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Search Results for: Rumba

Hernan Olivera the sonero of the 21st century

Latin America / Puerto Rico / Puerto Rico

Hernan Olivera, this excellent Salsa singer named Hermenegildo Olivera was born on January 30, 1959 in Newark, New Jersey.

Hernan Olivera is the son of Puerto Rican parents and from an early age he felt a great affinity for Latin music since his father listened to the groups of the moment such as Tito Puente, Celia Cruz, Machito, Ismael Rivera with Cortijo y su Combo, Alegre All Stars, Tito Rodríguez, Santitos Colon, etc.

Hernan Olivera
Hernan Olivera

Then, in the 70s, in the midst of the Salsa Boom, Herman began his love of singing listening to the performances of Chamaco Ramírez, Héctor Lavo’e, Cheo Feliciano and Marvin Santiago, among others. These vocalists were mainly his source of inspiration; That school of soneros served as an apprenticeship for him and that is when he made the decision to sing professionally.

Hernan Olivera - photo
Hernan Olivera – photo

When he was just 15 years old, Herman began his career as a Salsa performer with an orchestra called “La Justicia”, after this he was part of the band “La Sónica” where he met his friend and trombonist Jimmy Bosch, after this He spent time with the “Caramelo” orchestra and later made the most important leap in his career by joining the “Con Conjunto Libre” in 1978, where he left his voice for the first time on the LP “Increíble” from 1981 under the direction by percussionist Manolo Oquendo and Bassist Andy González where he stands out with the song “Decide”.

Then in 1983 he would record with the Conjunto Libre in the production “Rhythm, sound and style” the song “Que Humanity” that would become a success. In 1988 Herman left the group “Libre” and became part of a project by Mr. Fernando Pastrana and under the musical direction of trumpeter Miguel Santiago whose album was called “La Exclusiva” which shared the vocal part with Roberto Mier, in this album stands out interpreting the songs “Xiomara” and “Te vi pasa”.

Hernan Olivera with his piano
Hernan Olivera with his piano

After this, in 1990 he was invited to record on the album “Salsa Sudada”, for the Valdesa Records label of Víctor Raúl Sánchez “Patillas” and with the musical direction of Isidro Infante, sharing vocals with Mario Muñoz “Papaíto”, Adalberto Santiago, Eladio Peguero “Yayo El Indio” and Pablo Villanueva Branda “Melcochita”; in this work he interprets the themes “La needle” and a tribute to the city of Cali called “Valle plata de salsa”.

He continued with his career as a performer and in 1993 he was once again invited to record the production “Now” with the Free Ensemble, where his great conditions and resources as a singer are undoubtedly reflected, there the song “You belong to me” became a hit in addition to other songs such as “Obsesión” and “El Son” stand out on this album.

Subsequently, he launched an independent project called Herman Olivera and La Exclusiva “Chequea La Mercancía” produced by Fernando Pestana, where the song “Me Extra Spider” is one of the most outstanding. In 1996 he reunited with the Conjunto Libre and made the live album entitled “On The Movie”.

Caratula Alta resolucin sin letras of Hernan Olivera
Caratula Alta resolucin sin letras of Hernan Olivera

In 1997 he participated in the CD of the band Rikoson All Stars called “Evoluciones Del Son” where he stands out very well in the romantic theme “Aquella Noche”.

Photo - Hernan Olivera in concert
Photo – Hernan Olivera in concert

In 1998 he was requested by the piano teacher Eddie Palmieri and together with the vocalist Wichy Camacho they recorded the album “El Rumbero Del Piano” in which he stood out as a singer in the songs “Malagueña salerosa” and “Oiga mi guaguancó” that same year. he is invited to the recording studios by the trombonist Jimmy Bosch and they release the album titled “Soneando Trombón” which contains the hit “Otra opportunity” that he performs as a duet with Frankie Vázquez, on this CD the song “Descargarana” is also inserted. ”.

Photo 2- Hernan Olivera in concert
Photo 2- Hernan Olivera in concert

That same duo Olivera and Bosch meet the following year (1999) and make the production “Salsa Dura” where Herman shines interpreting the full “Impact we will have” this album also has the participation of the singers Frankie “Nene” Morales and Frankie Vázquez parallel to this album, the RMM label launches a live CD and DVD entitled “Eddie Palmieri & Friend’s” where Herman looks excellent in the number “Palo Pa’ Rumba”.

Hernan Olivera in concert
Hernan Olivera in concert

Cubanoson

Northeast – Middle Atlantic- New Jersey 

Cubanoson is a traditional Cuban dance orchestra as created by pianist and composer, Leonel “Papo” Ortega. This Orchestra unites the “Punto Cubano” and the “Son Montuno” bringing danceable Cuban music to any public or private event.

In 2006, Cubanoson released their debut album “Recordando a Cuba” which contain 10 tracks. Four years after, this NY’s Cuban orchestra presented their second album “Rumba Nueva” with 13 singles including 7 originals in Spanish, English and French. Likewise, Cubanoson has the purpose to unite the talent and dedication of excellent contemporary musicians, (true exponents of Latin roots), to offer and express the traditional Cuban music to all cultural venues! Please, visit them in https://www.facebook.com/cubanoson

Cubanoson
Cubanoson

Next Event: Tuesday, August 7th

Time: 7:00 PM

Venue: National Night Out Festival. Bergenline Ave and 43rd St, Union City, 07087.

Come and dance with Cubanoson for the 13th straight year LIVE!

This is a great festival free to all over a span of 3blocks.

Support of the Police.

International Salsa Magazine presents the Dj, Jeferson Flores, triumphing in Europe

Currently, they are known through the abbreviation “Dj” or the term “deejay” respectively, and in previous times, they were called “disc jockey”, to those people, which select and mix recorded music and thus be heard by a certain audience, thus issuing its sound in locations such as: discos, mini clubs, clubs, dances, events, concerts, bars, restaurants and rumbas, demonstrating their versatility, knowledge and bringing joy to their followers, listeners and dancers.

In this issue of International Salsa Magazine, we present a Venezuelan musician, selector or dj, who is currently triumphing outside our borders and extolling the name of our country.

Jeferson Flores, born in Caracas in 1992.
Jeferson Flores, born in Caracas in 1992.

We refer to Jeferson Flores, born in Caracas in 1992, and from a very young age he was inclined to music, because his father, also worked as a professional dj of salsa music rhythm and this somehow influenced Flores to learn the trade and legacy acquired thanks to his father.

Beginning with only 15 years of age to musicalize, using in first place the formats of compact discs “cds” and “cuatromil quinientos”, in the Caracas saraos known as “Picoteros” and in the remembered “Minitecas”, and in second place demonstrates his skill in the “plates”, when using the formats of discs in acetates or vinyl, selecting salsa for the dancer and he also commented us that with the passing of the years and until the present time, he stands out and characterizes himself for being a professional salsa dj; he stands out and is characterized for being a “dj crossover”, that is to say, what it means in the Spanish language, dedicated to “mix” with the use of “controllers” his excellent musical repertoire. International Trajectory.

The performance abroad of our guest of this month in International Salsa Magazine, has been quite extensive and successful, beginning to work in Colombia, where he worked as a “resident dj” for five years in a prestigious nightclub in Bogota, then began his period, musicalizing in Ecuador, Poland, Germany and is currently based and makes professional life in Barcelona, Spain, being described by specialists as one of the “Dj Crossover” more complete and versatile, placing Latin music in their dances. And as a result of his excellent performance in the Iberian country, he was the winner last year of the “Latino de Oro” award, in the categories: Salsa Dj and Dj Crossover, respectively, and by the way, in this year’s edition 2024, he has been nominated again in both categories for this award, considered one of the most important of the music in the European continent.

As for his most recent performances as a “musical selector”, last Saturday, June 28, he was mixing salsa at a location in the city of Marbella, Spain, in an event called “Venezuelan Night”, and next Saturday, July 6, he travels to Madrid to make the rumberos of the “mother country” enjoy, integrating the line-up of the Dj show, the “Fiesta Blanca”, alternating in this opportunity with the musicalizers: Reni Herrera, Ditxon Mercado, Dj Argenis and Dj “El Negrito Caliente”.

Finally – he told us – Jeferson that his work in Spain has been very well liked and he is one of the most requested Djs in the rumbas every weekend. His social networks and contacts are, instagram: jefersonfloresoficial2, facebook: Yeferson Flores, Tik tok: @jefersonflores457, Youtube: jefferson flores.

Dj. Jeferson Flores
Dj. Jeferson Flores

Email: [email protected], Booking: +34691292564. From International Salsa Magazine in Palo Alto, CA www.salsagoogle.com, we wish Dj Jeferson Flores, the best of success and continue to succeed in Europe for the pride of Venezuelans, always putting good salsa for the dancer …! Until next time and let’s keep on salsaing. Dj. Augusto Felibertt and Carlos Alberto Colmenárez Oropeza.

The first DJ was British radio engineer Ron Diggins.

Contrary to what many may imagine, it was not a bohemian musician in a garage or some friends in a ghetto. The first DJ was British radio engineer Ron Diggins, who in 1949 invented the Diggola, which today is considered the first “mixing desk” in the history of music. The home-built Diggola had two turntables, lights, microphones, amplifier, speakers and was built on a wooden coffin (yes, coffin) base.

With his Diggola at the ready, and like a good DJ, he loaded his equipment into a van and began playing records at the hundreds of UK events where he was hired, causing the crowd to go wild. “I didn’t invent anything, I just put the same things to a different use,” he commented in the magazines of the time, never imagining that his creation would be the beginning of a revolution in music, where DJ’s and beatmakers would take beats to every corner of the planet.

Ron Diggins, throughout his life, played records in more than 20 thousand parties, retiring only in 1995, after 46 years of career in front of the decks. Passionate about music, he passed away in 2011 at the age of 91, leaving an eternal legacy.

Dj. Ron Diggins
Dj. Ron Diggins

In 2020 it will be 25 years since Diggins retired from the dancefloors. And we commemorate it with music, without a minute of silence, because a life with silence is the last thing the first DJ in history wanted.

Article written by @comte_con_eme, member of the Urban Roosters Army.

Also Read: Djane Shina una Pasión Convertida en Realidad

Learn to dance to the rhythm of Son Rumbero

Latin America / Colombia / Bogota

The Son Rumbero academy dresses up with the grand opening of its offices in Bogotá in Colombia and Santiago in Chile.

Photo of dancers by Son Rumberos
Photo of dancers by Son Rumberos

They offer dance classes based on 3 profiles, for the youngest and adolescents of the “Kids” house, the fitness line and Latin dances, join the dance trend, give your body health and distraction, it’s been 15 years of experience and consolidation, they have been one of the distinguished schools of Salsa in Venezuela, now, they dedicate hard work in giving improvements and innovations to the dance of the capitals of Colombia and Chile.

Son Rumbero social
Son Rumbero social

In Bogotá they will begin to offer salsa tourism, if as you hear it, you could have 5 days of tourism in Bogotá under an innovative and very formal proposal. This tourist proposal begins with more than 24 hours of formal classes in the disciplines of Afro-Cuban music, learn rumba, cha cha, son, salsa, mambo and many more, together with the tourist tour of the city, closing every night in local and spaces destined for enjoyment, dance all night without stopping with the dancers taxis assigned for this great experience. To learn more about this great proposal, be sure to visit www.sonrumbero.com in our SALSERO TOURISM section soon to be published.

Jose Perez teaching in Son Rumberos
Jose Perez teaching in Son Rumberos
Photo of Jose Perez teaching in Son Rumberos
Photo of Jose Perez teaching in Son Rumberos

Everything is in the hands of lovers of good music and dance, do not forget to give yourself the opportunity to do a different tourism, full of experiences that you hardly get in the world, study, dance and get to know the best tourist sites. Follow the social networks of the academy by @sonrumbero on Instagram, Facebook and twitter.

Son Rumbero Logo
Son Rumbero Logo

Toñito Laya

Latinoamerica / Venezuela / Caracas

On this occasion we have the privilege of meeting the new Venezuelan talent Toñito Laya (singer), son of Maestro Antonio “20 DEDOS” Laya, who was one of the most significant conga players in the Venezuelan salsa movement in the 1980s, director of the “ Banbankere Orchestra” of Petare with two musical productions; giving him more than enough reason to grow in Latin music, such as “el Son”, “la Rumba“, “la Guaracha”, “el Danzón”, “Boogaloo”, “la Timba” and “la Salsa” being This is the beginning of his artistic and musical career.

Starting in the 90s, he (Toñito Laya) entered the Bigott Foundation where he had the opportunity not only to learn the various rhythms in Afro-Venezuelan percussion, but also developed as a dancer in one of the most important groups in Venezuela when it comes to popular traditions. “Vasallos del Sol”, eventually becoming “Vasallos de Venezuela” in 2016, where he had 16 concerts, productions, albums and national and international tours; Colombia, Mexico, United States, South Korea and Japan, among others.

Toñito Laya flyer
Toñito Laya flyer

In 2006, a project called “Comprehensive School of Latin Tradition Dance 100% Tumbao” began, where many dancers were trained in the Cuban Salsa Casino genre, combining this training with Venezuelan traditions, making them understand that traditions come first. Venezuelans. Then they participated in the most important events and competitions in Venezuela, they even became Latin American Champions of “CUBAMEMUCHO 2009” in the city of Caracas-Venezuela, thus managing to represent the country in the grand final to be held in the city of Munich-Germany, 2010.

He also tells us that in 2009, they were invited to participate in a new project but this time not to dance, but to “sing” in a group that by then had no name but a particular genre such as “Son Cubano” . From that moment Toñito began his musical career to develop in a somewhat unexpected way, he was a founder and assumed the commitment of being in charge of this group as one of its leading singers for more than 7 years, where the themes arose: To me that, La Ruñidera, Bilongo, El Jamaiquino, I hear a drum, among others; They were part of his first musical repertoire.

With two record productions together with the already structured band “La Séptima Bohemia” he consolidated his musical career as a singer, going through a training process with different teachers and vocal coaches such as: Ronald González, Fanny Olano, Gustavo Gerardo and Marcial Istúriz, among others. others, who would help him develop in the middle of music.

National tours, award nominations and concerts allowed him to share the stage alongside large-scale national and international groups such as: Francisco Pacheco, Canelita Medina, Alexander Abre y su Habana de Primera, Manolito y su Trabuco, El Septeto Santiaguero, José Alberto “El Canario” to mention a few. Toñito records for the year 2012, the song “She takes me”, a song that in turn would be the title of the second album becoming an icon of parties, dances and social events not only in Venezuela but in many salsa and salsa dancing countries. casino in the world.

In the year 2016 Toñito Laya arrives in Aztec land to embark on a new path, he begins by residing in the city of Cancun-Mexico to sing in some local groups and participate in various projects such as: Los Panas.com, La Formula Perfecta, Grupo Swing Latin among others.

This new stage as an artist prompts him to consider a new musical challenge but this time as a solo singer with a well-defined and focused vision, his pleasant experience as a dancer motivates him to dedicate his first promotional single “ABRE QUE VOY”, this being the complement of an orchestra, for the musicians and their singers “EL BAILADOR”.

“ABRE QUE VOY” is the result of the work of talented and renowned Venezuelan musicians who give an important plus to this Musical production of “Maurice Melo”, this first single is created, performed by Toñito Laya, in the company of the Venezuelan talent of the following musicians:

  • Piano and arrangement: Joel Uriola.
  • Bass: Jesús Torres “Mandinga”
  • Percussion: Yomar Méndez “Caballo”
  • Trombone: Jhonal Rivero.
  • Trumpet: Edward Platter.
  • Baritone sax: Michel Peña.
  • Choirs: William “Wywy” Buznego, Carlos Guzmán and Ramfis Fajardo.
  • Recorded in the studio: A Tempo Records by Heyzer Cabrera.
  • Mixing and Mastering: Heyzer Cabrera. Caracas – Venezuela 2018

If you want to meet or contact Toñito, you can follow him through:

  • Correo: [email protected]
  • Facebook: https://www.facebook.com/tonito.laya
  • YouTube: https://www.youtube.com/channel/UCUkjU7SFnPc_W-XJDlMMzRg
  • Instagram: https://www.instagram.com/tonitolaya/
  • Twitter: https://twitter.com/negrolaya

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.