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Search Results for: Salsa

José Antonio “Maceo” Rodríguez was a faithful cultivator of Son Cubano and participated in the Afro Cuban All Stars project

José Antonio “Maceo” Rodríguez was born on April 17, 1950 in Holguín, Cuba.

Famous sonero voice leader of the group Sierra Maestra, he began his career at the beginning of the eighties of the last century with the group Sierra Maestra, integrated by former students of the Polytechnic University José Antonio Echeverría, of Havana, with which he won a televised contest of new musicians.

José Antonio Maceo Rodríguez was a faithful cultivator of Son Cubano and participated in the Afro Cuban All Stars project.
José Antonio Maceo Rodríguez was a faithful cultivator of Son Cubano and participated in the Afro Cuban All Stars project.

He died at the age of 55 on November 6, 2005 in Copenhagen, Denmark, of a heart attack, after giving a concert with his group at the end of a tour of Europe.

He was born on April 17, 1950 in a modest country house in the vicinity of the Antonio Maceo Sugar Mill, in Cacocun, in the eastern province of Holguin.

Relatives and neighbors say that since he was a child he loved art, music, pirouettes and attracting attention.

October 20, 1976 in Havana, together with his classmates at the José Antonio Echevarría University Center, he founded the musical group Sierra Maestra, called at that time Grupo de Sones de la Facultad de Ingeniería Eléctrica.

Those young dreamers performed in the popular contest “Todo el Mundo Canta”, where they took off on a spiral of success in Cuba and the world.

They traveled to many countries promoting Cuban music. They participated in Festivals of international relevance in Australia, Bosnia, Canada, Croatia, Cyprus, United Kingdom, Greece, Ireland, Israel, Italy, Macedonia, Mexico, Portugal, Puerto Rico, Singapore, Slovenia, Turkey, Yugoslavia and the United States.

A faithful cultivator of Son, Rodríguez participated in the Afro Cuban All Stars project, nominated for a Grammy in 1998 and parallel to the Buena Vista Social Club.

José Antonio Maceo Rodríguez
José Antonio Maceo Rodríguez

His excellent voice, comparable according to critics to that of the great cultivators of the genre, was one of the emblematic of the current Cuban dance music scene.

She began recording in 1981 her first album, “Sierra Maestra Llegó con El Guanajo Relleno”, was a silver disc and received excellent reviews. He participated in the Afro Cuban All Stars project, and parallel to the Buena Vista Social Club.

The trumpet player José Alemañy, Cubanisimo, and Juan de Marcos González, founder of the Buena Vista Social Club, were his partners in the group for years, and together they undertook the task of recovering the tradition of famous sones and soneros, revitalizing the genre at a time when other musicians were opting for salsa and more commercial rhythms.

According to the Cuban composer, José Antonio Rodríguez not only possessed a very special voice, “he also had the courage and human qualities to remain faithful to that style, the son style, which is the mother of Cuban music”.

The repertoire of Rodriguez, known as Maceo among his friends and admirers, included, in addition to the great classics of traditional son, pieces that became very popular in his voice, such as Dame un traguito ahora or Esa mujer lo que quiere es que la miren.

Maceo, although small in stature, was an immense man, someone who could not conceive where to keep the torrent of voice he displayed without ostentation, so much musicality, intonation and love for Cuban music.

José Antonio was not only a great musician, he was a great person, very loved by his closest friends and in general by the people whose affection and admiration he won since the participation of Sierra Maestra in the Adolfo Guzmán contest and that thanks to his special way of interpreting the Cuban son, great musicians such as Ignacio Piñeiro’s Septeto were born again in the popular taste.

José Antonio Maceo Rodríguez y su Grupo
José Antonio Maceo Rodríguez y su Grupo

The singer died on November 6, 2005, just a few hours after finishing the European tour of Sierra Maestra with a concert at the Amager concert hall in Copenhagen.

With this presentation, the popular band put an end to the performance of all the Cuban artists who participated in the First International Latin Music Festival of that capital. The sonero’s remains were repatriated to Cuba, where he was buried.

Also Read: Bamboleo de Lázaro Valdés is another of those exquisite Cuban products, as well as sweet rum and mild cigars

Virginia Ramirez is the artist of the XXI century, the Princess of Piano and Voice, the hope that will save the new generations of anti-music

Virginia Ramirez, the talented concert pianist, pianist and singer-songwriter, has been making an impact for her contributions to the music of her country and the world. She was born in the city of San Cristobal, Venezuela and grew up in a family where art, poetry and music were the language of every day.

Virginia Ramírez es la artista del siglo XXI
Virginia Ramírez es la artista del siglo XXI

His mother was a poet (Etha, the Lady of Love), Dr. Enriqueta Martinez, his father Asdrubal Ramirez, a self-taught harpist, guitarist and singer of Venezuelan popular music.

Since she was 7 years old she plays the piano and from a very young age she began to develop her musical skills, she started her training at the Miguel Angel Espinel School with the well-known teachers Edgar Vasquez (Piano) and Heliodoro Contreras (Theory and Solfeo).

She graduated as a pianist, concert pianist and piano teacher at the National School of Music in Havana (Cuba) where she graduated with the highest qualifications and studied at the José Lorenzo Llamozas School and the Simon Bolivar Conservatory of Music.

He has taken courses in harmony and improvisation with professors Gerry Weil, Andres Alen Rodriguez and Mike Orta at the “FIU of Miami” in the jazz department.

Ramirez studied classical piano with Professor Igor Lavrov, recorded her jazz projects with drummer Willy Díaz and bassist José Velázquez in the “Jazz” program of the Venezuelan TV channel “Venezolana de Televisión” in Venezuela on several occasions, and her first album “Espiral de Fuego”.

She participated as a special guest of other groups such as Alberto Borregales and Fredy Roldán and El grupo la Calle.

She participated with a new proposal as a composer and pianist in important Jazz festivals in Venezuela as the “Latin Festival” of the Teatro de la Opera de Maracay (June 2003) and the “Prehot” of the 5th.

Festival de Jazz del Hatillo (October 2003), where he alternated and shared the stage with the American bands of Aaron Thurston (drummer) and Jaime Baum (flutist), receiving excellent reviews from the radio and television press.

She alternates her activity as a jazz concert performer with teaching, as a piano and singing teacher.

In her music school Vicky’s harpsichord.

Her formidable work in music and composition is very beautiful and colorful, because in her proposal she has fused jazz and Afro-Venezuelan elements highlighting the values of Venezuelan and Latin American music and using a variety of drums such as the Culo’e Puya, Quitiplas, Clarines, Cumaco and Chimbangles combining them with the songs of the peoples of the coast of Venezuela making excellent personal harmonic contributions.

He has achieved a high musical concept that has been recognized in the continent and the world, for that incredible capacity to unite the idea of the concert with the characteristics of the Show and for that reason he contributes much more of the pure musical element in each one of his performances.

With a rich repertoire and an unparalleled originality in the world of Venezuelan Female Jazz, this excellent artist is a source of joy and an excellent contribution to the new generations of Jazz.

She has won countless national and international awards and recognitions, among which stand out: World Prize “César Vallejo” for Artistic Excellence, World Prize “El Águila de Oro” for Artistic Excellence 2022, 2023, almo Chispeante prize 2024, awarded by the UHE, world Hispanic writers union, thousand minds for Mexico, and world academy of literature, history, art and culture First Mention in the Juan Sebastián Bach Competition in Havana Cuba.

1993 as a teacher, pianist, concert pianist has participated in various festivals and concerts such as the Fitztrovia Festival in London, in Mexico, Madrid, the south of France, in Colombia with his salsa group tabaco latino, where he performed in different cities, Cali, Bogota and Medellin.

Within the salsa accompanied artists such as: Cheo Feliciano, Hernán Olivera, Meñique Lena Burke the singer Alfredy Bogado of the Venezuelan group “La Calle” and precisely with this group La Calle in the Juan Sebastian Bar when she worked there in 2000 was where they began their activities with salsa in several cycles of pianists, composers and arrangers.

In the Keyboard Museum of Caracas, in a jazz trio with Nene Quintero and William Velázquez on bass, in the Festival a toda Música Caracas, in the opera theater of Maracay and the Simón Bolívar University, among others.

Excellent comments in the national and international critics, have generated the presentation of his CD “Espiral de Fuego” presented by Otmaro Ruiz Jaquest Braunstein and Gerry Weil in his album “Manos y Alma” recorded, outstanding musicians such as: Nene Quintero, Aquiles Baez, Roberto Koch, Gonzalo Teppa.

Carlos Nene Quintero y Virginia Ramírez
Carlos Nene Quintero y Virginia Ramírez

Special guests: Vasallos del Sol, Aquiles Baez and C4 trio. This album “Manos y Alma” was presented by Aquiles Baez, Luis Perdomo and Pablo Aguirre from the BBC in London, received excellent reviews from the press in the south of France.

Her performance in the church La Canourgue in the south of France accompanied by the musicians Didier Hennot and Tonny Margalejo and her tour of successive concerts, carried out in France in different cities Mende, Saint Privat Des Vieux, Lozere, Ispagnac presenting her albums mentioned above.

She participated in the assembly and production of the play Cabaret with important theater artists such as Francis Rueda, Cayito Aponte, Natalia Martinez, Adrian Delgado, Karl Hoffman, Luis Fernandez performing in the Rios Reyna hall of the Teresa Carreño in different cities of Venezuela.

Virginia had the luxury of playing keyboards in the Kit Kat Club Band directed by Armando Lovera.

Great impact had her album “jazzguinaldos” produced as a trio with musicians Gonzalo Teppa and Nene Quintero, including as special guests Enio Escuariza, composer of all the lyrics of the album.

Her project “Acro Jazz” opens the horizon towards the world of circus arts, performing in different cultural centers of Venezuela musicalizing with the piano circus works and participating herself as a circus artist with the artist Jesús Piña in a pulsating work in the museum of the keyboard, Trujillo, Valencia among other cities with a new band integrated by Rubén Rebolledo Guitar, Willy Díaz Drums, David Rubio Bass and as special guests Jesús Piña and Kerlly Garcia.

He performed in the city of Morelia and Mexico, founded in 2015 a trio with musicians Fernando Mendoza Drums and Flavio Meneses bass, presenting the music of his albums in different nightclubs like Amati, Café de las Rosas, Casa de la cultura de Uruapan, and other cities of Morelia.

Virginia Ramírez, la talentosa concertista, pianista y cantautora
Virginia Ramírez, la talentosa concertista, pianista y cantautora

She accompanied drummer Antonio Sanchez in the house of music in Morelia.

Virginia Ramirez has collaborated with different artists of the Venezuelan music scene such as the group Facundo Project a Venezuelan Rock group, the singer Cheo Linares in his album “llegó la Navidad”, the singer Amarilis Bolaño in her album singing Henry Martinez, the singer Alejandra Gonzales in her album “Joyas de mi País” in the album “Tierra Liberada” and in the project “Venezuela demo”.

Ramirez has made music a matter of life and in her habitat of pianist and concert pianist, prepares for this year a vast plan to musicalize the poetry of the greatest poets of the world and a program entitled “La Totalidad de Virginia Ramirez”, by Cabina 11, Canal Global de Queretaro, Mexico, a country that has already known of her beauty and great talent.

I see in Virginia Ramirez, the complete artist with infinite talents as a pianist, singer, composer, songwriter and circus artist, who intentionally projects herself, illuminating the artistic firmament of the world with daring and magical projects that will always surprise the audience and make them feel the desire to ask for more.

Undoubtedly Virginia Ramirez is the artist of the XXI century, the princess of the piano and voice, the hope that will save the new generations of anti-music.

Dr. Carlos Hugo Garrido Chalem president of mil mentes por México and of the UHE Hispanic World Writers Union. President of the world academy of literature, history, art and culture.

Alterna su actividad de concertista de Jazz con la docencia, como profesora de piano y canto en su escuela de música la clave de Vicky.
Alterna su actividad de concertista de Jazz con la docencia, como profesora de piano y canto en su escuela de música la clave de Vicky.

Also Read: Wilmer Lozano from a very young age his mother saw in him the desire to be a musician

Nicaraguan singer and guitarist Yelba Heaton in an exclusive interview

Yelba Heaton is a Nicaraguan-born bandleader, singer and guitarist whose strong musical heritage coming from her family has made her have close contact with music since before she could say her first words. 

The artist based in The Woodlands, Texas has been kind enough to answer a few questions for us in order to know more about her musical beginnings, the creation of her band, her projects outside of music, among other topics.    

Yelba posing for pics
Singer and guitarist Yelba Heaton posing for pictures with her instrument

Yelba’s musical family   

For many generations, Yelba’s family had become very popular among her acquaintances for knowing how to carry a tune properly and having some guitarists and pianists in this melodic family tree.   

In her case, as she grew older, she and her siblings saw their father constantly serenading their mother and playing romantic boleros on his guitar, so this instrument was a day to day affair for the children. This is how the couple’s children began to experiment with music both together and separately, which little by little sparked Yelba’s interest in this branch of the arts.   

This interest reached such a point that both she and her sister Thelma began to compete in every talent show that was held at the school they attended, Yelba played the bandurria and Thelma played the guitar. Both of them were very good with each other on stage and their voices joined together in a very harmonious and pleasant way for the audience that heard them.   

When she turned nine, she participated in the tv show ”Junior Patherns”, which was very popular in her country at that time. Already at that time, she showed her great skill as an performer and the way she would follow later on.    

As she got older, she began to sing in the church she was attending at the time, but could not start her career formally until she became an adult after her divorce in the United States. This was a very stormy phase of life for Yelba, as she had recently separated from her husband and father of her five young children, leading her to suffer from depression and believe that her life was over. However, it was just beginning.    

At the same church, she met another guitarist, who when saw the bad stuff that she had gone through, decided to invite her to participate in an open mic night at a nightclub, which Yelba did not even know what it was at the time. Although she confesses to being extremely intimidated by the great artists with whom she shared that night, it was an experience that she is grateful to have had, as it gave her the opportunity to put aside her sadness for one night and experiment with music like she had never done before.   

After sitting down with her guitar and performing ”Besame mucho” to the audience that night, having heard those present applause and ask for more songs made her be truly happy and blissful. Immediately, she knew she wanted to experience that feeling again and again.   

music brought Yelba back to life
After her divorce, music brought Yelba back to life

Formal beginning of Yelba in music

That same night that Yelba performed at that venue, Jeremy Garcia, a flamenco guitarist accompanied her with his instrument and resulted in a beautiful combination of melodies that left all those present delighted, including the owner of the place, who proposed to both of them to make a paying gig for next Saturday, to which they replied ”of course”. That was how Yelba, Jeremy and bongo player Benny Rod (Yelba’s friend from church who joined later) started their paid musical careers as a trio.   

Over time, the three artists caught the attention of critically acclaimed guitarist Mark Towns, who invited Yelba to sing with him at an event in Clear Lake and also gave him some copies of their CDs. Towns was a key piece in the formal creation of the band and the trust that she was gaining to sing in public. 

Over the next few years, she was performing at larger and larger events and learning all she could about clave, song forms of various genres, stage presence and other important aspects of her nascent career.   

Creation of Yelba Variety’s Band and Latin Fire  

Although Yelba, Jeremy and Benny were already a trio, they still could not find a name that perfectly defined what they stood for, but that changed when one day they performed songs Yelba had learned to sing on her father’s knee when she was little. That night, everything went great and they received very positive feedback from the audience and the media who covered the concert.   

As a result of this performance, a reporter from the Houston Chronicle wrote an article about the band in which he was very complimentary about their show and described what he saw that day as ”Latin fire”. The first line of the article said that: ”Latino fire is what I heard last night…”. Yelba liked this opinion so much that she decided to baptize her band as ”Latin Fire”.   

Such was the impact this report had on her career that the Nicaraguan still keeps a copy of it and can be found on her website to this day. This was undoubtedly a very important event for her and her band mates.   

 Yelba and her husband
Yelba next to her husband and part of her band Roy Heaton

Yelba as a wedding planner and motivational speaker   

Just like Yelba performs very well in music, she has also found time to work as a wedding planner, a hobby for which she found out she is talented. The artist has assisted numerous marriages with minimum budget, but with her help, she was able to achieve great things with very little money. This is how she has made engaged couples ask for her help and she is always happy to collaborate with them.   

Another area in which she works on very well is motivational speaking. She found out she had a talent for this while doing her master’s degree in finance and learned to move in the corporate world, which gave her the necessary experience to address an audience properly. In addition, her career as an artist requires her to sing, play and dance in front of crowds, which also gives her the confidence she needs to speak to all kinds of audiences at a given time.   

Without a doubt, Yelba Heaton is a multifaceted Latina who leaves our culture on high and we are proud to have had her in this edition of International Salsa Magazine. 

Read also: Julio Vilchez and his orchestra conquer Miami 

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Latin America / May 2024

Virginia Ramirez is the artist of the XXI century, the Princess of Piano and Voice, the hope that will save the new generations of anti-music

José Antonio “Maceo” Rodríguez was a faithful cultivator of Son Cubano

Pancho Quinto is considered one of Cuba's great rumberos

From Parroquia San Agustín del Sur es Son Marín ¡Aquí Empezó la Cosa...!!A party of dancers at the concert to celebrate Willie Rosario's 100th birthday

Willie Rosario, El Rey del ritmo by journalist and music researcher Robert Téllez M.Unstoppable Hollywood Salsa Fest

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.