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He was the last surviving member of the glory days of mambo preceding what we know today as salsa.

Ray Santos was a Latin musician, was born to Puerto Rican parents on December 28, 1928, in New York City, attended the Juilliard School of Music where he studied saxophone.

He was a Professor at the City University of New York (City College), where he teaches a Band or ¨performance¨ course.

Ray Santos ¨The last of the Mambo Kings¨

He was a musician in the orchestras of Machito, Tito Puente and Tito Rodriguez. He was also was an arranger and musical director for recordings of Tommy Olivencia, Junior Toledo, Willie Rosario, Lalo Rodriguez, and Rudy Victorino and an Oscar winner in 1992, for the music of the film “The Mambo Kings” starring Armand.

Maestro Santos is a Puerto Rican man who has made significant contributions to Latin music as an arranger, bandleader, and musician.

However, beyond the circles of mambo lovers and Latin music big bands of yesteryear, not much is known about his distinguished professional career in Puerto Rico.

Part of it, happens because of the nature of Ray Santos himself. This is a literate person but with an amiable and accessible character, totally devoid of vanity, presumption, or ostentation exhibited by other music personalities with attainments less than him.

For instance, unless he is asked directly, Ray Santos is not going to say that he participated with three arrangements on the compact disc “Palo Pa’ Rumba” CD of Eddie Palmieri, which received a Grammy Award from the Recording Academy in 1985.

Nor will he say that he also arranged for Eddie Palmieri and Tito Puente on the CD “Obra Maestra” which received a Grammy Award in 2001.

For Linda Rondstat he wrote all the arrangements and was the conductor for her CD “Frenesí”, which received a Grammy Award in 1993.

In the movie “Mambo Kings” he was a mambo director and arranger, including the arrangement of “Beautiful Maria of my Soul”, a song that was nominated for an “Oscar®” as “Best Song from a Motion Picture” at the 65th Academy Awards® of the Academy of Picture Arts and Sciences.

In other words, this is a person who has reached a seat of honor in the world of Latin music, is Puerto Rican, and is practically unknown by his countrymen.

On the one hand, the album “Mi Luz Mayor” celebrates the legacy of Machito, Puente, and Rodriguez. And on the other, The great contribution of Ray Santos to Afro-Caribbean dance music.

We would like to present the outstanding professional career of Maestro Ray Santos after he suffered a recent health problem.

Ray Santos passed away at his home died on October 17, 2019, at the age of 90.

Facebook: Ray Santos

Sources:

By Ewin Martinez Torre

[email protected]

Latin Heritage Contributor

San Juan – Puerto Rico

Jaime Torres Torres

National Foundation for Popular Culture

El eterno ‘swing’ de Ray Santos

Articles of Interest: Ralph Irrizary, a well-known percussionist, is considered one of the most “Swing” timbaleros in the world

Bella Martinez and International Salsa Magazine by the hand of www.SalsaGoogle.com. “Salsa has always been that rainbow that shines immediately at the end of the storm”.

During my most recent visit to the north, after the fury of the flooding associated with storm Ida allowed me to arrive in New York, I made my way to El Barrio’s ArtSpace to enjoy a night of salsa.  Salsa has always been that rainbow that shimmers immediately when the storm subsides.

I entered the venue with the artist who is the subject of my upcoming book: Henry Knowles, also known as the “World Salsa DJ”.  We identified ourselves to the checkpoint girl at the entrance, not before presenting our COVID 19 vaccination card and after receiving a good amount of hand sanitizer.  Henry had to fulfill his artistic commitment for the evening, so I put my belongings away to free myself a little and be able to socialize with the crowd behind my mask.

Once admitted to the venue, I completed the regulatory round of recognition, which I took the opportunity to say hello to several acquaintances I had not seen for a long time.  I realized that I am honing my skills to recognize my people just by identifying their eyes.  I reflected on this detail while I was making the rounds, at the same time that the music caught my attention because of the tasty repertoire.  To my surprise, the song “Mejor Que la medicine” by my beloved Víctor García y su Sonora Sanjuanera was playing, which I never imagined I would hear outside of Puerto Rico, in that environment full of connoisseurs.  I registered the DJ in front of the dance floor.  I realized it was my first time listening to the musical selection of Joe Gonzalez, better known as DJ Paz.  I approached him and let him know that his repertoire was “bravo”.

I had gone to listen to Henry Knowles, whom I admire beyond his ability as a DJ, for his musical management and cultural diligence.  Henry has been a promoter of our Afro-Antillean culture since 1977.  During his artistic career, in addition to DJing, he has been a promoter, producer, and artist manager; successfully working with Ralph Mercado Management (RMM), Sony BMG Music, and Dave Maldonado Entertainment.

The purpose of my visit that night at El Barrio’s Art Space was to set the scene with Henry in the neighborhood, where Knowles himself began the story that I am transforming into my next book.   The idea of this next literary proposal is to share it with anyone who wants to read a story of self-improvement and a lot of salsa.  It is guaranteed that these lyrics will catch the interest of all Afro-Antillean music lovers.

While I was discovering details, which you will be able to read, later on, I had several surprises.  But that’s another story, which I’ll tell you later.

Since 1999, Izzy Rodriguez has focused on the promotion of events where salsa stars, and early on in what was his recently launched event promotion career, Izzy became the most loyal promoter of salsa events on New York soil.  As a relevant fact, Izzy had started in salsa long before committing himself to event promotion.  Let’s just say that he fell in love with salsa through dancing, becoming one of the most outstanding artists of the great Eddie Torres’ corps de ballet.  At the age of 16, Izzy managed to apply his formal training in ballet and jazz to combine it with his love for salsa.  While still a teenager, he achieved professional dancer status in the highly competitive Nuyorican salsa scene.  That fact, in fact, should not come as a surprise since Izzy is the son of a dancer from the Palladium era: Vivian Saldaña.  In his case, one could say that dancing comes to Izzy from the salsa genes he inherited from his progenitor and his maternal grandmother.

Since 1980, when Henry Knowles and Izzy Rodriguez met at Club Epoca, this dynamic duo has been a winning duo.  I attribute the success of this duo to the passion they share for the salsa sound, which they both support from their own spaces.

As a bonus, I managed to give a bear hug to my dear Luisito Salgado, better known as DJ Louie Love.  As a curious fact, DJ Louie Love was the DJ that several years ago I hired and moved from New York to Puerto Rico to entertain the agape on the occasion of the nuptials of my princess, not only because he is a great DJ.  He is also one of my favorite people.

I affirm that the turnout depends on the quality of the artists who share their talent.  And this night in reference could be summarized in a meeting of salsa connoisseurs, where DJs had no room to invent; a meeting of DJs in the New York neighborhood where Henry began his successful career as a disseminator of our culture around the world, plus a dance floor adorned with celebrities, among which I managed to highlight Debbie Mercado, daughter of salsa manager and creator of Ralph Mercado Management; Denisse, daughter of the ever-remembered mambo dancer Cuban Pete; Gucci designer Dapper Dan and New York-based Puerto Rican politician Adam Clayton Powel, Jr:  Adam Clayton Powel, Jr.

I conclude that we are still in salsa.  Fortunately, the alchemy that was given to gestate what is still known today as salsa is still alive and well in the same neighborhood where it all began.

Long live Salsa!

By: Bella Martinez “The Irreverent Salsa Writer”
Puerto Rico

WebSite: Bella Martinez

Article of Interest: Mel Martinez I come from Puerto Rico and Puerto Rico is Salsero

Erika Muñoz, official administrator of the portal “Se Armó la Rumba en México”, www.SalsaGoogle.com and International Salsa Magazine present the Puerto Rican David Morales.

Born in San Juan, Puerto Rico. Son of a seamstress and a furniture upholsterer. He began his studies at the Federico Asenjo and Albert Einstein School in Barrio Obrero where he grew up.

He graduated from Juan Ponce de Leon High School in San Jose and then entered the University of Puerto Rico completing his Bachelor’s Degree in accounting, through a scholarship that ironically he won through an audition he performed in the UPR choir.

At the age of 11 he began working delivering newspapers and years later he worked selling household products. Since he was a child he had two great ambitions: to be a singer and to be an airline pilot. At the age of ten he was already singing the songs of the orchestras of the moment such as Willie Colón and Héctor Lavoe, Ismael Miranda, Raphy Leavitt (RIP) and his Orquesta La Selecta, Roberto Roena and his Apollo Sound, Oscar D’León’s La Dimensión Latina and Oscar D’León’s La Dimensión Latina.

Dimensión Latina de Oscar D’León and Jimmy Urbina’s Orquesta Revolución 70 among others.

The first time he saw an orchestra perform in person was Orquesta Revolución 70, who sang at the Placita Barceló in Barrio Obrero and while singing their hit song Soy de Borinquén, David was fascinated by the music and discovered that his desire was to become a salsa singer someday. It was precise with Revolución 70 that David years later would be initiated into music as a singer.

Maestro Jimmy Urbina, director of Revolución 70 was preparing to record an album and it was in this way that Maestro Mario Ortiz (RIP) recommended him for the orchestra. After auditioning as a singer David joined the group and recorded an album where he sang 5 songs of the production along with singers Dino Guy and Angelo Pacheco.

During his artistic career, one of the orchestras that most captivated and inspired David was Raphy Leavitt’s Orquesta La Selecta.

With him, David had the opportunity to sing and from that moment on, the maestro became his mentor and they created a friendship that lasted forever.

In 1982 David had to give up music because he entered the military service where he achieved his dream of becoming a helicopter and airplane pilot. At the end of the 80’s he returned to Puerto Rico and returned to music, singing with the orchestras of Tommy Olivencia, Conjunto Chaney, Omar Alfanno, Manolo Lezcano, Aldo Mata, José Nogueras and Paquito Acosta. He was also a singer in the orchestras of Willie Rosario, Roberto Roena y Su Apollo Sound, Orquesta La Solución, and Orquesta Costa Brava, where he had the opportunity to record the production “A Pico y Pala”. During this same period the producer and arranger, maestro Carlos “Cuto” Soto baptizes David Morales as “El Piloto”.

David Morales as “El Piloto de la Salsa” (The Salsa Pilot), becoming known by that name within the salsa scene. David Morales had the opportunity to travel to many places around the world to sing with several famous orchestras within the genre.

He has also had the opportunity to sing as a guest with orchestras of the stature of El Gran Combo de Puerto Rico, Oscar D’León, El Gran Combo de Puerto Rico, Tito Nieves, Don Perignon and La Corporación Latina, among others.

After the passage of Hurricane María, in September 2017 David was invited to participate in the recording “Entre Amigos in the recording of “Entre Amigos Después de la Tempestad” with Luis González El Tsunami de la Salsa and Nino Segarra; production that took place together with several singers of trajectory in Nino’s recording studio.

Recently he has just recorded his first album as a soloist, under the direction of pianist, composer, and arranger, maestro Pedro Bermudez, who was David’s partner for many years in Willie Rosario’s orchestra. This production is quite varied, as it includes classic salsa, romantic salsa, boleros, and Cuban salsa, respecting the traditions of the masters and founding fathers of the salsa genre.

All the songs are oriented to the dancer.

There are compositions by Pedro Bermúdez, Ángel Santos, Peter Velázquez, Pablo Milanés, Gloria González, Jimmy Sánchez and Osvaldo Noel, Yturvides Vilchez and Michel Puche.

The arrangers are Pedro Bermúdez, Tommy Villariny, Ramón Sánchez, Carlos Torres,

Tito Rivera and Cuto Soto. It also features the participation of José Alberto “El Canario” as a guest singer in the song titled “El Piloto y El Canario”.

Thanks to all who made possible this record production which was always inspired for the dancer.

Enjoy!!!!

Facebook: David Morales-El Capitán de la Salsa

[email protected]

s[email protected]

Phone: 5529778401

Article of Interest: Chevy “El Pitirre De La Salsa”

By: Erika Muñoz from “Se Armó la Rumba en México”