As all our readers already know, this section is always looking for the best Latin talents to give them the exposure they deserve and today is the case of New York producer and musician Edwin Ortiz, who was kind enough to share a bit of his story with us.   

Edwin is an artist who was born in the East Harlem section of New York, where he began his musical career with the full works and spent most of his life, but left that city with his pregnant wife to raise their son in a different environment. It was there that they moved to Washington DC, where the musician has continued to live and pursued his career to this day. 

Below, we will provide more info about the artist’s career during these moments and how he managed to become the great bandleader and musician he his today.   

Edwin’s music education   

Just as other great musicians, Edwin studied at the prestigious Johnny Colon Music School, the institution in which he learned a lot of what he knows today. His first lessons are focused to teaching how to play the flute alongside Mario Rivera, which can be said to be the first contact the young man had with music. However, it was not this instrument that would capture his attention, but the bongo. 

His brother Edgar Ortiz was an acclaimed bongocero in the Orquesta Las Siete Potencias and the Tito Puente Orchestra, so Edwin already had a lot to learn from. However, it was with acclaimed percussionist Manny Oquendo with whom he turned professional and decided to dedicate himself fully to the bongo as his main instrument, to the point that it is the only one he still plays today.   

Outside of his work as a musician, Edwin is in charge of everything about the management of his most recent orchestra Edwin Ortiz Y la Mafia del Guaguancó.   

Edwin Ortiz Y La Mafia del Guaguancó   

Before even thinking about founding his own orchestra, Edwin was involved in a number groups of different genres throughout the Washington DC Metro area, whose main genre was cumbia at the time. In that sense, the artist wanted a change in his style and to do something different from what he was playing at the time, although he knew it was ging to be hard.    

His big break came when the director of the band he was in at the time was going to move to the state of Florida, so he left Edwin in charge of the group in order to make the changes he believed were pertinent. That is when he took the opportunity to introduce salsa, a genre he had always been passionate about, in the metropolitan area with the resources he had on hand at the time. He invested in some 25 salsa arrangements and released a new version of the classic ”Olga Y Margara”, which was the first of many hits to come for his career. 

Later, when he was finally creating an orchestra of his own, he took pains to find the best musicians possible, many of whom were recommended by friends and seen playing by Edwin himself. However, he would soon realize that the best musicians were not necessarily the best pieces he required for his band, which made him change his approach a bit when choosing the team that would accompany him in his project.   

At first, the project was called Orquesta La Romana, but it was not long before Edwin decided to call it ‘‘Edwin Ortiz y La Mafia del Guaguancó’’. This change was due to the fact that Bobby Quesada, a musician whom Edwin greatly admired, had an orchestra with the same name, but it had already disbanded by that time. He always liked the name ”La Mafia del Guaguancó” so he gave it to his own group. He knew how risky this move was and the displeasure of some of its members with the change, but fortunately it was worth it.   

Today, the musicians of the orchestra are affectionately known as ”the mafiosos” in the Washington DC Metro area, so this has become part of the band’s identity.    

Diferente A Las Demás 

One of their most recent musical works is entitled ”Diferente A Las Demás” and it is a tribute to women that was released in March, the month dedicated to them.    

With respect to this song, Edwin was telling us that he and his partner and the lead singer of the band Vivian Mojica had the opportunity to meet the talented musician Héctor Luis Pagán, who kindly invited them to his home and shared with them part of his repertoire, including the song ”Diferente A Las Demás”. Edwin loved it since the first time he heard it and Pagan gave it to him with pleasure. That is how the orchestra got down to work and recorded their own version of the song. 

The first thing the bandleader did was look for the right arranger for it, who was Ramón Sánchez, and the producer he had always wanted to work with, Isidro Infante, whom Edwin has known for more than 30 years. 

Then came the recording, mixing and remastering. In the end, the chosen date was 1 March of this year as a tribute to International Women’s Day, achieving a result that made everyone in the orchestra very happy. 

Read also: Vocalist of La Moderna Tradición Eduardo Herrera and his fascinating story 

Irma Kaché is a talented singer born in Ponce, Puerto Rico, who has a very interesting story behind her, so we have set about communicating with her to talk about the most important facts of her life and career.   

Irma Ortiz, the artist’s real name, shows us that it is possible to achieve a lot with little whenever there is the will and desire to get what we want. What she tells us below proves it.   

How Irma first became interested in music   

In her native Puerto Rico, music was always in Irma’s home since she was very young, as her mother was a singer in a radio station and won talent shows, but all that changed when she got married and had children, since it was not seemly for a wife participate in such activities.   

However, she and her siblings inherited the taste for music from their mother and she always instilled in them everything related to it. This is how the children began to play and sing the songs they listened to at home, many of which belonged to Los Condes, Los Panchos and other trios from that time.   

Although Irma’s mother was proud that her children played music as one of their main hobbies, she did not think they would follow it professionally. Irma’s older brothers already have their own orchestras and one of them calls himself Julio Kaché. That is where she took the name of Irma Kaché. 

While it is true that music had a very important place in her life, Irma finished high school and studied social work at the Pontifical Catholic University of Puerto Rico, so she did not practice her great passion at that time. She only limited herself to imitate her favorite artists of the time such as Yolandita Monjes, Ednita Nazario, Sophy, among others. 

Upon graduation, she moved to New York with the hope of singing professionally, but she became a single mother and found it difficult to have evening performances with a small child. In addition to that, her son presented certain language problems and had to attend therapy constantly. She only had her older sister’s support, who is also a singer by profession.    

On top of that, breaking into salsa as a woman was very complicated in a world dominated by men.    

Irma’s transit in music   

Just as Irma met ”dream merchants” who caused her to lose time and money with empty promises that went nowhere, she also met people who supported her and contributed a lot to her career as the composer and singer Miguel Angel Piñeiro, who is a very prominent figure in the salsa scene. 

Piñeiro discovered her on the local TV show Diamante Show, contacted her and they became good friends for a while. At that time, she was working with a record company, but things were not going as she wanted, so she let her new friend guide her in many aspects of her career. Piñeiro accompanied her to the studio, rehearsed with her, introduced her to important people in the industry and many other things that helped her become the singer she is today. 

Among those people she met thanks to Piñeiro, we can mention arranger Harry Rios, who was the one who made each and every one of the arrangements for her new album and played a pivotal role in its final result. 

In addition to this, he made a small monetary investment in Tumbao Media Productions, which is a marketing and PR agency, which has been highly beneficial for his career and the chance to become known to a wider audience. In addition to this, the work she has done in her own social networks to create her own community around her music.   

Orquesta Salsa Libre NY 

Irma has been part of the Orquesta Salsa Libre NY since 2008 without uninterrupted, although the group has been through hard times such as the pandemic, which caused the loss of its most important members. This led Miguel, director of this orchestra, to seek new musicians to replace the previous ones. 

The pandemic had also prevented them from performing live for a very long time and Irma was anxious to return to sing in front of an audience, so she talked to Miguel to remedy the situation and be back to the stage as soon as possible. This is how Miguel, who was also Irma’s producer, contacted the Sound of Brazil (SOBs) nightclub to study the possibility of performing a small concert there. So, Miguel and Irma accepted the venue’s proposal and got to work.   

In fact, the Puerto Rican singer and her orchestra performed a wonderful show at SOBs with renowned producer and vocalist Javier Luis, who was already experienced in singing in that place and many others of its kind, so most of the responsibility fell on his shoulders. He was the one who made the arrangements for the show and sent her copies of the emails so that she could see how the organization of a show like theirs was handled.   

In the end, the performance was a success and Irma learned a lot from this experience, which would help her to replicate the right steps on other occasions. In addition, that night opened many doors for both of them. 

Read also: The road to success for Venezuelan harpist and cultural entrepreneur Ángel Tolosa