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Meet Gerardo Osvaldo – Salsa y Sentimiento Academy

Meet Gerardo Osvaldo Russo, director of the Salsa y Sentimiento Academy and organizer of the San Clemente Salsa Congress


One of the seaside and tourist cities in Argentina is San Clemente del Tuyu belonging to the La Costa district, in the province of Buenos Aires, a very cozy place especially if you have a beach taste, enjoy the beaches, the tourist hotels, the seafood and many other things.

This time we have Gerardo Osvaldo Russo, he was born on July 3, 1984, he lives in a small city called San Clemente Del Tuyú, Argentina, he mentions his tastes for salsa and Latin rhythms, he tells us that in 2005 he began to dance and listen to salsa, from that moment his taste and passion for this great musical genre began, then he went on to dance other Caribbean rhythms.

Since 2009, I have been teaching Caribbean Rhythms in the “SAOCO” studio, one of the best places to train in your country, for that I had to travel every week since it was 300 kilometers away from where I lived. Then he made an important decision, which consisted of dedicating himself completely to teaching and then in the future to be able to create new projects that he already had in mind.

He mentions that in the city where he lived, he had no way of training, since there were few resources and he could not get to do everything he had in mind, in addition, his motivation was to grow personally as a teacher and dancer, to be able to dump all the knowledge that he was going acquiring the people who went to his classes.
For the year 2008 he began to teach at the beginning as a hobby for a year and a half until he made the decision to work 100% in his profession; So today he has his own Dance Academy called “Academia Salsa y Sentimiento” which was inaugurated in 2012, where he is currently a coordinator and teacher.

Team photo of Gerardo Oswaldo Russo
Gerardo Oswaldo Russo’s team

Gerardo has also been in charge of organizing the “San Clemente Salsa Congress” for about 3 years, as well as for his institution he holds Salsa, Bachata and other Caribbean rhythms every year, these include seminars and trainings with great teachers. quality and track record.

The reason that allowed the inauguration of the “Academia Salsa y Sentimiento” was basically the need in the people (not only in their city, but also in the neighboring cities of Puerto de la Costa, which is the region to which San Clemente belongs del Tuyú) to have the opportunity to learn to dance, express themselves, find a place of liberation, belonging and also be able to meet people and socialize.

For what it is known for being the first dance academy registered in the entire region, feeling very proud of its work team and of itself. In a few words, they mention that their goal has always been for people to identify with the activities they do, find a place where they can learn and have fun, as well as recharge. Students entering this academy may do so without any experience or knowledge of the rhythm they wish to practice.

At the Salsa y Sentimiento academy you start from scratch but people who already have knowledge can also come because we have various levels, working with people from 3 years onwards.

The biggest goal to be achieved was to create an International Salsa Congress, where they proposed to bring their students to compete; and in 2016 they were able to do it with the reggaeton group with professor “Maximiliano Laplaca” reaching the finals of one of the most important competitions in Argentina and South America called “Argentine Aerobic and Dance Tournament” (TAAD).

In 2017 their official website was inaugurated where they can manage more information and not only through their Facebook account and in the academy, together with other companies in the city, they are working to provide benefits to their students and not only have the possibility of learning and have fun if they can not also access discounts and benefits in stores in San Clemente. There is also a project for a few years from now and it is to be able to train teachers who leave our Academy. And later he began to broadcast live on his radio “Sentimiento Salsero”to promote other artists in the musical world.

During the Covid-19 period, many activities were paralyzed, including face-to-face classes, but it has managed to keep up with online activities and events, where for the first time its salsa and feeling congress was a success in 2020, we all look forward to your next congress in 2021.

Gerardo Oswaldo Russo
Gerardo Oswaldo Russo at the dance academy

At the end, he gives us a message for both students and future learners.

“My message is as a teacher but fundamentally as a human being is that you do not stop going in search of your dreams, as long as you work hard with responsibility, passion and respect, things can be achieved. To also tell anyone who wants to come to the Salsa y Sentimiento Academy, they will find a place not only where they can learn to dance and train, but also a human group of containment, a place where they can freely express and bring out everything they carry inside. Young and old, to whom we are united by the passion for dancing. Teachers who love what they do and want to pass it on to new generations. Always open to the possibility of listening to anyone who has new ideas to build a better ACADEMY SALSA Y SENTIMIENTO every year ”

 

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Septeto Acarey is a Peruvian group of traditional Cuban Son fused with modern melodies

International Salsa Magazine / www.SalsaGoogle.com is pleased to present and make known to the world a musical group that has been growing with an original sound and debuted in 2017 with an eponymous production.

Septeto Acarey is a Peruvian group of traditional Son fused with modern melodies, formed in Lima – Peru by its musical director and bassist Reynier Perez based in Peru since 2005, who was born in Guanabacoa and excelled as bassist of the popular group “El Mayimbe” of Barbaro Fines, acquired mastery in different ensembles in his native Cuba, including the Septeto Monte Adentro, the Septeto Santiago Habana and Son Candela.

Reynier studied music with private teachers and was largely self-taught, he played with several salsa orchestras, among them “Son Habana” where he accompanied several Puerto Rican and Dominican singers such as “José Alberto El Canario”, “Rey Ruiz” and “Maikel Stuart” and shared the stage with “Oscar de León” and “La India”, then with an orchestra called “Son Cohiba” playing traditional music.

Reynier studied music with private teachers and was largely self-taught. He played with several salsa orchestras, among them "Son Habana"
Septeto Acarey is a Peruvian group of traditional Cuban Son fused with modern melodies

With the traditional septet format, guitar, tres, bass, trumpet, tumbadoras, bongo and vocalists, its director and founder, has formed a team of excellent son lovers who enjoy playing Cuban music.

Perez decides to form the Septeto Acarey with Peruvian musicians and at the same time they produce their first album titled “Acarey Llegó”, a record production that crosses borders with the song “Y Legaste Tu” achieving positions in the first places of the Mexican radios.

In October 2017 they perform for the first time in Mexico City (CDMX) in front of one hundred thousand people in the great Azteca Stadium, which allowed them to return to perform on several occasions due to the Mexican public and fans.

“It was an incredible experience to interact with the public singing and chanting loudly, at the top of our lungs and shaking all the stands… The affection of the Mexican people is captured in our hearts”.
Reynier Perez clarified.

Name and Meaning of “Acarey”

It means the Love I have and feel for my family “A” is “Love” the word “CA” are the initials of my wife’s name “Carolina” and “Rey” is for my name Reynier (It’s me), Reyniero and Reynaldo are the initials of the names of my two sons who are my greatest treasure in my life.

“Jorge Luis Piloto”

The success achieved in Mexico encouraged the group to create more songs and it is here when the master, famous and prolific composer Jorge Luis Piloto, multiple Latin Grammy winner, is in charge of writing the songs for Acarey’s new album.

Jorge Luis Piloto is the composer of songs that have been hits for great international artists such as: Chayanne, Jose Feliciano, Cheo Feliciano, Jose Jose, Jose Jose, Rey Ruiz, Luis Enrique, Jerry Rivera, Gilberto Santa Rosa, Carlos Vives, Victor Manuelle, Tito Nieves, Olga Tañon, Mariah Carey, Christian Aguilera among others.

Jorge Luis Piloto is the composer of songs that have been hits for great international artists such as: Chayanne, José Feliciano, Cheo Feliciano, José José José, Rey Ruiz, Luis Enrique, Jerry Rivera, Gilberto Santa Rosa, Carlos Vives, Víctor Manuelle, Tito Nieves, Olga Tañon, Mariah Carey, Christian Aguilera among others.
Jorge Luis Piloto is the composer of songs that have been hits for major international artists.

“Members of Acarey”

Septeto Acarey is a Peruvian group of traditional Son fused with modern melodies, formed in Lima - Peru by its musical director and bassist Reynier Perez, who has been living in Peru since 2005.
Septeto Acarey is a Peruvian group of traditional Cuban Son fused with modern melodies.

Bass and Musical Direction: Reynier Pérez
Vocals: Junior Caro and Alberto “Beto” Terrazos
Trumpet: Luis Cuenca
Cuban Tres: Sergio Lago
Bongo: Ángel Chucuival
Conga: Carlos Zabala
Piano: Julio Guillermo

Facebook: Septeto Acarey

Septeto Acarey is a Peruvian group of traditional Son fused with modern melodies, formed in Lima - Peru by its musical director and bassist Reynier Perez, who has been living in Peru since 2005.
“Ser Feliz” New Album by Acarey

Sources:
Augusto Felibertt International Director in International Salsa Magazine

https://www.ecured.cu/Septeto_Acarey

Salar Latin Club

By: Diana Marie International Salsa Magazine Miami Correspondent

 

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Chevy “El Pitirre De La Salsa”

Erika Muñoz official administrator of the portal “Se Armó la Rumba en México”

Through Erika Muñoz official administrator of the portal “Se Armó la Rumba en México”, www.SalsaGoogle.com International Salsa Magazine and Por La Maceta Internacional 101.1 FM present the Puerto Rican Chevy “El Pitirre De La Salsa” based in Columbus, Georgia, USA.

The singer-songwriter Jose David Flores Perez better known as Chevy El Pitirre De La Salsa, son of Puerto Rican parents (both Cidreños), so at the age of 8 years settles in Cidra, a municipality in the mountainous Central Region of the Island of Enchantment.

He had the privilege of being lulled with musical notes; his father was an amateur singer as well as his maternal grandfather and uncles, and the string instruments (guitars, Cuban tres, and Puerto Rican cuatro) were his letters of introduction and distinction.

Through Erika Muñoz, official administrator of the portal "Se Armó la Rumba en México", www.SalsaGoogle.com International Salsa Magazine and Por La Maceta Internacional 101.1 FM present the Puerto Rican Chevy "El Pitirre De La Salsa" based in Columbus, Georgia, USA.

Chevy “El Pitirre De La Salsa”

Once he settled in Puerto Rico, and as a teenager, he participated in choral activities at his school and in troubadour competitions in his town and surrounding areas.

In 1999 he arrived in Columbus, Georgia in fulfillment of his military service and remained there until 2005. During this period of time he joined musical groups in the area of Son Tropical (Columbus), Orquesta Tamboricua and Taboga, both from Atlanta.

Back to Puerto Rico in 2006, he stayed away from the stage, except for his participation in the second edition of the contest “Buscando el Sonero de Picante” for the year 2012 held at the Marriott Hotel in Isla Verde, where Chevy managed to sneak into the finalists.

Those evenings were hosted by radio man and event promoter Nestor “El Búho Loco” of Z93, Puerto Rico’s Salsa radio station, and accompanied by the musical framework of La Sonora Sanjuanera.

He returns to Columbus in 2016 and the meeting with the musician and arranger Felix Rodriguez takes place, integrating the vocal line of the Caribbean Sound group “group that by then was in the process of formation” and that somehow would be the necessary incentive for his return to the musical stage.

In the month of February 2019 prior to the celebration of Valentine’s Day, the single titled Instrumento de Amor was released through the different social networks and could be obtained through the various platforms in music sales in digital format.

The date was selected intentionally because from the titles of the singles, the name of the production and the theme of this one, it is evident the concordance of the encounters and misunderstandings of love that happen in everyday life.

The first production “Entre el Amor y el Vacilón” contains 8 songs inspired by Chevy’s own pen that he has drawn from the depths of his heart.

Once he settled in Puerto Rico, and as a teenager, he participated in choral activities at his school and in troubadour competitions in his town and surrounding areas
Chevy “El Pitirre De La Salsa”

Under an intense work in this 2021 El Pitirre De La Salsa presents his second production for the album titled “Enjaulado” contains 12 songs of which some are authored by Chevy.

On May 30 was the official launch of the second production of the Puerto Rican singer-songwriter and is available on all digital platforms.

You can already listen to the promotional track titled “En Modo de Avión” and “Siempre en mi Mente” to mention a few that are already available on his YouTube channel.

Facebook: Chevy “El Pitirre De La Salsa

By: Erika Muñoz from “Se Armó la Rumba en México”

 

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Katherinne Motta better known as DJ Katha Motta, salsa vinyl collector.

With her good musical taste, her great energy, exuberant beauty and sympathy, she has been infecting the hearts of salseros in Latin America, North America, Europe and Asia with her good taste in music.

On this occasion, the pages of International Salsa Magazine / www.SalsaGoogle.com are graced by our very special guest, the beautiful Katherinne Motta better known as DJ Katha Motta, collector of salsa vinyls, who has been infecting us with her good musical taste, her great energy, exuberant beauty and sympathy to the salsa hearts in Latin America, North America, Europe and Asia.

Born on December 1st in Bogota – Colombia and based in Miami, Florida in the United States, she has been doing an admirable job with her professionalism, talent, original style, versatility, sympathy, connection with the music lovers, dancers and followers; being some of the reasons to be with you today in the only salsa magazine in the world.

Welcome DJ Katha Motta to our edition of the month, for us, it is a satisfaction to talk with you…

Thank you very much Carlos, for your invitation and taking me into account for this interview so I can share and publicize my work as a DJ through International Salsa Magazine and wwwsalsagoogle.com, with all those beautiful and rumbera people, who are your faithful followers and readers around the world.

has been infecting salsa hearts in Latin America, North America, Europe and Asia with her good musical taste, great energy, exuberant beauty and sympathy.
Katherinne Motta better known as DJ Katha Motta

Very well Katha, tell us how were your beginnings in this professional DJ career?

Friend Carlos Colmenárez, well let me tell you that I started on August 26, 2017, in the city of Asheville North Carolina as a professional DJ and I have been participating since then in 5 states of the country, also in Peru in events and concerts of music lovers and collectors, but lately I have been developing my work in Atlanta GA, city that has given me affection to this day.

Excellent, by the way Katha, before continuing with the musical part; tell us if you have any hobbies or do you dedicate yourself to other things?

Yes, Carlos I am passionate about martial arts, photography, the natural environment, sharing with family, obviously dancing and somehow I have learned to value art and life…!

I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal.
At the age of 18, I only frequented salsa places because it brought me joy.

Your taste for salsa begins since when Katha?

My love for salsa began at the age of 16 when I started to enjoy family parties and I realized that the salsa genre called my attention more than the others. At the age of 18 I only frequented salsa places because it generated joy, feeling and flavor.

Does that give us to understand that you fell in love with salsa?

Yes, yes my friend Carlos, I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal, although, I still carry these genres in my heart I stayed with salsa because it is a genre that you can enjoy with a glass of wine, dancing, it is too versatile which for me makes the perfect combination. I think I am a proof that it is possible to be a passionate salsa dancer at an adult age.

And weren’t you influenced by your parents or friends to have that taste for salsa?

I remember that since I was a little girl I have been very curious about music, I remember that since I was a child I would take the tape recorder and the cassettes that my parents had recorded from the radio and I would write the names and artists in a notebook.

Very good DJ Katha and as for your taste for vinyls what can you tell us?

Prof. Carlos, when I started working, I started buying CDS and some vinyls, I demanded much more in my work as a DJ because I always want to give the best of me, I also enjoy learning and finding exquisite tunes from collections that are not very well known. Currently I keep buying vinyl for the love of music, the thirst to learn, enjoy the contact of the needle and the vinyl is magical and it is also satisfying to support new artists.  I think it is important to have the habit of giving that value to what we are so passionate about and contribute to the genre.

Which of the rhythms or styles of salsa are your favorites?

It is difficult to find favorites in this genre, when you fall in love with many artists who left their mark and continue to do so, but I think my personal taste is more for son montuno, guajiras and when I program for the dance floor I really like guaguancó, timba and salsa dura.

I have had the honor of alternating with: Chamaco Rivera, Bobby Valentín, Roberto Lugo, Roberto Blades, Papo Cocote, Andrecito Carabali
Katherinne Motta better known as DJ Katha Motta

DJ Katha Motta, we want to know in which places have you been working lately?

Well, let me tell you Carlos that I have been working and making all the dancers in the following cities enjoy:

Asheville NC, Charlotte NC, Greensboro NC Atlanta GA, Athen GA, Greenville SC, Pompano Beach FL, Margaret Fl, Los Angeles CA, Dallas TX, Knoxville TN and many, many more, and as for places where I have participated in vinyl collectors meetings, Orlando FL and Lima Peru.

By the way DJ Katha Motta, with which figures of our Afro-Caribbean music, have you shared the stage?

Carlos, I have had the honor of playing with: Chamaco Rivera, Bobby Valentin, Roberto Lugo, Roberto Blades among others, dear friend.

Perfect, Katha, can you tell us, what have been your latest and upcoming DJ sets for events?

Let me tell you Carlos, that on May 8th I was at the ”Mother’s Day weekend edition” (Noche caliente Latin Night) in Dunwoody, GA; last April 10th at the (Salsa al parque Miami number 3) in Hialeah Fl, May 29th at the ”Rumba salsera” event in Pembroke Pines Fl, among others…and I will be ”Celebrating fathers day” on Saturday June 26th in Greenville SC, alternating with Roberto Blades.

Your social networks Katha, so that music lovers and dancers can follow you?

You can find me as :FanPage Facebook: DjKathaMotta.Facebook Personal: KathaMotta.

Instagram:DjKathaMotta.Youtube:DjKathaMotta.https://Youtube.com/channel/UCSmpDKa1HyMcC4KsBVUpMtA. Twitter: Dj KathaMotta @djKathaMotta.

Thank you very much Dj Katha Motta for accepting our invitation to international salsa Magazine, www.Salsagoogle.com, for us it has been a great honor to have you as a guest and we hope you continue with such professionalism and dedication to the salsa genre and enjoy your “temotas” as you rightly present them in your work and transmissions. We send you a big kiss and a virtual hug with many blessings.

Thank you very much, my friend Carlos Colmenárez, you are a sun…! Let me tell you that the honor is mine and you have selected me to be with you in the “only salsa magazine in the world…!” I would also like to thank all your editors and directors for this high privilege. I will always be at your disposal to share experiences, good salsa and sincere friendship. With love and appreciation your friend Dj Katha Motta…!

By: Carlos Colmenárez Correspondent in Venezuela

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Long live music! Repeat after me: “Long live the musicians so they can keep making it”. And I add: “Long live SALSA”.

With a full tank, Transition by Tito Rodriguez, Jr.

Bella Martinez, International Salsa Magazine by the hand of www.SalsaGoogle.com presents and highly recommends this formidable and exquisite production of Tito Rodriguez Jr. The firstborn of the unforgettable Pablo “Tito” Rodriguez.

Long live music!  Repeat after me: “Long live the musicians so they can keep making it”.  And I add: “Long live SALSA”.

As soon as I got my hands on it I listened to it, many times.  Not that I needed an explanation, but I could not stop listening to it and go off to take care of my duties.

So much so that I had to send the radio station of the Puerto Rican salsa singer on vacation for a few days until I finished writing the note that had chosen to write itself.  The CD cover – showing the photo of Tito Rodriguez, Jr. settled on my desk for several weeks as if it belonged to the surface in front of which I sit every day.  Until one fine day I said to myself: Today I hope to be able to understand the instrumental pairing of everything that happens in this piece.

Here I go…

So much so that I had to send the radio station of the Puerto Rican salsa singer on vacation for a few days until I finished writing the note that had chosen to write itself.
With a full tank, Transition (2017) by Tito Rodriguez, Jr.

In the first cut (Bailando con la más fea) there were several bars after the first minute, that transported me to my days of partying in New York during the bravo launch of that orchestra that I haven’t heard for a long time.

Of course, while that orchestra sounded bigger than it was, this one I’m examining today – Tito Rodriguez, Jr.’s – sounds bigger than it is and on steroids; among other reasons because the baritone enhances the personality of this serious sounding arrangement, albeit hand in hand with a jocular lyric.

During the second theme (El vive bien) we experience a very Cuban theme of those that sandungueando the waists of those who follow the leather beats to’ fuete.

Shortly before entering the third minute, the interplay of saxophones and twists in which the baritone and bongo play suggest to me that this song shares the flavorfulness of the pregón that says “Salsa ahí na’ma’ como me gusta a mí…” from one of the tracks on Gilberto Santa Rosa’s production Colegas (2020).  In fact, Gilberto collaborates in this production, specifically in the song Volver.

In the third cut (Ándate nena), the trumpet solo stands out within an arrangement for large orchestra and allows the performance to be sprinkled with conga, marking the nostalgia of the memory of those geniuses that the traditional big bands left us as a legacy.  The saxophones sound like those of the Palladium orchestras.

The 4th track (Volver) is an arrangement where the influence of Bobby Valentín’s inventions is evident.  The track starts like the romantic arrangements of the 1990’s, although with a heavy and dominant piano, prior to the alto saxophone playing that opens the way for the rest of the saxophones in perfect synchrony with the conga, timbal and bongo.  This cut features Gilberto Santa Rosa, although the song didn’t need Santa Rosa to shine.

Tito Rodriguez, Jr. gave way to the most prolific salsa singer in commercial salsa to perform a song that was already the polished diamond of this collection.

Tito Rodriguez, Jr. Timbalero, Arranger, Composer, Producer and Bandleader, Tito Rodriguez, Jr is one of the leading
Tito Rodriguez, Jr. Timbalero, Arranger, Composer, Producer and Bandleader, Tito Rodriguez, Jr is one of the leading

I found it to be a classic big band arrangement with an avant-garde touch where the saxophones give way to a touch of a musical arrangement that wants to be a sonorous orchestra.  However, the perfection of the thing doesn’t let the sonorous touch tuck in the modern big band concept.  Well, I understand myself.  “Afinca y echa pa’ lante…” said Santa Rosa.

In the fifth track (Con el tanque lleno) the orchestra starts off powerful in sound and playfulness.  The song is about a “convertible, colorado y con el tanque lleno”.  The pregón reads: “Soy soltero y con el tranque lleno” (I’m single and with a full tank).  I don’t think you will be surprised when I confess that this is my favorite song in this collection.  The lyrics are funny, but the arrangement is a smashing one.

The conga’s correspondence with the melodic trombone solo by Alex Zapata’s blows sets the stage for a masterful closing by the saxophone ensemble under the leadership of Ismael Vergara’s baritone.

The sixth track (No vale la pena) is evidence of the chameleonic capacity of Sammy Gonzalez, Jr.’s voice, which can be used to proclaim, to sound, to become the most romantic rogativo in the middle of a heavy song, all within a romantic lyric full of feeling.  Well, rarely does a man play the “victim” of a sentimental breakup.

This is one of those few times, a situation that makes the pregones both jocular and nostalgic at the same time.  The contradiction of suffering and laughing is also visited at the end of the mambo, which makes the theme one of general interest in addition to the musical interest it awakens.

The seventh track (Pa ti morena) is a very brave Cuban son.  I don’t know if this son is played in that unlikely combination of the style of Tito Puente, Machito and Tito Rodriguez knowingly or if it was pure chance.  I felt like I was reaching for heaven while listening to Sammy Gonzalez, Jr.’s vocal performance when the alto saxophone solo brought me back to reality.

The beginning of cut #8 (Para los bailadores) marks the change of tempo to an aggressive one where the bongo is the one telling where the baritone is going. When the vocalist suggests to Tito Rodriguez, Jr. to enter the mambo with an anticipatory “y nos fuimos”, no one doubts the greatness of the orchestra’s sound.

The timbal solo by Tito Rodríguez, Jr. declines when the performer requests “mambo otra vez”.  It is in this track that the distinctive sound of this orchestra is most noticeable, one inspired by the traditional big bands, although influenced by the advanced currents.  In short, this is real salsa and it is salsa to enjoy.  As promised in the lyrics, this song brings to the arena a very cool rhythm that is not to be confused with charanga.

After I finished writing this note, having already listened to the complete production, I was tempted to ask Tito for an audience and ask him “a couple of questions” according to me.  That brief call went on and on and I asked him everything I could, taking advantage of the nobility of the timbalero heir to the musicality and name of one of our greatest musical glories….

During the “cañona” that I wanted to call an organic interview, Tito confirmed that Transición is his fourth album and the first to be titled in Spanish.  Let’s go well, Tito.

This album was preceded by Curious? (1978), which featured José Alberto “El Canario” and Rubén Blades; Eclipse (1995) and The Big Three Palladium Orchestra live at the Blue Note (2004).

Why the title Transición?  I’ll tell you about it next time.  Obviously, Tito deserves another chapter in my salsa journey.  Talk to you soon and I’ll tell you about his 2009 adventure when he was in Puerto Rico fulfilling one of his musical dreams.

Tito Rodríguez, Jr. Transición

By: Bella Martinez “La Escritora Irreverente de La Salsa”

Puerto Rico

As soon as I got my hands on this album, I listened to it many times. Not that I owed an explanation, but I couldn't stop listening to it and go off to take care of my duties. So much so that I had to send the radio station of the Puerto Rican salsa singer on vacation for a few days until I finished writing the note that I had chosen to write itself.
Bella Martinez “The Irreverent Salsa Writer”.

WebSite: Bella Martinez

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.