Search Results for: Salsa
ISM November 2019
Mura Peringa Orchestra
Europe / France / Strasbourg
Mura Peringa Orchestra, A tribute to Salsa culture, given by 9 crazy musicians of Latin music
Since 2006, the group (Mura Peringa) brings together 9 musicians (20 – 34 years old) united by their passion for Latin music.

Their influences are important musicians and orchestras such as: Sierra Maestra, Mercado Negro, Eddie Palmieri, Oscar D Leon, Maraca Valle, Chaparro y su Orquesta, Orlando Poleo, Fania All stars, Willie Colon and Hector Lavöe.
From the creation of the project, the heart of repertoire focuses on a color Salsa Dura 70’s, embellished with Bolero, Merengue, Chachacha, Son, Cuban Rumba, Timba. The compositions and rearrangements of Mura Peringa, faithful or transfigured, were able to invite the crowds to dance on the stages of the French grand-est, and during the summer tours in Switzerland and in the south of France.

Mura Peringa’s music, tasty, throbbing, intoxicating, is supported by rich arrangements, and by the solid instrumental and stylistic mastery of her musicians. The strength of Mura Peringa is her ability to metamorphose. The lead vocals on the front of the stage go from one musician to another, causing so many reversals of point of view.
The staging of the game and the transitions are served by a light creation that finishes training the audience at the rhythm of the clave and syncopations. Get ready to swing; it will be hard to resist the call of the dance Mura Peringa, a tribute to Salsa culture, given by 9 crazy musicians of Latin music.

United in the most vibrant Salsa orchestra of the Great East, songs, brass and percussion invite you to dance to Afro-Caribbean rhythms and music. Listening to the surprising compositions and rearrangements of Mura Peringa, you will not sit for long.
MusiciansCongas: Paul StengerTimbales: Nicolas SchmidtBass : Theron FuhrmannClavier : Sebastien ValleTrombone : Fabrice ToussaintSaxophone: Adrien LabordeFlute / Percus : Camille EvrardTrompet : Alexandre BrandTrompet: Adrien Arnaud
To enjoy, and to dance
Europe – November 2019
Know the connections of tropical dances
Latin America / Venezuela /Caracas
Tropical Dances:
Did you know that people have several ways of communicating?
Oral communication is what we normally use to communicate in such a way to establish and maintain personal relationships, and to show not only words and express emotions and/or feelings, body communication is used, which can be said in a few words that it is a form creatively expressing through gestures, eye contact, poses, and arm and leg movements; turning this form of communication into something more intimate and accurate without the need for the use of words.

In social activities, one of the most popular is dancing, where body communication is very important since the couple or group needs to know certain signs that indicate “when” or “how”, in order to perform the steps and how. As a result, the success of said interpretation will test the quality, maturity and growth of the dancers in the rhythms they dance.

Of course, it should be noted that each musical genre has its own rules, especially in the counting of steps in music, which gives grace, stability and rhythm to the dancers in the song played either in a musical event and is of vital importance not only for a casual event but for a competition. For this reason, it is important to know the steps and turns to perform and have excellent body communication (especially if it is as a couple) to know what they are going to do.

In Latin rhythms, this type of communication is really important, otherwise the grace of the dance is lost. Among the most important Latin rhythms that are essential and/or significant are:
- Salsa: a Latin tropical rhythm that, although it was born in Cuba due to the mixture of “Guaracha”, “Son”, “Mambo”, “Cha Cha Chá” with a unique style, through time several types emerged ( Salsa Cubana, Salsa en Linea, Salsa Casino, Salsa New York or Mambo style, Salsa Cali style, Salsa Puerto Rican and Venezuelan sauce). In this dance it is very important to pay attention to the look, the hands and arms (the latter in the case of the man since with him he dominates and/or controls the woman in the dance and she must interpret what the next movement is) to thus being able to perform either a simple step or a few laps, of which there is a great variety of them.
- Bachata: is a danceable musical genre originating in the Dominican Republic, within what is called urban folklore. It is considered a derivative of the rhythmic bolero, with influences from other styles such as the Cuban son and merengue. This dance has great sensuality like the rest of the Caribbean rhythms, where it requires an unbeatable appearance on the part of the dancers when performing it, where that connection with the couple is important so that it can impress the public.
- Merengue: is a dance music genre originated in the Dominican Republic at the end of the 19th century. It is very popular throughout the American continent, where it is considered, along with salsa, as one of the great dance musical genres that distinguish the Latin American genre.
- Kizomba: a very sensual rhythm that emerged in Angola, which resulted from the mixture of 3 cultures (Angolan colony, Portuguese colony and part of Cape Verde “Brazil” as well as the French Caribbean of Martinique and Guadeloupe.). In this rhythm, the connection of the couple, especially the woman, is of vital importance, since the movement of the hips is slow and sensual, as are their steps. Did you know that many people have the prejudice that it is a very sensual dance, however, it is as sensual as you want to project it, in the same way it happens with Bachata and Merengue, they can be as sensual as you want to project them or as normal how you want to do it.”
So, if you want to give life, grace, elegance and popularity to your dance, keep in mind, keep in mind these characteristics and how you manage to synchronize with your partner and show your spectators either in a personal party, competition, event and/or or congress, whether national or international, which is a true dance.












