joseíto participated as vocalist in the first tour of the “Gran Combo” to Panama, to promote the album ‘El Gran Combo con Joseíto Mateo’.

There he met the young singers Pellín Rodríguez and Andy Montañez, who ended up replacing him in the Puerto Rican group.

“El Gran Combo was very good to me, I adapted to sing plena, bomba, guaracha, boleros, but then I had to return to Santo Domingo to clear my name.

They were falling behind all those who were with Trujillo, and in the Republic they said I was a spy and was on the run”.

 

Mateo’s professional work has spanned more than 70 years and constitutes an important reference of the Dominican musical culture.

He was nourished by the roots of merengue and became a singular exponent of it. His innovative style was characterized by a stage participation enriched by his particular way of dancing and singing.

Some of his best known songs are Madame Chuchí, Dame la visa, La cotorra de Rosa and La patrulla, among others. Joseito is known as “El Rey del Merengue” (The King of Merengue).

On November 11, 2010, Mateo was recognized at the 11th Latin Grammy Awards with the Latin Recording Academy’s Musical Excellence Award for his contributions to Latin music.

He retired in 2001, close to his 82nd birthday and after recording 50 “elepes”.

Joseíto Mateo passed away on June 1, 2018 at the age of 98, due to leukemia. He spent his last days in the Hospital de las Fuerzas Armadas.

Source:

https://www.buscabiografias.com/biografia/verDetalle/8662/Joseito%20Mateo

Where To Go Dancing Salsa In Madrid?

We will tell you about five Salsa clubs to enjoy this summer in the Spanish capital

Discover the essence of nightlife in Madrid city with five incredible clubs to dance Salsa until dawn. We suggest that you plan your next dance date so that you can practice your Salsa skills and enjoy this social trend that is invading this summer.

Azúcar Salsa Disco

Azúcar is open on Fridays, Saturdays, and the eve of holidays from 11 PM to 6 AM

This Salsa and Bachata room is one of the most recognized and popular in Madrid. This place offers from Thursday to Saturday the most current Salsa hard on the American continent. Its doors open from 11 PM and in the first hour, the entrance for the ladies is free. Ticket prices range from €12 to €16, and parking is free for the first two hours. Classes run over these three days from 10 PM to 11 PM cost €9 and include a drink and entry to the social session. On Fridays and Saturdays, they close at 6 AM, while on Thursdays they close at 5:30 AM. Azúcar Salsa Disco https://azucarsalsadisco.com/ is located at Calle Atocha 107, 28012, Madrid, Spain.

The Host Club

The Host Club has an excellent lights set

It is one of the leading clubs on the Latin scene in the city of Madrid. It has excellent light and sound equipment, and has a capacity for 550 people. During the week they bring varied proposals with attractive sessions in the various Latin musical styles of the moment: Salsa, Bachata, Salsa Hip-Hop, Merengue, Kizomba, Afro-rumba, Tango, or Street Dance. So, get ready to dance with a wide Afro-Caribbean musical repertoire at The Host Club http://www.thehostclub.es/ .They are open from Tuesday to Saturday, and you can find it at Calle Ferraz nº 38, 28008, Madrid, Spain.

Sala Templo

Sala Templo has close and familiar attention

It is a space that offers joy, culture, and close attention. In each dance sesión, they have teachers and dancers who liven up the room and also help new clients to enter the world of Salsa, Bachata, Merengue, Cha Cha Cha, and Kizomba. Its Bailamos training program for students and teachers is directed by Fredy Bedoya and has dance professionals in constant updating, mirrors, and teaching material. Salsa (9 PM) and Bachata (8 PM) classes are one hour long, and the established days are Monday and Tuesday. Salsa Templo https://www.salatemplo.com/ is located at Bravo Murillo 52, 28003, Madrid, Spain.

Pincel

In Pincel you can also learn Ballroom Dance

It’s a club to dance Salsa and Bachata on Fridays and Saturdays. On Fridays, it is Bachata Night with an irresistible workshop with Ruth and Pablo (Dancers) at 11 PM and is followed by the social Bachata with Dj Chino in the booth. On Saturdays, it gets involved in a Salsa atmosphere from 11 PM with the Salsa class taught by Ivan and Sheila, then the social with DJ Pituelve in the booth. Pincel http://www.discotecapincel.es/ is located at Calle Doctor Raso, nº 1 (Húmera), 28223, Pozuelo de Alarcón, Spain.

Zeus

Zeus holds contests and travel raffles for the best salseros of the season

It is one of the most recommended rooms in the south of Madrid to go out and dance Cuban Salsa, Bachata, and Kizomba. Here, you can find authentic professional dancers of these Caribbean rhythms on 200 meters of the dance floor. Zeus has its dance school, and together with the MDD academy, they teach Salsa and Bachata classes from Monday to Thursday for all levels, and you can try the first class for free. The Zeus room https://www.facebook.com/zeusmostoles is located at Calle Bécquer, nº3, Móstoles, 28932.

Chantel Collado: a Canadian star of Latin descent

La Princesa de La Bachata

I am talking today with La Princesa de La Bachata Chantel Collado (https://www.facebook.com/chantelcolladoficial), who is an immensely talented artist. I understand she is a resident of Canada and is of Dominican descent. Thank you so much for accepting our invitation, Chantel. We learned that you are in Italy at the moment, what are you doing there?

First of all, thank you for the invitation. The pleasure is mine. Certainly, I grew up in Canada, but I’m on tour around Italy and pleased to bring my music to this beautiful country.

Chantel Collado was born in Canada, but her parents are Latino

Wonderful! How has reception towards your music in Italy?

It was amazing! Actually,I’m proud to see how both Italians and foreigners dance to bachata and enjoy it. Bringing this music to a country like Italy makes me very proud. It is a blessing to be able to travel, come, sing my lyrics and see how the audience loves them.

The nickname people you are given caught my attention. Where does La Princesa de La Bachata come from?

People give me that name when I went to London to give a concert. In view of the lack of women in the genre, I think it was easy for the public to call me that. For me, it’s a great honour for me to represent the genre, being a woman and a Dominican, since there aren’t many women who sing bachata.

Precisely because there weren’t a lot of women in the genre, did you feel a strong competition? Did you feel like you weren’t taken seriously?

Being a woman can complicate a few things. Thank goddness, men in the genre have also given me the opportunity and supported me, such as my musical godfather Frank Reyes, who is someone I admire. He is a bachata icon in the Dominican Republic and an example of a man who has supported me in my career. I had the opportunity to record a song and a music video with him.

I have received a lot of support from my colleagues and I am very happy to receive that support.

Who have been your musical references in and out of bachata?

I really like Romeo Santo, The King of Bachata. I grew up listening to exponents of Dominican bachata like Frank Reyes, Luis Vargas, Hector Acosta and Juan Luis Guerra. Outside of bachata, I have always liked Beyonce because of her stage presence. Regarding artists in this generation, I also really like Karol G.

Chantel Collado on stage

Have you experimented with urban or more modern rhythms?

Of course! I love to experiment and change from time to time. From a very early age, when I started singing in a competition in Los Angeles, I sang a cumbia by Selena titled Como La Flor. I have an urban song called Así. I’ve also sung salsa and I have merengues. What I like most is bachata, but for my generation, I listen to much urban music.

According to your biography, you decided to pursue a career in music after a talk you with your father, who also supported you very much in this regard. Can you describe that moment?

I grew up watching my father on stage as a director, musician and singer. From a very early age, I went on stage and sang with him. My brother is also a musician, so I think it just was natural for me. I didn’t know it’d like it or take it seriously as a career, but it was when I turned 15 that we decided to focus on music.

I was also performing and participating in musical theater, so I was singing, performing and dancing at the same time. When I turned 15, we decided as a family to focus on only one thing, which would be music. That’s how I started writing songs with my brother and we’ve been going at it for the last 14 years.

Latin descent

Your father is Dominican and your mother is Uruguayan. Do you think that coming from a Latin family has pigeonholed you or on the contrary?

Quite the opposite! It expanded my horizons. I grew up in Canada, speak English and, try to incorporate this language into my music. I’m of Uruguayan stock and even if people don’t listen to bachata in that country, I chose that genre because I listened to it all the time and I love it. I think that all this mix of countries expanded my horizons and I don’t feel that singing bachata is an obligation for me because I love doing it.

Her father and brother supported her a lot during her career

What did you do during the pandemic?

The pandemic was very difficult for me and all the artists in general, but I tried to focus on writing new music. I don’t know where I got the inspiration, but I recorded a music video with my mobile, which was made for my song Contigo o sin ti that you can find on YouTube. I did my own makeup and my own hairstyle for that day, put my IPhone on a tripod and got it all. I had to find thae encouragement to move regardless the situation.

Fortunately, I returned to the stage to sing for the public after two years.

In which countries are you touring now?

I am touring only in Italy. We’ve already been to two cities and we have two more to go to complete the tour. Then I will return to Canada, rest for a week and travel to the United States to continue touring.

Do you plan to tour Latin America?

I’ll be happy to do so. In fact, we already have some tentative dates in countries such as Colombia and Mexico. Let’s just hope that everything will happen because it would be the first time I brought my music to those corners.

How is urban bachata different from traditional bachata?

I think urban bachata is a movement that is starting to develop. My generation listens to a lot of urban music and an example of this is Bad Bunny, who is killin’ it right now. If we want bachata to evolve a little bit, we have to add a little urban touch and that’s what we’re doing. I think traditional music will never die because it is our main genre in the Dominican Republic, but it can also be made enjoyable for present generations, adding a little urban touch.

Speaking of urban artists, who do you want to collaborate with someday?

At the moment, I would love to collaborate with Bad Bunny. I love Bad Bunny and his new album. I had the great honor of opening for him in Toronto, Montreal, a few years ago. I also had the honor of meeting him, but I haven’t had the chance to collaborate with him yet, though I would love to.

As for traditional genres, I would like to collaborate with Anthony Santos on a more traditional song in my genre, bachata.

A message for young girls who want to dedicate themselves to the same as you.

I’d advise them to follow their dreams. I started in the music industry at a very young age I have achieved many things in the last 10 years. As a woman, I’d tell them to keep going because we are living in a time when women have more attention than ever before. We’re strong, independent and we can do anything we want.

Chantel at a photo shoot

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.