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Edwin “El Calvito” Reyes “A True Re-invention for Everyone”.

International Salsa Magazine presents Edwin “El Calvito” Reyes “Metido En Su Garaje”.

The Pandemic (Covid-19), without a doubt, was devastating for a large number of people. For others, it was literally taken as a time of reflection, a time to reinvent oneself, a time to start a new era.

That is the case of our friend, and one of the fastest-growing salsa artists in the world, Edwin “El Calvito” Reyes. Aside from continuing to delight us with every song he releases, today, he has one of the most educational salsa programs on the networks and on Digital TV. It is called METIDO EN MI GARAGE and originates from the State of Florida, USA.

The Pandemic (Covid-19) was undoubtedly devastating for a large number of people. For others, it was literally taken as a time of reflection, a time to reinvent oneself, a time to start a new era. — EDWIN “EL CALVITO” REYES
#MetidoEnMiGaraje
“A True Re-invention and For All”.

As a result of the pandemic, “El Calvito” turned his garage into a mini-TV studio, with the goal of helping his colleagues in the media, regardless of the background or trajectory of the guests. Also, radio broadcasters, world-class dancers, DJs, event organizers, and even music management experts are part of the weekly treat that our friend “El Calvito” brings us in his often program. It is virtual, and you can easily watch it from your home. Lots of salsa, and in an educational way.

However, this fruit of re-invention has surprised Edwin “El Calvito” Reyes, because his program, not only transmits in networks, but also in 3 Digital TV channels. Collectively, several thousands of people are integrated every week, thanks to the collaboration of these networks, such as TROPICAL MOON TV (Panama, Peru, Dominican Republic), DreamForceBTL TV (Colombia), and LA PODEROSA 360 TV (Puerto Rico).

Esto Es Salsa Nueva EDWIN "EL CALVITO" REYES — Esto Es Salsa Nueva EDWIN “EL CALVITO” REYES

Due to the great reception in Puerto Rico through LA PODEROSA 360 TV, the International Network UNIVISION and its TELEISLA Channel in Puerto Rico (National TV), gave our friend the opportunity to be a fundamental part of the Saturday program, called “Cuchito’s 360 Late Night Show”, bringing the current videos of salsa worldwide, to the national screen of Puerto Rico. His section is called “Esto Es Salsa Nueva” (This is New Salsa), as one of the songs of “El Calvito” Reyes is called.

Just over 150 people within the 55 episodes of the program have been part of it. Each one with a different and motivating story. There is no room for “bickering”, because it is very familiar, and the goal is always to bring a positive, constructive message. “We go with no time limit, and always full of pure positive energy,” says “El Calvito”.

Still, in the midst of his successful push with the track ESTO ES SALSA NUEVA which has surpassed 100,000 plays on Spotify, and with his new LIVE Production, titled,
“Here we have a Salsero de Hoy, dedicated with his heart, for the good of the salsa genre, in the whole world.

The musical world has a great all in Edwin “El Calvito” Reyes.

EDWIN “EL CALVITO” REYES #MetidoEnMiGaraje “Una Verdadera Re-invencion y Para Todos” — EDWIN “EL CALVITO” REYES
#MetidoEnMiGaraje

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Que Siga la Fiesta with Carlitos Lopez “El Gordito Favorito”

Born in the city of Carolina, Puerto Rico in 1969 with music in his veins.

Carlos Enrique Lopez (Carlitos Lopez el gordito favorito), he begins to show interest in music in general, boleros and trios

The bomba, plena, jibara music which he listened to in the countryside when his uncles and aunts visited his family, they liked to play stringed instruments and harmony either the tres or the Puerto Rican cuatro and the symphony.

At the age of 7 he moved to his grandparents’ house to begin studying in elementary school in his native Puerto Rico, while studying in the afternoons he spent his time listening to Fania and its stars. Singers like Hector Lavoe, Cheo Feliciano, Ruben Blades, Ismael Rivera among others.

Courtesy of his cousin who was a loyal fan and collector of Willie Colon’s salsa etcetera, little by little he was learning to vocalize demonstrating the ability to learn to do vocals for the choir at that time he met a young Anthony Cruz for the first time and was impressed with his melodious voice, although they never shared in those days.

Carlos debuted at the age of 14 with an orchestra created by his cousin and some students of the vocational music school where he had the opportunity to accompany Santos Colon former singer Tito Puente, he decided to move back home to his parents where he met Anthony Cruz who lived on the same street where his parents lived, and who already belonged to the orchestra of Mario Ortiz and began to attend rehearsals, recordings and dances.

Born in the city of Carolina, Puerto Rico in 1969 with music in his veins. — Carlitos López El Gordito Favorito

There he met a young Tony Vega, Gilberto Santa Rosa, Elias Lopez, Lalo Rodriguez, Dario Morales who encouraged him to take vocal lessons, but he never did for lack of time.

but he never made it due to lack of support from his parents because there were other hopes and expectations.

The teacher Mario Ortiz noticed his uneasiness and spoke casually with his parents, but the decision had already been made by his parents.

but the decision was already made by them leaving Carlos disenchanted with music and taking the decision to emigrate to the United States where he dedicated himself to the culinary arts for the rest of his life until 2004 when he met again with Anthony Cruz who already had a successful career as a soloist and was touring they spoke for a moment and that was enough to return to her first love, music.

Anthony Cruz introduces him to several of the musicians who accompanied him in that activity and the rest is history. He joins the orchestra as a chorus singer and debuts as a composer where he writes 4 songs for the production of a CD of the orchestra entitled Going solo under the musical direction of Harry Rios.

They gain the popularity and admiration of the salsa people playing in different parts of Central Florida, festivals, clubs, and discotheques.

Carlitos López El Gordito Favorito Born in the city of Carolina, Puerto Rico. — Carlitos López El Gordito Favorito
Born in the city of Carolina, Puerto Rico.

They return and record a single Going Back to Old School on which Carlos dedicates a song to Israel Lopez Cachao titled 80 Year’s of Cachao with arrangement and direction by Luis Jungo Ortiz which had tremendous acceptance from the dancing public and the radio listeners, from there Carlos decides to retire from music again to continue his career in the culinary arts.

Until he receives a call from an old friend asking him to help him with the choirs because he was going to accompany different artists.

Carlos began to accompany different singers with that orchestra called La Predilecta as a chorus singer among which there were names of the height of Anthony Cruz, Lalo Rodriguez, Cano Estremera, Manolo Lezcano, Chamaco Rivera, Frankie Figueroa, Ommy Cardona, Paquito Acosta, Paquito Guzman, Hector Tricoche, Papo Cocote and many more.

Carlos has written several songs including a collaboration between Anthony Cruz and Danny Sanchez titled No Vale la pena Enamorarse with arrangement by Luis Jungo Ortiz.

In addition to a song titled Today again under the tutelage of Harry Rios sung by Danny Sanchez currently Carlos Enrique Lopez known as Carlitos (the favorite fatty) made his debut as a solo singer.

And is promoting the theme of his authorship entitled Me Enamore under the direction, arrangement and production of the master Luis Jungo Ortiz which has enjoyed a good reception on digital platforms, social networks and independent radio stations on the internet.

As Radio Brisa Tropical con the master Taíno Roldán, Radio Calidad de vida del Dr Ted, Top 98 radio with Richie Sanchez and also.

Que Siga la Fiesta

Carlos has just recorded a song of his authorship entitled Que Siga la Fiesta in collaboration with 2 talented gentlemen from Orlando Central Florida and Miami are Edwin el Calvito Reyes and Luis Jibarito de Jesus under the direction and arrangement of Mike Rivera The Professor in the studio 305 Imma Studio owned by music engineer Immanuel Ramirez which came out on April 20, 2021.

Facebook: Carlos Enrique López

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It is indisputable that the most popular orchestra in Puerto Rico and South America during the 1970s was Roberto Roena’s Apollo Sound.

On July 20, 1969 the orchestra “El Apollo Sound” of the great Puerto Rican musician Roberto Roena was born. Together with trumpeter Elías Lopés he founded “El Apollo Sound”.

This name comes from the first rehearsal of his group, which coincided with the day of the launching of the Apollo rocket to the moon.

Roberto Roena recorded 10 albums in nine years for the Sello Internacional, part of the Fania label, and although he was not a great student of music, he was able to surround himself with very good musicians and use his talent to form his own group, which is now in its fiftieth year.

It is indisputable that the most popular orchestra in Puerto Rico and South America during the 70s was Roberto Roena’s Apollo Sound.

The name comes from the first rehearsal of their group, which coincided with the day of the launch of the Apollo rocket to the moon. — On July 20, 1969 the orchestra “El Apollo Sound” of the great Puerto Rican musician Roberto Roena was born.

“Lucky 7” was his seventh release in front of Apollo with the Fania International label, after his discreet debut as leader with Los Megatones and after a fruitful career as bongocero of Rafael Cortijo’s Combo and Rafael Ithier’s El Gran Combo.

With “Lucky 7” Roena consolidated his popularity on a continental level thanks to the arrangement of an innovative song that challenged the schemes of the overwhelming salsa sound institutionalized in New York during the decade: “Mi desengaño”, by Julio Merced and Pucho Soufront.

In 1976 the Apollo and its new singer Papo Sánchez, pride of Hatillo, climbed the charts with a nostalgic lyric inspired by unrequited love. In his arrangement, trombonist Merced himself incorporated the cadence of the samba, linked through its bars with a son covered with the nuances of bossa nova, jazz and bomba.

The hit “Mi desengaño” invited many to reinvent their sound and reformulate their proposals in salsa, with more elaborate arrangements and harmonic sophistication, such as those made in New York by Marty Sheller for Willie Colón.

In addition to the brilliant debut of Papo Sánchez, the excellence of “Lucky 7” rested on the arrangements and orchestrations of such great musicians as trumpeters Luis ‘Perico’ Ortiz and Elías Lopéz, pianists Papo Lucca and Jorgito Millet and the King of the Bass, Bobby Valentín.

The sequence begins with the guaguancó “Que me castigue Dios”, performed by Sammy ‘El Rolo’ González, Apollo’s star singer until “La 8va. Maravilla”, their next album. In “Que me castigue Dios” we hear at the end the then incipient Rubén Blades with the declamation of some verses that today would deserve the repudiation of feminist organizations, but that in 1976, were applauded by the prevailing macho sociology in the industry:

“La 8va. Maravilla” Roberto Roena y su Apollo Sound year 1977.

May my mouth dry up/If I ever kiss you again/And if I ever look at you again/May my eyesight blur/I’m tired of your bad breath/I never reproached you/Your feet smell too/And I know that not even the worms/With you they wouldn’t get their hands on that day you die/You a cow and I a horse with class/I wish a truck would run over your head/Pa’ que salga la sucieza con que tú a mi me me trataste.

“Lucky 7” was also an LP that satisfied the expectations of the dancer. Although many may have crossed themselves dancing to the samba of “Mi desengaño” and the fusion of “Que me castigue Dios”, the merengue “La mala maña”, arranged by Conjunto Quisqueya pianist Chokie Acosta, the pachanga with cumbia “Estás equivocada”, the composition “A bailar mi bomba” by Arsenio Rodríguez and the guaguancós “Me le fugué a la candela”, “La hija de la vecina” and “Fea” pleased the couples who in those days overflowed halls such as Rancho Luna, El Moroco and El Carretero.

There is no doubt that the best oiled edition of the orchestral collective Apollo Sound was precisely the one that intervened in “Lucky 7“, led then by flutist Miguel Rodriguez, trumpeter Mario Cora, timbalero Cuqui Santos, conguero Papo Clemente and trombonist Julio Merced, who later defected with singer Papo Sanchez to found the band Salsa Fever. Three decades after its release it is an irrefutable affirmation.

"El Apollo Sound" by the great Puerto Rican musician Roberto Roena

Roberto Roena recorded 10 albums in nine years for Sello Internacional, part of the Fania label. — El Apollo Sound” del gran músico puertorriqueño Roberto Roena

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From Aruba and for the World Anoushca Jeandor Noush and Robert Jeandor

It is for me more than a pleasure and great honor to make this release of this song “Me Muero” taken to the rhythm of Merengue. Originally from the 5th Station.

Noush was born in Aruba as Anoushca Jeandor.

Being daughter of the International singer musician Robert Jeandor, she was raised in a musical environment, during her early years she started singing in a choir until beyond her teenage years, after that she was given the opportunity to perform in a local casino as a singer.

She became more popular when she won one of the biggest Carnival Music Contest, which made her the first female overall winner. She has also performed in the Netherlands and Miami.

What started as a hobby, turned into a passion, and is nowadays her living, singing different genres as R&B, Reggae, House and Latin.

I thank Jaime Querol, producer/arranger for his excellent musical work. Thanks to you from SalsaGoogle.com (ISM) for this opportunity.

And there will be many more.

I am a singer since my childhood. I come from a musical family. My dad’s name is Robert Jeandor.

My father worked with great musicians, he was invited by Johnny Ventura to go to the Dominican Republic to live, where he worked daily with hundreds of renowned musicians such as Juan Luis Guerra, Wilfrido Vargaz, Alex Bueno, Manuel Tejada, Jaime Querol, Ramon Orlando and many more.

I am a singer by profession, I have several productions of my own in different genres.

Today I launch myself with a musical theme that thanks to Mr. Jaime Querol for his invitation to make an international production withmy father.

Noush was born in Aruba as Anoushca Jeandor

This beautiful song in merengue version is for you and I hope that this to your liking Thank you very much and God bless you all.

Follow me:

https://linktr.ee/noushmusicaruba

Robert Jeandor and his Solo Banda Show

A live music band from Aruba founded by the famous Aruban musician Robert Jeandor. Known for playing different genres of music, but mostly Latin music.

Without a doubt, maestro Robert Jeand’or is the most Dominican Aruban we have ever known.

Since he settled in the Dominican Republic, where he arrived thanks to the efforts of a giant of merengue, Johnny Ventura, this singer, musician, arranger, composer, music producer and orchestra leader only made contributions to the rhythm commanded by the güira and the tambora and the one that best identifies the idiosyncrasy of the Dominicans.

Always gentle, humble and with a soul devoid of pettiness, this gentlemanly artist put his talent at the service of merengue and, therefore, of all the gear that drives it.

Robert Hubert JeanD’or Bermudez was born on May 10, 1954, in Aruba, a territory that until 1986 was part of the Netherlands Antilles and today is part of the Kingdom of the Netherlands. He was the son of Francisco Reinier JeanD’or from Curazaleño and Cecilia Bermudez from Aruba, who worked in the Aruban aqueduct and hospital, respectively. Don Francisco died in 1972 and Doña Cecilia in 2005.

Notice that I have written JeanD’or and not Jeand’or, because the first is the correct surname of this family, but for artistic management purposes Robert was given Jeand’or. And lucky he was that they did not remove the apostrophe and left it only as Jeandor!

His inclination for music came from his father, who guided him when Robert took his first steps in musical studies.

“My dad was my first music teacher: he wrote down for me all the chords in a notebook and there, when I was barely six years old, I started learning to play the Venezuelan cuatro and, after some time, the guitar,” he recalled.

But it was not only in Robert’s veins that musical talent ran, but also in his siblings Francisco (Frank), who played guitar and mandolin, Marlene and Percey were equally talented guitarists, Robertina and John sang, Ismael was a trumpet player and Michael was a percussionist. Several of Robert’s siblings are now deceased: Ismael and Sofia (2010), Frank (2013) and John (2014).

In the neighborhood where he was born, called Madiki, he could very often see his brothers playing almost every night, together, as a family, with his dad leading, and so he was caught by the desire to join the family clan as a musician and that led him soon after to play the guitar.

“One night my brother Frank came home and told me that there was an aguinaldo group that needed a cuatrista to reinforce. The group was called Las Blancas Palomitas and was led by Severiano Luidens, with his relatives Evelien and Jossy Luidens also standing out,” recounted Robert Jeand’or, who was only eight years old at the time and, bursting into laughter, added that the only negrito was him.

He told that his relationship with the bass happened in a fortuitous way, because during a presentation of the group the bass player did not show up, due to lack of transportation, and then Robert, being a child of about nine or ten years old, assumed to play the powerful string instrument and solved the problem generated by the absence of the titular instrumentalist.

“I grabbed the bass, without ever having played it before and as the strings are tuned in the same order as the guitar, I said I was going to play it and so I played that night and that’s how I started to play it and to this day it is my greatest pleasure,” he recalled.

The lanky artist said that he entered a music academy to study bass and singing, being instructed in both subjects by the now extinct Aruban professor Rufo Odor and in harmony with the also deceased Argentinean professor Eddy Bennet.

In his youth and as a cuatro player and singer, he briefly played with pianist Albert Dieffenthaler, with whom he performed in several television programs, hotels and bars.

In the early 70’s, he joined Los Juveniles, which was the first orchestra where he participated as bassist, singer, composer and arranger. With this group, with which he became famous in his native land, he won in three consecutive years (from 1976 to 1978) the Tumba award, an annual celebration that is part of the carnivals of Aruba. Incidentally, Jeand’or would later win this award again two years in a row (1990 and 1991).

In 1978 Robert Jeand’or was crowned King of Tumba, after performing the song “Bolombonchi”, authored by Vicente Kelly, Victor Oduber and Jeand’or himself, which was later recorded by popular Colombian artist Joe Arroyo, who died in 2016. That impactful performance was seen by Johnny Ventura, who also performed there with his orchestra and El Caballo Mayor approached the Aruban singer to see if he would be interested in trying his luck abroad.

While that experience unfolded, Jeand’or did not stop his desire to add to his musical knowledge and expand the knowledge he already possessed in harmony and composition.

His inclination for music came from his father, who guided him when Robert took his first steps in musical studies. — Without a doubt, maestro Robert Jeand’or is the most Dominican Aruban we have ever known.

In the first five years of the 70’s, he released his first recording, composed and arranged by the artist himself: “Ta di nos e ta”, a phrase that translated into Spanish means “It’s ours”.

During 1979 he released with his orchestra La Nueva Fuerza the musical production entitled Rey Di Tumba 1976-77-78, recorded in his native island and with the support of Aruba Recording Studio, where he experimented with Latin, folk and country genres, giving us songs such as “Ban bonse”, “Ata mi cos”, “Manera un wiei”, “Slip’e”, “Bolombonchi”, “Pusha bai aden”, “M’y yega”, and “Canta cu mi awor”.

Many people don’t know that Robert Jeand’or was just a few minutes away from joining the Gran Combo de Puerto Rico, after the departure of Andy Montañez. Jeand’or took the stage with La Universidad de la Salsa, during a presentation at the Caiquetio club, and performed “El barbero loco”, “Las hojas blancas”, “Pin pin pin” and other songs that Montañez vocalized. His voice impressed Don Rafael Ithier and the staff of the famous group. After Montañez moved on to La Dimensión Latina, Ventura called maestro Ithier and recommended Jeand’or to fill the position of El Niño de Tras Talleres, to which Ithier replied that yes, he knew him, but he had already recruited Jerry Rivas. It is said that there was also a delay with the American visa.

It was not long before Jeand’or became part of La Dimensión Latina, because both when Oscar de León left this orchestra and when Andy Montañez also left, the name of the Arubeño was mentioned to join this Venezuelan group. In fact, they went to look for him where he worked, but he was already in Santo Domingo with Los Hijos del Rey.

Likewise, during a visit of Larry Harlow to the island of Aruba, El Judío Maravilloso saw Jeand’or singing and told Vicente Kelly, recently deceased this year (2020) and compadre of the popular singer, bassist and arranger, that he would take the Aruban singer to New York, because he needed someone to fill the void left in his orchestra by Junior González (who died on May 10, 2012) and Kelly responded positively, but that promise was never fulfilled.

In the midst of all that, the Aruban artist opted to join the Los Hijos del Rey orchestra in 1979 and settle in Santo Domingo.

Robert Hubert JeanD'or Bermudez was born on May 10, 1954. — Robert Hubert JeanD’or Bermudez was born on May 10, 1954.

“It was Johnny Ventura who talked to me so that I could travel to the Dominican Republic as a musician, and getting there was a great experience. Once in the Dominican capital, the first recording I made was for a commercial and the person who called me for that job was a very respected musician, his name is Jorge Taveras,” he said.

With Los Hijos del Rey, an orchestra then led by maestro Dioni Fernández, he recorded merengues such as the emblematic “Yo me dominicanizo”, by the prolific Puerto Rican composer Catalino Curet Alonso, affectionately known as Tite, “La pilandera” and “La vacuna”, by Porfirio Ruiz, among others, as well as the salsas “El viento”, by Joe Nicolás, and the successful “Puchula”, by Ramoncito Díaz.

While he was performing in Puerto Rico with Los Hijos del Rey, an orchestra that was in conflict with another faction for the use of the name, Jeand’or, who in the middle of that was in a kind of limbo, received a call from composer Curet Alonso (died in 2003), who mediated for him to sing with Roberto Roena & Apollo Sound, and the artist told him that he would think about it because he had to talk first with Ventura, who has always been his advisor.

Another situation that put Jeand’or on the verge of joining a salsa orchestra: in the middle of a tour in Puerto Rico, trumpeter Nelson García, of Los Hijos del Rey, talked to maestro Bobby Valentín to include the arubeño in his orchestra and the Puerto Rican star liked the singer’s voice very much, but then he had Cano Estremera as his star sonero and everything came to nothing.

Source:

Facebook: RobertJeandor

Diario Digital Dominicano

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Antonio “Tony” Succar, percussionist, composer, arranger, band leader and music producer

The Latin Tribute to Michael Jackson

Antonio “Tony” Succar (Lima, May 18, 1986) is a Peruvian-American percussionist, composer, arranger, band leader and producer.

Succar was born in Lima, Peru. When he was two years old, his family emigrated to the United States and settled in Miami, Florida.

Among his relatives were several musicians who encouraged Succar to develop his own musical interests. The family’s musical tradition began with his paternal great-grandparents, Mexican composer Lauro D. Uranga and Spanish flamenco dancer Adelina Esteve Gregory.

The Latin Tribute to Michael Jackson Antonio “Tony” Succar — Antonio “Tony” Succar (Lima, May 18, 1986)

Succar’s father, Antonio F. Succar, is a pianist and his mother Mimy Succar Tayrako Sakaguchi is a singer. Since he was 3 years old Tony started playing in The Peruvian Cajon, when Succar was 13, he started playing drums with his parents’ band when they played at weddings and other private and corporate functions, mainly in Miami, Florida, USA.

Succar attended Miami Sunset Senior High School in Miami-Dade County. At the time his ambition was to be a professional soccer player, and he played on several teams, including his high school team when it won the 2004 state championship. He later tried to earn a soccer scholarship to Florida International University. Unable to get a scholarship, he asked his father for study advice.

The advice he received was to apply to FIU’s School of Music.

Seeking an interview with the school’s drum instructor, he ended up auditioning for the Latin jazz ensemble and was quickly accepted. Succar earned a Bachelor of Arts in Jazz Performance in 2008 and went on to study for a master’s degree, which he earned in 2010.

Succar already had an active musical career while still an undergraduate student. As a junior in college he took over as musical director of the family band, which he renamed Mixtura.

On September 21, 2010, Succar released an album recorded at his graduation recital, a live concert with Mixtura at the Wertheim Performing Arts Center in Miami. This CD/DVD contains a mix of Latin-influenced arrangements of classic jazz numbers and original material. It received numerous positive reviews including from Audiophile Audition5 and JazzChicago.

After graduating from FIU, Succar became artist-in-residence in 2012, and continued to work with the school’s music students on a number of projects. He is the youngest artist to ever hold this appointment at FIU.

Succar has worked with several prominent artists in Latin music genres. These include Tito Nieves, La India, Kevin Ceballo, Michael Stuart, Jon Secada, Jennifer Peña, Jean Rodriguez and Obie Bermudez, who collaborated with him on Unity: The Latin Tribute to Michael Jackson.

Unity features over 100 musicians, Latin superstars such as Tito Nieves, Jon Secada, La India, Obie Bermudez, Jennifer Pena, Michael Stuward, Angel Lopez, Sheila E., Judith Hill, Jean Rodriguez, Fernando Vargas, Maribel Diaz, Kevin Ceballo, hosted on PBS TV by Gloria Estefan, and the magic of Jackson's legendary engineer Bruce Swedien. — Unity: The Latin Tribute to Michael Jackson is a collaborative project to produce a musical tribute to Michael Jackson.

The Latin Tribute to Michael Jackson

Unity: The Latin Tribute to Michael Jackson is a collaborative project to produce a musical tribute to Michael Jackson. In addition to live performances, the project plans to release an album consisting of 14 Jackson songs rewritten to include Latin influences, primarily salsa and Latin American rhythms, Succar, who was a long-term fan of Jackson’s work, is the founder and producer of the project. Unity launched in 2015 with a concert at Miami’s Olympia Theater sponsored and broadcast on PBS TV, 360 stations, primetime, Friday night at 9:00 p. m., and also sponsored by Universal Music Classic.

Unity features over 100 musicians, Latin superstars such as Tito Nieves, Jon Secada, La India, Obie Bermudez, Jennifer Pena, Michael Stuward, Angel Lopez, Sheila E., Judith Hill, Jean Rodriguez, Fernando Vargas, Maribel Diaz, Kevin Ceballo, hosted on PBS TV by Gloria Estefan, and the magic of Jackson’s legendary engineer, Bruce Swedien.

Succar’s sound is refined and distinctive. His up-tempo songs have an unmatched explosive energy, while his slower arrangements are soulful and captivate the listener with the intricate nuances that are signatures of his sound.

Tony is currently working on his next album and touring the world with his band.

He has performed at the Caribbean Sea Jazz Festival (Aruba), the Ravinia Festival (Chicago), Auditorio Telmex (Mexico), Vivo Beach (Puerto Rico), Tempo Latino (France) and the 2019 Latin Grammy Awards (MGM Grand Las Vegas ), among others.

Contacts:

Youtube: tonysuccarofficial

www.tonysuccar.com

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