• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: Salsa Orchestra

Mike Arroyo the guitarist Using Jazz to praise God

Mike Arroyo 40/20 The Concert (The past July 19, 2021, San Juan, Puerto Rico)

Using Jazz to praise God, guitarist Mike Arroyo performed yesterday, Sunday, July 18, 2021 at the René Marqués Hall of the Centro de Bellas Artes in Santurce.  As Mike himself said in front of a packed hall, yesterday’s concert became a dream come true.

At 4:50 p.m. the first call was heard over the loudspeaker.  Seven minutes later, the second call was heard at full volume, which interrupted the public’s excitement as they began to settle into their seats.  Five minutes after the scheduled time, the third and last call was heard; which immediately gave way to the greeting of the moderator already on stage, but not before opening the show with the usual invocation.  It became clear that although the concert honored Mike Arroyo’s career, during that time the guitarist has dedicated himself body and soul to praise God.

The title 40/20 originates from the 40 years since Mike Arroyo acquired his first electric guitar, an Ovation Thunderhead® that had belonged to the tres player Nelson Gonzalez.

At 4:50 p.m. the first call was heard over the loudspeaker. Seven minutes later, the second call, which interrupted the public's excitement as they began to settle into their seats, was heard at full volume.

Mike Arroyo 40/20 The Concert

The acquisition of the guitar is still an enigma difficult to explain in earthly terms.  Thus life, this shocking story, which in 1981 transformed the lives of Mike Arroyo and Nelson Gonzalez paved a path that 20 years later would see Mike’s first Jazz album, Straigth To Heaven (2001) see the light of day.  It would be good to bring up the guitar transaction for discussion, but not before exposing the provenance of the guitar.

Shortly before the transaction described here, Nelson Gonzalez lost his house with all the belongings in it due to a fire.  To Nelson’s surprise, the guitar, which later passed into Mike’s hands, was not only the only item to survive the fire, but remained intact.  That fact alone is incredible, but in the face of a structure that was totally destroyed it looks even more dramatic.  Nelson took the surviving item – his guitar – into storage.  However, the custodian of the guitar decided to dispose of it as payment in exchange for a service.  That third person who received the guitar as payment for that service, must have understood that the guitar had not been acquired in a lawful manner, so he sold it for $140.00 to a young Mike; who had to commit himself to pay small amounts until the agreed amount was paid off.

Shortly thereafter, already in the process of normalizing his life after that same fire that had spared the guitar, Nelson returned to reclaim the guitar from whoever had deposited it.  Since the custodian of the guitar no longer had it with him, Nelson set about the task of locating it. Nelson received information about the whereabouts of the guitar itself, which at that moment became – unsuspectingly – the link between the two musicians.  Nelson went to Mike Arroyo’s home where he saw with his own eyes the effort the young man had made to get his hands on that guitar.

The respectable Arroyo family explained, the young musician pleaded and Nelson Gonzalez decided to part with the guitar, the only material object that had survived the destruction of the Gonzalez home, to give it to Mike.  At that moment, Nelson became Mike’s musical godfather and the guitar became the divine plan that made Mike a pioneer in Sacred Jazz, a Latin rhythm of light and spiritual tonalities.  The surprise of the night was the presentation of Nelson Gonzalez with Mike Arroyo, eternally united by the musical instrument that was also the instrument of that divine plan that remains intact.

At that time, Nelson became Mike's musical godfather and the guitar became the divine plan that made Mike a pioneer in Sacred Jazz.
Nelson González y Mike Arroyo

Mike is recognized in the music scene as a pioneer and precursor of “Christian Jazz” with 6 record productions and two video DVD productions. In 2017 he innovated the stages by performing a concert in the traditional format of “Jazz Organ Trio” being Brian Charette and Vince Ector the international guest musicians of that event that took place at the Conservatory of Music of Puerto Rico.

Aware of the need to strengthen us as a people, through his “Jazz with a spiritual touch”; just as 40 years ago Nelson gave Mike that magical instrument, yesterday Mike gave the public a masterful concert, presented by BCC (Breñas Community Church).  It should be noted that BCC is the church where Mike has been pastor for 15 years.

The select group of accompanying musicians included the Puerto Rican piano: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez.
Piano of Puerto Rico: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez.

The select group of accompanying musicians included the piano of Puerto Rico: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez in his first performance with his former teacher -Luis Marín-.   I imagine that no one will be surprised if it is stated that Luis Marín’s chords were gravitating towards salsa, while Tommy Lee prophesied in correspondence on the leather of the tumbadoras.  Also singing were: Yanira Torres, Gilda González, Janet Hernández, Alma Galarza and Vanessa Rosado.

Photos: Miguel Rojas Candelario ©.

During these 40 years Mike has stood out musically with Christian groups and singers such as Renovación Cristiana, Abba Padre, Manuel Román among others and several recordings. He has participated with the Symphony Orchestra of PR, a Symphony Orchestra in the Dominican Republic, The Quique Talavera Orchestra in the Chucho Avellanet Show accompanying other singers such as Ismael Miranda, Braulio, Tito Rojas among others, The Pijuán Orchestra, where besides the Sextet, he also accompanied Danny Rivera and Wilkins. Mike also had the joy of dedicating a piece with his guitar to his favorite artist Jose Feliciano when he came to celebrate his 50th artistic anniversary in Puerto Rico. With his guitar he has participated in International Jazz Concerts and Festivals (PR, NY, Chicago, Curacao, among others) and has also performed in Germany.

Mike is also a musician/pastor of the Breñas Community Church (BCC) IDDPM.I. in Vega Alta for 15 years and Chaplain of the Police of PR. He is also a Music Teacher in his academy “Mike Arroyo Music” in his hometown of Vega Baja and is a Biomedical Engineer in Clinical Laboratories and Hospitals.

“Mike Arroyo 40/20 El Concierto” was dedicated to his graduating class of Lino Padrón Rivera High School of Vega Baja 1983 and to his “Padrino Musical” Nelson González.

Article of Interest: Tito Rodríguez, Jr. “The Palladium legacy lives on”

By: Bella Martinez “La Escritora Irreverente de La Salsa”

Puerto Rico

Bella Martinez
Website: Bella Martinez Home

North America – August 2021

Johnny Cruz

Willie's Steak House

Sammy Deleon

Café Salsera

Cuban night in Los Angeles

Jazz Festival

The Big Three Palladium Orchestra

Home

Lore Pereira is one of the young interpreters with the greatest International projection

Lorena Pereira Méndez

In this delivery, graces our salsa column, one of the young interpreters of greater international projection and who currently places very high the name of Venezuela on the world stages and record level, we refer to Edgliz Lorena Pereira Mendez, known in the artistic environment as “Lore Pereira”, born in Barquisimeto, Lara state in 1985, daughter of outstanding musicians in the national territory, as they are: Édgar Pereira and Virginia Méndez, former members of the Sonero Clásico del Caribe and other recognized orchestras.

Lore, since she was a child, showed her musical abilities and began her studies at the Vicente Emilio Sojo Conservatory in 1998.

In this institution she was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra. In the following years he participated in several musical activities in the city, such as: Voz Javeriana (1999), Member of the Choir of the Universidad Centro Occidental Lisandro Alvarado where he served as head of contraltos string (2001).

In 2002 he was part of the Lara State Lyrical Singing Chair “Aquiles Machado” under the direction of the renowned singer Angelo D’addona, where he made great and significant presentations such as: cycles of Lyrical Galas with a repertoire of sacred music and great works of Latin American music for the prelude to the first season of opera in the San Miguel Chapel of the Museum of Barquisimeto, Magdalena Seijas Auditorium, Santa Rosa Chapel, Auditorium of the Italian-Venezuelan Club, among others.

Lorena Pereira Méndez In this issue, our salsa column is graced by one of the young performers with the greatest international projection.
Edgliz Lorena Pereira Méndez, conocida en el medio artístico como “Lore Pereira”

Subsequently, in 2003, she became part of the stable cast of the Compañía de Ópera de Occidente (Opera Company of the West), thanks to the chair of Lyric Singing and the Symphonic Choir of the Orquesta Sinfónica de Lara (Symphonic Orchestra of Lara).

This year, she is preparing for the staging of the trilogy “Love, Passion and Death” as part of the cast of singers for the acts of 3 plays “Rusticana, Madame Butterfly and La Boheme” and the play “Los Martirios de Colón” by Venezuelan composer Federico Ruiz, These works were presented in various stages of the city as the dance and ballet academy Taormina Guevara, Teatro Juares, Teatro Alirio Diaz de Carora, Auditorium of the Italo-Venezuelan Club and the Ateneo de Boconó.

At the end of this year, he lined up to pay homage to Maestro José Antonio Abreu in a concert with the Lara State Symphony Orchestra conducted by Maestro Tarsicio Barreto at the José Félix Ribas Hall of the Teresa Carreño Cultural Complex.

He participated in Santus Group concerts and in Boleros Nights and something else at the Sala Alternativa Juan Carmona of the newspaper El Impulso.

In this institution he was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra. In the following years he participated in several musical activities in the city, such as: Voz Javeriana (1999), Member of the Choir of the Universidad Centro Occidental Lisandro Alvarado where he served as head of contraltos string (2001).
Lore Pereira

In 2005 she worked hand in hand with music teacher Behomar Rojas, who played an important role in her training and incorporated her in various musical activities in her hometown and the Venezuelan national territory, such as festivals, concerts of sacred music and stylized Venezuelan music.

In the following years, he participates in record productions of Venezuelan folk and alternative music, as well as in regional and national festivals.

It is worth mentioning the most important one held in 2008, La Voz de Oro y de la Canción Inédita de Venezuela, where he had the opportunity to share workshops and rehearsals with great singers of the Venezuelan national territory.

In the same way, he is part of several popular Venezuelan groups as a vocalist and backing vocalist, as well as participating in productions with renowned artists at present.

In 2010 he joins his performance with Venezuelan singer-songwriter Ignacio Izcaray, making several recordings, live concerts in Venezuela, such as: May 2011 (Teatro Juares) Barquisimeto, Ateneo de Caracas and Sala Corpbanca), October 2011 (Ambrosio Oropeza auditorium of the Ucla), January 2013 (concert at the Country Club of Barquisimeto, Teatro Alirio Diaz de Carora), also participated in recordings of important recordings as vocal support of the singer-songwriter.

The recognition of her vocal and artistic talent has been overwhelming, both by her colleagues, spectators and institutions.

In 2015, Lore Pereira received the Mara de Oro de Venezuela award as “Best New Artist of the Year”.

She studied at the Vicente Emilio Sojo Conservatory in 1998. In this institution he was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra.
“Lore Pereira”, born in Barquisimeto, Lara State in 1985.

Then in 2016 she received the award as “Best Tropical Artist of the Year”, recognizing her extraordinary talent and acceptance by the media.

Lore, for Salsa Escrita, the Salsera Column of Barquisimeto, International Salsa Magazine / www.SalsaGoogle.com we are proud to have you as a special guest and we would like you to tell us about your incursions into Latin music.

Well, Professor Carlos, I can tell you that I have lent my voice to important musical projects, being the only voice of the experimental group “Primigenio” and of several songs of “La Charangoza All Star”.

I am frequently called as a soloist of the Big Band “Raíces Orchestra”, led by the famous musician, saxophonist and arranger Pablo Gil.

And as for other musical genres, what can you tell us about them? As a vocalist, I have sung with important exponents of Venezuelan and Latin American music.

During these last years my voice has joined the show of great artists such as Marc Anthony, Natalia Jimenez, Marco Antonio Solis and Alejandro Fernandez on the stage of the Billboard Awards. Likewise, I repeated this experience in 2016 and 2017 with singers Luis Enrique, Farruco and Miguel Bosé, in Premios Tu Mundo.

As for recent productions, what do you have for us, Lore? I have been promoting my album “Inténtalo” where I share my talent alongside figures such as Luis Fernando Borjas, Irving Manuel, Marcial Istúriz, Chipi Chacón, Christian Delgado, Franco Lemus; all under the musical production of Jhosir Córdova.

Excellent Lore, recently the new version of the song “Callejón”, which was recorded some time ago by Arabella, was launched on the digital platforms, but we have been able to appreciate that your voice and that of Virginia Méndez, your mother, shows a lot of versatility with export quality.

Thank you Carlos for your appreciation, indeed this is a work that we are promoting, entitled “Callejón” with authorship of Catalino “Tite” Curet Alonso, arrangements by Jhosir Córdova, chorus by Andrés Brito, Gerardo “Pachanga” Araujo and my father, Édgar Pereira, on piano Johánn Morales, bass Daniel Barón, trumpets Luis “Papo” Márquez, trombones Jhosir Córdova, timbales Juan Pablo Romero, tumbadoras, bongo and bell Yomar “Caballo” Méndez, mix Daniel Barón, master Maikol Lugo, musical production and videography Jhosir Córdova and I hope everyone likes it, being able to appreciate it in my social networks or on youtube.

Lore, what are those digital platforms? My social networks are: fans page:Lore Pereira Facebook: Lorena Pereira Méndez  ,; Instagram: @loresinger.

From our salsa column, we wish you continued success and continue to exalt the Barquisimetano talent and of course Venezuelan, worldwide.

Thank you Professor Carlos Colmenárez, for the support given to me and all the artists of my country, keep it up. Blessings.

Year 2021

Good morning dear ones!

I share with you the link to the premiere of my song “VUELVES” scheduled for 1pm Miami-Venezuela time.

take the opportunity and subscribe so you get the notification and you can see the video that is made with love.

Thanks.

Website de Interes: Alfredo Villamizar Alfredo Villamizar one of the most spectacular and sensational Venezuelan percussionists

Remember not to leave your house…! See you next time and let’s keep saucing!
By: Carlos Colmenárez Venezuela Correspondent

 

Home

Daniel Peña Grammy Winner 2012 and his new album entitled “Traigo Melao”.

 “Traigo Melao” his third and most recent production

The 2012 Grammy® winner and Dominican Percussionist based in Miami, Daniel Peña brings back a dream team for his new album titled “Traigo Melao” in a remastered and limited edition production available today on all digital platforms.

Daniel Peña “Traigo Melao”
The Grammy® winner in 2012

It is an album that contains 9 songs, it is very special for me, not only because of the musicians and singers that accompany me, but also because it includes important songs in my life such as ‘Lirio de los Lirios’ where there is a version played by my dad on acoustic accordion, remembering my childhood when he played it for me and my brothers, but there is also another version of this same song played by Bobby Cruz as a tribute to my father” expressed emotionally Daniel Peña who presents his third studio production.

This album was masterfully interpreted by artists Ismael Miranda, Meñique, Raulin Rosendo, Hector “Pichie” Perez, Odilio Gonzalez, Paquito Guzman, Bobby Cruz, José Alberto El Canario.

Ismael Miranda y Daniel Peña
Ismael Miranda y Daniel Peña

Among the top musicians that “Traigo Melao” includes along with its producer and percussionist Daniel Peña, Charlie “Bongo” Santiago, Charlie Sierra, Eddie Montalvo, Sammy García, Tito de Gracia, William “Kachiro” Thompson, Gamalier Reyes, José Madera, John “Dandy” Rodriguez Jr. and Juan Pablo Romero on percussion, while David Irrizary, Diego Giraldo, José Manuel Gutierrez, Johnny Silva, Gamalier Reyes, Jesús “Gumby” Navedo, León Cheva, José Arroyo, Paquito Gúzman and Cheito Quiñonez on backing vocals.

On piano were Gilberto “El Pulpo” Colón, Ricky González, Luis Marin, Óscar Hernández, Richie Ray, Andy Guzman, Carlos Infante and Antulio Mora, while on trumpets were Julián Cifuentes, Carlos De León, Dante Vargas, Ivan Alejandro Odio, Luis “Papo” Marquez and on trombones were Reynaldo Jorge, Daniel López, Alexander Zapata and José Berrios.

Also playing bass on the songs were the talented Salvador Cuevas, Maximo Rodriguez, Luis Rodriguez, Ramses Colon, Pedrito Pérez, Sergio Munera, José R. Santiago and José Velázquez.

First Class Percussionists Jimmie Morales (R.I.P), Richie Bastar and Daniel Peña
Jimmie Morales (R.I.P), Richie Bastar y Daniel Peña

The album featured mixing and mastering by Victor “Sonny” Hernandez, acoustic guitar by Rigo Irizarry, violins and string arrangement by Gerardo Aguillon, tres by Nelson Gonzalez, accordion by Maricarmen Vazquez and saxophones by Jose Heredia, Luis Disla and Ismael Vergara.

Daniel Peña is a Dominican producer and percussionist who began his musical career at an early age. During the course of his career he has had the opportunity to record with countless renowned singers and musicians such as: Ismael Miranda, Richie Ray and Bobby Cruz, Jose Alberto “El Canario”, Paquito Guzman, Tito Allen, Larry Harlow, Nicky Marrero, Oscar Hernandez, Willy Rosario among others.

In 2014 he presented his first album titled “Eleven” and in 2017 his second musical project titled “Sancocho” with which he obtained great reviews from the music industry for its quality and high care…

Daniel Peña
in 2017 his second musical project titled “Sancocho”

He was a 2012 Grammy® winner and is part of the Remo family featuring his custom congas courtesy of Remo. He is also endorsed by Vic Firth, Soultone Cymbals and Jorg Gray.

Source:

WebSite: Daniel Peña

Official Release https://www.notaoficial.com/s/2021/06/08/daniel-pena-presenta-traigo-melao/

Daniel Peña y El Rey del Bajo Bobby Valentin
Daniel Peña y El Rey del Bajo Bobby Valentin

By: Diana Marie Miami Correspondent for International Salsa Magazine.

Article of Interest: Roniel Alfonso Mella Music Producer, Orchestrator, Composer and Instrumentalist

Salsa Superior
Salsa Superior Award
Diana Marie
Lady of Salsa 2021

International Salsa Magazine

Home

David Lucca “My music is guaranteed to please dancers”

“David Lucca and his Salsa Classics”

He was born on September 16, 1957 to Puerto Rican parents in New York City.

At the age of 13 he moved to Ponce, Puerto Rico where he graduated from the University of Puerto Rico (UPR). He began his musical career at the age of 18.

He leads the “Panchanga Band” at the Miami Marlins Baseball Park and is widely known for his orchestra “David Lucca & Los Clásicos de la Salsa”.

David Lucca & The Salsa Classics
David Lucca & The Salsa Classics

The famed percussionist is followed by thousands of people in South Florida.

With an extensive and successful musical career, percussionist David Lucca has accompanied the greats of salsa for 45 years and finally founded his own orchestra “David Lucca & Los Clásicos de la Salsa”, which since 2013 has been recognized as one of the most followed in South Florida, United States.

The famed percussionist is followed by thousands of people in South Florida.
Leads the Panchanga Band at Miami Marlins Ballpark

This excellent Puerto Rican musician, after touring the world and being part of various orchestras, making recordings, and many activities of his art, decided to settle in Miami to retire, considering that his goals were already fulfilled, but his musical essence did not leave him, perhaps motivated by his Puerto Rican origin. As a good lover of salsa, he returned to his adventures with his orchestra “David Lucca & Los Clásicos de la Salsa”, which has stood out as one of the best in South Florida.

Lucca has more than 45 years in music. Throughout his career, he has accompanied many artists such as:

Andy Montañez, Ismael Miranda, Ray de la Paz, Michael Stuart, El Cano Estremera, Luisito Carrion, Moncho Rivera, Tommy Olivencia Jr, Hector Tricoche, Frankie Negron, Tito Allen, Adalberto Santiago, Ismael Rivera Jr, Elvis Crespo, Victor Manuel and Many more.

David Lucca y Oscar D' León "El Sonero del Mundo"
David Lucca y Oscar D’ León “El Sonero del Mundo”

David Lucca Achievements: During the 80’s he traveled the world with artists such as Ray Barreto, Tito Puente, Celia Cruz, El Budda All Star, El Flamingo All Star, among others.

David Lucca Productions: for 2010 I did the production “David’s Dream” which is a production of 10 songs and a mix of Salsa and Latin Jazz. For 2020 I just came out with the production “Ponle Corazón” which has 10 original songs. It is composed of Salsa, Son Montuno, Bolero, Plena.

Hector Tricoche, David Lucca y Van Lester
Héctor Tricoche, David Lucca y Van Lester

He is currently the director of the Bomba and Plena group “PLENA ES”. He has also worked around the world doing Folkloric rhythms.

Right now I am one of the most requested Bands in South Florida under the name of David Lucca y Los Clásicos.

My new single “PONLE” video was considered as Short Video of the Year by Latin Grammy’s but was not nominated. The same with my production of David’s Dream was also considered by the Latin Grammy’s but was not nominated.

Celso Clemente, David Lucca y Moncho Rivera
Celso Clemente, David Lucca y Moncho Rivera

Lucca also mentioned that in 2020, he came out with a production called “Ponle Corazón”. We really put heart into this. The production is all original, but if you look at the arrangements, if you listen to the music, it has the feeling of the seventies, the little flavor for the dancer. We put heart into it to always please the dancer. This production is being heard all over the world, sales are going very well and I am very happy.

God willing, next year we will start with another production”, he said after pointing out that those interested in buying the album can find it on Spotify, Itunes, Amazon, among other platforms, as well as in the Casa Latina and Casa del Barrio stores in New York.

Those interested in acquiring the album of master percussionist David Lucca can contact him through his Facebook page “David Lucca & Los Clásicos de la Salsa“, or by sending an email to [email protected].

This excellent Puerto Rican musician, after touring the world and being part of several orchestras, making recordings, and many activities related to his art, decided to settle in Miami
David Lucca his Classics and Musical Trajectory

Source: https://latinopinionbaltimore.com/maestro-david-lucca/

Article of Interest: Alexandra Albán Manitas de Piedra baptized by Bobby Cruz

By: Diana Marie International Salsa Magazine Miami Correspondent

Salsa Superior
Salsa Superior Award
Diana Marie
Lady of Salsa 2021

International Salsa Magazine

 

Home

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 133
  • Page 134
  • Page 135
  • Page 136
  • Page 137
  • Interim pages omitted …
  • Page 149
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.