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Search Results for: Salsa music

Large projects of Mexican pianist and composer Irving Flores

It is always a pleasure for us to talk with important figures from the Latin music industry in the United States and today it was the turn of the incredibly talented producer, arranger, composer and pianist Irving Flores, who has been kind enough to connect via Zoom and talk a little about his career and personal life. 

After the usual greetings and introductions, Irving started talking about what inspired him to get started in music which, in his case, was his father.   

Pianist Irving Flores
Mexican producer, arranger, composer and pianist Irving Flores

Irving’s father as a source of inspiration 

Irving’s first important contact with music was his father, who was a professional saxophonist in the 60’s and even worked for a big band in Tamaulipas, Mexico, the artist’s native country. 

He was his first musical maestro and the one who helped him take his first steps in this complicated world, to the extent that Irving also started playing the saxophone encouraged by his father. The young man always wanted to learn how to play piano, but the high level of salinity in the city of Tampico damaged this type of instruments. It is then that he chose the organ which, being electronic, withstood the weather conditions, but he never discarded the instrument he was most passionate about. 

Once he began his career as an orchestrator and arranger, he was exploring all wind instruments such as the saxophone, trumpet, and trombone and string instruments such as the guitar. He played the saxophone professionally for some years, studied at the National Conservatory of Music and received private music lessons to strengthen his knowledge.  

Roles as a producer, an arranger and a composer 

So, as was the case with many other Latin musicians, Irving perceived music as a job in which experience has been much more important than the academic part. In fact, he told us that, as a child, he saw his father sitting writing music and making arrangements, which led him to imitate him and do the same.  

When he has beraly 15, he was perfectly capable of arranging at a professional level, an experience that served him well in Mexico City when dealing with the best composers of his native country, such as Luis Demetrio, Vicente Garrido, Eugenia León and maestro Armando Manzanero. He was also Paulina Rubio’s musical director for many years. 

For years, Irving spent three or four days each week in a studio, which gave him the necessary experience to prepare for what was to come in his professional future.  

Irving worked with many figures
Irving has worked with many important figures in the music industry

San Diego 

Irving married a U.S. citizen and had a daughter with her, which made it much easier for him to get a visa to travel to the United States. After he split up with his wife, he specifically chose the city of San Diego because his daughter lives here and he wanted to see her grow up.  

Although that was the primary reason for his move there, he immediately noticed that there was much scope for him to work on his own stuff and make many contacts. One of them was Dave Scott, thanks to whom he was able to write music for the San Diego Symphony Orchestra. 

The artist assures that, regardless of the place he used to live, he never lost his way and never stopped learning everything he could about music. 

One of the greatest experiences he had in this city had to do with taking the place of Oscar Hernandez in the Spanish Harlem Orchestra. It turns out that Hernandez lost his luggage and passport on a flight, so someone had to take his place in the concert the band would have the next day in Mexico City. It was then that Gilbert Castellanos recommended Irving for this task.  

Hernandez and Irving met, each one put their terms and reached an agreement. The founder of the orchestra bought the artist a plane ticket and went to assume the role of pianist that Hernandez could not take that night and the result could not be better. Since then, Irving and the orchestra has been on excellent terms and both he and the world famous pianist became good friends.   

Irving and his piano
Irving next to his greatest passion, his piano

Working for great artists 

According to Irving, one advantage Latin musicians have is that they are able to play all styles of music, which gives them a greater range of action compared to other artists. We are also influenced by Latin music, Afro-Antillean music and Afro-Cuban music. These elements help us a lot to do our job. American musicians tupically specialize in a single context or genre, but Latinos don’t have those limitations,” Irving said on the subject.   

Although the pianist specializes in makings arrangements for jazz, the above mentioned shows that he is perfectly capable of entering any other genre, which has led him to work with great artists with many styles.   

One of the most interesting cases was Luis Miguel. One of his most important producers, Alejandro Carvallo, spent some time in Los Angeles, where he and Irving met and forged a friendship. That is how he started writing arrangements for ”El Sol de Mexico” and had a very good experience working for him and his team.  

In the case of the San Diego Chamber Orchestra, a composer working for the institution (and Irving’s friend) named Dave Scott needed an urgent arrangement at that time, but they did not have the budget for the relevant work. So, he asked Irving what they could do, to which he replied that he needed a few days to write a new arrangement. The following two weeks, the pianist had no time even to sleep, but he achieved the goal and wrote ”A Tribute to Frank Sinatra”. According to Irving himself, this has been one of the most important projects he has had in his entire career.  

Irving worked with Luis Miguel
Irving worked with many talented Mexican artists such as Luis Miguel and Paulina Rubio

American Citizen 

In the year 2021, Irving became an American citizen, which is certainly a great honor for anyone who lives in that country and also a great responsibility. The artist seems to know this very well.   

When we asked Irving about this topic, his answer was not so much based on the artistic aspect, but on everything that involves the acquisition of citizenship as a Latino. In this sense, the artist emphasized that the cultural and even judicial environment in which we grew up in most of our countries are completely different from those of the United States, so adapting to this country is a real challenge, but well worth it.   

In his case, the pianist also says that he was as disciplined as possible in each of his decisions to be able to get to the point where he is now. In that sense, he has always done his best to exercise his career as a musician with excellence, but always respecting U.S. laws at all times. He said this because he knows many talented people who were unfortunately imprisoned or deported for making mistakes in this regard.  

On the same subject, he also said that it is very important to follow the rules for American society to accept you as a member and give you all the opportunities you are given as a citizen with all the letters. 

Musically speaking, having a U.S. passport has provided him with the possibility to travel and tour anywhere in the world without any problem, which is extremely important for the growth of an artist’s career. 

Read also: The Rumba Madre and its roots in Basque culture 

North America – December 2020

Singer and manager of Cambalache Pancho Chavez

Peru continues to give much to talk about with regards to salsa and the guest we have this time is clear proof of that. We are talking about the talented singer and backup singer Francisco ”Pancho” Chávez, who has been kind enough to talk to us to reveal unpublished details of his life and career in his native country and, of course, in the United States. 

Pancho, who currently serves as vocalist and manager of the Orchestra Cambalache, has a very long career in the U.S. Latin music scene, to the point that his group has established itself as one of the top salsa bands in the northwestern United States. It is a great honor for us to have an artist of this stature in this January 2024 edition.  

Pancho from Cambalache
Francisco ”Pancho” Chavez, manager and lead singer of Cambalache

Pancho’s Musical beginnings 

Pancho’s first contact with music happened thanks to his mother’s family, many of whom were musicians. Although the young man never go into business in his country, he was able to see how to handle things thanks to his relatives until moving to the United States in 1997. 

One or two years later, someone gave him a double album by El Gran Combo de Puerto Rico that, he says, he played a million times because he really liked it. This material was one of his great inspirations to dedicate himself to salsa as a genre and nobody could change his mind.   

It was in Seattle that he started making music with college friends when he was already living in the United States, implying that he was not yet formally dedicated to music. In fact, Pancho was studying business at the time and was looking for a small musical group with other young college students he met around 1999.   

This group turned out to be Cambalache, which he founded along with Colombian musician Camilo Suarez. This would be the first and only group to which the Peruvian has belonged, so everything he knows about music and the industry was learned with this same project.   

He always stood out for his talent to sing and do vocals, but he also learned to play some instruments such as the congas, timbales, bongos, cowbells, among others. He also learned a bit of sound engineering and can work a little in this area, although he recognizes that he is not yet an expert.   

Pancho and Maelo
Puerto Rican salsa singer Maelo Ruiz and Pancho Chavez

Recruiting talent for Cambalache   

Pancho says that there were not many Latinos at the university back then, so he and Camilo forged a strong friendship and shared many common interests, especially music. 

At the time, both were facing the economic problems typical of a college student and saw music as an opportunity to make a little extra money during their summer vacation. Camilo knew other musicians, so he contacted them and proposed them to join the orchestra they were creating. 

Pancho and Camilo had thought of a group of five or six people, but there were so many interested in joining the orchestra that the first rehearsals included about 13 people. In the end, solely for economic reasons, they only accepted nine members, of which only he remains.   

All these members, including Camilo himself, ended up working with other artists and groups and obtaining new opportunities in the musical field.   

Clasiqueando 

Cambalache’s first album was ”Clasiqueando”, which was released almost 20 years ago. Pancho assures that the acceptance to the material was very nice, even though the details are not so refined and worked.   

The success they had was a surprise for Pancho and the rest of the group, since the scope they expected was local. “We were surprised that people called us from many countries saying they had heard the album and loved it. There were even companies in countries like Japan and Italy that wanted to buy us songs for distribution” Pancho said on the issue. 

It was a great start for everything that came next for the group in the years to come.   

Pancho and Porfi
Pancho Chavez and Venezuelan arranger, producer, and musician Porfi Baloa

Why choose Seattle 

Pancho and his musicians chose Seattle as their base of operations because he and all the members of Cambalache have lived there for many years. That is exactly the city the Peruvian chose to make his living there and he never left it. 

It is also in Seattle where they all have their jobs and occupations outside of music and where they meet to rehearse and deal with all the affairs related to the orchestra. 

In the beginning, it was very hard for them because the Latino audience was not very large when they created the project. However, that has been changing, and today, many Latinos live in the city and maintain their Latino customs, including music.   

Other tasks besides music 

In addition to being the vocalist and manager of the orchestra Cambalache, Pancho is also a business administrator and manages his own event company whose main element is, of course, music. In this company, Pancho and his staff are in charge of hiring artists and bands for private events. Of course, Cambalache is involved in the operation of this project. 

The event center managed by the Peruvian singer has a capacity for 500 people and has its own stage. He rents it to hold events there and has all types of clients waiting.   

They have hired artists such as Gilberto Santa Rosa, Tito Nieves, El Gran Combo de Puerto Rico, Willie González, Conjunto Bahía, Frecuencia Latina, among others. 

Read also: Producer and saxophonist Martin Franco talks about his passion for music 

Latin America / January 2024

Orquesta la Identidad is one of the most nationally and internationally recognized groups in the salsa genreThe Royalty of our Latin Music Pete "El Conde" Rodríguez first singer signed by Fania Records labelEddie Palmieri brought salsa for the first time and live from Sing Sing Penitentiary in New YorkAttack Sergio!Calibrated maracas

DIRECTORY OF NIGHTCLUBS

Argentina flag
ARGENTINA

Aruba circular flag
ARUBA

Belize circular flag
BELIZE

Bolivia circular flag
BOLIVIA

Brazil flag
BRAZIL

Chile circular flag
CHILE

Colombia
COLOMBIA

Costa Rica circular flag
COSTA RICA

Cuba circular flag
CUBA

Dominican Republic
DOMINICAN REPUBLIC

Ecuador circular flag
ECUADOR

Guatenala circular flag
GUATEMALA

Mexico Circular flag
MEXICO

Panama circular flag
PANAMA

Peru circular flag
PERU

Puerto Rico circular flag
PUERTO RICO

Venezuela circular flag
VENEZUELA

 

ISM / January 2024

Carlos Santana by Camilo Verdejo (L) Carlos Santana by Camilo Verdejo (R) 2024
SalsaApp-L SalsaApp-R
North America January 2024
Latin America January 2024
Europe January 2024
Asia January 2024
Australia an d New Zealand January 2024
Africa January 2024
Backcover
Astist Jan-2024
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.