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Search Results for: Salsa music

Bolivian guitarist Gabriel Navia and his love for music

We have had any number of Latin music artists of various nationalities in this section, but we are pleased to announce that, for the first time, we will tell the story of a Bolivian who brings pride to his flag with his great talent. 

We are talking about Bolivian producer, composer and guitarist Gabriel Navia, with whom we were fortunate enough to talk by Zoom about the most important details of his fruitful career. In the following lines, some of the most important issues addressed in the conversation.  

Bolivian guitarist Gabriel
This is Bolivian producer, composer, and guitarist Gabriel Navia

How Gabriel’s love for music began 

Gabriel tells us that the love he has always felt for music was instilled in him by his parents, especially his father, who was professionally dedicated to it to the point of having his own band. In the 70’s, Eddy Navia, Gabriel’s father, was in an iconic Bolivian band called Sal Y Andina that played instrumental music, much of which was composed by him at the time.   

In his mother’s case, she had a great sense of rhythm and a beautiful voice, so she did her best to make her son learn as much as possible about the fundamentals of music and how to play various instruments. This shows that she was also a key piece in his training as an artist. 

Gabriel also points out that, at home, he and his family listened to music of all kinds, but New York salsa was very important in the path the young man would later take.   

Gabriel and the charango 

When reading a little of Gabriel’s history, we found that he played with his father in the group Sukay, with which he experimented a lot with the charango that, as he explains, is a five-stringed instrument very similar to the banjo. It was the first instrument he played in his life and the one that would inspire him to play the guitar later on.   

After his parents split, his father went to live in the United States and met his second wife, with whom he runs Sukay. That is when Gabriel began to visit the country and, soon after, he was playing in a theater for more than 2000 people. Then, he knew that this was what he wanted to devote the rest of his life to.    

Gabriel played the charango
Gabriel started his career by playing the charango with the group Sukay

Multi-instrumentalist   

While it is true that the instrument for which Gabriel is best known today is the guitar, it is not the only one he is dedicated to.    

The artist can be defined as a multi-instrumentalist, that is, someone who plays a considerable number of musical instruments with excellence such as piano, saxophone, quena and many others. ”I have always been curious to learn how to play new instruments and learn new things every day. That’s how I’ve managed to specialize in so many at the same time” Gabriel said about this.   

He has become more dedicated to playing the guitar since, during his time with the group Sukay, he had to replace the guitarist who was not available at the time, which makes him feel a special affection for the instrument as he used it. 

Not to mention that some of his instruments were robbed in his native Bolivia and one of the stolen objects was his charango. This event left him so depressed that he put the charango aside for years and devoted himself fully to the guitar, during which time he studied it in detail at a theoretical and practical level. He also began to listen to jazz and flamenco records in which the guitar is widely used, making him experiment with new styles. In this sense, an artist who inspired him a lot was Spanish guitarist Paco de Lucia.   

Gabriel playing live
Gabriel Navia playing his guitar live

Music education   

Gabriel has had the opportunity to study in several of the most important musical institutions in the world, which have been fundamental in the professional training of the artist.   

The first thought that came into his head was the Instituto Eduardo Laredo in Cochabamba. He described it as an arts school that has a very traditional style during the mornings, while the afternoons its teachers focus on the musical part. It is here where Gabriel learned all about theory, solfege, harmony, scores and many other important details.    

Some time later, in the United States, he entered the San Francisco Conservatory, where he studied with the famous classical guitarist Scott Tennant. In the same country, he won a scholarship to study some courses at Berklee College of Music.   

In Barcelona, he also received a scholarship to study a master’s degree in flamenco at the Conservatori del Liceu thanks to Fundación Carolina, whose main beneficiaries are Latin American applicants without the resources to study there.    

”I feel very fortunate to have been able to study in all these institutions which have been very important in my career, but I believe that a musician learns the most important things on stage. You can learn all the theory in the world, but if you haven’t had street experience and gone to practice, you will be an incomplete artist” Gabriel remarked on this subject.   

”In fact, I believe that many of the most prodigious musicians in the world have not been trained in academies, but in the streets, because they have had to make themselves from the beginning. Academic education is important, but the main place where music is born is in the heart” he continued.   

Navia Productions, LLC   

Gabriel had always worked as an independent artist, but there came a point in his career when he realized he needed something more to level up.   

Given that the best way to do business in the United States is through registered companies and brands, Gabriel created his own music company which he named NAVIA PRODUCTIONS, LLC, so that his project could be identified with a legally registered entity and avoid any legal problems.    

The company was basically created with the purpose of giving a legal basis to Gabriel’s work to stand on, but he still considers himself an artist as independent as the first day. 

Read also: Exclusive with tres player Iván Camblor from the group Pellejo Seco 

Yes, I speak the ancient African Lucumi toungue: The second language of salsa

Many Latin Americans have left the name of their culture very high around the world, making people from other nationalities and even continents feel fascinated by these elements and end up adopting them as their own. Such is the case of Nigerian Oluwakemi Odusnya, better known as Kemi, who has been kind enough to share with us a little of her story, her knowledge of the Lucumi language and her relationship with Latin music.   

people practicing Yoruba
A group of people practicing the Yoruba religion

Kemi’s coming to the United States   

Kemi tells us that she was born in Nigeria, but moved to the United States when she turned 18 in search of a better future for herself. That was more than 10 years ago, so the young woman already had a good idea of how things are handled in her country of residence.   

Taking advantage that this is the land of opportunity, she studied computer science and graduated as a software engineer, the profession she is in now.   

Additionally, she discovered other passions and hobbies such as Latin music and dancing, especially tango, but we will talk about that a little later on.   

In his country of origin, he learned to speak English, which is the official language of Nigeria, and Lucumi, which we will talk about in the next section.   

Lucumi and its relationship with Latin music   

After talking a little bit about her personal life, Kemi went on to explain what the Lucumi language was and how it was perceived today. Contrary to what many online sources might say on the subject, the Nigerian explained that Lucumi and Yoruba were pretty much the same thing, but with a different name.   

The group of people who spoke Locumi are no longer called that way because many Nigerians have moved to other countries, so there are other terms to define them today.  

Kemi moved on by explaining that, in her country, there are about 300 languages in general, but the official one is English. This in order that the speakers of the other languages can communicate with each other without any problem. Among these native languages, we can mention the ”Pidgin English” which is the result of mixing English with elements from local languages.   

In the specific place Kemi grew up, villagers speak Yoruba, which was formerly known as Lucumi. The name change of the language and many terms used in it have been the direct reault of the immigration of many Nigerians to other countries, especially to the West.    

In Kemi’s particular case, she was pleasantly surprised to discover the lyrics of Celia Cruz and to find many of the words of her own Lucumi language.    

Yoruba dancing
Yoruba dancing and singing in Cuba

Lucumi and Latin music 

For Kemi, the relationship between Lucumi and a part of Latin music is more than evident. Something that particularly caught his attention was that several songs by Cuban artists constantly made reference to the Yoruba divinities: Oshun, Yemayá, Changó, Elegguá, Oggun, Oyá and Obbatalá.   

”For me it was very impressive to see the extent of our culture, since there are many Africans who have had to leave their lands in search of a better place to live, but they do not want to distance themselves emotionally from their country. On the contrary, they want to be as connected as best they can to their country and Latin music, specifically Cuban music, is an excellent tool to stay bonded to their roots” said Kemi on the subject.   

”Many just like me who have come to this country find in Latin music and dance a way to stay connected to our traditions. Sometimes, even we feel that we and Latinos have the same ancestors,” Kemi says with a laugh.   

How new generations perceive Yoruba culture and its elements   

Something Kemi pointed out is that the new Nigerian generations no longer perceive Yoruba culture in the same way. In fact, a large portion of the immigration from the African country no longer feels a real connection with the customs of their own country because they became ”westernized” in some way, especially the younger part.  

Another important detail highlighted by Kemi is that, in today’s Nigeria, Santeria and other religions like that have begun to be perceived as dark, so many people no longer feel comfortable practicing these cults. In fact, there has been a rise of Christianity and Islam in the country, so not a few locals ended up designing their own ritual by mixing these religions with Yoruba culture so that the latter is not seen as impure.   

Those who practice the Yoruba religion in Nigeria are aware that their worship is a mixture of Yoruba culture and Christianity, but they can not say it openly because it looks bad,” Kemi says about this.   

To close, Kemi also said that she is neither a Santera nor a practitioner of any religion. Her family is Muslim and she grew up adhering to Islam, but that changed when she moved to the United States. Today, she has a great deal of respect for these aspects of the Yoruba religion, but does not perform any of these practices.  

Kemi in our interview
Kemi during our interview via Zoom

Kemi’s love for tango 

Kemi has a great love for tango, to the point that she practices it two or three times a week for entertainment and physical activity. 

Initially, Kemi enjoyed dancing salsa because it reminded her so much of the music of her homeland and Yoruba culture, but after some health complications on her hips, she had to opt for something slower and calmer. That’s when she started to try tango and ended up liking it very much. 

After the pandemic, she found that there was a dance academy near he rhome, which motivated her to dance tango to the point where these lessons have become a very important part of her life. She also sees dancing as a way to connect with others and be on the same page.   

Read also: Patrón Latin Rhythms manager talks about the band and its plans 

Spanish Harlem Salsa Gallery & Johnny Cruz: ¡Que viva la Salsa!

North America / USA / California

Spanish Harlem Salsa Gallery & Johnny Cruz: ¡Que viva la Salsa!

A private collection that was built over four decades has opened its doors to the public in El Barrio, New York, becoming the only permanent exhibition dedicated to salsa and its heritage

Johnny Cruz Photo
Johnny Cruz Photo

By Carmen Mercedes Aular

With the magic and passion of Johnny Cruz as host, Spanish Harlem Salsa Gallery opened its doors to the New York community and the world a year ago, after 5 years of starting as a private gallery for an exclusive audience.

Spanish Harlem Salsa Gallery
Spanish Harlem Salsa Gallery

In this extraordinary place are exhibited 40 years of music, experiences and memories that now everyone can relive and consequently know the history behind each instrument, behind each object that rests in this immaculate space and carefully organized by Cruz. The collection includes instruments, pictures, newspapers, clothing and several gadgets donated by great musicians of Latin music.

Must share the good things

The initiative to bring the VIP experience to more people was conceived by Johnny Cruz to realize the positive impact that the gallery would have on the community of El Barrio and the way in which, through it, he could get more involved with schools from the neighborhood. The goal is to continue teaching children and adults the history of Latin music and show them how music is part of history and culture, and how it’s also part of El Barrio.

Spanish Harlem Salsa Gallery Photo
Spanish Harlem Salsa Gallery Photo

Cruz hopes to tell the story of each element of the gallery to anyone who wants to listen, and continue to increase the collection with donations from the stars of Latin music. Anyone interested in the history of music can learn something new and continue to share this information with other people so that the successes of these artists are never forgotten and kept alive in the collective memory.

 

In the near future, they hope to carry the information from the gallery to schools and universities in New York. In addition, they are working to collect resources to expand the collection and preserve exposure in the best and safest way possible, and become a source of employment for the community.

 

What awaits you at SpaHa Salsa Gallery?

At 1708 Lexington Ave NYC, you can find a wide variety of instruments, costumes, and other items from top artists of Latin music. One of the pieces of more recent data is the costume used by Sophy from Puerto Rico, in the tribute concert to Rafael Hernández at the Center for Fine Arts of Puerto Rico.

Photo by Spanish Harlem Salsa Gallery
Photo by Spanish Harlem Salsa Gallery

The great Eric Vélez supported the gallery by donating the congas that are in the permanent exhibition. You can also appreciate the tuxedo that Adalberto Santiago used in his 55th anniversary concert and a Bobby Cruz costume. A piece that you definitely have to watch is the colorful and vibrant Celia Cruz’s dress. Mike Rodriguez donated his güiro, maracas and tamboril. Willie Álvarez’s trombone also rests in this exposition.

Spanish Harlem Salsa Gallery photo 4
Spanish Harlem Salsa Gallery photo 4

Tourists and locals can learn about the history of objects belonging to musicians of La Fania All Stars or La Sonora Ponceña, the shoes of Héctor Casanova perched on the congas of Eddie Montalvo and numerous pieces full of anecdotes that will always, very gladly, share their host. The commitment of the gallery, and Johnny Cruz, is reaffirmed every day with donations of great glories that have a single purpose: to keep the music alive.

Eduardo Guilarte and Johnny Cruz
Eduardo Guilarte and Johnny Cruz

Soon, you will have access to the membership of the SpaHa Salsa Gallery, with which you will get information about the events before the general public and discounts in a wide network of restaurants in town, among other benefits, as a way to promote the gallery and obtain funds for its expansion and maintenance.

Within the gallery’s events programming for this month is Pablito Rosario and Cachete Maldonado’s visit, a celebration for Governor Andrew Cuomo for his triumph in the primaries vote in the state of New York, and another for Assemblyman Roberto Rodríguez, who has the support of the Latino community in the area where SpaHa Salsa Gallery lives. Moreover, Nicky Marrero, musician of the Fania All Stars, will donate the timbales he used recently in a tribute to Celia Cruz, so you can meet him in the gallery; on that day, he will be signing the instrument to formally deliver it to the collection.

Spanish Harlem Salsa Gallery photo 3
Spanish Harlem Salsa Gallery photo 3
Drum - Photo
Drum – Photo

The gallery is open to the public from Wednesday to Friday from 4:00 pm to 7:00 pm, and Saturdays from 1:00 pm to 8:00 pm at 1708 Lexington Ave. NY 10029 (El Barrio).

You can get more information about events, membership and donations by calling 917-747-8505.

 

About the precursor of the initiative

Johnny Cruz has a history of 40 years in the world of Latin music, during which he has been collecting musical instruments. In the last 5 years he created Spaha Salsa Gallery in El Barrio in New York City and a year ago he shares it with friends, contacts, tourists and the community.

Adalberto Santiago flyer
Adalberto Santiago flyer

He has been a percussionist for the last 40 years and is passionate about music, singing it, producing it, composing it, telling it, living it today and keeping it alive forever. He has worked closely with some of the most outstanding Latin musicians in the business throughout his career and has been honored with a variety of awards over the years.

Photo by Johnny Cruz with more music instruments
Photo by Johnny Cruz with more music instruments

At this time, he produces a public access television program for mnn.org called The Windows of Latin America. The program has been on the air weekly for 20 years, and it is the only TV space in New York where salsa is broadcast.

Jhonny Cruz and Adalberto Santiago
Jhonny Cruz and Adalberto Santiago

In a few days he will be premiering a collaborative production with Adalberto Santiago, with songs that recap his musical career of more than six decades and have the admiration and gratitude of Cruz. Within the framework of this launch, there will be an event in which great Latin music personalities will meet again at the Spanish Harlem Salsa Gallery to share a fun time with fans and friends.

 

Since the beginning of this trip, his desire has been to create a space for the community. Sharing these artifacts is their way of giving back to a community that they have had the pleasure of being part of for many years, a bit of their culture and their heritage for the world.

Johnny Cruz
Johnny Cruz

La Candela Salsa Orchestra has a new album titled “On Time”

Europe / Peru

After the worldwide success of their previous work on the best dance floors, the Candela Salsa Orchestra makes a new foray into the sound of legendary sextets like Joe Cuba’s, seasoned with the characteristic sound of the vibraphone. The DJs at conferences and salsa parties, who support Candela’s work worldwide, have had a lot to do with this success, such as:

Members of the new musical theme On Time - Candela Salsa Orchestra
Members of the new musical theme On Time – Candela Salsa Orchestra

DJ Pablo Bat (Spain), DJ Hugo Leite (Portugal), DJ Chino (Colombia), DJ Momo (Japan), DJ Lasse (Norway), DJ Antonio La Conga (NYC), DJ Mauri (Holland), DJ David Muñoz ( Germany), DJ Toni (Switzerland) or DJ Andrea Martini (Italy) among many others.

With this new work, La Candela promises not to leave lovers of a pure and authentic sound focused on the dancer, where there is no shortage of montuno, mambo, guaguancó, pachanga, boogaloo and danceable Latin jazz.

On Time - Candela Salsa Orchestra Members
On Time – Candela Salsa Orchestra Members

The album, which is produced by Batlei Productions and with the collaboration of Canarian musicians, such as Manuel Ángel Lorenzo “Mangüi” and the “Original Big Band”, makes a nod and at the same time a tribute to the great dance bands of the 50s, the golden age of the prestigious Palladium in New York.

After the success achieved in the last edition of the Benidorm Salsa Congress, the most important congress held in Spain, this year they repeated the visit once again last Thursday, July 13, where they officially presented this new album, which has been recorded at Arena Digital under the direction of sound engineer Juan Carlos Hernández.

Presentation "On Time" Benidorm (Photo by Alfil Photography)
Presentation “On Time” Benidorm (Photo by Alfil Photography)

In a very short time and leaving from the Canary Islands, La Candela has been able to carve out a niche for itself within the salsa scene worldwide. Their music can be heard from Australia to California, passing through such exotic places as Taiwan, Malaysia, India, etc. With the new album, they intend to establish themselves in this market and make different presentations that are already closing both in Spain and in the rest of Europe and America.

La Candela is made up of: Rafael “Richie” Rodríguez, voice; Fonsi Rodríguez, piano: Alejandro Fuentes, bass: Jordi Arocha, vibraphone; Fran Martín, congas; Alberto Martín, timpani; José Brito, bongo and bell. A band that mixes experience with youth, which provides a fresh and different sound for the dancer. Without a doubt La Candela is here to stay “On Time”.

The album is now available on the digital music platform CDBaby.com and soon on iTunes, Google Play, Spotify, etc. It will also be available very soon in CD and vinyl format at www.cucumpa.com

More information on Facebook: lacandelasalsa

Front Pagedisco On Time - Candela Salsa Orchestra
Front Page
disco On Time – Candela Salsa Orchestra

Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment

Our orchestra was born at the end of 1969, year in which we also began to record the 1st production “Presenting” which was released at the end of 1970.

Many talented musicians have passed through our orchestra such as Juancito Torres, Mario Ortiz, Rey Santos, Frank Morell, Hugo Dumont and many more that we will mention later.

Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment
Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment

Singers such as Sergio Cariño, Juan Acosta, Raul Carbonell Jr., Tony Rivas, Cucho Caro, Andres Reyes, Pedro Arroyo, Ricky Ramos, Tito Gomez, Yolanda Rivera, Eddie Rosario and Johnny Maldonado.

Rubby Haddock is one of the greatest exponents of good Latin music. His orchestra is known as one of the most danceable “Big Bands” on the Island.

He is called “El Maestro” by his followers and fellow artists. Because of his long artistic career, exposed to the world of show business, Rubby has become one of the best connoisseurs in the history of Latin music.

Born in Manhattan, New York on February 6th to Puerto Rican parents. His mother lived in Miami most of her life and in the late 60’s his father, Ruben Haddock who was a musician in New York, founded the most famous Dance Club in Puerto Rico, MIRAMAR CENTER when he owned El Club Coameño in Rio Piedras and El Club Caborrojeño in Bayamon.

A glorious time where his Producer Father brought to the Island of Puerto Rico the biggest stars of Latin music such as: TITO RODRIGUEZ, TITO PUENTE, LA LUPE, EDDIE PALMIERI, RICKY RAY, JOEY PASTRANA, JOE CUBA, WILLY COLON, HECTOR LAVOE, LARRY HARLOW, ISMAEL MIRANDA, CHIVIRICO DAVILA, TNT BAND among others, besides being manager and producer of ROBERTO Y SU NUEVO MONTUNO.

Rubby Haddock grew up with his father as a teenager in Puerto Rico within the entire business operation of Don Ruben, knowing these top stars of our music and hence the vein of musician and producer during his artistic career and experience in show business.

Celebrating the Rubi of Salsa Rubby Haddock. One of the greatest exponents of good Latin music
Celebrating the Rubi of Salsa Rubby Haddock. One of the greatest exponents of good Latin music

Rubby Haddock studied piano but showed that his passion was playing trombone.

For the years 1972 under the label UNIART, Rubby Haddock launches his first record production, “PRESENTING ORCH HADDOCK” becoming a powerful hit on the Island with the musical cut MONACILLO Y CORREA COTTO as some of the hits of this production.

In this first stage of Rubby’s musical career are among the different recordings: “PRESENTING”, “ASI ME LLAMAN”, “LA LEYENDA”, “DE REGRESO”, “UNLIMITED”, “2ND CONCIERTO FAMILIA TH”, “THE ENTERTAINER”, “THE ENTERTINER 2”, “OTRA VEZ”, “SALSA TROPICAL”, “EL RUBI DE LA SALSA”, “PASAPORTE MUSICAL”, “EL RUBI DE LA SALSA” and “PASAPORTE MUSICAL”.

In the second stage of his career, in 1978, when Rubby was the most popular in Puerto Rico with the song “Son Los Nervios”, one of the songs that propelled merengue on the island, Rubby surprised everyone by joining the U.S. Armed Forces in San Antonio Texas and Washington State, where in addition to completing medical courses, he also completed his Bachelor of Music Education at the Universities of Puget Sound and Pacific Lutheran.

In the 9th Infantry Div. Rubby became a member of the 9th Infantry Division Band where in addition to the Division Military Orchestra, Rubby most enjoyed the experience of being a member of the JAZZ ENSEMBLE BAND and the Big Band Jazz.

It didn’t take long for some of these great musicians to come and join Rubby’s Orchestra… At the request of a great Puerto Rican friend, and high ranking Army officer Eddie Velez, Rubby agreed to form his Orchestra back in Tacoma Washington State.

Remembering beautiful moments lived outside of his homeland until 1980, when he returned to Puerto Rico for a recording contract with the firm TH RECORDS, In this “come-back” in his return to Puerto Rico for the 80’s Rubby produces one of his most successful works: “De Regreso” with songs like: A Mi Jibarita, El Amor, Maria Teresa, Sra. Temptation with singers Raul Carbonell and Tony Rivas.

At the end of the 80’s Rubby Haddock ventured into Puerto Rican television, Wapa TV and Telemundo Channel 2, as producer of shows such as “Un puertorriqueño para la Historia (José Feliciano)”, New Year’s Eve Specials, etc.

Rubby Haddock y Sus Amigos, where the most prestigious artists such as: José José, José Feliciano, Mongo Santamaría, Barry Rogers, Eddie Palmieri, Julio Angel, and many more paraded in this section produced within the Midday Show. …. This show remained on the air for five and a half years.

Rubby Haddock
Rubby Haddock

By 1992 Rubby Haddock y su Orquesta represented Puerto Rico in the Puerto Rican Pavilion at Expo 1992 in Seville, Spain.

In the mid 90’s, although Rubby still continued as the Director of his Orchestra, he also ventured as an Entrepreneur with his own commercial Advertising Agency, where in addition to directing the entire operation of the agency Haddock & Haddock Adv, he was also the Creative, being in charge of all the production of Radio, Press and Television commercials for all the clients of the Agency.

By that time Rubby had already founded his own Recording Studio (Pentagrama Round), where he produced his three most recent productions of this decade in addition to sharing recordings for artist friends such as: Omar Alfano with Son By 4, it was from this studio that hits such as “A puro Dolor” were released.

His recording engineer was the outstanding engineer Sonny Hernandez. With him he shared works with artists such as: Danny Rivera, Andrés Jiménez, Ismael Miranda, Elvis Crespo, Melina León, Edwin Colon Sayas, Trió Borinquén, and others.

In 2000 Rubby moved to the United States where he currently lives. His fans constantly ask him to re-form his Orchestra because they miss his music and they also ask him for a compilation of his hits and a “Historia DVD” exposing the History of his Salsa, which seems to be Rubby Haddock’s next endeavor as an Artist.

Rubby has 3 sons, the first 2 Reuben Haddock and Rubby Haddock Jr, dedicated their careers to the business world and his youngest son Randy Haddock, who currently lives in New York, is a musician, singer and composer, already demonstrating great talent and the vein that comes from Don Ruben (grandfather) and Rubby (his father).

A very special thanks to Edgar Berrio and all the staff of Las Leyendas Vivas De La Salsa #8 for this great recognition, on behalf of Rubby Haddock and his family
A very special thanks to Edgar Berrio and all the staff of Las Leyendas Vivas De La Salsa #8 for this great recognition, on behalf of Rubby Haddock and his family

Sources:

https://www.rubbyhaddock.com/news

pequi34 via Musica.com

Also Read: Jerry Ferrao says in salsa key: “My life is a drum”.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.