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Sidney Poitier

The Golden Gentleman Of Hollywood

Face of Sidney Poitier
Sidney Poitier dropped out of school at 12 to help his parents support the home

Sidney Poitier, the Golden Gentleman of Hollywood, died six days after the start of 2022 (January 6th, 2022) at his home in Beverly Hills (Los Angeles – California) as a result of a combination of heart failure, Alzheimer, and cancer prostate (according to the death certificate obtained by the TMZ website). And although he is no longer with us on this earthly plane, at ISM wanted to pay a heartfelt tribute to this famous man on the Big Screen.

We can only start with how a Gentleman is identified. A man with this distinction is characterized by the behavior of absolute courtesy with the people around him, deep nobility regardless of gender, race, or creed, and exuberant distinction in any situation. Qualities that were always present in the behavior of one of the Afro-descendant men in Hollywood with values ​​and principles unalterable over time, we are referring to our Golden Gentleman of Hollywood, Sidney Poitier.

Sidney from his childhood in the Bahamas developed high self-esteem. He was not able to differentiate between skin tones, on the contrary, he only saw people with the same rights, duties, and obligations. That is why he was always ready to give his image and resources to the defense of civil rights on the big screen, as well as stand by the African-American political activist Martin Luther King and in turn, participate in peaceful demonstrations such as the Pilgrimage of Prayer for Freedom (1957) and the March for Jobs and Freedom on Washington (1963).

This actor and director was raised within a family and society where mutual respect, great affection, integrity, and laughter were the premises. These teachings nurtured his life and helped him translate into each of the characters he played in the mecca of cinema.

His multiple characters reflected the kindness, sacrifice, dignity, and greatness of human life, thus leaving an extensive cinematographic legacy with more than 50 films since 1950.

Barack Obama, Sidney Poitier, Michelle Obama
Ex-President Barack Obama presented the Presidential Medal of Freedom (August 12th, 2009) to Sidney during a White House ceremony.

His physical departure has been the center of great posthumous recognition by the industry, such as the cases of Denzel Washington (actor), Oprah Winfrey (writer and television presenter), Lupita Nyong’o (actress), and many more representatives of the Afro-American community living in the United States.

“Through his groundbreaking roles and singular talent, Sidney Poitier epitomized dignity and grace, revealing the power of movies to bring us closer together. He also opened doors for a generation of actors. Michelle and I send our love to his family and legion of fans.” Farewell words from ex-President Barack Obama through his Twitter account.

6 Emblematic Movies Of Poitier

Sidney Poitier never really wanted to be an actor. The truth is that at the age of 15 he didn’t know how to read well either. Words made up of more than three syllables were quite a challenge, and every time he had to read them, he got a feeling of defeat.

So, how did Sidney get into acting? The answer is by accident during his stay in New York City. In his search for a job as a dishwasher, he came across an advertisement that powerfully caught his attention and said “Actor Wanted” and although Sidney did not know what that job was about, he decided to attend the casting with gallantry.

Sidney Poitier in Black and White in NYC
Poitier bought a true confession magazine for ladies and memorized two paragraphs to audition at the American Negro Theater

That day two stories converged. The first was the impetus of creating a fruitful career in acting, while the second story is the narration of the moment when this actor with entrenched convictions felt deeply offended as never before in his life.

Poitier auditioned but due to his poor reading skills, acting, Caribbean accent, and skin color, Sidney was disrespectfully kicked out. He was held by his coat collar and pants belt and thrown into the street. The words of that man were “You can’t read, you can hardly speak, and you have that accent… Why don’t you go find a job as a dishwasher?”

That day was one of intense reflection for the golden gentleman of Hollywood. Walking down Lenox Avenue, he thought about what happened, and his indignation at that situation that he constantly remembered led him to make the best decision of his life, Sidney chose to be an actor! His choice was based on his love for himself. His thought was that he was worth more than the perception that that man had of him, and once he managed to prove it to him, he would leave that profession, and that’s how this magical journey began…

His induction studies in the performing arts began in the American Negro Theater located in Harlem (NYC). Here, he offered his job as a janitor in exchange for his acting training. After not-so-pleasant experiences, he could be the substitute for the main role of the plot of the work. And on the day of the premiere Sidney had to play the leading role because the main actor (Harry Belafonte) could not attend. In that unique moment, the son of tomato farmers from the Bahamas was able to demonstrate the meaning of perseverance, determination, effort, and with his brilliant talent, he was able to captivate all attendees. Since then, job offers in acting for Sidney began to arrive.

Sidney Poitier sitting in a Red Armchair during the filming of a scene
“I can’t represent a scene that I don’t find the texture of humanity in the material.” Sidney Poitier

His first professional job was on Broadway in the classic play Lysistrata (a Greek comedy) in 1946. This was followed by the play Anna Lucasta and later his film debut in No Way Out in 1950.

A narrative that is based on the medical assistance to an intolerant Caucasian criminal by a doctor of color (Dr. Luther Brooks) played by Sidney. Poitier’s first film role broke Hollywood’s established stereotypes for African-American actors, while this film was the first to directly address racism.

“My Values ​​are not disconnected from the values ​​of the black community, so I go in front of the camera with a responsibility to be respectful…” Sidney Poitier

Blackboard Jungle (1955). This film struck the social chord of an educational system and helped revolutionize Rock and Roll music in a soundtrack for a big-budget movie. With this performance, Poitier was full of praise for his participation in the secondary role as Gregory Miller, a troubled student who decides to stay in school.

Three years later comes The Defiant Ones (1958) and with it his first nomination for the Academy Awards. This dramatic film had its center in racial harmony. Two shackled fugitives, John “Joker” Jackson (Tony Curtis) and Noah Cullen (Sidney Poitier), escape from the prison truck. As they try to evade the police, they overcome their racial prejudices.

In 1963 the film would come that changed the life of this actor born at seven months in Miami and raised in Nassau (Bahamas), Lilies of the Field. This cinematic drama dives into Faith and is about an ex-soldier (Homer Smith) played by Sidney, who is persuaded by an order of nuns to do farm work and build a chapel. During the process, Smith earns the respect and admiration of all. This leading role brought Poitier his first Oscar, and he thus became the first black man to receive this award for Best Actor in 1964.

“What the character was doing was exhibiting a vast sense of self and the wonders of being alive. The wonders of being a Human and the responsibilities…” Sidney stated in an interview conducted by the Academy of Achievement in 2014.

Sidney Poitier dressed in a suit with the Oscar in his hand
Oprah Winfrey will make a film about the life of Hollywood’s Golden Gentleman, Sidney Poitier

It was followed in 1967 by In the Heat of the Night. This film also starred the winner of the Honorary Oscar in 2002. The plot deals with the resolution of a crime in a small town in Mississippi. Here, the police chief of the southern place decides to interrogate the only African-American man who was traveling as a foreigner through the city. Sidney played this character, but this outsider was a detective from Philadelphia. This film won the Oscar for Best Picture in 1968.

“When I read the script I told the producer (Walter Mirisch – very close friend) I can’t play this. In the scene, this guy comes up to me and slaps me and I glare at him and walk away… I can’t do that because the human responses that would be natural in those circumstances we’re suppressing serve the values ​​of greed on the part of the acquiescence of Hollywood. You certainly won’t do it with me. Not only will I not, but I will respond as a human being would naturally respond. It blows me up and I’ll blow it back up and you have to put it in writing.” Sydney anecdote. So, it was!

The last milestone that Poitier marks that same year is in the story of Guess Who’s Coming to Dinner? This film is a family drama that involves racial tolerance. The story is based on an African-American doctor who travels to meet his in-laws, unleashing a series of intra-family conflicts associated with racial stigma. The actors who performed the main characters are Katharine Hepburn (Christina Drayton), Spencer Tracy (Matt Drayton), Sidney Poitier (John Prentice), and Katharine Houghton (Joey Drayton). This film breaks the discriminatory social barrier towards people of color, as Sidney becomes the first African-American man to kiss a white woman on the big screen.

Sidney Poitier was also a producer and director from the late 1970s. He was born unusually while his parents were on a business trip from the Bahamas to Miami (FL). His parents were dedicated to the cultivation of tomatoes and later sold them. In one of those trips to sell the agricultural product, Sidney’s mother (Evelyn) broke her waters at seven months of gestation and gave birth to Sidney (her last-child) in the African-American section through a midwife from the North American city, for there were no hospitals for colored people.

Sydney Tamiia (Daughter), Sidney Poitier, Joanna Shimkus (Wife), and Anika (Daughter)
Sydney Tamiia (Daughter), Sidney Poitier, Joanna Shimkus (Wife), and Anika (Daughter)

The life of this Golden Gentleman of Hollywood is an example of integrity, values, ​​and effort. He learned to read while working as a dishwasher in a restaurant in Queens (NYC) with lessons from a Jewish waiter every night after work. He opened the doors for new African-American movie stars. He broke down social stigmas that fit with the color barrier where African-Americans could only personify criminals or servitude.

At 94, the movie icon left behind six daughters from two marriages, the last to Canadian actress and model Joanna Shimkus in 1976.

ISM mourns the departure of this stronghold man from the big screen. Rest In Peace, Sidney Poitier (1927–2022).

Some of our information was taken from the American Academy of Achievement interview with Sidney Poitier.

  •  You Can Also Read: News “En Clave”

North America – January 2022

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Freddy de Jesús Ortega Ruiz “Coco & su Sabor Matancero”

Born on December 7 he comes from a very humble family but full of lots of love and flavor.

Roots:

my dad played the guitar and serenaded all the women in the neighborhood, my mom loved to play and sing, she would take a pewter plate and improvise a güiro and start playing and singing hahahaha. I also had an uncle who was a singer of Mexican music (Rancheras) my first recording was in 1965 with the Sexteto Tropical.

That’s where I come from.

Freddy de Jesús Ortega Ruiz
Freddy de Jesús Ortega Ruiz “Coco & su Sabor Matancero” y Dj. Augusto Felibertt

How many productions do you currently have?

In total I have about 45 productions with different groups, but with my Conjunto COCO Y SU SABOR MATANCERO I have 8 productions.

In your musical trajectory, which musicians have left their mark on you?

The first one was my debut in the professional field with Maestro Porfi Jimenez and the stars of Venezuela.

This was in 1974 where I had the joy of being the first Venezuelan singer to perform with Las Estrellas De Fania at the Nuevo Circo de Caracas.

And also to have accompanied great stars of Latin music with my Conjunto COCO Y SU SABOR MATANCERO.

Among them the Queen Celia Cruz, the Inquieto Anacobero Daniel Santos, Celio Gonzalez, Leo Marini, Nelson Pinedo, Lino Borges, Mundito Gonzales, Canelita Medina, Trina Medina Cheo Garcia, Memo Morales, Oscar D Leon and others.

Of the productions you have, which is the most significant?

One of them is the album entitled Coco y Su Sabor Matancero “Sabor Ritmo y Calidad” where the great singer and (sonero) José Alberto el Canario participates as director, chorus and co-producer.

And the other significant one is COCO Y SU SABOR MATANCERO CON “TODO” because there I managed to bring together several artists of the stature of Wilmer Lozano,

Mariana la Sonera de Venezuela, the comedian and singer El Moreno Michael and Rodrigo Mendoza, also the floor singers Luis Muñoz and my son Coco Ortega Jr.

How many productions have you participated in as an independent producer of your own?

Born on December 7th, he comes from a very humble family but full of love and flavor.
“Coco & su Sabor Matancero”

The first was Yo Soy El Son Cubano, Coco y Su Sabor Matancero en Concierto, a Gozar con Mi Son Cubano, Coco y Su Sabor Matancero Original, Coco y Su Sabor Matancero Tremendo Comban and Coco y Su Sabor Matancero “Con todo”.

Where are you currently living and how do you see the music scene there?

At the moment I am in Caracas Venezuela

At present, as in all parts of the world, we musicians have been the most affected since the work has declined too much, but we hope that with God’s favor things will open up little by little and that we will become aware that this is not a game and that we have to take care of each other.

Have you been in the best time of your life and what do you miss the most?

What I miss most is the era of the 70s, 80s, 90s.

When we played in three and four places on the same night.

Tell us about your last production?

As I told you, I had the pleasure of bringing together first class singers and the result was Coco y Su Sabor Matancero “Con Todo” (With Everything).

Coco y Su Sabor Matancero (ft: Rodrigo Mendoza) – Margot, tell us about this song?

Let me tell you that this song Margot is a Venezuelan waltz pasaje of which three versions have been made, the first interpretation was made by a great representative of our Venezuelan Music as it was Don Mario Suarez, then it was made by a great Peruvian musician Don Lucho Macedo.

And the most resent by Coco and its Matancero flavor and the person selected to interpret it was one of the great singer (sonero) Rodrigo Mendoza for his great interpretative quality of our Latin Music.

Do you miss Venezuela, your homeland?

The time I was living in the United States I missed daily my dear and always loved Venezuela, now I am in my homeland Venezuela.

What are we currently expecting from Coco & su Sabor Matancero?

My most recent production titled “Un Guaguancó Páramo” which was released on December 16, 2021.

“Un Guaguancó Pá mi Barrio” by Angel Flores, a song that brings together eight great

manages to bring together eight great exponents of our Latin music.

Freddy de Jesús Ortega Ruiz “Coco & su Sabor Matancero”
Freddy de Jesús Ortega Ruiz “Coco & su Sabor Matancero”

Performers:

Coco Ortega Jr.

Coco Ortega

Mariana “La Sonera de Venezuela”.

Angel Flores

Yorjan Cardona

Jimmy El León

Marcial Isturiz

Rodrigo Mendoza

Arrangement and Musical Direction:

Félix Guzmán “Guachafa”

Members Coco y Su Sabor Matancero:

Coco Ortega general director – singer, minor percussion

Andrés Romero “Tapón” – Trumpet

Cesar Guares “El Guaro” – Trumpet

Félix Guzmán “Guachafa” – Bass guitar

Franklin Infante – Piano

Igor Cochyze- Timbalito

José Araujo – Tumbadora – Singer

Coco Ortega Jr. – Singer

Yorjan Cardona – Singer

Backing Vocals:

Carlitos Guzmán

Eloy Blanco

Special guest:

Leo Pérez – Flute

Article of Interest: Fabián Rosales Araos Chilean singer-songwriter, native of the city of Valparaiso

Edwin “El Calvito” Reyes el Sonero de la Sangre Nueva “Amor de Actualidad”

“El Sonero de la Sangre Nueva”

For International Salsa Magazine by the hand of www.SalsaGoogle.com is pleased to present again a singer of the new generation that is growing by leaps and bounds creating his own style and leaving footprints in the music industry in these new times of many difficulties that we all know and have learned to cope with hard work, we refer to Edwin “El Calvito” Reyes better known as “El Sonero de la Sangre Nueva”.

Undoubtedly, today, considered by legends and colleagues of the salsa genre, as one of the fastest-growing exponents, projecting and establishing his brand, steadily and worldwide; Winner of the 2019 Paoli Award, as Tropical Revelation of the Year, he is Edwin “El Calvito” Reyes.

Born on April 19, 1974, he had his childhood in a humble 20-foot square wooden house and graduated as an Electrician from the Vocational High School in his beloved Trujillo Alto in May 1992. He then graduated with a degree in Tele-Communication from Sacred Heart University in P.R. This 2020, “El Calvito” is scheduled to finish his Master of Science, with a major in Entertainment Business, at Full Sail University in Orlando, FL. (Entertainment Business, Master of Science).

Today, the collaboration between emerging artists has made a change in the salsa world, worldwide. An extremely positive and general change, where radio broadcasters, DJs. have made their modifications, to be up to date, creating a much-needed balance in Salsa, which is still dominated by the classic.

However, the salsero listener also asks for songs to learn and make them his own. For that and more, we bring you this new collaboration.

“Amor de Actualidad”.
“Amor de Actualidad”.

A song for the listener, and with “swing” for the dancer. In short, daring.

Our friend, Edwin “El Calvito” Reyes & Lluvia y Sus Soneros

(One of the most emblematic and colorful salsa singers in Colombia) join forces to delight us with a fresh and daring song; a fusion of lilting rhythms, loved around the world;

La Cumbia and La Salsa, in the form of the song “Amor de Actualidad”.

AMOR DE ACTUALIDAD, written by the sensational composer Edgardo Irizarry, in conjunction with the Chilean, based in Medellin, Robert Requena, who also served as the arranger of this, joining the voices of these exponents of modern salsa and fusing the rhythms of Cumbia and Salsa, for this song.

AMOR DE ACTUALIDAD, is about a virtual love between two people who have never seen each other in person, but live their romance through social networks.

AMOR DE ACTUALIDAD unites two voices from different countries, two salseros with a high desire to succeed, and above all respect for the genre and its pioneers.

What’s left? Well, YOUR SUPPORT and DIFFUSION.

Let’s hope you like it.

lluvia Y Sus Soneros Ft Edwin El Calvito Reyes Amor De Actualidad
Lluvia Y Sus Soneros Ft Edwin El Calvito Reyes Amor De Actualidad

For Contracting Edwin “El Calvito” Reyes:

CON CLASE RECORDS

Office: WhatsApp: +1-912-980-8476

E-mail: [email protected]

Bio: www.ElCalvitoReyes.com/Biografia

Follow him on Youtube: https://www.youtube.com/c/EDWINELCALVITOREYES  

For Booking Lluvia y Sus Soneros:

Office: WhatsApp: +57 312 2165743

E-mail: [email protected]

Follow her on Youtube: https://www.youtube.com/channel/UC9QsgPGETMBW0BarPecY58w/featured

May God watch over you all, and may health be your best ally in these difficult times.

We literally admire your work and dedication to salsa.

Respectfully yours,

Edwin “El Calvito” Reyes & Lluvia y Sus Soneros

Note: Track has been sent in MP3 from the offices of Con Clase Entertainment. If anyone would like the track in WAV, please contact [email protected] or [email protected] and request it directly.

Preparence is close to the Panama Jazz Festival 2022.

From January 10 to 15, the Panama Jazz Festival 2022 will be held, this being this 19th edition, which will take place both virtual and face-to-face activities, so that the Biosafety regulations of the Ministry of Health will be met (“No cloth” masks and gel), where they are informed that to enter all events they will be asked for the card and QR code 100% vaccinated with a minimum of 14 days and 12-year-olds must present a negative Covid test 24 hours before.

It will be held at the City of Knowledge Athenaeum, where every day except for Wednesday (12) from 7 pm at the National Theater there will be a Gala night with Danilo Pérez and Kurt Elling, however the other days will be presented:

  • Monday (10): Panamá Connections and Mayra Hurley.
  • Tuesday (11): Borderlands Trio e Idania Douman.
  • Thursday (13): Global Messengers and Pz533-Global Jazz Womxn.
  • Friday (14): Antonio Hart and Solinka.

This year the festival of this edition will be dedicated to Frank Anderson born in Panama, Bocas del Toro on January 24, 1929, in Panama he met and played with many Cuban musicians; In New York, he played piano and directed several recordings by Vicentico Valdés and worked with other artists such as Marcelino Guerra, Polito Galíndez, Arsenio Rodríguez, Andrés Andino and Yomo Toro, Israel López “Cachao”, Clark Terry, and in 1950 he founded his own big band, the musicians were members of the Duke Ellington and Count Basie orchestras. In the 1970s he became musical director and accompanist for many Broadway plays such as Purlie, Don’t Bother Me I Can’t Cope, A Raisin in the Sun, Eubie !, The Wiz, and Guys and Dolls. He also recorded on the discs of those works.

In 2009 he was recognized by the New York State Senate for his musical contributions, particularly his role as organist in various Brooklyn churches and his most recent recording is Ochosi Blues (2015) by Benjamin Lapidus and Kari-B3 where he is accompanying with the organ. in its unique style and unmatched flavor that combines Caribbean music, jazz and more in a very personal way. Anderson currently maintains his residence in Brooklyn.

The International Artists to participate are:

  1. Kurt Elling Dúo with Danilo Pérez “Secrets are the Best Stories”:
    Renowned for his unique combination of robust swing and poetic acumen, two-time GRAMMY winner Kurt Elling secures his place among the world’s leading jazz vocalists. The New York Times proclaimed him the “most prominent male vocalist of our time.” Over a 25-year touring and recording career, he has won 3 Prix du Jazz Vocal, 2 German Echo Awards, 2 Dutch Edison Awards and been nominated for a GRAMMY Award fifteen times. He has had a 14-year career at the top of DownBeat’s Critics and Readers polls, and has won twelve Jazz Journalist awards for “Male Vocalist of the Year.”Elling’s voice is instantly recognizable, embracing listeners with her warm, rich baritone and navigating the four-octave range as a virtuoso improviser and compelling storyteller. The Guardian has named him “some kind of superpowered Sinatra” and “one of the great jazz vocalists of all time.”
  2. Kris Davis and Bordeerlands Trio with Eric McPherson, Stephan Crump:In Borderlands Trio, the collective efforts of bassist Stephan Crump, pianist Kris Davis, and drummer Eric McPherson have luck on your side. In less than a year their chemistry is unusually deep. The title of their album Asteroidea is the Latin term for starfish, a creature capable of regenerating parts of itself, in turn related to the trio’s ability to constantly develop new landscapes. The word starfish evokes notions of both the ocean and outer space. “Gravity, magnetism, constellations, nature. With this band, we are always expanding and contracting, recontextualizing what surrounds us and heading towards the instantly inevitable. ” Crump comments.Asteroidea is a treatise on immediacy and a deep dive into the spectrum of responses to any gesture. Its rhythms are always transforming, its drama has wacky moments, and its creators are just getting started.
  3. Antonio Hart:He studied jazz at Berklee College of Music in Boston with Bill Pierce, Andy McGhee and Joe Viola. Of his friendships in Berklee, Roy Hargrove stands out, with whom he spends three years traveling the world and recording the first three Hargrove albums. During these years on the road, Hart completed a master’s degree at Queens College where he learned from teachers Donald Byrd and Jimmy Heath, who also produced the artist’s second recording ‘Don’t You Know I Care’.With his 1997 release, Impulse Records’ ‘Here I Stand’, he earned a Grammy nomination for ‘Best Jazz Instrumental Soloist’ and additionally participated in more than 100 guest recordings. Since its inception, Hart has recorded eight CDs as a leader. The latest JLP Jazz Legacy productions, ‘Blessings’.The artist balances his time as a full professor at Aaron Copland School of Music, Queens College, with touring with his bands, The Dave Holland Big Band and The Dizzy Gillespie Big Band.
  4. El Berklee Global Jazz Institute (BGJI):It is a musical performance program designed to foster creativity and musical mastery across various musical disciplines, with pianist and composer Danilo Pérez as its founder and artistic director.The BGJI provides a comprehensive contemporary music environment where students have the opportunity to explore their creativity to the highest level possible, advance the power of music as a tool for the betterment of society, and connect musical creative thinking with the environment. natural.
  5. Global Messengers:Directed by Panamanian pianist and composer Danilo Pérez, Global Messengers draws its unique spirit from the culture and experiences of its members, who come from Palestine, the United States, Greece, Jordan and Panama, with varied musical traditions and instrumentation to match. They are committed to the ancient practice of building community through rhythmically rich and melodically exciting music.* Danilo Pérez piano
    * Farayi Malek voice
    * Vasilis Kostas laouto
    * Layth Sidiq violin
    * Naseem Alatrash cello
    * Tareq Rantisi percussion
  6. The New England Conservatory (NEC):It was founded in 1867, being the oldest independent music school in the United States. Since its opening it has played an important role in the musical life of Boston and the world. Its mission is to provide a more rigorous education at the level of musicians of all ages and parts of the world. Additionally, we have teachers who encourage individual excellence in a welcoming community.NEC works for music to have an important place in people’s lives and for rigorous education and excellent recognition. Beyond the study of music, NEC teachers help explore the historical and social frameworks that support our musical traditions.
  7. PS-533:It is the number of a class called “Musical Performance and Social Activism” for the Berklee Global Jazz Institute Master’s Program at Berklee College of Music. The PS refers to the department of “Performance” and 533 refers to an upper level class open only to graduate students. Patricia Zarate, a teacher of this class, organized this group in 2022 to present the Global Jazz Womxn (women and dissidents) that stand out as alumni and of the program. The letter “S” was changed to “Z” to reflect the change from a school environment to a professional environment led by Zarate.

The National Artists to participate are:

  1. Solinka: better known as Solange Arias, she was a public servant in the 1950s, working as a secretary in the Ministry of Education of Panama, has a beautiful voice and is very attractive, so a Cuban agent convinced her to be a singer of professional sauce. In those years, men dominated the salsa genre, which is why Solange was not successful at first. It was in Peru that she became a sensation as a salsa presenter, so much so that one journalist wrote that her performance was as brilliant as an “Inca sun,” a nickname she adopted as her stage name, changing the c to a k. Later he found success in his native country and signed a contract with a record company, traveled a lot and won the first prize at the Valparaíso international song festival.
  2. Idania Dowman: She has a privileged and unmistakable voice that has transcended throughout her 27-year career. Daughter of the renowned Panamanian calypsonian Lord Byron. She publicly began in the Church where she was director of the Archdiocesan Choir of Panama and was part of Jazz Effects of Panama with Reginal Boyce. Today he has two groups of his own: The Emotions and Cache. He shared projects with Billy Herron, as he believes in the generational sharing of culture. He has represented Panama in Peru, Barbados, Trinidad and Tobago, Costa Rica, Colombia, the United States and Dubai. She was recognized by receiving a Doctorate in Art from the United Graduate College and Seminary International (United States) for her career in ART, MUSIC AND CULTURE; by the National University of Panama in 2012 and 2014, and awarded the Golden Star Awards of the distinguished VIP Diplomática magazine of Peru in 2019.She is recognized for her virtuosity in each of her presentations, for maintaining her Afro jazz essence and being a defender of Panamanian culture.

    She is recognized for her virtuosity in each of her presentations, for maintaining her Afro jazz essence and being a defender of Panamanian culture.

  3. Panama Connections: Group made up of professors and scholarship students from the Danilo Pérez Foundation, under the premise of “community and sharing”, Panama Connections explores the creative possibilities between Jazz and its links with Pan-African and Caribbean folklore, from its compositions originals, arrangements and adaptations are focused on this fusion.
  4. Mayra Hurley: Singer, film and television actress, and broadcaster. The Panamanian singer-songwriter is inspired by her multicultural roots that are expressed in all her artistic expressions, from funk, salsa, to rock n’roll, each show is a live experience with Caribbean flavor. In his more than 10 years of experience in musical theater, he has worked under the artistic direction of Bruce Quinn and Edwin Cedeño and has participated in works such as Jesus Christ Superstar (2005), Cabaret (2006), A Chorus Line (2008), Peras en el huerto (2006-2012), Little Shop of Horrors (2010), en la guerra y el amor todo se vale (2011) and Hairspray (2013).He made his film debut in the acclaimed film Historias del canal (2014), presented in the official IFF Panama selection and at international film festivals in Spain, the United States, Costa Rica, Mexico, Canada and Jamaica. In 2019 he participated in the Panamanian film Escribiendo el General by Oscar Faarup and in 2021 he won the Panama positive award in the category Positive Artist.

Buy your tickets through https://panamajazzfestival.com/ or if you want to have other information, follow the following accounts:

  • WebSite: https://panamajazzfestival.com/
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.