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Search Results for: Son

“Mambo Night in Miami Beach” celebrates the 100th anniversary of the birth of “El Inolvidable”, our own Tito Rodriguez

 

De izquierda a derecha, Tito Puente, Jr., Mario Grillo, Tito Rodríguez, Jr. Foto: sobejazzfestival.com
De izquierda a derecha, Tito Puente, Jr., Mario Grillo, Tito Rodríguez, Jr. Foto: sobejazzfestival.com

The initial idea of bringing together the three great orchestras of the Palladium in this innovative “three-in-one” orchestra concept came to Mario Grillo more than two decades ago.

As early as March 3, 2022, the mambo heirs celebrated the coming of age of The Big Three Palladium Orchestra in New York. Twenty-one years after the establishment of this remarkable big band, the concert entitled Palladium in the New Millennium took place in a packed Lehman Center for the Performing Arts.

The first presentation of 2023 of the “three-in-one” big band and coinciding with the 100th anniversary of the birth of “El Inolvidable”, Tito Rodriguez, the South Beach Jazz Festival’s line-up opened its musical offerings on Saturday, January 7, 2023 with the concert entitled Mambo Night in Miami Beach. At around 8:00 p.m. The Big Three Palladium Orchestra took over the Miami Beach Band Shell when Mario Grillo, known in the music scene as Machito, Jr. kicked off the musical feast that awaited us, to the sound of Cuban Fantasy.

Foto:  Miami Bandshell broadcast
Foto:  Miami Bandshell broadcast

As you can see, each of the “big three of the Palladium” and owners of the mambo in its golden age inherited a timbalero son. These three bandleaders have made it their mission to keep the Palladium legacy alive and well.  Although the mambo heirs have transcended the label of being the sons of the mambo owners, they do not forget that the Patriarchs are still a topic of conversation in musical circles around the world.

For the concert at the Miami Beach Band Shell, The Big Three Palladium Orchestra was joined by the veteran musicians: Carmen Laboy on baritone saxophone and musical direction; Jose Heredia on tenor saxophone, Mark Friedman on alto saxophone and flute, Julio Andrade on alto saxophone; Larry Moses, Seneca Black, Dante Vargas and Julio Diaz on trumpets; William Rodriguez on piano, Jerry Madera on bass, Daniel Peña on bongo and Diego Camacho on tumbadoras.  On the vocal front, Sammy González, Jr. was backed by the coros of Starlyn Benítez and Tatan Betancurt.

Carmen Laboy en el saxofón barítono y la dirección musical de The Big Three Palladium Orchestra Foto: Ethan Dangerwing of Masterwing Creative Agency
Carmen Laboy en el saxofón barítono y la dirección musical de The Big Three Palladium Orchestra Foto: Ethan Dangerwing of Masterwing Creative Agency

The upscale repertoire vibrated and rumbled at the Miami Beach Band Shell, an elegant venue steps from the beach, which was filled to capacity.

Mario GrilloFoto: sobejazzfestival.com
Mario Grillo Foto: sobejazzfestival.com

Mario Grillo’s highlights were: Cuban Fantasy, Oye la rumba (La rumba), Ahora sí, Piñero tenía razón (Piñero was right), Babarabatiri (Babarabatiri) and Rumbantela (Rumbantela). On the other hand, Tito Rodríguez, Jr. performed the following songs: El que se fue, Cheveré, Yambú, Avísale a mi contrario, Agua de Belén and Fagot’s world. In the performance of Avísale a mi contrario, the conga of Diego Camacho and the bongo of Daniel Peña, who “quinteando a lo bravo” and adjusting to the tuning of the timbal in charge of Rodríguez, Jr. opened the way for the winds. And the winds entered through the wide door to increase the tempo of the night, which was already heating up to the sound of mambo.

Tito Rodríguez, Jr.Foto: Migdalia Sánchez
Tito Rodríguez, Jr. Foto: Migdalia Sánchez

When it was Tito Puente, Jr.’s turn to play the timbal, he affirmed that Tito Puente was the pioneer in having a woman in the vocal front of an orchestra.

Then, preparing to close the first segment of the concert, he introduced Puerto Rican businesswoman and singer Melina Almodóvar, whom he backed for the performance of Mi socio.

Tito Puente, Jr. y Melina AlmodóvarFoto: sobejazzfestival.com
Tito Puente, Jr. y Melina Almodóvar Foto: sobejazzfestival.com

The grand finale of the event placed the three timbaleros heirs of mambo in front of the orchestra to delight us with a masterful performance in sync with the rhythmic base that Diego Camacho and Daniel Peña did not hesitate to maintain.

Last year such a show was promised in which the heirs of mambo honor the legacy of their fathers on Puerto Rican soil.  The show was to be entitled “Palladium in the new millennium” and was to be presented on Father’s Day at the Symphonic Hall of the Fine Arts Center in Santurce. However, it was cancelled.

I often say that the past is the past and the future is uncertain, so let’s hurry and wait for The Big Three Palladium Orchestra to perform in Puerto Rico.

I for one continue to live in salsa, which is still magic, fantasy and illusion.

Bella Martínez Writer, researcher of Afro-Caribbean music

You can read: Mike Arroyo the guitarist Using Jazz to praise God

Bella Martínez Writer, researcher of Afro-Caribbean music and author of Un conguero para la historia, Las memorias de Jimmie Morales.

787-424-8868

Tribute to Eddie López for his career

How were his beginnings?

On January 10, 2023, the death of Eddie Lopez has been made known, who has been one of the greatest pillars of the radio station KXLU since 1976 when he started his career as a DJ. His arrival came during the third anniversary of the famous program ”Alma Del Barrio”, being a fundamental piece in the huge success the show had during several decades and making it remain part of the programming of the already mentioned radio station.

Host of the radio show ''Alma Del Barrio'' Eddie López
Host of the radio show ”Alma Del Barrio” Eddie López

A little bit of his life

Eddie Lopez was originally from Los Angeles and spent much of his childhood in his father’s photography studio, which may have been one of his greatest inspirations to dedicate his life to the arts in adulthood. After graduating from Cathedra High School, he was admitted to Pepperdine University, but switched to Loyola Marymount University, from where he finally graduated in 1978.

Although much of his professional career was spent at KVEA Channel 52 Telemundo, he spent 46 years working at ”Alma Del Barrio” and streaming the best Afro-Cuban music through the waves of KXLU from 2pm to 6pm. During all these years, Eddie always said that he wanted ”Alma Del Barrio” to be as professional as possible and encouraged all his colleagues to always be better every day to give their best to the audience. He also said that this show was not only a work team with common interests, but a family in which everyone supported each other to achieve their goals.

All those involved in his life who came to know him say that he was a man completely dedicated to his family who deeply loved his wife Vanessa and his daughter Nina, who were always his greatest motivation to get ahead day by day. He was loved by all his family and friends, who are very sorry for this sad loss in the Latino cultural world of Los Angeles and the United States in general.

Eddie López with his daughter Nina
Eddie López with his daughter Nina

Reactions to his passing

In the social networks of ”Alma Del Barrio”, the sorrow of the team over the physical disappearance of the host can be clearly seen. On the Facebook account of the show, there are several messages referring to all that Eddie achieved during his professional life and all that he contributed to the show ”Alma Del Barrio” and to the radio station KXLU. These comments are accompanied by photographs in which Lopez can be seen carrying out his work with the enthusiasm that characterized him in those periods when he practiced the profession he so loved, which was communication.

One of those who mourned the loss of the broadcaster was the host of the program ADB, Alan Geik, who had been his personal friend for decades thanks to the passion for the media they both shared. It all started when Eddie hired Alan to host a evening show called ”Latin Dimensions” at a station that works in a small classroom.

Geik did not have any plans to become a broadcaster at the time, but Lopez convinced him by telling him it could be a great adventure and a learning experience for himself. When he accepted, he never thought that the programme presented by him would multiply the number of audience several times over thanks to the popularity he was gradually acquiring. Not to mention that the station where the program was aired moved to better facilities and became a radio power.

The host ends his note of mourning by expressing that he is proud to have been such a good friend of Eddie and all that they achieved together thanks to the professional team they formed during such a long time.

Eddie López working at the radio station
Eddie López working at the radio station

Read also: ”Salsa Con Sabor’’ and its contribution to salsa music

Two radio programs of the salsa movement in California

Introduction

After the entire journey, the cultural salsa movement in the state of California is well established, which includes a good number of media outlets that focus on this and other Latin music genres. In this article, we are going to talk a little about two very important radio shows in Los Angeles, which play a very important role in the spread of salsa and its greatest exponents today.

They are the radio shows ”Alma Del Barrio” and ”Canto Tropical”, whose work has provided an immense contribution to the world of music and gained a huge audience both in Los Angeles and in the rest of the world.

Five of the six Alma Del Barrio DJs Steve Lopez, founder Enrique Kiki Soto, Gustavo Aragon, Eddie Lopez, and Hector La Voz Resendez
Five of the six Alma Del Barrio DJs Steve Lopez, founder Enrique Kiki Soto, Gustavo Aragon, Eddie Lopez, and Hector La Voz Resendez

Alma Del Barrio

In the autumn of 1973, what would become one of the most important Latin radio shows in Los Angeles started to go on the air, which is known as ”Alma Del Barrio” to this day and its main founders were Enrique Soto and Raul Villa, who were still university students at the time. What Raul and Enrique were looking for with this show was to educate the audience musically speaking and ensure that listeners to learn much more about their favorite artists.

A key part of this show is to interview the greatest exponents of the salsa genre and some of these have been Celia Cruz, Chucho Valdes, Manny Oquendo, Tito Puente, Roberto Roena and many more. Thanks to these conversations, fans of these artists have managed to learn more about their favorite artists and their future projects.

From the day of its founding, the show has been broadcast through the radio waves of KXLU, which is one of the largest radio stations in Los Angeles and offers all kinds of variety and musical genres in its programming.

Host Eddie López and Venezuelan Latin music bandleader Rudy Regalado
Host Eddie López and Venezuelan Latin music bandleader Rudy Regalado

Canto Tropical

”Canto Tropical” is a radio show created with the firm intention of serving as a bridge to unite generations, cultures and countries that appear to not have anything to do with each other. The main musical genres on which the programming is based are salsa, Latin jazz, merengue, Afro-Cuban rhythms, among others. The music comes from all over the world, but most of the material comes from South and Central America and the Caribbean.

In addition to being always aware of the latest Latin music, hosts Kathy Diaz and Hector Resendez always make sure to get the best interviews with the most famous local and foreign artists so that their fans can get to know them better both personally and professionally. Likewise, listeners have the possibility to participate in contests and sweeptakes to win free tickets to concerts and events that are of their interest.

One of the requirements to be met by the show is to always invite local artists and singers to help them promote their music, new albums and concerts. In this way, the audience is aware of what local talent is currently doing. In fact, there are many figures who are still thankful for the exposure given the program, thanks to which they have achieved the popularity they were seeking.

Another detail that cannot be overlooked is that several social and community organizations have publicly thanked the show for its voluntary work and its hosts Kathy and Hector, who have even written for major publications such as Hispanic, Bilboard Magazine CASHBOX, among others.

Alma Del Barrio's logo
Alma Del Barrio’s logo

Read also: Son Del Monte’s musical director and timbalero Manuel Rivera

Almost two years of Leon Gast’s departure to another plane

Who was Laon Gast?

On March 8, 2021, we received the deplorable news of Leon Gast‘s death, who was a very notable American film director, producer, cinematographer and editor who was the director of the film based on the Fania All Stars, ”Our Latin Thing’‘. The unfortunate demise occurred when the director was 85 years old and the news was reported by friend and colleague Barbara Kopple.

Given the important contributions made by Mr. Cast offered to Latin music during his lifetime, we did not want to waste this opportunity to pay homage to his work through this material. Next, we will talk a little about his life and everything achieved both porfessionally and personally.

Leon Gast was the creator of ''Our Latin Thing''
Leon Gast was the creator of ”Our Latin Thing”

A little bit of his beginnings

Leon Jacques Gast was born on March 30, 1936 in New Jersey, studied at Henry Snyder High School and graduated with a degree in Dramatic Arts at Columbia University. During tha time of his life, he worked alongside writer and broadcaster Lowell Thomas in the television series ”High Adventure”, which meant one of his first triumphs at a professional level, but it definitely would not be the only one.

Another reason why Gast began to be so well known was thanks to his talent for photography, which would begin to be recognized in a number of famous magazines and print media such as Vogue and Esquire. In that regard, the producer began to create covers for the famous Fania All-Stars, which led him to create ”Nuestra cosa latina”. This documentary has been one of the greatest film projects that the filmmaker has carried out and many consider it a very important contribution to the consolidation of salsa as the cultural movement that it would later become.

Many people consider that Gast contributed a lot to the salsa genre as a movement
Many people consider that Gast contributed a lot to the salsa genre as a movement

Our Latin Thing

”Our Latin Thing” is a documentary film that consisted in portraying how the Latin music scene in New York City was like in the 1970s. The material basically focuses on the concert made by the Fania All Stars at the Cheetah nightclub in August 1971. For many, this event marked the birth of the salsa genre as a movement.

The concert attracted two thousand people and resulted in the albums ”Live At The Cheetah Volume 1” and ”Live At The Cheetah Volume 2”, which were very well received by fans of that time. The event was the consecration of the Fania All Stars as one of the most famous musical groups in Latin music history.

In addition to that, Cast accompanied the famous orchestra and many other Latin music artists to Africa in order to record each and every one of their performances during the Zaire 74 Festival.

The film has been taken by many institutions as a reference to continue promoting salsa and music in general from its release to today.

Artwork for ''Our Latin Thing''
Artwork for ”Our Latin Thing”

Other hits and details about Leon Gast’s life

Another of the biggest successes of this famous filmmaker was ”When We Were Kings”, which was a film released in 1996 and focused on important events for the United States such as Waltergate, the resignation of President Nixon, activism against racism, sports, mythical boxing matches and much more.

Another important project conducted by him was ”Manny”, which was focused on world famous boxing champion Manny Pacquiao’s life and his most important moments.

Read also: Salsa singer Angel Rumba and what he has to say

The story of how Oscar D’León’s “La Salsa Mayor” came about

How Oscar D’ León’s “La Salsa Mayor” came about, is a story that has already been commented on, including the subsequent separation of musicians that the aforementioned orchestra had, which gave way to the formation of another well-known group (Nuestra Orquesta la Salsa Mayor), is also a well-known story, but one as a good music lover always wants to continue to investigate and whenever the opportunity arises to make a healthy discussion about the subject in question, one does so without any qualms.

That is why it is never too much to remember some interesting facts that adorn this story, such as the headline that appeared on the front page of Swing Latino magazine in November 1977, which read: “KO a la Dimensión? OSCAR D’LEÓN after signing WLADIMIR.

In summary, the article said that Wladimir had intentions of leaving Dimension because of an alleged refusal of a loan request, a situation that induced the vocalist to want to sign with another orchestra. Another excerpt of the article says that Oscar D’León in his eagerness to have Wladimir in his orchestra, would have given him the money to satisfy his economic needs, but in exchange he would have signed a contract with the orchestra.

“La Salsa Mayor“de Oscar D’León
“La Salsa Mayor“de Oscar D’León

In short, by that time in November 1977, these were only speculations, of course, as it is also mentioned in the article in a jocular way “When the river sounds it is because it brings stones”.

The truth is that the year 1978 arrived and in the Swing Latino of March another headline appeared on the front page “¡LA DIMENSIÓN LATINA SE VA DE VENEZUELA! pero Wladimir se queda con Oscar”, which clearly shows that those speculations or rumors that were made in the salsa milieu at that time were a reality that quickly materialized.

“Last February 20, the bolerista presented his resignation to Dimensión Latina and began to work his notice period. In the meantime, he has already begun his rehearsals with Salsa Mayor and will soon be fully incorporated into this group that already threatens to become a real monster not only nationally but also beyond our borders, which we have no doubt he will now achieve with this valuable acquisition” (Swing Latino. March 1978).

Now, only a month had passed when another news about the orchestra of the dancing bass shakes the salsa milieu, “¡SE DISOLVIO LA SALSA MAYOR!”, headline that appeared in Swing Latino for May 1978 and stating: “Seven of the ten musicians that made up the prestigious group of Oscar D’León, left the orchestra for economic reasons”.

The rest is already known history, the negrito from Antimano reassembled his orchestra with some musicians from “La Critica” and others who came from the orchestra “La Renovación”, which at the same time also dissolved and the rumba continued.

Con Bajo y Todo  Oscar D' León's "La Salsa Mayor"
Con Bajo y Todo  Oscar D’ León’s “La Salsa Mayor”

In August of that year 1978, Oscar D’León’s last album was announced under the name of “LA SALSA MAYOR”, a fabulous double LP, that just by looking at its cover you could already feel the strength with which the sonero from Caracas was coming along with the diminutive in stature but great with his voice, Wladimir Lozano.

The internal title of the album spoke for itself, “TRANQUILO Y SIN MIEDO”, this makes us think that the phrase had a double meaning, remember that the musicians who defected to form the other Salsa Mayor, recorded that famous song: “Fuimos Amigos”, where they throw a few puns at Oscar and this “calm and fearless”, returns them in the song: “La Mano”… “Why did not you follow me when I gave you my hand?”Now it weighs on you, you fell in the mud”… Chorus: “Que te vaaaya bien”.

The album is excellent as almost all the ones published by D’León in those past decades, all the songs are good, but I can’t help but comment and recognize that the song that I liked and still like the most from this double album is “MARIA”, maybe because in every man’s life there has always been a Maria…My respects and salsalutation to all of you.

Enrrique “Culebra” Irierte y Dj. Augusto Felibertt
Enrrique “Culebra” Irierte y Dj. Augusto Felibertt

Oscar D’León y su Salsa Mayor (double play) (1978) ths-1225

Disc 1 – Side A

  1. Que cosa tan linda (Oscar D’León) Singer: Oscar D’León
  2. Consentida (Alfredo Nuñez de Borbón) Singers: Wladimir and Oscar
  3. La mano (Sandy Omar González) Sung by: Oscar
  4. Te llamo (D.D.) Sing: Wladimir and Oscar

Disc 1 – Side B

  1. Dulce desengaño (Armando Beltrán) Sung by: Oscar and Wladimir
  2. De frente Panamá (L: Andrés Vega, M: José Zamora) Sung: Oscar D’León
  3. Mira que eres linda (J. Brito) Sung by: Wladimir Lozano
  4. Consígueme eso (Pedro N. Perez) Sings: Oscar D’León

Disc 2 – Side A

  1. Sandunguera (M. Guerra) Sung by: Wladimir and Oscar.
  2. Piénsalo bien (Agustín Lara) Sings: Wladimir Lozano
  3. Ven morena (R. Paz) Sing: Oscar D’Leó
  4. Ausencia (Rafael Hernández) Sing: Oscar and Wladimir

Disc 2 – Side B

  1. Reclamo místico (M. Matamoros) Sing: Wladimir y Oscar

María (Florentino Padrón) Sing: Oscar D’León

  1. Chancunche No. 1: Sing: Wladimir and Oscar

*Que noche tan linda (B. Diez, A. M. Romeu)

*Inconsolable (Rafael Hernández)

*Micaela (Raúl Guillaume)]

Musicians:

Enrique “Culebra” Iriarte (Piano).

Oscar D’León (Bass)

Rhadames Pimentel (Congas)

Edward Pimentel (Timbal)

Hungary Rojas (Bongo)

Ángel López (1st Trumpet)

César López (2nd Trumpet)

César Pinto (3rd Trumpet)

Tarcisio Piñango (1st Trombone)

Pedro Piñando (2nd Trombone)

Andrés Mendoza / Pedro Vilela (Tres)

Oscar D’León (Vocal)

Wladimir Lozano (Vocal)

Oscar D’León / Víctor Mendoza / Humberto “Tigre” Becerra (Backing Vocals)

Enrique Iriarte / Oscar D’León / José “Cholo” Ortiz (Arrangements)

Other Credits:

Intersonido C.A. Recording Studios.

Sound Technicians: Agustín Verde and Carlos Guzmán

Mixing: Rafael Hernandez

Art Direction: Víctor Mendoza

Idea, Design and Album Art: Drago Fernández

Photos: All Freddy.

Source:

José “Cheo” Guevara

Enrrique “Culebra” Iriarte

Enrrique “Culebra” Iriarte

You can read: Víctor Porfirio Baloa Díaz, more commonly known as Porfi Baloa

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.