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The Night Hector Lavoe, “The Singer of Singers,” Refused to Please Pablo Escobar

January 1, 1981. The air was thick with the scent of a new year, but for Héctor Lavoe, it was anything but celebratory.

The Night Hector Lavoe, “The Singer of Singers,” Refused to Please Pablo Escobar
The Night Hector Lavoe, “The Singer of Singers,” Refused to Please Pablo Escobar

In Medellín, at a New Year’s Eve party hosted by none other than Pablo Escobar, the “El Cantante” himself found himself in a terrifying standoff.

This isn’t just a rumor; it’s a chilling anecdote that has cemented its place in music lore. It was a night when the King of Salsa faced down the King of Cocaine, and lived to tell the tale.

The Escape

The story begins with a frantic encounter recounted by a Colombian chronicler, Juan José Hoyos, who heard it directly from a taxi driver. It was well past midnight when a man, impeccably dressed in a suit but barefoot, suddenly appeared on the side of the road. He was clearly terrified, and the driver, unable to ignore his distress, pulled over.

The man, disheveled and without a dollar to his name, begged for a ride to his hotel. He explained he’d been singing at a “mafioso” party, and things had taken a dark turn. “My name is Héctor Lavoe,” he whispered.

Héctor Lavoe: “El Cantante de los Cantantes”
Héctor Lavoe: “El Cantante de los Cantantes”

The taxi driver was skeptical. “You’ll have to sing ‘Yo Soy El Cantante’ if you want me to take you to the hotel,” he challenged.

Héctor, now inside the cab, bristled. “My friend, that’s exactly why I’m in this mess! One of those guys made me repeat that song like ten times, threatening me with a pistol! I got fed up and told the orchestra, ‘I’m not singing anymore, shut off the equipment!'”

The driver insisted, reminding the slight man in the suit that he was doing him a favor. Then, a voice, otherworldly and unmistakable, filled the cab:

“🎵 Yo soy el cantante / que hoy han venido a escuchar / lo mejor del repertorio a ustedes voy a brindar. / Y canto a la vida / de risas y penas / de momentos malos / y de cosas buenas. 🎵”

There was no doubt. It was Héctor Lavoe.

The Ordeal, Corroborated

What might have been dismissed as another tall tale from a taxi driver gained chilling veracity when members of Lavoe’s band corroborated the story.

Eddie Montalvo, the group’s conga player, vividly recalled the night. The gig with Pablo Escobar had been arranged by Larry Landa, a music promoter with deep ties to the drug world. The contract stipulated they’d play until 2 AM, but Escobar had other plans, demanding they continue until six in the morning.

Eddie Montalvo
Eddie Montalvo

“When it was two in the morning, Héctor told the band to stop,” Montalvo recounted. “The organizer threatened them at gunpoint to force them to keep singing. He wanted Héctor to repeat ‘Yo Soy El Cantante.'”

Amidst the chaos, the legendary salsa singer Ismael Rivera, who was also present, bravely stood up to the aggressors. Even the bodyguards got involved. Eventually, Lavoe and his musicians were herded into a small room and locked in for the rest of the night.

El Sonero Mayor Ismael Rivera
El Sonero Mayor Ismael Rivera

After an hour, in a desperate move, Héctor smashed a window. With the help of the other musicians, they slipped out one by one into the darkness, leaving their instruments behind, consumed by fear. “For thirty minutes they slipped and fell until they reached the highway,” Montalvo revealed.

And that’s how Héctor Lavoe ended up in that taxi, on a cold January morning in 1981.

A Strange Resolution

But the saga didn’t end there. The very next day, a mysterious individual visited Héctor and his band at their hotel. He presented them with a check, returned their confiscated passports and retained instruments, and offered a surprising apology.

Review of the Era (Flash)
Review of the Era (Flash)

This dramatic incident remains a stark reminder of the volatile world Héctor Lavoe navigated, and his unwavering spirit in the face of immense danger.

Also Read: International Salsa Magazine showcases important facts about Héctor Lavoe

By:

1) Los Mejores Salseros del Mundo

2) Dj, Augusto Feliberrtt

3) Hector Lavoe – Fans

Adrián Joel Rodríguez Rivera is a musician with extensive experience as a Bassist

Adrián Joel Rodríguez Rivera (a.k.a. “AJ”) had his first experiences with the electric bass at 14 years old.

Adrián Joel Rodríguez Rivera is a musician with extensive experience as a bassist.
Adrián Joel Rodríguez Rivera is a musician with extensive experience as a bassist.

He began formal studies at the Antonio S. Paoli Specialized Music School in Caguas, Puerto Rico, that culminated with a Bachelor’s Degree in Music in Jazz & Afrocaribbean Music Execution with a major in Electric Bass from The Conservatory of Music of Puerto Rico.

Throughout his career, he has played and recorded with musical groups in diverse music genres, e.g. reggae, rock, jazz, urban and tropical music.

He’s had the pleasure of collaborating with artists like Calma Carmona, Yaire, Auudi, Brytiago, Raquel Sofía, Jean Carlos Canela, Galé, among others.

Adrián Joel Rodríguez Rivera (alias “AJ”) gained his first experiences with the electric bass at the age of 14

Adrián Joel Rodríguez Rivera (alias “AJ”) gained his first experiences with the electric bass at the age of 14

Presently works from Puerto Rico and has performed in the United States, Colombia, and Ecuador.

The History of the Electric Bass

The history of the electric bass is intrinsically linked to the need for a more practical and amplified alternative to the bulky double bass, especially as musical bands grew larger and louder.

The Early Steps and Paul Tutmarc (1930s)

Although there were some earlier experiments, the first functional electric bass is considered to have been developed by Paul Tutmarc in the 1930s. In 1936, his company, Audiovox, launched the Model 736 Bass Fiddle.

This instrument featured a guitar-like design, with a solid body, frets, and an electromagnetic pickup, making it easier to transport and play compared to the double bass. However, Tutmarc’s invention was not a great commercial success at the time.

Leo Fender’s Revolution (1950s)

It wasn’t until the early 1950s that the electric bass truly took off, thanks to Leo Fender. Seeking to solve the problems of size, volume, and tuning of the double bass, Fender applied his expertise in electric guitar manufacturing to create an innovative instrument.

In 1951, Fender launched the Precision Bass, the first mass-produced and commercially successful electric bass. Its design was robust, with a solid body and frets (hence the name “Precision,” for the tuning accuracy the frets offered). This bass quickly became a standard, used in a wide variety of musical genres, from soul and R&B to rock.

Adrián Joel Rodríguez Rivera
Adrián Joel Rodríguez Rivera

Later, in 1960, Fender introduced the Jazz Bass, which offered a slimmer neck and two pickups (one near the bridge and one near the neck), providing greater tonal versatility and a sound that many jazz musicians found closer to the acoustic double bass.

Expansion and Evolution (1960s Onward)

Throughout the 1960s, other brands like Gibson, Höfner, and Rickenbacker also began manufacturing their own electric bass models, flooding the market with new options. The popularity of the electric bass grew exponentially, solidifying its place as a fundamental element in modern music.

The 1970s saw further experimentation. Preamplifiers began to be integrated into instruments to expand the tonal range, and multi-string basses emerged. In 1974, bassist Anthony Jackson and luthier Carl Thompson collaborated to create the first six-string bass, with the goal of expanding the instrument’s sonic range.

From the 1980s onward, innovation continued. 5 and 6-string basses became popular, as did active circuits and “boutique” basses from specialized luthiers. Designers like Ned Steinberger introduced headless basses and experimented with materials like carbon fiber. Influential musicians like Jaco Pastorius brought the fretless bass to the forefront, and techniques like “slap” and “double thumb” were developed and popularized.

Today, the electric bass continues to evolve, with a vast range of designs, configurations, and sounds, adapting to the needs of the most diverse musical genres and the creativity of bassists worldwide.

He began formal studies at the Antonio S. Paoli Free Specialized School of Music in Caguas, Puerto Rico.
He began formal studies at the Antonio S. Paoli Free Specialized School of Music in Caguas, Puerto Rico.

Also Read: Charlie Haden was an extraordinary double bassist and composer who was a key figure in the history of modern jazz

Tempo Latino: An Unmissable Event in Vic Fezensac!

Get ready, salsa lovers and Latin rhythm enthusiasts, because the Tempo Latino festival is returning to Vic Fezensac from July 24 to 27, 2025, for its 30th edition, promising an unforgettable experience.

This internationally renowned event transforms the picturesque French town into the epicenter of Latin music and culture.Tempo Latino Logo

How to Get to the Heart of the Party?

Getting to Tempo Latino is easier than ever. If you prefer convenience, the festival offers a bus service from Mont de Marsan, Agen, and Toulouse.

  • Once in Vic Fezensac, the “navetitas” will take you to your accommodation within the Community of Municipalities of D’Artagnan in Fezensac, and are free for accompanied children with prior reservation.
  • For those choosing the train, the closest stations are Auch, Agen, and Toulouse.
  • And if you’re coming by car, Vic Fezensac is 1 hour and 20 minutes from Toulouse and 2 hours from Bordeaux. You can even carpool for a greener arrival!

IMG July 2025

Accessibility for Everyone

Tempo Latino prides itself on being an inclusive festival. If you come by car, parking spaces are available at Place du Foirail. During the festival, Rue Reynal and Avenue Edmond Bergès will be pedestrianized, facilitating access to the venue. Most importantly, all Festival stages—Scène Tempo Arena, Scène de La Conga, Scène Cap Tempo, and Concert Église—are accessible to people with reduced mobility. There is even a dedicated platform at the Tempo Arena to ensure a perfect view of the stage.

Vic Fezensac Map

Accommodation Options for Every Festival-goer

To fully immerse yourself in the experience, Tempo Latino offers various accommodation options:

  • Goulin and Les Acacias Reception Areas: If you have a concert pass, you can camp in tents at the Goulin rugby stadium or the Acacias football stadium (new for 2025!). Reservations are valid from Thursday morning to Monday morning with a fixed fee.
  • Cauderon Reception Area: The municipality of Vic Fezensac is opening this area for tents, cars, and motorhomes, with a discharge station available. It will be open from July 21 to July 27, 2025. For more details, you can contact the town hall at 05 62 64 47 00 (press 1).
  • Other Options: The Tourist Office offers a list of available accommodations and “Esprit libre” packages that include accommodation and festival tickets. You can visit armagnac-dartagnan.com or call 05 62 06 34 90.

A Star-Studded Lineup for 2025!

IMG July 2025

The 30th edition of Tempo Latino is packed with talent. Here’s a preview of what awaits you at the Tempo’Arena:

  • Friday, July 25: Via La Habana
    • 9:00 p.m.: Eliades Ochoa
    • 11:00 p.m.: Issac Delgado y su Orquesta + guests (Haila and Alain Perez…)
  • Saturday, July 26: “Minha noite brasileira” via Rio De Janeiro
    • 9:00 p.m.: Joao Selva
    • 11:00 p.m.: Flavia Coelho
  • Sunday, July 27: Via Nueva York
    • 9:00 p.m.: Yuri Buenaventura
    • 11:00 p.m.: Spanish Harlem Orchestra

Additionally, on Thursday, July 24, Scène La Conga will offer a “La Electronica de Bogotá” night with DJ sets by Caribombo and SimaO, and a performance by Acido Pantera.

Get Your Tickets

You can book your tickets online at tempolatino.com/billetterie, at the physical store at 3 rue du Général Delort 32190 Vic-Fezensac, or by phone at +33 (0)5 62 06 56 66.

Don’t miss the 30th edition of Tempo Latino, a vibrant celebration of Latin music and culture in the heart of France!

 

Tempo Latino Stage

ISM August 2017

Portada - ISM August 2017

North America thubnails - ISM August 2017

Europe thubnails - ISM August 2017

Latin America thubnails - ISM August 2017

Contraportada - ISM August 2017

Maite Hontele

Europe / Holland

Maite Hontele. The perfect mix between Latin flavor and European roots

Maite Hontele
Maite Hontele

A girl with passion and talent, nominated for a Latin Grammy Award in the category Best Salsa Album, trumpeter Maite Hontelé is transforming the role of women in music. People in America, Europe and Asia have witnessed her magical talent and the way she performs on stage. Born in Holland, but Colombian in her heart, Maite’s music is a perfect mix of European elegance and tropical joy, which is reflected in her 4 albums:

Llegó la Mona, Mujer Sonora, Déjame Así, and Te Voy a Querer, the last two edited in vinyl.

Maite Hontele in concert
Maite Hontele in concert

Also known as ‘Mujer Sonora, Maite has collaborated with artists such as Rubén Blades, Buena Vista Social Club, Chocquibtown, Oscar D´ León, among others, all of them lured by her style. Immersed in Latin American music from her earliest years, she went on to study at the conservatory in Rotterdam, specializing in jazz, salsa, flamenco and Brazilian music.

She was also invited to take part in Buena Vista Social Club’s European tour.

She arrived in Medellín following her heart and her trumpet, releasing one record after another and touring internationally with her salsa band. Perhaps inevitably, she quickly made a name for herself in Colombia through her exploration of salsa in its many forms.

Maite Hontele - Flyers
Maite Hontele – Flyers

Oscar D´ León says “She is the best in the world, what a delight! The ways she plays is extraordinary, outstanding!”

Her next step in Europe: Fiestas de la Virgen del Pino TEROR, SPAIN – 5TH OF SEPTEMBER Stay with us four further information about the European tour! For further information https://www.facebook.com/fansmaitehontele/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.