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Search Results for: Salsa music

“Canelita Medina” Caribbean popular music loses one of its best exponents

Canelita, the Venezuelan sonera, died on Tuesday, July 4, 2023. It was recently announced that the singer had to undergo surgery to implant a hip prosthesis.

The 84 year old artist was the mother of Venezuelan interpreter Trina Medina.

Canelita Medina y Dj. Augusto Felibertt
Canelita Medina y Dj. Augusto Felibertt

Rogelia Medina, popularly known as “Canelita” and nicknamed by the media as “La sonera de Venezuela” and “La sonera del Caribe”, leaves today at the age of 84 after having delighted the Caribbean and her country like birds, with all the strength of her tenderness.

Songs such as: “Tanto, tanto, tanto” “Besos brujos” “Lágrimas negras” among others will remain forever in our hearts.

Canelita, la sonera de Venezuela
Canelita, la sonera de Venezuela

She had an unmistakable voice, both for her timbre and her sweetness, for that particular way of intoning with such a sweet strength, because she never wanted to impose herself. She was always herself, with a gift for people, and a truly unforgettable charisma.

What Venezuela, the Caribbean and Latin American popular music have just lost is not little, because she also represented effort, prudence and that femininity that dictated a lesson, even in the choice of her repertoire.

Life

She was born on March 6, 1939 in La Guaira, in the central Venezuelan coastline that she truly loved. Whether it was in the area of El Playón, near Caraballeda, or in the town of Anare or towards Catia de la Mar, Rogelia experienced the joy of the sea air and the way of being of those born on the coast, with drums, joy, cadence and music always. They have their own codes.

She is not the most Cuban of the Venezuelan women, as some media erroneously affirm. No and no. She is the greatest Venezuelan interpreting the Cuban son and much beyond, because she interpreted other Caribbean and Venezuelan genres with extraordinary solvency.

She always knew, and soon the rest of her countrymen knew, that she was born to sing. The musical environment at that time was not very favorable for women, much less in son or guaracha. Like many other women in Venezuela and the Caribbean, she started on the radio.

“Canelita Medina”
“Canelita Medina”

This is what she told researcher Jairo Aponte, from Puerto Cabello. When asked about her first contact with show business, Rogelia answered: “It was because of some friends I had who knew that I liked to sing. There was a program on the radio station Ondas Populares called Buscando Estrellas (Looking for Stars) and they insisted.

They encouraged me so much that I went to the program. The first time I was bleeped, the audience bleeped me, but the second time in the same program the accompanying orchestra was the Sonora Caracas and they suggested me to rehearse before competing again.

Then, hidden, we rehearsed “Saoco” sung by Celia Cruz. I returned the following week and won the contest, and best of all, from that moment on I stayed with the Sonora Caracas, with whom I stayed for eight years”. It was 1957.

In 2022 a tribute was made to him at the Museum of Afro-American Art located in San Bernardino, Caracas. Trina Medina, Betsayda Machado and Juan José “el Indio” Hernandez participated in the meeting.

Peace to his soul, God receive you in a beautiful place.

Great you are Canelita.

When it comes to compositions, Luis “Tata” Guerra is widely known internationally

Read Also: Trina Medina

La Topa Tolondra & its Salsa with Criterion – Colombia

Latin America / Colombia / Cali

Something magical happens in a unique space in Cali – Colombia: Topa Tolondra

La Topa Tolondra & its Salsa with Criterion ¨ A magical place in a unique space in Santiago de Cali¨

Because what matters is the music and its only and great protagonist “la salsa” a whole universe of happy individuals united by the melody, and all this happens because the salsa is tattooed in the hearts of many caleños and visitors to the area who It becomes evident on the dance floor, where you can find that visiting salsa public from all over the world that dances professionally, there are also those who dance well and those who don’t dance, but who doesn’t give a damn? “nothing”.

Those who are stung or guilla of dancers, those who go in sandals, those who go with tennis, those who go with heels, those who go elegant, those who go relaxed, the dreadlocks with long hair, those with afros, the gentleman and the lady, the chickens, the urban cyclists and even the rockers… and the list is endless because what matters is the music and its only and great protagonist “salsa”

“Lovers of Salsa and Bolero romantics attend weekly without age limits” To the rhythm of the Charanga, the Pachanga, the Boogaloo, the Guajira and the Son Cubano, it is enjoyed every night at the Topa Tolondra. Something unique happens in that magical place and that is that everyone forgets what they will say and they enjoy it from start to finish. In addition, local and international artists such as:

Esteban Copete y su Kintelo Paci co, Habana con Cola, Los Hermanos Lebrón, Clandestina Orquesta, Africali, Ebano y Marl, Bailatino, La Negramenta, Bobby Valentín and among others. For special dates ¬these and events such as Halloween that is approaching are organized. In “La Topa” as it is already known in Cali, sounds resound that arrived in the city between the 50s and 70s, where Salsa shapes the body and bolero its spirit, and going a little deeper we also perceive inclusive energies.

“Having fun is the only requirement to attend” “The Environment” For an unforgettable night you need two halves. The first is a table, chairs, water and drinks. And the second, and perhaps the most important: music and hit.

In Topa Tolondra there is plenty of space for gozadera, to sit down, to toast. Time does not run and there is no decache… “La Música” Here they marry the old guard of Los Hermanos Lebrón, Ángel Canales, La Sonora Ponceña, Frankie Dante and La Flamboyán.

The curatorship of its owner Carlos Ospina, its disc jockey and owner, is to learn it. It is not at all about impressing, it is about knowing how to find the subject at the right time.

¨Variety¨ Mondays are for foreigners. On Tuesdays there is a cinema-forum space and separate classes that are included with the 3 for 1 promotion (for every 3 Salsa songs, one bolero). Wednesdays are the best dancers in the city, Thursdays are dedicated to live salsa.

Finally, Fridays and Saturdays are reserved for these traditional Topa. “To Many Degrees” If your hair is long, bring something to tie it up with. If you are wearing a long-sleeved shirt, roll up the sleeves. If you are one of those people who is not used to consuming water, be prepared to drink what has not been drunk in a year. In La Topa you feel the harsh heat, so it is necessary to establish breaks to go outside to cool off “the heat outside will seem cool to you.”

For a round night, the ideal combination is beer, brandy and water, in dosed sips. Does the temperature exhaust? Yes, but it doesn’t matter if the song that is playing touches your ¬bras and reaches your heart. If you don’t know La Topa Tolondra, be sure to go and if you want to get a clearer idea before visiting, visit their fan page on Facebook www.facebook.com/Latopabar but don’t stay intrigued! Location of La Topa Tolondra. Cl. 5 #13-7, Cali, Valle del Cauca, Colombia Telephone: +57 323 5972646

La Candela Salsa Orchestra

Europe / Spain / Tenerife

La Candela Salsa Orchestra

The band is made up of eight musicians settled in Tenerife Canary Islands

La Orquesta Candela Salsa
La Orquesta Candela Salsa

La Candela is a small independent orchestra that in recent years has made a place for itself among the preferences of salsa dancers.

Her proposal is aimed at “hooking” the dancer with the original rhythms of salsa such as son montuno, guaguancó, mambo or chachachá, recovering the sound of the era in which what is known today as Salsa was forged.

The band is made up of eight musicians based in Tenerife (Canary Islands).

Its target audience is the salsa dancer on1 & on2, a great consumer of this type of music.

However, they have also conquered the hearts of the salsa music lovers who are staunch consumers of hard sauce.

The live La Candela show is a roller coaster of sensations that aims to spread joy and good vibes with a varied repertoire in terms of the danceable rhythms that are included within the salsa genre.

With him they have been presented in Spain and in other European countries such as Germany or Switzerland throughout these five years of activity.

La Candela’s style is inspired by the repertoire and execution style of the master Joe Cuba and his Sextet.

They have brought back to life some of their best classic songs that are still a reference for the dancer today.

With this spirit, her first musical project was born: On Fire, which was released in November 2015 and was a very good business card.

The album includes some classic songs by maestro Joe Cuba, such as “La Palomilla”, “Clave Mambo” or “El Ritmo de Joe Cuba”, along with self-written songs such as our first two singles, entitled “Es Guaguancó” and “For her”.

In 2017 and thanks to the executive production of Batlei Productions, a new project by La Candela was born with a closer sound and with many new features, without leaving behind our essence, headed by the first single titled “Se Prentó”, On Time moves between the primitive and the new, rescuing jewels and offering deserved tributes to some of the great pioneers of Afro-Cuban danceable music, like Tito Rodríguez or Frank Grillo “Machito”.

They are currently preparing what will be their third studio album with a new line-up of Musicians

We are also in the process of reserving the album “On Time” with a crowdfounding project, in which 300 LPs of this production have been put on sale in a limited edition: https://qrates.com/projects/20837- on-time In addition, we have launched a merchandising store where you can find all kinds of products with the unmistakable seal of La Candela Salsa Orchestra: https://lacandelasalsa.threadless.com/

  • Video clip of “Sin Ti”: https://youtu.be/WkV2hvCeXhE
  • Switzerland summary video: https://youtu.be/whUDfAx0Fwc
  • Benidorm video summary: https://youtu.be/j3puMxehsQk
  • Website: http://lacandelasalsa.com
  • Facebook: https://www.facebook.com/lacandelasalsa
  • Instagram: http://instagram.com/lacandelasalsa

Where to dance Salsa in London?

Europe/ England/ London

Where to dance Salsa in London?

dance salsa
dance salsa

We present you 5 options to go dance Salsa in London

Every place just promise delicious cocktails and a hearty food menu, also features salsa classes, cocktail masterclasses and fun-time Latin party vibes. In London there are all kinds of events and parties, and Latin music is not far behind. So you will find numerous options to enjoy a night of salsa in the English capital.

 

1.- Caramelo Latin Dance:

It’s a dance school with Salsa On1 and On2 classes, plus they have the option of doing an intensive salsa in one day, so if you go with your salsa friends to London, this is your chance to learn the basics, and leave to dance with them.

From time to time the school organizes an event for social dancing.

Caramelo Latin Dance
Caramelo Latin Dance

Address: Paddington Academy, 50 Marylands Rd, London W9 2DR.

Metro: Warwick Avenue

Call them:  +44 7572 891570

 

2.- Hammersmith Salsa & Bachata Club:

6 levels of Bachata and Salsa classes followed by loads of social dancing. Absolute beginners always warmly welcomed. Make new friends, get fit, have fun and dance your night away. Every week DJ Incognito  regularly play the latest Salsa, Bachata, Cha Cha and Latin music. Fun and friendly staff.

Hammersmith Salsa & Bachata Club
Dance in Hammersmith Salsa & Bachata Club

Address: 11 Rutland Grove, Hammersmith, London W6 9DH.

Call them: +44 7831 715368

 

3.- Salsa! Soho:

Partying is what they do, and they do it well! Party with them and you will get a big injection of Latin party vibe to your celebration!

They have menus to suit all occasions. Salsa classes every night of the week, amazing drinks menu with over 50 cocktails and of course non- stop latin music. Enquire about booking and plan your party.

Salsa! Soho
Dance in Salsa! Soho

Address: 96 Charing Cross Rd, London WC2H 0JG

Call them: +44 20 7379 3277

 

4.- Wimbledon Salsa and Bachata Club and Classes:

Fun & friendly classes for dancers of all levels. Plenty of high quality social dancing to the best and  latest Salsa, Bachata, Cha Cha and Latin grooves. Absolute beginners warmly welcomed. High quality lessons from Beginners to Advanced. No prior bookings needed, just turn up and dance.

Wimbledon Salsa and Bachata Club
Dance in Wimbledon Salsa and Bachata Club

Address: 44 St George’s Rd, Wimbledon, London SW19 4ED

Call them: +44 7831 715368

 

5.- Revolucion de Cuba:

Rum Bar & Cantina. Unique, expertly made cocktails and Latin-inspired food, with amazing music and live entertainment. Feel-good Cuban vibes all year round! This is not only one bar.

It’s the story of a team of rum lovers, who knew that taking on this spirit meant capturing it. And that doing so would lead to a discovery of food, drink, dance and the culture that makes up one of the world’s most exciting and intriguing places: The island of Cuba.

Revolucion de Cuba
Dance in Revolucion de Cuba

Address: More of 15 locations in England, you can choose anyone!

Call them: +44 1423 226133

We hope this alternatives help you enjoy a great party. Tell us how do you spend the night dancing London.

Musical director of VibraSÓN Jake Jacobs is here

VibraSÓN is a musical group that makes life in the state of California, specifically in the San Francisco Bay Area, which has become one of the best options for festivals and nightclubs seeking fresh sounds in terms of salsa, swing and Latin music in general.    

I was pleased to know about this great orchestra, its members and sound thanks to its work at Charley’s LG, Bar and Nightclub where Eduardo Guilarte, our editor, was working and directing everything related to the lineups and musical programming for Latin music nights, more specifically on Tuesdays.   

When I made contact, the person who was kind enough to reply was musical director of VibraSÓN. Jake Jacobs, who at the same time works as a producer, percussionist and backing vocalist.    

Jake Jacobs from VibraSÓN
Jake Jacobs, musical director of VibraSON

Talk with Jake Jacobs from the group VibraSÓN   

Jake Jacobs comes from a very interesting background. His first contact with music took place with his father and uncle, both of whom were professional musicians, but Jake says he has always been interested in this world.   

He studied classical piano and music theory at the University of Illinois and took some jazz piano lessons in his passage through the University of California. During these years, the musical director spent roughly 13 hours a day practicing with this instrument to master it as well as possible. 

With time, he became interested in Latin music and dance, which also led him to take dance classes at university. With that knowledge acquired up to that moment, he went to visit New York and his trip coincided with the National Puerto Rican Day Parade (an event held annually in New York and other states to celebrate Puerto Rico and its traditions in the United States). 

This event inspired Jake so much that he returned to the Bay Area with the intention to switch his dance classes to salsa classes. He became so good that he began to teach salsa dance classes himself to numerous students interested in learning these rhythms, something he has been done for over 20 years in widely recognized clubs and dance studios.   

He used to provide these classes twice a week at the Cocomo Club, which was very important at the time and attracted more than 600 people every day. When bands performed live, the future leader of VibraSÓN began to know musicians, who, in turn, gave him music lessons and his first opportunities to play in bands.   

 

Jake Jacobs with VibraSÓN
Jake Jacobs and the other members of VibraSÓN

Apprenticeships and classes with great musicians 

One of the most impressive credentials that Jake can have is to have studied with some of the best musicians in the San Francisco Bay Area such as Edgardo Cambón, Karl Perazzo, Michael Spiro, Louie Romero, among others. 

Evidently, all these luminaries have taught the producer much of what he knows and applies today, but he ensures that it was not easy to learn from so many ”teachers” at the same time, in both dancing and music performance.   

Ensures that some of the most important things he learned have to do with technique and tips to be applied such as how to play the drums, the notes at the right times, silences and much more. 

He points out that they all taught him valuable and important things, which are still very useful to this day. One of those great lessons was to practice and practice until he achieved the sounds he wanted, especially in Latin music. 

VibraSÓN 

Finally, in 2014, Jake decided it was time to put into practice everything he learned and create his own musical group with his own original details. This is how VibraSÓN came about.    

The origin of his band’s name came from Luis Morales, one of its members. It is based on vibraphone, which is not widely used by the orchestras from the San Francisco Bay Area, but by the dancers and by this new group in their performances. As for the end of the name, it comes from ”son cubano”, a typical genre of the island Jake likes very much.   

Although Club Cocomo unfortunately closed the following year, that didn’t stop VibraSÓN from making its way and becoming one of the most demanded groups in the Bay Area in recent years.   

One of the things that Jake thinks makes his group unique is that there are very few people who use the vibraphone and, due to his training as a dancer, he is always looking to make the most appropriate music for that part of the audience for whom dancing is very important.   

Jake Jacobs in San Francisco
Jake Jacobs performing on stage in San Francisco

How Jake and VibraSÓN read the crowd   

For Jake and the rest of the band, it is very important to read the crowd and see how people react to the music they play at any time. They pay a lot of attention to the dance floor to see what works and what doesn’t with the people they play for that night.   

Having played at clubs such as Charley’s, Bar Fluxus, La Peña Cultural, The Cigar Bar and Space 500, they have prepared a very generous repertoire for each performance. Just as they have written original music, they have also dedicated themselves to perform covers of the most buzzed-about artists in recent times in certain contexts, something that worked out for several orchestras when they need to draw on these resources to entertain the audience.   

This wide repertoire that they now enjoy is what has allowed them to make diverse shows with lots of variety so that those present never get bored, even if they usually go to the same place.   

Another thing they tend to do is add new arrangements and change genres to the covers they do so that they do not sound exactly like the originals and they can inject some of their essence, even if they are not songs written or sung by them originally. ”Even if they are covers, we always try to add our original arrangements so that the dancers enjoy them that much more” said Jake.   

They have also learned to connect with the audience and know what the dancers and the general public want in order to give them exactly what they want. And they did not learn this overnight, but have observed in detail what other orchestras do to imitate what is good and useful.    

Jake and VibraSÓN on stage
VibraSÓN performing on stage

Tours and future plans of VibraSÓN

At the end of the interesting talk, Jake told us that, for now, they only plan to record new music and other activities that are comfortable for all the members, since many of the musicians are in other orchestras and record for other people, so it is too complicated for them to tour with VibraSÓN. In addition to that, several of them have small children to care for, so it is impossible for them to travel for a long time.   

He is so considerate because he always tries to keep the same members and preserve the unity of the group above all else. It has worked for them, as they have managed to made a name, which will continue to become popular over time. 

Read also: Fausto Cuevas Y La Moderna in International Salsa Magazine 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.