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Search Results for: Son

The man who conquered Hollywood

The magic of a great musician is that he has the key to open your soul.  He takes you to a dimension full of happy emotions, you forget all your pain and troubles and you just dance!  For the Yoruba’s, one of the sons of Obatala, is Changó. He represents strength, virility, drums, music, fire, lightning, dance, justice, the need and joy for living.  If one person was all of that, it was Mr. Johnny Polanco.  Mr. Polanco is dearly remembered by all those whose life he touched.  This June 2nd marks the sixth year of his passing.   Altagracia and Socrates, from Puerto Rico and Santo Domingo were his parents.  They lived in the Bronx in New York.  Socrates was the owner of an auto mechanic shop.  This is probably where Johnny first came into contact with automobile engines.  He developed a passion for working with automobile engines.  Johnny graduated from Alfred E. Smith High School; a school reputed for teaching shops.  It’s very probable that he furthered his knowledge of engines there. His talent grew to engineering levels.  If anyone could fix a problem on an engine, it was Johnny.  All the musicians knew that if there was a problem, it was Johnny who could fix it for them. There’s a story about how DJ Robbie called Johnny at home one such time at around 3:00 am and Johnny got out of bed and went to his aid.   His other passion was music.  Johnny never attended music school.  He mastered a number of instruments, all on his own. Everyone says that around five years of age, he was given a guitar.  But it wasn’t until the age of ten, that he became serious in learning music.  At the age of fourteen, he was already playing with the Steve Colon band. He played with a number of New York groups, Charanga Sensual, Conjunto Saoco to name a few. Johnny had flat feet, but nonetheless in 1979 he enlisted in the United States Marine Corp.  The Marine Corps capitalized on his knowledge of engines and assigned him to the motor pool. His early assignments were in Camp Lejeune, North Carolina, Parris Island, South Carolina, and Okinawa, Japan. Johnny was a patriotic American who loved and served his country.  Just before enlisting in the service at twenty-four, Marion Gonzalez gave birth to Christopher and three years later to Melody.  In 1980 the marines sent Johnny to the west coast, Camp Pendleton, California. Marion and Johnny married, but their union did not survive. Marion and Johnny had joint custody. Johnny’s visitation turn was usually from Fridays after school to Monday morning, returning them to school.  In 1984 Johnny was playing at the New Porter Inn, in Newport Beach, California.  That night he met Joanna, a lady from Bronx.  They say it was love at first sight.  On January 23, 1987 they married and she remained his companion for the rest of Johnny’s life.  Joanna worked as a Registered Nurse and had two children of her own, Angela and Anthony Wheaton.  They made their home in Lakewood, California, where they had all their four children together on the weekends.  They were fortunate, because the kids all got along well. Some called them the Brady Bunch.

Johnny Polanco and Conjunto Amistad
Johnny Polanco and the rest of the members of Conjunto Amistad.

The long full gear marches and Johnny’s flat feet became a problem. In 1987, with the rank of E-5 sergeant, Johnny decided to be a full-time musician and separated from the Marines.  Close to their Lakewood home Johnny took a daytime job working for Mr. Tom Scott a Union 76 service station owner. Johnny stayed with Tom for next six years, when Tom sold in 1992.  The job was conveniently within walking distance of his Lakewood home.

In this gas station Johnny Polanco worked many years
Union 76 gas station where Johnny Polanco worked for many years.

In Hollywood, there was a Vietnam disabled veteran who had been studying business, Armando Castro.  Completing his studies, Armando opened a small restaurant. Although of Nicaraguan origin, Armando decided to serve Cuban food and named the restaurant El Floridita. On Monday nights they started to play Salsa.  Cali Aleman was the first band that played.

Armando Castro Floridita owner
Armando Castro owner of El Floridita

In 1993 Orquesta Versatil was playing on Monday nights. It was then that Armando Castro introduced Johnny to the band leader, Carlos Navarro.  At the time Versatil was a popular, strong, well liked band and Johnny fitted right in.  Then things started to happen, the band leader Carlos had to fly to Venezuela, also the arranger Niño Jesus Alejandro went to Canada. So, they held a meeting with Armando.  “mete mano Johnny, put a band together and take over.”  For the next 22 years Johnny played Monday night with his Conjunto Amistad at El Floridita.   Johnny’s band was in demand.

Carlos Navarro leader of Orquesta Versatil
Carlos Navarro band leader of Orquesta Versatil.

Albert Torres was a consultant and MC to over 50 yearly Salsa Congress’ around the world.  Albert had a lot of connections and started to manage Johnny for some 15 years.  With Albert’s connections the band played in Japan, England, Italy, Spain, China, Thailand, Mexico, Costa Rica to name a few.  Everyone was busy with little time to spare, eventually Johnny started handling his own bookings and the relationship with Albert just disappeared.

Albert Torres manager of Johnny Polanco
Albert Torres managed Johnny Polanco for 15 years.

In business they always say location, location, location! Nothing could be truer than that for “El Floridita.”  You see folks, this little restaurant in a small strip mall, is just across the street from … Pickford Center.  What’s Pickford Center? It’s the film industry Academy of Arts.  You know the “Oscars!”  The clientele boasted of directors, writers, producers, actors like Patrick Swayze, Jay Leno, Jennifer Lopez, Nicole Kidman, Robert Duvall, Mick Jagger, Edward Olmos to name a few.  They didn’t just go there to eat; it was the film industry’s connection to Salsa and the work just poured in.  Johnny played for Hugh Heffner at the Playboy mansion and also the Playboy Jazz Festival. Prince chose Johnny to be his opening act in Las Vegas.  Johnny did the music for countless films (see bio).    When a victorious general was paraded in Rome, above his head, a slave would hold the laurel reave, while at the same time continuously whispering “this too shall pass.” The idea was to keep him grounded. Johnny didn’t need that.  He was a man who saw the injustice in the world and was always looking out for the little guy, the underdog.  He was a man who shared the wealth.  Many remember how Johnny would call them to give their bands work.  To this day many a story is told about how Johnny helped them out.  He was a man who in his car, would carry cat food and milk to feed the strays.  May God bless you in heaven Johnny.  We remember you as a kind man who loved and cared for the poor.   His accomplishments were so many that we created a link for you to view the photos and also his biography of recognitions and accomplishments.

Changó

The magic of a great musician is that he has the key to open your soul.  He takes you to a dimension full of happy emotions, you forget all your pain and troubles and you just dance!  For the Yoruba’s, one of the sons of Obatala, is Changó. He represents strength, virility, drums, music, fire, lightning, dance, justice, the need and joy for living.  If one person was all of that, it was Mr. Johnny Polanco.  Mr. Polanco is dearly remembered by all those whose life he touched.  This June 2nd marks the sixth year of his passing.  Altagracia and Socrates, from Puerto Rico and Santo Domingo were his parents.  They lived in the Bronx in New York.  Socrates was the owner of an auto mechanic shop.  This is probably where Johnny first came into contact with automobile engines.  He developed a passion for working with automobile engines.  Johnny graduated from Alfred E. Smith High School; a school reputed for teaching shops.  It’s very probable that he furthered his knowledge of engines there. His talent grew to engineering levels.  If anyone could fix a problem on an engine, it was Johnny.  All the musicians knew that if there was a problem, it was Johnny who could fix it for them. There’s a story about how DJ Robbie called Johnny at home one such time at around 3:00 am and Johnny got out of bed and went to his aid.
His other passion was music.  Johnny never attended music school.  He mastered a number of instruments, all on his own. Everyone says that around five years of age, he was given a guitar.  But it wasn’t until the age of ten, that he became serious in learning music.  At the age of fourteen, he was already playing with the Steve Colon band. He played with a number of New York groups, Charanga Sensual, Conjunto Saoco to name a few.
Johnny had flat feet, but nonetheless in 1979 he enlisted in the United States Marine Corp.  The Marine Corps capitalized on his knowledge of engines and assigned him to the motor pool. His early assignments were in Camp Lejeune, North Carolina, Parris Island, South Carolina, and Okinawa, Japan. Johnny was a patriotic American who loved and served his country.  Just before enlisting in the service at twenty-four, Marion Gonzalez gave birth to Christopher and three years later to Melody.  In 1980 the marines sent Johnny to the west coast, Camp Pendleton, California. Marion and Johnny married, but their union did not survive. Marion and Johnny had joint custody. Johnny’s visitation turn was usually from Fridays after school to Monday morning, returning them to school.
In 1984 Johnny was playing at the New Porter Inn, in Newport Beach, California.  That night he met Joanna, a lady from Bronx.  They say it was love at first sight.  On January 23, 1987 they married and she remained his companion for the rest of Johnny’s life.  Joanna worked as a Registered Nurse and had two children of her own, Angela and Anthony Wheaton.  They made their home in Lakewood, California, where they had all their four children together on the weekends.  They were fortunate, because the kids all got along well. Some called them the Brady Bunch.

The long full gear marches and Johnny’s flat feet became a problem. In 1987, with the rank of E-5 sergeant, Johnny decided to be a full-time musician and separated from the Marines.  Close to their Lakewood home Johnny took a daytime job working for Mr. Tom Scott a Union 76 service station owner. Johnny stayed with Tom for next six years, when Tom sold in 1992.  The job was conveniently within walking distance of his Lakewood home.

In Hollywood, there was a Vietnam disabled veteran who had been studying business, Armando Castro.  Completing his studies, Armando opened a small restaurant. Although of Nicaraguan origin, Armando decided to serve Cuban food and named the restaurant El Floridita. On Monday nights they started to play Salsa.  Cali Aleman was the first band that played.

In 1993 Orquesta Versatil was playing on Monday nights. It was then that Armando Castro introduced Johnny to the band leader, Carlos Navarro.  At the time Versatil was a popular, strong, well liked band and Johnny fitted right in.  Then things started to happen, the band leader Carlos had to fly to Venezuela, also the arranger Niño Jesus Alejandro went to Canada. So, they held a meeting with Armando.  “mete mano Johnny, put a band together and take over.”  For the next 22 years Johnny played Monday night with his Conjunto Amistad at El Floridita.   Johnny’s band was in demand.

Albert Torres was a consultant and MC to over 50 yearly Salsa Congress’ around the world.  Albert had a lot of connections and started to manage Johnny for some 15 years.  With Albert’s connections the band played in Japan, England, Italy, Spain, China, Thailand, Mexico, Costa Rica to name a few.  Everyone was busy with little time to spare, eventually Johnny started handling his own bookings and the relationship with Albert just disappeared.

In business they always say location, location, location! Nothing could be truer than that for “El Floridita.”  You see folks, this little restaurant in a small strip mall, is just across the street from … Pickford Center.  What’s Pickford Center? It’s the film industry Academy of Arts.  You know the “Oscars!”  The clientele boasted of directors, writers, producers, actors like Patrick Swayze, Jay Leno, Jennifer Lopez, Nicole Kidman, Robert Duvall, Mick Jagger, Edward Olmos to name a few.  They didn’t just go there to eat; it was the film industry’s connection to Salsa and the work just poured in.  Johnny played for Hugh Heffner at the Playboy mansion and also the Playboy Jazz Festival. Prince chose Johnny to be his opening act in Las Vegas.  Johnny did the music for countless films (see bio).
When a victorious general was paraded in Rome, above his head, a slave would hold the laurel reave, while at the same time continuously whispering “this too shall pass.” The idea was to keep him grounded. Johnny didn’t need that.  He was a man who saw the injustice in the world and was always looking out for the little guy, the underdog.  He was a man who shared the wealth.  Many remember how Johnny would call them to give their bands work.  To this day many a story is told about how Johnny helped them out.  He was a man who in his car, would carry cat food and milk to feed the strays.  May God bless you in heaven Johnny.  We remember you as a kind man who loved and cared for the poor.
His accomplishments were so many that we created a link for you to view the photos and also his biography of recognitions and accomplishments.

Film Academy of Arts Center
Pickford Center in front of El Floridita.

By: Eduardo Guilarte & Karina Garcia

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Latin America – June 2021

Diana Marie

A bailar colombia

Salsa y sentimiento

Giovanny Sepulveda

carlos colmenares

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Freddy Sánchez one of the musicians with the greatest trajectory and hierarchy in Venezuela

In 1994, he participated for the first time in a group called “Sentir Caribeño”, from Mariara, Carabobo State.

Greetings my salsa people, here again with you, wishing you the best. First of all, lots of health, prosperity and optimism from your friend professor MSc. Carlos Colmenárez, who, through International Salsa Magazine and www.SalsaGoogle.com, presents you in this opportunity to: Freddy Sanchez bastion of this genre that we are so passionate about, for your delight Enjoy them.

“You must always remember that to be a good musician you have to maintain three fundamental elements, such as: discipline, responsibility and respect … Many do not understand that.”

These recommendations come from perhaps one of the musicians with the greatest trajectory and hierarchy in Venezuela, such as: Freddy Alí Sánchez Carvallo, born on November 9, with his musical beginnings at 15 years of age.

In 1994, he participated for the first time in a group called “Sentir Caribeño”, from Mariara, Carabobo state, playing bass; He continued his musical career with the “Mangüe” orchestra of Maracay, Aragua state and from there he went to the “Alteración” orchestra, then to the Sonostars de Mañito Junior, having the privilege of accompanying Yolandita Rivera and Luigi Texidor.

Freddy Sanchez bastion of this genre that we are so passionate about.
Freddy Sanchez one of the musicians with the greatest trajectory and hierarchy in Venezuela.

In 1999, he was called by the “Latin Dimension”, remaining in it for about 6 years.

At the same time, at the beginning of 2000, he participated in the orchestras of: Hildemaro, Erick Franchesky, Magia Caribeña, Puerto Rico es Salsa, Pasión Juvenil, Porfi Jiménez and Francisco Pacheco y la Pueblo de el.

Freddy, have you accompanied international artists?

Of course, Professor Carlos, thank God I have had the honor of playing for: Andy Montañez, Henry Fiol, Junior González, Domingo Quiñónez, José Alberto “El Canario”, Ismael Miranda, Adalberto Santiago, Wichy Camacho, Tony Vega, Willie González , Tito Gómez, Cano Estremera, Pedro Arroyo, Gabino Pampini, among others.

And I understand that you directed the career of Venezuelan musicians?

That’s right, my friend, I was the manager of Jimmy “El León” until 2005, when I joined the Oscar D’León orchestra “El Sonero del Mundo”, until 2013, visiting more than 32 countries.

And “Son Colón”?

Professor Carlos, in 2010, I founded “La Orquesta Son Colón”, with which I have accompanied figures such as: Joseph Amado, Rodrigo Mendoza, Hildemaro, Erick Franchesky, Paquito Barón, Néstor Rivero, Oscar Arriaga, Wílmer Lozano, Frederick El Coco, Wílmer Cano, Éukaris, Wiwi Buznego and Mariana “La Sonera de Venezuela”.

told us that the second production of the "Orquesta Son Colón" is well underway and that the promotional "El Monstruo de la Calle
“The Son Colón Orchestra”. Founded in 2010

It should be noted that Freddy Sánchez is currently the musical director of the “Orquesta de Porfi Jiménez” and also tells us that in 2019, he participated with the orchestras “Los Melódicos” and “Billos Caracas Boys Internacional” of Amable Frómeta.

–Master Freddy, honestly, let me congratulate you for this trajectory that you have.

Apart from being a bass player, do you stand out with other instruments?

In addition to being a performing bassist, both for the baby and the chest, I am also a trombonist, arranger, director and music producer.

In Colombia I directed “La Sonora Matancera Internacional Siglo XXI” and I had the great experience, being very young, of accompanying, when I was only 21 years old, the legend of the Venezuelan salsa, Orlando José Castillo “Watussi”.

Likewise, I formed the staff of “Albóndiga y la Pandilla de él, being the arranger of some of his songs together with David González and where Gustavo Gerardo and Rodrigo Mendoza vocalized.

-Freddy, from what you have told us, your career is quite broad, what can you add to us? Ok teacher, I’m remembering that I was also in the ranks of “Osuna Banda Show” and “La Bigband de San Agustín”.

Now, Freddy, where did you acquire your musical knowledge and of course your studies?

My friend, I practically studied alone. My uncle Elías Sánchez taught me the figures and I went that way, my story is very particular, my father showed me the bass notes and how it was played, since he is a guitarist, also my relatives, most of them are musicians and being next to of the braves of the time, I was learning and trying to get a sound out of the bass, but I never had a teacher, or anything ”.

Freddy told us that at 17 years of age he had already made his first musical arrangement and by asking Mañito Junior, he learned what harmony was; with the musician Pastor Rodríguez (Q.E.P.D.), regarding the reading of sheet music and with the teacher Gilberto Riera, also deceased, he explained to her how he should maintain the swing when there were percussion solos.

Oh and another musician, known as “Lopecito”, recommended that it is necessary to listen to music, because everything is not reading, but you had to read. Regarding the future projects of today’s guest in “Salsa Escrita”, through International Salsa Magazine, he told us that the second production of the “Orquesta Son Colón” is well advanced and the promotional “El Monstruo de la Calle ”, ”, Is already playing on radio stations and additionally on this album, national artists will be recording as special guests.

Likewise, “La Orquesta Son Colón” will be accompanying vocalist Joseph Amado again in 2020, in his second symphonic concert at the Teresa Carreño Theater in Caracas, in the middle of the year.

"I would like to say to musicians who are starting out in these times, never forget where you came from and what you were, and keep humility first and foremost.
Willie Colon “El Malo del Bronx y Freddy Sánchez

Finally, we asked Freddy Sánchez for some recommendations, as well as those made at the beginning of this review, for the new generations and he literally told us: “I would like to tell the musicians who are starting in these times, never forget where they came from and what that they were, and keep humility above all else, always thanking the opportunities given and do not forget that music is not a competition, because there is always someone who can be beyond you today and here tomorrow ”.

Finally, we would also like to add the following: “music must be learned daily, as it is an infinite world much adored and which is part of our lives.”

Humility and perseverance will make us great in every way. Congratulations Freddy Sánchez and we hope you continue to achieve success, inside and outside our country with your master’s degree.

Facebook: Freddy Sánchez 

By: Carlos Colmenárez Correspondent in Venezuela

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Meet Gerardo Osvaldo – Salsa y Sentimiento Academy

Meet Gerardo Osvaldo Russo, director of the Salsa y Sentimiento Academy and organizer of the San Clemente Salsa Congress


One of the seaside and tourist cities in Argentina is San Clemente del Tuyu belonging to the La Costa district, in the province of Buenos Aires, a very cozy place especially if you have a beach taste, enjoy the beaches, the tourist hotels, the seafood and many other things.

This time we have Gerardo Osvaldo Russo, he was born on July 3, 1984, he lives in a small city called San Clemente Del Tuyú, Argentina, he mentions his tastes for salsa and Latin rhythms, he tells us that in 2005 he began to dance and listen to salsa, from that moment his taste and passion for this great musical genre began, then he went on to dance other Caribbean rhythms.

Since 2009, I have been teaching Caribbean Rhythms in the “SAOCO” studio, one of the best places to train in your country, for that I had to travel every week since it was 300 kilometers away from where I lived. Then he made an important decision, which consisted of dedicating himself completely to teaching and then in the future to be able to create new projects that he already had in mind.

He mentions that in the city where he lived, he had no way of training, since there were few resources and he could not get to do everything he had in mind, in addition, his motivation was to grow personally as a teacher and dancer, to be able to dump all the knowledge that he was going acquiring the people who went to his classes.
For the year 2008 he began to teach at the beginning as a hobby for a year and a half until he made the decision to work 100% in his profession; So today he has his own Dance Academy called “Academia Salsa y Sentimiento” which was inaugurated in 2012, where he is currently a coordinator and teacher.

Team photo of Gerardo Oswaldo Russo
Gerardo Oswaldo Russo’s team

Gerardo has also been in charge of organizing the “San Clemente Salsa Congress” for about 3 years, as well as for his institution he holds Salsa, Bachata and other Caribbean rhythms every year, these include seminars and trainings with great teachers. quality and track record.

The reason that allowed the inauguration of the “Academia Salsa y Sentimiento” was basically the need in the people (not only in their city, but also in the neighboring cities of Puerto de la Costa, which is the region to which San Clemente belongs del Tuyú) to have the opportunity to learn to dance, express themselves, find a place of liberation, belonging and also be able to meet people and socialize.

For what it is known for being the first dance academy registered in the entire region, feeling very proud of its work team and of itself. In a few words, they mention that their goal has always been for people to identify with the activities they do, find a place where they can learn and have fun, as well as recharge. Students entering this academy may do so without any experience or knowledge of the rhythm they wish to practice.

At the Salsa y Sentimiento academy you start from scratch but people who already have knowledge can also come because we have various levels, working with people from 3 years onwards.

The biggest goal to be achieved was to create an International Salsa Congress, where they proposed to bring their students to compete; and in 2016 they were able to do it with the reggaeton group with professor “Maximiliano Laplaca” reaching the finals of one of the most important competitions in Argentina and South America called “Argentine Aerobic and Dance Tournament” (TAAD).

In 2017 their official website was inaugurated where they can manage more information and not only through their Facebook account and in the academy, together with other companies in the city, they are working to provide benefits to their students and not only have the possibility of learning and have fun if they can not also access discounts and benefits in stores in San Clemente. There is also a project for a few years from now and it is to be able to train teachers who leave our Academy. And later he began to broadcast live on his radio “Sentimiento Salsero”to promote other artists in the musical world.

During the Covid-19 period, many activities were paralyzed, including face-to-face classes, but it has managed to keep up with online activities and events, where for the first time its salsa and feeling congress was a success in 2020, we all look forward to your next congress in 2021.

Gerardo Oswaldo Russo
Gerardo Oswaldo Russo at the dance academy

At the end, he gives us a message for both students and future learners.

“My message is as a teacher but fundamentally as a human being is that you do not stop going in search of your dreams, as long as you work hard with responsibility, passion and respect, things can be achieved. To also tell anyone who wants to come to the Salsa y Sentimiento Academy, they will find a place not only where they can learn to dance and train, but also a human group of containment, a place where they can freely express and bring out everything they carry inside. Young and old, to whom we are united by the passion for dancing. Teachers who love what they do and want to pass it on to new generations. Always open to the possibility of listening to anyone who has new ideas to build a better ACADEMY SALSA Y SENTIMIENTO every year ”

 

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The project “A Bailar Colombia” that moved the country.

The beginning of the project “A Bailar Colombia”:

South America maintains an important space for Salsa in many of its main capitals, it is easy to speak of Lima as a great salsa and timbera area like Venezuela, but beyond the contributions they make, it cannot be forgotten that if It is not the most important, it is one of the main ones, is Colombia.

Cuba and Puerto Rico do a great job for the dissemination of this beautiful genre to the world, however Colombia accompanies much of this work for the south of this continent. Many of us already know Cali as a salsa city of birth, along with it Cartagena, Barranquilla and Buenaventura combine a good salsa team, an element that at the moment weakens other areas of this beautiful country.

The #ABailarColombia project directed by the Son Rumbero schools in Bogotá and Bucaramanga, Emily’s dance and Baila Latino de Medellín, Timbea and Danz in Barranquilla, as well as 5 other academies that work towards the growth of the academic training of Salsa dance in various modalities, in addition to the main genres of Afro-Latin dance music.

The Son Rumbero dance school with 16 years of experience, opened its headquarters in the capital Bogotá in 2017 and in 2018 it will go to Bucaramanga, the main concept is not only to dance, but to do it academically, quickly and effectively. The object is to teach in ideal spaces, that is why its main headquarters is located at calle 19 # 4-20 in Bogotá, Son Salomé nightclub, where at the end of each class a practice space is released in an environment destined to dance and enjoyment. a real night dance room, in the same way they handle a very effective project in distance education, who would say that you can learn from the comfort of your home, organized at your entire disposal and with supervised classes with dance professionals by video live classes , an incredible way to learn, you can contact them at 3022582306 or social networks like @sonrumbero.

 

Dancing
People dancing Salsa

If you are in Medellín, the options vary, the Baila Latino school rules the rhythm in this city since 2011, dedicated to training in various branches of dance, from porro to kizomba, they are located at Calle 44 # 80 – 31, with group classes of excellent level, they serve audiences of all ages with certified professionals, they manage competition groups, formed under professional dance lines, in their closest projects is being part of large festivals such as the Casinea in Bogotá and the Venezuela is Latin, easy to contact by 3104749407 and its social networks @academiabailaltino.

In the same order Emily’s dance opens doors in 2018 in Medellin with a comprehensive training proposal, where we can see classes in various disciplines with personalized attention in the hands of its director Emily Sánchez, a professional in the world of dance with more than 25 years of experience. artistic career, managing to project his work in 3 of the world’s continents, in this great proposal he leans classes of a particular nature that seek a guaranteed learning in a short time, they can take classes by the numbers 3008510304.

Visiting the northern area of ​​Colombia on the coast we can dance to the rhythm of Danz in Barranquilla, a school with headquarters in Cr 46 82-71 vibra fitness studio and Cr 43 87-120 danceworkshop dedicates its program in the Cuban Casino, the bachata, the Feminine style in salsa and they even work on DanzKids, the latter a training profile for boys and girls, a fact that incorporates them into the world of dance from a very young age. With almost three years of foundation, they have managed to advance by having group classes at various levels and developing activities that allow recreation for the whole family, 3003827618 or Instagram @danzacademy.

Meringue Competition
Photo of dancers dancing Merengue

Similarly, Timbea in Barranquilla presented a very entertaining proposal to learn to dance, structured in 2018, this institution develops an important profile in Salsa, Merengue and Bachata, with dynamic classes under a very integrating criterion. Its founder and main instructor registers a trajectory of more than 7 years with awards and a good position in the world of salsa in Venezuela, being part of a prestigious school such as rhythm and essence in the state of Zulia, you can find them at 310 6326106 and on the networks by @ timbea2018.

Currently during the Covid-19 pandemic, many events, projects have been kept on hold until there is no danger of contagion, where many of the academies have chosen to give online classes and some competitions and / or congresses, remain fixed either online or in person, the latter depending on how the quarantine is at that time.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.