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Search Results for: Son

EFG London Jazz Festival

Commemorates 30 Years With A Display Of International Latin Jazz Artists

The first seasons of the EFG London Jazz Festival took place in May
The first seasons of the EFG London Jazz Festival took place in May

EFG London Jazz Festival celebrates its 30th birthday with the innovation and musical freedom that has always characterized the London Jazz scene.

This festival, the largest and in constant transition in North London, opens its space from Friday, November 11th to Sunday, November 20th to present a program of live and digital presentations with world-class artists, emerging talents, collaborations specials, avant-garde sounds, and the latest music for a massive audience that has established the EFG London Jazz Festival https://efglondonjazzfestival.org.uk/ as one of the main international Jazz events in Europe.

This emblematic event in the United Kingdom has three outstanding aspects that have characterized it over the years, they are Character, Impulse, and Wealth. The Character is evidenced in each edition with the contribution of special collaborations, discoveries, and exclusive commissions. The second aspect of this festival is the Impulse, being this event the highlight of the Jazz calendar in the capital. Finally, the third aspect is the Wealth that can be easily found in a club or concert hall packed with spectators to enjoy 300 live shows in more than 70 places attracting around 100,000 people daily.

In this 2022 edition, the star lineup is represented by nine international Latin Jazz artists such as Fiona Ross (Friday, November 11th), Katriona Taylor Quintet presenting “La Reina de la Bossa Nova” (Saturday, November 12th), Yuri Hernández (Sunday, November 13th), Colectiva (Thursday, November 17th), Mexico’s Woman of the Year for Arts and Culture, Migdalia Van Der Hoven (Thursday, November 17th), the Jazz/Latin group led by Steve Rubie from the 606 Club, Samara (Friday, November 18th), Trombonist Laura Impallomeni (Saturday, November 19th), Osvaldo Chacón (Sunday, November 20th) and Chucho Valdés (Sunday, November 20th).

L I V E   B A N D S

Fiona Ross

 “Voices celebrate the power, connection, and expression of song, beauty, and aptitude…”

At fourteen she lied about her age to play weekend Jazz clubs in London. Photo: Alexander Barnes-Ross
At fourteen she lied about her age to play weekend Jazz clubs in London. Photo: Alexander Barnes-Ross

Vocalist, pianist, songwriter, and producer, Fiona Ross, has become known for having an authentic contemporary Jazz sound obtained by mixing the fast rhythm of Latin Jazz, a brief flirtation with vintage Jazz, a bit of Neo Soul, and a touch of melancholy ballads.

Multi-award-winning Jazz artist, editor-in-chief, journalist, and founder of the award-winning organization Women in Jazz Media Fiona Ross was Director of the British Academy of New Music in London for nearly a decade, where she was responsible for the formation of Ed Sheeran, Rita Ora, among many others. Fiona’s date will be on November 11th at 8:30 PM at the London Polish Jazz Café Posk (238-246 Kings St. W6 0RF), and the ticket is £15.

Yuri Hernández + DJ Flecha

 “…Celebrating unity with the power of music.”

Many describe her album Loco Soñador as “a wild and sensual masterpiece.”
Many describe her album Loco Soñador as “a wild and sensual masterpiece.”

This multifaceted 10-day event brings to its lineup the established singer within the Latin music industry for the last two decades, Yuri Hernández. The establishment that will host it will be Juju’s Bar & Stage (Ely’s Yard, 15 Hanbury St, London E1 6QR) on Sunday, November 13th from 6 PM, and the cost of the ticket doesn’t exceed £9.

Hernández is one of the most sought-after musicians in northern Spain and is introduced to the UK Latin Jazz scene through Loco Soñador, his second studio album released in 2020. Joining this musical genius will be DJ Flecha (Joel Verdecia) with his supporting act promoting Cuban music. This veteran DJ (25 years of career) has been nominated three times as Best Latin Tropical DJ in a European country for his technique and originality when mixing.

Colectiva & Osvaldo Chacón

“Beyond the margins, some of the most innovative artists at the forefront of Jazz are pushing its limits and expanding the definition of the genre while drawing influences from a wide range of other languages.”

Osvaldo Chacón and his band have played at the Royal Festival Hall, among many others.
Osvaldo Chacón and his band have played at the Royal Festival Hall, among many others.

This Afro-Latin and Jazz music band, Colectiva, reflects on themes of sisterhood and female empowerment. They are rooted in the sounds of Africa, Latin America, and the diaspora, creating a genre that the group has dubbed Jazz Tropicaliente (Hot/Tropical/Jazz). Their debut single is Under The, written in collaboration with pianist María Grapsa and released in April 2021. This track received great support from global radio stations and famous DJs in the music industry.

Colectiva will be presented on November 17th at 8:30 PM at the London Kings Place-Hall Two-(90 York Way, N1 9AG), and tickets have a permanent price of £15.

On the other hand, Osvaldo Chacón’s band is the leading Timba orchestra in the UK and has been nominated multiple times for the prestigious LUKAS awards. Osvaldo Chacón, composer, producer, and singer-songwriter, has shared the stage with great Salsa figures such as Adalberto Santiago, Azuquita, Tito Allen (Fania All Stars), Salsaceltica, Eddie Palmieri, as well as the greatest world-famous stars such as Celia Cruz, Oscar D’León, Rubén Blades, and Alberto “El Canario”. Supporting Osvaldo Chacón will be DJ Javier La Rosa mixing Salsa, Cuban Timba, Reggaeton, Latin Hip-Hop, and R&B. Sunday, November 20th is the date when you can enjoy these presentations. Time: 8 PM. Venue: Juju’s Bar & Stage. Ticket: £10.

Chucho Valdés

 “The Icons are the living legends of Jazz and the leading heroes of the genre who paved the way and continue to create, inspiring artists, and audiences alike.

Valdés, with his valuable contribution, has given direction to Afro-Cuban Jazz
Valdés, with his valuable contribution, has given direction to Afro-Cuban Jazz

The EFG London Jazz Festival brings the Cuban pianist, composer, and arranger Chucho Valdés, who celebrates his 80th birthday with his extraordinary work La Creación with the Yoruban Orchestra and Hilario Durán & John Beasley.

The winner of six Grammy Awards and three Latin Grammy Awards is the most influential figure in Afro-Cuban Jazz of the 20th and 21st centuries. In an extensive career spanning six decades, Valdés has pushed the boundaries of new expressions in Afro-Cuban music. His influence and inspiration in the genre are immeasurable to the point that his work sets the standard by which new generations are governed and drives their careers. To see Chucho Valdés head to the London Southbank Center (Royal Festival Hall, Belvedere Road SE1 8XX) at 7:30 PM. and tickets range from £30 – £45.

Along with Chucho will be the cellist, vocalist, composer, and niece Ana Carla Maza. Within her discography is the album La Flor (2020) which incorporates Latin rhythms, Pop melodies and Jazz harmonies along with classical techniques. Bahía (June 26, 2022) is her most recent production inspired by Cuban Son, Samba, Bossa Nova, Tango, Jazz, and Chanson with a rich mix of classical cello and voice.

Duo: Yiyo Sarante and Fefita La Grande In Concert

The perfect union of Salsa and Typical Merengue in a night to remember

An evening full of emotions will be lived next Saturday, November 12th at the Masal Deluxe facilities (Küchgarten 21 Küchgarten 21 21073 Hamburg, Germany) with the presentations of the exponent of Salsa Yiyo Sarante and Merenguera Fefita La Grande starting at 9 PM to 5 AM accompanied by DJ Cesar (Hamburg), DJ Miguelin Beatz (Berlin), and DJ Sonrisa (Frankfurt) mixing the best of tropical music. Tickets range from €60 (General) to €120 (Platinum VIP).

Yiyo Sarante debuted as a solo artist in 2010
Yiyo Sarante debuted as a solo artist in 2010

Eduardo Sarante whose artistic pseudonym is “Yiyo Sarante” exponent of hits like Pirata, Maldita Primavera, Tierra Mala, Nos engañó a los dos and Tres semanas, was born in Baní “La Capital del Sur”, the most important city in the province of Peravia in the Dominican Republic.

He comes from a musical family, the seventh son of nine brothers, five musicians and singers. In 1999 Yiyo performed in Bávaro (Punta Cana, Dominican Republic), and four years later he was a member of the Oro Duro orchestra led by his brother Julián Sarante.

In 2011 Yiyo obtained international recognition thanks to the support obtained from radio stations in the state of Florida and the East Coast of the United States for the single Maldita Primavera from his EP titled Single launched in 2103.

During that same year, Sarante made his first tour outside his native country, taking him to step on the different stages of some Caribbean countries such as the Virgin Islands, Aruba, and Saint Martin.

Yiyo Sarante’s discography https://www.facebook.com/yiyosarante extends from his albums Lo Nuevo de Yiyo Sarante (EP-2013), La Voz de la Salsa (2015), La Voz de la Salsa. Vol 2 (2019), Clásicos (2019) to his most recent singles released this year Quiero Perderme Contigo, Llorarás, Eres Pasado, Demonio, and Prohíbeme Verte.

Fefita La Grande is also known as La Vieja Fefa and La Mayimba
Fefita La Grande is also known as La Vieja Fefa and La Mayimba

On the other hand, the singer, composer, and extraordinaire accordionist, Fefita La Grande (Manuela Josefa Cabrera Taveras) during the last four decades has been an icon of the Dominican Merengue Típico.

This representative of the main musical genre of the Dominican Republic was born on September 18th, 1944, in the municipality of San José de Ocoa. Her father was Eliseo “Seito” Cabrera, an accordionist and owner of a musical instrument repair shop.

Her incursion into the artistic world at a professional level was in 1976 with her first LP Si quiere venir que venga, obtaining great acceptance by the public due to the incorporation of the Saxophone, Congas, and Electric Bass in her melodies when until now there had only been groups of Merengue with traditional instruments: Accordion, Güiro, and Tamboril.

With this new variant of Merengue and with a musical environment dominated by men, Fefita became the first woman to transcend borders and travel to Europe to present this new and authentic style of the Caribbean, in addition to taking her performance to different countries of Latin America thus defining the path for the new generations of Dominican women dedicated to music.

Throughout her artistic career, the performer of La Chiflera (1999), has received various distinctions and has played at Yankee Stadium (New York) with Romeo Santos, and her popularity has led her to participate in major film productions in her country native as Nueba Yol 3: Bajo la nueva ley (1997), Perico Ripiao (2003), and Ponchao (2013) among others.

In 2017, she made the single La Pimienta Es La Que Pica in collaboration with Milly Quezada and Maridalia Hernández, obtaining great support from her followers.

Fefita La Grande https://www.facebook.com/viejafefard has recorded more than 200 songs and her repertoire of greatest hits includes Vamo’ a hablar inglés, O te menea o te apea. Her latest production is La Ciudad Corazón launched in 2021.

Directory of Salsa Clubs in Europe

France – Paris

Germany – Berlin

Spain – Barcelona

United Kingdom

Directory of Salsa Clubs in North America

Here you will find the directories of Clubs with Salsa events in North America.

CALIFORNIA

Alameda

Yoshi’s Trilliant Studios LLC Salsa With Juan
Just Dance Ballroom Zanzi Oakland La Peña Cultural Center
The UC Theatre Taube Family Music Hall

Contra Costa

Vinnie’s Bar & Grill Sizzling Latin Dance Studio Rhythm and Flo
Allegro Ballroom and club Gaucho Brazilian Steakhouse & Nightclub Retro Junkie
Tip Top Ballroom

Los Angeles

The Granada LA  Steven’s Steak House   Room 2 Dance
ArtBox Studio By CrystalArts En Pointe Dance & Fitness PCH Club
The Mayan El Floridita Restaurant ViBE – dance studio & creative space
Ballet Hollywood MNR Dance Factory Soho Dance LA
VLounge Bar And Night Club La Clave Salsa Club Quiet Cannon
Black ‘N Blue The Victorian Ocean Towers
State Social House
Marin Salinas Seaside
Sausalito Seahorse Dance Arts Jeanne Robinson Deja Blue Soul Food Restaurant & Club

Orange

Sevilla Nightclub of Costa Mesa Club One Studio OC Salsa with Esteban Conde
Spectrum Dance Center LINE-X of South Coast

Riverside Craft Brewing Company

Sacramento Cantina Azteca Eagles Hall Aerie 9FOE

San Bernardino

The Canyon Salsa Cumbia & Bachata RhythmAddict Dance Studio Cosmos Taverna

San Diego

McCann Dance Sevilla Nightclub of San Diego
Tango Del Rey Queen Bee’s Art and Cultural Center

San Francisco

El Valenciano The Cigar Bar & Grill Space 550
Roccapulco Verdi Club Rockwell
DecoDance Bar Kimbara 1015 Folsom
Skylark Bar Bar Fluxus

San Mateo Motion Arts Center

Santa Barbara Leslie Sack Dance Studio

Santa Clara

Charley’s Bar LG Alberto’s Night Club Cascal Restaurant
Stone Stew 1 San Jose Center for the Performing Arts Aura Kitchen + Bar
Dance Boulevard Starlite Ballroom Studio M Ballroom Club

Ventura Studio M Ballroom Club

New York

The Bronx Havana Café

New York

Copacabana Nightclub Gonzalez y Gonzalez Birdland Jazz Club

Queens Nieves Latin Dance Studio

Chicago Vintage Bar

Las Vegas, Nevada Hard Rock Café

Worcester County Palladium

Fairfield County La Vista Bistro

Pinellas County Acropolis Greek Taverna – St. Petersburg

Houston Texas Sable Gate Winery

Digital voice effects processors

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Although the technology of voice processors is not new and has been used for decades, first in recording studios when refining vocals and instruments, it is now available to anyone, be it vocalist, instrumentalist or both, now we are presented with the question, is a performer using it a good vocalist or not, in fact only if we have an “unplug event”, can we realise the vocal range actually, as I said before, it has been used for years in recording studios, as I said before, it has been used for years in recording studios, maybe they have given it another name but they “tweak” the voice on the tracks and you could notice it, only in live events you could perceive some differences and they said it was the “acoustics” or some other excuse.

Nowadays we can no longer distinguish it as it has been used and popularised in performances in front of the audience, whether they accept it as part of the show or just don’t care about the real voice. But don’t misunderstand this, because there are excellent singers who have used it or use it to have a virtual backing vocal with their own voice, special effects as required by the song and it is totally valid.

Courtesy of: Roz Firth

What is really unacceptable, or at least it is to me, is that I am a lousy “shower singer” who uses it to modify my voice to such an extent that it is a deception to “my audience”.

Technology has digitised the equipment by reducing its size and power consumption, adding extra functions to just processing the voice like in a recording studio, it has integrated the voice through a microphone to musical instruments, whether the vocalist is playing a guitar or other musical instrument while performing in front of an audience or accompanying himself in the recent “if the music inspires me to vocalise, it’s perfectly valid” home studios.

Digital Voice Effects Processors

Pedal digital Voice Effects Processors

However, these very small pieces of equipment have their detractors, be they purists or bandleaders, the latter may argue that it “takes away the work of the extra musicians” but the current reality indicates that if you want to make a live performance you must take care of the economy of all and not only favour the orchestra or the producer of the event, what must prevail is the excellence of the music in front of the audience, and for that you need good vocalists and excellent musicians.

The technology of voice processors accompanied by digitised effects is already with us, there is no turning back, nor should there be, everything changes for the better and that leads us to have better vocalists and more qualified musicians, it gives the opportunity to emerging musical groups that do not have a large budget for extra musicians, recording studios … if you are good with little, you will be evaluated by those who really matter, your audience.

Now let’s talk about these vocal effects processors, what they do, what they look like, costs, etc.

 

What do they do?

They are electronic devices that allow echo effects, reverb, voice multiplication (to be and make your own chorus), enhance the vocalist’s singing in real time, pitch, depth, volume, add pre-recorded harmonies and loops, change tempo, gender, age and distort the voice, something you could never do on your own, all while performing in front of your audience, something unthinkable between how the artist sounds in studio and “live” and in addition to this we can integrate via MIDI connection a guitar, piano, synthesizer or simply next to the microphone, a harmonica, to the audio output.

What are they like?

They are small, portable and not expensive musical equipment digitized or purity of sound that emanates from them, are placed between the microphone, either dynamic, condenser … the main thing is its connection is XLR, these capture the voice processing it, mixing it to achieve and deliver a very refined voice (such as that of a recording studio operated by a sound engineer), directly to the audio system to the public, and are presented as desktop models or pedal, both do wonders.

Variety and cost

At this point we must remember that like all equipment, they are constantly updated, improving their quality and variety of effects and interfaces to other equipment, so there is a wide variety of prices according to their characteristics, currently we can indicate six really efficient voice processors, I established the order according to the price range and not preferences, in the links you can see videos of artists using them, their use and more.

  1. TC-Helicon VoiceLive 3 https://www.tc-helicon.com/product.html?modelCode=P0CDY ($ 740)
  2. Boss VE-20 Vocal Performer https://www.boss.info/global/products/ve-20/ ($ 360)
  3. Zoom v3 https://zoomcorp.com/en/us/vocal-processors/vocal-processors/v3/ ($ 285)
  4. Roland VT-3 Vocal Transformer https://www.roland.com/global/products/vt-3/ ($276)
  5. EHX Voice Box Vocal Harmony Machine and Vocoder https://www.ehx.com/products/voice-box/ ($ 262)
  6. TC Helicon VoiceTone Harmony-G XT https://www.tc-helicon.com/product.html?modelCode=P0CMT ($ 229)
  7. Behringer Virtualizer 3D FX2000 https://www.behringer.com/product.html?modelCode=P0A3P ($ 160)
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.