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Berklee Online: The Best Option for Learning Music Online
According to many of the artists we have had the honor of interviewing in this section, one of the most important things to succeed in the world of music is education and academic preparation. Fortunately, the United States is full of academic institutions offering all kinds of degrees, courses and diplomas to contribute to knowledge base artists use for their work. One such institution is Berklee College of Music.
Berklee College of Music is one of the leading music institutes in the state of Massachusetts and offers all kinds of academic degrees related to this important branch of the arts on its campuses in Boston, New York and Valencia, Spain. Its biggest focus is developing the potential of its students in areas like music, dance and theater.
In this prestigious institution, students have the opportunity to experience every aspect of the music industry through an interdisciplinary curriculum. On its website, those interested can see everything that is offered such as undergraduate, graduate, summer programs and online courses.
In addition, Berklee has made available to its applicants the possibility of studying in an online mode through its Berklee Online initiative.

Berklee Online
Berklee Online is an initiative by Berklee College of Music created in 2002 with a view to allowing aspiring musicians and established artists to pursue economic and high-quality degrees and educational programs from anywhere in the world.
Berklee students will be able to develop and improve all of their artistic skills through online certificate programs, award-winning courses, and undergraduate programs.
An important thing to note is that online students will be able to learn from the same professors from the physical campus, so at no time will there be any decrease in the quality of teaching compared to face-to-face classes. We are talking about the best professionals in each of their areas who have taught classes to numerous artists and have been part of national and international award-winning projects. Likewise, many of the graduates of this institution have won Grammys and other awards of this kind.
According to figures handled by the college, Berklee Online has students from around 140 countries and very diverse academic and work backgrounds, but with the same desire to learn and absorb the best from their instructors.
Another benefit offered by Berklee is the assignment of an academic advisor to students in order to support them in achieving their goals and help them in everything they need to make their experience the best it can be.
And for those who are not particularly interested in enrolling in a paid course, they can also opt for free resources to complement the activities they are carrying out. Among these resources, we can mention free sample lessons, degree handbooks, online course catalogs, news and exclusive content.
Once on the page online.berklee.edu, whoever wishes to have access to all this material must sign up and create an account by typing the data required by the page in order to get access to the content.

Berklee Graduate Artists
Berklee College of Music has been the home of many renowned artists who have been able to learn much of what they know today in its facilities.
In this same section, we have spoken with renowned musicians who attended this college, which has greatly contributed to the training that has allowed them to get to where they are today.
One of them is Venezuelan percussionist and musician Omar Ledezma Jr., who received a scholarship to study in this institution and, at that moment, he told us that he applied for the scholarship and managed to pass the audition required to enter the school. A month later, he was informed that he had been admitted to Berklee through a letter and, in his own words, it was one of the most important news in his life.
Today, Ledezma has an important participation in groups such as Pacific Mambo Orchestra with which he has played in major festivals such as Tempo Latino in several of its editions. He is also teaching at the SF Community Center where he shares his knowledge with other young people who want to follow the same path.
Another fitting case to mention is that of Puerto Rican arranger, composer and sound engineer Felix O. Rodriguez, who studied production, mixing and remastering at Berklee College of Music to prepare his return to the stage since leaving the music for an extended period of time. After that, he started his solo career with all the irons and released his first studio album. Having developed in the aforementioned areas, he has much more control over his work and has no need to hire as many people to record his music.
While it is true that these artists attended face-to-face classes, their professors and content were the same for online classes, so students enrolled in the online mode can enjoy the same benefits and the same learning without any problem.

Read also: Tracy Jenkins from Lula World Records spoke exclusively with us
Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist
Samuel Quinto Feitosa, FRSA (born September 5, 1973) is a Brazilian jazz, pop, gospel and classical pianist, as well as music producer, composer, arranger, educator and writer living in Portugal since 2004.
Quinto grew up in Salvador, where he developed his art mainly with the piano. Samuel Quinto was born in Belém, Pará, but grew up in Salvador, Bahia.

Since the age of seven, he developed his musical talent by virtue of the contact with the piano through the gospel, accompanied by the Baptist Church that he studied during his childhood with his family in Salvador.
Then Samuel took the first steps on the piano in the family home, always without accompanying teachers, and developed his piano skills learning also, as self-taught, harmony, reading and writing music and orchestration, musical composition, arrangements for the church choir, which begins to play as a pianist at the age of 12 years. In Europe.
Samuel Quinto released his first CD “Latin Jazz Thrill” in 2007, in Portugal, with trio formation (Bass, Piano and Drums), which formed the core of his repertoire in various festivals and concerts during the years 2007 and 2008 in Portugal.
During his 2008 tour he performed in cities such as Hamburg, Berlin, Cologne, Heilbronn, Liège and Limoges; in addition to a special concert held in Salvador in collaboration with the Catholic University of Salvador in June 2008. His compositions are used at the University of Porto (ESMAE) in the Jazz degree, as study material in the training of Jazz students.
The second CD entitled “Salsa ‘n Jazz”, containing eight original compositions by Samuel Quinto, and the standard Stella by Starlight, is released in June 2009 with a concert in the city of Porto, and the concomitant launch of his new tour.

Even more extensive, which passed through Belgium, Germany, Portugal, Spain, France, Luxembourg, Netherlands and England. In this second work, Samuel was accompanied by another Brazilian, classically trained, Marcos Borges on bass and Manuel Santiesteban, Cuban, graduated in drums in Havana, Cuba.
He founded the first Latin Jazz course at the North Jazz School, Porto – first professional Jazz school accredited in Portugal and one in the Iberian Peninsula to have the Professional Jazz Instrumentalist course until then.
Besides being invited to be the artistic director of one of the most traditional Portuguese jazz clubs, Si bemol.
Samuel has also been invited to conduct workshops in the field of Jazz, Latin Jazz Composition and Arranging both in Brazil and Europe. But his musical talent is not only to jazz, after having been a pianist of the corps de ballet, he began to develop the scholar side of his music.
Inspired by great composers such as Beethoven, Mozart, Bach, Tchaikovsky, Brahms and others, he began compositions to accompany ballet in performances, as well as for orchestra and choir. _ (allaboutjazz)
There is something about Brazilian-born pianist Samuel Quinto that strikes a vibrant chord in the inner ear. Perhaps it has to do with his wonderful grasp of the joy that abounds in the Brazilian northeast.
His sense of “joy”. Perhaps it also has to do with his mature approach, his wonderful use of dynamics, his expression and his innate ability to allow the tonal center of his music to shine.
He has an exquisite ear and his hands are independently controlled by his mind, which separates melody and harmony when necessary.
Quinto, as a result, makes his fingers tingle on the keys, rumble and guffaw and cry with chords from which he wrings laughter and sadness and pure joy.
In Salsa’ N Jazz he plays with a primal hypnotic rhythm that calls to the roots of his music, which reach all the way to deepest Africa, through the folk corners of Brazil and Spain, which means the Mediterranean nooks and crannies of the Middle East, India and Europe.

The result is a discotheque where these cultures converge in a point of ignition that warms the blood of the soul. His playing is muscular and intuitive and smacks of an artist who likes to invent on the fly, to constantly evolve.
The starting point of Quinto’s playing is also a deeply symbiotic relationship with forro music in all its vibrant splendor-baiao, xote and arrasta-pe-all elegantly captured and sparkling as his fingers touch ebony and ivory.
The most joyous and memorable display of this is her rendition of Victor Young’s “Stella by Starlight,” which gets a rousing liner treatment and reaches its climax as the song’s choruses unfold.
It is worth mentioning that on this song – as on the others on this album – Brazilian bassist Marcos Borges and Cuban drummer Manuel Santiesteban shine with their wonderful interplay.
Samuel Quinto is also an accomplished composer and demonstrates maturity and a sense of adventure with the rhythmic variety he presents here in a rumba, “Quinto’s Rhumba” which, by the way, is played in a deliciously choppy style reminiscent of Thelonious Monk.
“Jaci” is an exciting, danceable song that crosses Cuban rhythms with a touch of Brazil.
“Bolero To Preta,” an affectionate semblance of the pianist’s mother, suggests that the pianist has a lot of inner clave.
“Ficou No Meio” is simply a marvelous forro that becomes dizzying as Quinto, Borges and Santiesteban gloriously rumba in harmony and rhythm.
Santiesteban gloriously ruminate the harmony and rhythm.
“Voo Da Andorinha” is a chorinho that, quite simply, reveals Quinto’s “Alma de Nordeste”. And “Isabel (Para Voce)” is a beautiful ballad that shimmers and shines as its emotive tonal colors begin to unfold.
“Salsa’ N Jazz” is an emblematic song that captures everything unforgettable about this album: a pianist with the ability to dazzle in silence while the right hand flies exotically and the left constantly invents harmony and rhythm.
Here is a very promising pianist, who brings with him his rich Brazilian tradition and, indeed, all of Latin America, a new and exciting musical landscape. _
Raul D’Gama Rose
Samuel Quinto Trio – Salsa’N Jazz (2009).
Musicians:
Samuel Quinto (Piano)
Marcos Borges (Bass)
Manuel Santiesteban (Drums)
Information provided (September 16, 2023)
Samuel Quinto Feitosa (Neuroscientist and Musician)
La Puertorriqueña de Don Perignon presents her new recording work
Demostrando in time
With great enthusiasm, La Puertorriqueña de “Don Perignon” announces the release of its most transcendental recording production, entitled Demostrando a tiempo.

This release is a testament to more than forty-five years dedicated to music by the orchestra’s leader, Pedro Morales Cortijo, known artistically as “Don Perignon”. After overcoming health challenges,
“Don Perignon“, with renewed vigor, turns his attention to what he calls “an unprecedented chapter for the orchestra”.
And what better way to kick off this new phase than with the release of the album? Demostrando a tiempo, a title derived from Moncho Rivera’s composition arranged by Carlos García, adds a historical and significant nuance to the recording.
“Don Perignon” highlights the importance of paying tribute to the pioneers of Puerto Rican popular music, Ismael Rivera and Rafael Cortijo, underlining the crucial influence they had on the musical movement to which their group belongs:
“Moncho represents Ismael Rivera and I represent Rafael Cortijo. They (Cortijo and Rivera) were the ones who created what we do, that’s why we decided to pay tribute to these two greats of our music”.
The album opens with a composition by Sammy Ayala, entitled ‘Dilo tú’, previously recorded by Rafael Cortijo’s Combo. This song, on this occasion, includes an exquisite timbal solo by Perignon.
This, which is La Puertorriqueña’s thirteenth production, rescues two jewels of the prolific composer Catalino “Tite” Curet Alonso.
The first, ‘Aquí estoy con mi son’, was first recorded in 1991 by singer Frankie Hernández under the production of Bobby Valentín. The second, ‘Soy tu ley’, was initially recorded in bolero time by Cheo Feliciano, the so-called “Señor sentimiento”. For this occasion, the skillful musical arrangement -in salsa key- by Ramón Sánchez gives the song a fascinating nuance, by integrating it with the distinctive sonority of the orchestra.

It should be noted that ‘Soy tu ley’ was destined to be part of the album Música Maestro (2014), but like fine wines, it waited patiently until it reached its optimum point to be released.
Highlighting the musical diversity, the album includes ‘A quién iré’, a composition by singer-songwriter Héctor Olmo, which at Perignon’s request, seeks to express gratitude to God for all that He has given him, including what the orchestra leader calls “a new opportunity in life”.
“I have my way of thanking God, but not through a message as fine as that,” says the director of La Puertorriqueña, considering that the song written by Olmo came to answer questions about everything he has achieved musically, despite the many obstacles that have come his way. ‘A quién iré’ features the arrangement by Juan C. Cardona, the vocal participation of Alex D’ Castro and the creation of the chorus by “Don Perignon” himself.
Demostrando a tiempo includes the songs: ‘Sácala a bailar’ (composition and vocals by José Karlo Ribot, with a tasty arrangement by Andy Guzmán who incorporates a forceful piano solo); ‘Sin brújula’ (lyrics by Harold Aguirre, musical arrangement by Ramón Sánchez, sung by Joe González); ‘La clave me lleva’, ‘Como si me amaras’ and ‘Afinque, cadencia y sabor’ (title that lists the distinctive adjectives of La Puertorriqueña).
Demostrando a tiempo reflects the dedication and unparalleled talent of “Don Perignon” and La Puertorriqueña.
Through a careful fusion of tradition and innovation showcased in the repertoire, this album represents the invaluable contribution of the orchestra, captivating dancers around the world with its vibrant and distinctive sound.
La Puertorriqueña de “Don Perignon” invites the public to immerse themselves in this unique musical experience and enjoy Demostrando a tiempo, available on digital platforms and select music stores.
La Puertorriqueña de “Don Perignon” invites the public to immerse themselves in this unique musical experience and enjoy Demostrando a tiempo, available on digital platforms and select music stores.
Don’t miss the opportunity to experience the magic of Demostrando on time. Join us on this exciting musical journey.
About Don Perignon:
Pedro Luis Morales Cortijo, is the first name of the Puerto Rican timbalero and musical director known internationally as “Don Perignon,” whose musical career began in 1974.

“Don Perignon” comes from a family with a long musical tradition, which includes his cousin, Rafael Cortijo.
After having stood out as musical director for singers Andy Montañez and Lalo Rodríguez, in 1989. “Don Perignon” released his first production La buena vida, which featured the participation of Victor Manuelle. This album was followed by Festival de soneros (1990) and Subiendo (1992).
In his career “Don Perignon” with his orchestra, La Puertorriqueña, has released thirteen recordings, in which figures such as Gilberto Santa Rosa, Víctor Manuelle, Luisito Carrión, Oswaldo Román, Pedro Brull, Josué Rosado, Rico Walker, José Alberto “El Canario” and Hermán Olivera, among others, have collaborated.
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