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Search Results for: Salsa music

Goce Pagano

Latin America / Colombia / Bogota

Goce Pagano. A historical icon of salsa in Bogota

Pagan Enjoyment - Cesar Pagano was the protagonist of the bohemian and intellectual party of Bogota for more than two decades.
Pagan Enjoyment – Cesar Pagano was the protagonist of the bohemian and intellectual party of Bogota for more than two decades.FOTO: GUILLERMO TORRES REVISTA SEMANA
ABRIL 30 DE 2014

If history is concerned, we cannot overlook the main icon of Salsa in Bogotá, how could we not do so if we talk about 39 years of tradition, it all began in the 1978 decade when it emerged from the hand of… a space oriented to the Salsa in a city where this rhythm was not so normal, as perhaps it was in Cali or Barranquilla, at that time acetate records, vinyl, became the number 1 element that made this capital dance, which was incredibly remains up to date.

Goce Pagano Photo 1
Goce Pagano Photo 1

Here in the so-called Goce, we can delight ourselves with an important collection of records from the most important era of salsa, the 70’s, which to the impression of many are the ones that still set the rhythm in this place.

Due to its great tradition, it is common to get collectors’ meetings, forums or conversations with great personalities, therefore, it not only calls you to dance and enjoy good music, it is also a corner for those who make the history of salsa fashionable. During my visit I was able to enjoy the Joe Arroyo, a cocktail that shows us the flavors and colors of this beautiful country together with the well-known rhythm of the Salsa icon in Colombia.

Goce Pagano Photo 4
Goce Pagano Photo 4

El Goce opens its doors on Fridays and Saturdays from 7:00 p.m. with a very contemporary and up-to-date format, orange walls, candles, a fireplace, wood and leather furniture, calling you to an intimate and warm space, full of rhythms Latinos and that allows moonlight to enter the center of the ceiling.

Goce Pagano Photo 3
Goce Pagano Photo 3

For all the reasons mentioned we cannot stop enjoying a space so full of history, rhythms and flavors like this one, we can go to diagonal 20-A # 0 – 82, in the town of Santa Fé, very close to the Aguas station. of the transmilenio, join the roots of salsa and don’t stop requesting your best-known songs, Goce Pagano will surely please you on that beautiful Latin evening.

Goce Pagano Photo 2
Goce Pagano Photo 2

For more information:

  • Website: http://www.elgocepagano.co/
  • Facebook: https://www.facebook.com/el.goce.pagano.bar/

Bogotá Dances To The Rhythm Of Son Salome

Latin America / Colombia / Bogota

Son Salome, a name governed by the main genre of Cuban popular music, Son, and the memory of the great Poet/Writer Lou Andreas-Salomé, is defined as a Bar with a dance floor, also defined as a large disco, open to lovers dance, connoisseurs of good Latin music as well as for those who wish to attend to enjoy the right environment for a night of guaranteed enjoyment, with first class attention offers visitors a high level of security, highly trained staff , which seeks to provide a space for enjoyment.

Photo 1: Dances To The Rhythm Of Son Salome
Photo 1: Dances To The Rhythm Of Son Salome

During my visit I was able to enjoy the best options in services, cocktails, drinks and first-class drinks, the reference given by the famous Chepe, owner and personality of the city’s salsa world, was to enjoy the specialty, the Cuban Mojito, a house cocktail that will take you to visit the Island of Cuba without getting up from your seat.

This great bar offers us a varied itinerary during the weekends, starting with Cuban music on Thursdays where you could coincide with large groups, on Fridays with the best DJs in the country closing on Saturdays and Sundays with great salsa, Cuban and even beautiful folklore of the country, singers or musicians of the first gala will make your stay a night class moment.

Photo 2: Dances To The Rhythm Of Son Salome
Photo 2: Dances To The Rhythm Of Son Salome

With 34 years of foundation, Son Salome offers a well-distributed place, with a large space to dance or enjoy a good group, a first-class toilet and, above all, an open space to spend a beautiful evening. We can only recommend you to visit Son Salome located in the center, a few meters from the main means of transport in the city, the Transmilenio at its Aguas station, exactly on Calle 19 # 4-20, in a sector called to be the future of Bogotá, due to the number of constructions that are currently under development, opens continuously from Thursday to Sunday from 6:00 pm, you can learn a lot about this beautiful place through the social networks:

Facebook, Instragam and Google through Son Salome, the Latin reference number 1 in the city.

Photo 3: Dances To The Rhythm Of Son Salome
Photo 3: Dances To The Rhythm Of Son Salome

For more information contact them through:

  • Facebook: https://www.facebook.com/sonsalome / https://www.facebook.com/pages/SonSalom%C3%A9-Caribe/1396835567299952
  • Phones: +57 2432506 / +57 3005707722

Ilhe Habana

Latin America / Colombia / Bogota

Ilhe Habana. Little Havana in Colombia

Ilhe Habana
Ilhe Habana

The Macarena Sector in Bogotá – Colombia offers us a great variety of gastronomic spaces, a reference sector for international food, for this reason we could not help but bring us closer to the best Cuban food space in the city, the great Ilhe Habana, a space of great tradition that takes you to enjoy a themed plaza of old Havana.

Ilhe Habana - inside
Ilhe Habana – inside
Ilhe Habana - inside - 2
Ilhe Habana – inside
– 2

From Sunday to Sunday from 12:00 to 4:00 pm, it opens its doors to a particular base of high caliber typical Cuban foods, we can get a great gourmet line, it is easy to get dishes such as old clothes, black beans, Moorish rice and Christians, yucca with mojo, habanero mincemeat, habanero shrimp, sea bass, squid rings, among others that delight your palate, arrival night from Wednesday to Saturday from 6:30 p.m. to 10:00 p.m.

Ilhe Habana - Cymbals
Ilhe Habana – Cymbals

It offers us a space decorated with groups and singers of the music of the island, letting the enjoyment roll until 12:00 am on Fridays and Saturdays to enjoy boleros, sones, danzones and even guarachas of this Latin American musical icon.

Ilhe Habana - live music
Ilhe Habana – live music
Ilhe Habana - live music - 2
Ilhe Habana – live music – 2

Ilhe refers to the word house or land according to the Yoruba language, something well defined with the Afro-Cuban culture, for this reason Ilhe Habana seeks a concept of old Havana, with a cozy space with brightly colored walls, wooden furniture and a house facade taken of the best Cuban roots.

Ilhe Habana - the kitchen
Ilhe Habana – the kitchen

During our visit we were able to talk with… the owner and cause of this gastronomic fever, he allowed us to enjoy the house specialty, the much-followed Roast Pork, although we noted that the fried cow was highly requested, as was the pork escalope. Located near the city center, on Carrera 3A, # 26B – 72, this Caribbean center offers us a space full of delicious dishes, visit www.ilhehabana.com and find out about a whole world of flavors, surely during your visit to Bogota you will not be able to forget going through this great restaurant.

Beatriz Márquez Castro, an exponent of romantic songs, “Feeling” and Bolero

Beatriz Márquez Castro is a singer, composer, and pianist, born on February 17, 1952, in Havana.

Beatriz Márquez Castro. Cantante, compositora y pianista
Beatriz Márquez Castro. Cantante, compositora y pianista

She is the daughter of the prestigious composer and performer René Márquez. She began her artistic career in 1968.

An exponent of romantic songs, “feeling,” and bolero, she gracefully delved into these genres, performing pieces by prolific authors such as René Márquez, Marta Valdés, Juanito Márquez, Silvio Rodríguez, and Germán Nogueira, among others.

Her mezzo-soprano range has enabled her popular “descents” to low tones, as well as her unexpected and no less appreciated “ascents” to much higher tessituras, without losing her defining style. This style is very appropriate for songs and boleros, genres in which she has remained one of Cuba’s leading cultivators.

She is known as “La Musicalísima.”

We are witnessing the realization of a long-cherished project with which the performer, pianist, and composer Beatriz Márquez settles a debt both on a family level and within Cuban discography.

After several years of searching through archives and old recordings, thanks to the collaboration of Cuban audiovisual producer Felipe Morfa, it was possible to prepare “Este encuentro” (Colibrí Productions, 2023). This album features a selection of known and unreleased pieces by singer and composer René Márquez Rojo (1914-1986), some of which were popularized in their time by internationally renowned figures like Antonio Machín or the Puerto Rican Daniel Santos, to name just two examples.

Beatriz Márquez Castro, an exponent of romantic songs, "Feeling" and Bolero
Beatriz Márquez Castro, an exponent of romantic songs, “Feeling” and Bolero

Given the influence René had on the career of his daughter and grandchildren, this is an album full of love and, above all, gratitude.

While he was best known for his songwriting, it is important to highlight the mark he left as a charanga singer.

Among others, we can mention his work with the charangas of violinist Cristóbal Paulín, Oscar Muñoz Bouffartique, and René Touzet.

He debuted at the Mil Diez radio station with the group led by Julio Cueva, to which he dedicated himself for ten years.

From the late 1930s onwards, the lyrics by the artist from Villa Clara quickly resonated with the public.

“El Inquieto Anacobero” recorded “El disgusto de bigote” with the Sonora Matancera in 1949 and also sang other Cuban songs such as “Soltando chispas,” “A San Lázaro,” and “El granito de maíz.”

René’s songs, among which “El quinqué” cannot be missed, speak of his natural ingenuity for storytelling.

Upon his death at 72, he left a musical legacy that has since been defended by his descendants.

In over five decades of her artistic life, Beatriz has become her father’s most faithful interpreter, having recorded songs for several albums such as “No respondo,” “Explícame por qué,” and the now famous “Espontáneamente,” initially included in the LP “Es soledad” (Egrem, 1970) and re-recorded on multiple occasions.

In “La Musicalísima”‘s discography, prior to this material, there were only two phonograms exclusively dedicated to the work of a single author: “Beatriz canta a Juan Almeida” (Egrem, 1978), followed forty years later by “Libre de pecado” (Colibrí Productions, 2018), a tribute to maestro Adolfo Guzmán, thus contributing to the rescue of the island’s musical memory.

“Este encuentro” spans traditional trova and moves from guaracha to son, without forgetting some of the composer’s most notable boleros.

It also allows us to appreciate René Márquez’s interpretive qualities by hearing his voice, rescued from old recordings.

The special participation of singers Evelyn García and Michel Maza, continuators of the family saga, is noteworthy.

Now, the 2015 National Music Award winner and the main architect of this phonogram invites us to explore René Márquez’s immense body of work, one that will by no means be forgotten, across eleven tracks._ Jaime Masó

Beatriz Márquez - Este Encuentro (2023)
Beatriz Márquez – Este Encuentro (2023)

Beatriz Márquez – Este Encuentro (2023)

Tracks:

  1. Este Encuentro
  2. La Vida Es Un Momento
  3. Muchachito Inocente
  4. No Respondo
  5. Nunca Habrá Distancia
  6. Soltando Chispas
  7. En El Cielo De Mi Vida
  8. Imposible Amor 09. Popurrit 10. Espontáneamente 11. Mi Placer

By:

L’Òstia Latin Jazz

Augusto Felibertt

Ecured

Instituto Cubano de la Música

Also Read: Enrique “Culebra” Iriarte, master of the piano and musical composition

Oscar D’León’s La Crítica was founded in Caracas in 1978

La Critica by Oscar D’León

We had just returned from New York when “Chiquitín,” Oscar D’León’s longtime secretary, called us at the office to let us know there was a commotion in the “Faraón de la Salsa’s” office.

Oscar D'León's La Crítica was founded in Caracas in 1978
Oscar D’León’s La Crítica was founded in Caracas in 1978

It was about the defection of some musicians from the Orquesta La Salsa Mayor. Indeed, Leo Pacheco, Felipe Blanco, and other musicians had decided to leave for financial reasons.

The news caused a stir; Oscar had already achieved a very special sound. He had moved away from the trombones that characterized his style and had incorporated a brass section with trumpets that made a difference. Suddenly, he was without his powerful machinery. Leo and his group formed what was called Nuestra Orquesta La Salsa Mayor, and Oscar, without a second thought, reassembled his group alongside Enrique “Culebra” Iriarte.

La Crítica

No one should doubt that Oscar had a tough time, but the prestige he had gained and the popularity of the sonero allowed him to come out on top.

Paul González, the son of “El Guajiro” González, a veteran guarachero and who at the time served as manager for the now-called “Sonero del Mundo,” devised the orchestra known today as La Crítica to avoid future setbacks and to have an orchestra on hand to alternate in scheduled dances.

 

La Critica de Oscar D’ León
La Critica de Oscar D’ León

The project’s formation brought together pianist and arranger Mauricio Silva, percussionist Radamés Pimentel, and Teo Hernández, who would serve as vocalist.

Since 1978, La Crítica emerged as an exceptional group. The jazz influences infused by Mauricio Silva from the very beginning were crucial for the public to accept the band as a favorite. In that “beginning,” other significant names included “Cheo” Navarro and Gustavo Quinto, who were already known from their time with Grupo Mango.

It could be said that Teo Hernández was the newest to the scene, as he had only been “toiling” in the world of salsa for five years, although he already had a “summa cum laude” after recording with maestro Ray Pérez and his Dementes. A female voice would debut with the orchestra: Gladys Torres.

40 Years of La Crítica

There have been many setbacks and successes over 40 years.

The musicality of this successful group is to be celebrated this Saturday, June 16, at the BOD Cultural Center. The event is at 5:00 in the afternoon, when the salsa public will gather en masse.

La musicalidad de esta exitosa agrupación ha de ser celebrada este sábado 16 de junio en las instalaciones del Centro Cultural BOD.
La musicalidad de esta exitosa agrupación ha de ser celebrada este sábado 16 de junio en las instalaciones del Centro Cultural BOD.

Jorge Collazo, who was Oscar D’León’s press chief and now is La Crítica’s on their return, tells us that a spectacular night is being prepared, “an evening to remember, a show that no salsero should miss.

The original singers will be there: the sonero Teo Hernández and Gladys Torres, who will take the stage accompanied by top-tier musicians and luxury guests to celebrate, dance, and sing the well-known hits of the moment, we are talking about ‘Se necesita rumbero,’ ‘Amada ven,’ ‘La merenguita,’ ‘Madre,’ ‘Rumba rumbero,’ ‘No lloraré,’ ‘A él,’ and ‘Cruel desilusión,’ among others.”

La musicalidad de esta exitosa agrupación ha de ser celebrada este sábado 16 de junio en las instalaciones del Centro Cultural BOD.
La musicalidad de esta exitosa agrupación ha de ser celebrada este sábado 16 de junio en las instalaciones del Centro Cultural BOD.

The prestige gained by La Crítica allowed it to accompany great international soneros such as Justo Betancourt, Héctor Lavoe, Ismael Miranda, Ray de la Paz, Daniel Santos, and the legendary Celia Cruz.

This is part of La Crítica.

Also Read: Cheo Linares is a Singer, Composer, Sonero, Poet and Caraqueño

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.