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Search Results for: Soneros

Mayito Rivera “El Poeta de la Rumba” was the distinctive voice of Los Van Van de Cuba

Mario ‘Mayito’ Rivera is, without a doubt, one of Cuba’s most outstanding contemporary singers.

For more than 20 years he was the distinctive voice and recognizable face of Cuba’s most famous musical group, Los Van Van.

Regardless of the musical genre he performs -rumba, son, salsa, bolero or timba, modern or traditional style, with strength and dynamism or with delicacy and tenderness, Mayito Rivera’s performances, with passages adorned with tremors and coloraturas, are always stellar.

Mayito Rivera “El Poeta de la Rumba”
Mayito Rivera “El Poeta de la Rumba”

Mario Enrique Rivera Godínez was born on January 19, 1966 in Pinar del Río, a province located in the westernmost part of Cuba and famous for its handmade Havana cigars.

It was there that ‘Mayito’ began his musical training as a child. Later, he moved to Havana, where he studied percussion at the renowned National School of Art (ENA), which he later extended with advanced studies at the Higher Institute of Art (ISA).

After completing his training, which lasted a total of 15 years, Mayito Rivera joined the musical ensemble of the well-known Cuban singer Albita Rodríguez.

Later, he played bass in the Moncada Group, a formation belonging to the Nueva Trova Cubana movement, whose renovating spirit is firmly rooted in traditional Cuban rhythms.

At the age of 26, Mayito was discovered by Juan Formell, the director of Los Van Van, an orchestra that by then had already become a legend. Initially hired to play bass and sing backing vocals, he soon established himself as the group’s lead vocalist.

Over the next 20 years, Mayito Rivera, more than any other musician, put his stamp on Los Van Van.

He burst onto the scene as the representative of a new generation of musicians, and his fresh style contributed to the group’s endurin Singer of the group’s countless salsa hits that were played in the discotheques, he has been nominated twice for a Grammy and won it once.

Mario ‘Mayito’ Rivera es, sin duda, uno de los cantantes contemporáneos más destacados de Cuba
Mario ‘Mayito’ Rivera es, sin duda, uno de los cantantes contemporáneos más destacados de Cuba

At the same time, he was also working on other projects: in 1999 he released his first solo album, Pa’ bachatear.

Chappotín, in which he transports the past to our days with a brilliant interpretation of traditional Conjunto Chappotín songs.

But Mayito Rivera is not only a singer and percussionist. In 2005, he released Negrito Bailador, his second solo album, produced by the Timba label of the German music publisher Termidor, in which he performs only songs of his own composition.

The music, with a rumbero tinge, is fresh, lively and of timeless quality. Subsequently, Negrito bailador was marketed in the United States under the title Llegó la hora and was immediately nominated for a Grammy in the Best Salsa Album of the Year category.

Mayito Rivera is probably the most requested special guest by other Cuban orchestras; so much so, that in recent years he has sung with almost all of Cuba’s star casts.

Nor has his career suffered any interruptions since he left Los Van Van in 2011: currently, Mayito Rivera tours the whole world relentlessly, giving concerts in countries as diverse as the United States, Canada, Venezuela, Colombia, Mexico, Peru, Argentina, France, Germany, Denmark, Spain and Italy.

The great popularity and multiple talents of this ‘poet of rumba’ are reflected in his performances as guest singer for salsa greats such as Oscar D’Leon, Gilberto Santa Rosa, Issac Delgado, Adalberto Alvarez, Mayimbe, Son Como Son, Timba Live, Pupy y Los que Son Son, Charanga Latina, Havana D’Primera, Tumbao Habana and Elio Reve Jr, to name just a few.

In 2012, Mayito Rivera established himself as a permanent member of Los Soneros de Verdad, the most successful orchestra of the moment dedicated to son and its related rhythms, led by singer Luis Frank Arias.

Two sold-out world tours of three months each in Europe, Asia, Russia and the United States attest to the high quality and great interest in this amalgam of traditional son and the vocal artistry of Cuba’s most dynamic rumbero.

Mayito Durante más de 20 años fue la voz distintiva y el rostro reconocible del más famoso grupo musical cubano, Los Van Van
Mayito Durante más de 20 años fue la voz distintiva y el rostro reconocible del más famoso grupo musical cubano, Los Van Van

In 2014, the superstar will be touring with his own orchestra. But before that, from June to September 2013, he will give a series of concerts with Los Soneros de Verdad performing songs from his as yet unreleased album Alma de Sonero.

During this project he will return to his musical roots: son and rumba, bolero and guaguancó, both in their traditional interpretation and in their more modern variants.

The album Alma de sonero includes 11 tracks and will be released in September 2013 worldwide success.

The musicians include Alexander Abreu (Havana D’Primera) on trumpet, San Miguel Pérez on tres and Luis A. Chacón ‘Aspirina’ Bruzón on bongos and cajón.

Website: Mayito Rivera

Read Also:   Carlos “Patato” Valdés one of the best percussionists in the history of Latin Jazz.

The Conjunto Bailatino “La Resistencia Salsera” again “Antes los ojos del Mundo” and here, “No hay quinto malo”

On April 21, 1991, in Venezuela, Bailatino “La Resistencia Salsera” was founded.

The Bailatino Ensemble, was born as a need to revalue and revitalize the Caribbean musical heritage so diverse and original; a heritage that refuses to die because it is part of our Cultural Identities, that is to say, it does not obey the dictates of fashion, nor the whims of the record companies, but our sense of belonging and our pride for the cultural contribution we have given to the world.

Bailatino represents the Salsa Resistance, Salsa without Concessions; it expresses the influences of the best musical groups that interpret the “Salsa Dura”, but, with its own identity.

Bailatino Llegó... Con Todo!!! 2003
Bailatino Llegó… Con Todo!!! 2003

The versatility, trajectory and professionalism of each of its members are known and recognized not only in the salsa world, but also in the wide range of Venezuelan music.

The musicians that make up Bailatino are constantly invited to accompany the best national and foreign orchestras that visit Venezuela; they are also requested in important international stages;

They have recorded different musical genres and are members of various Venezuelan orchestras. José “Cheo” Navarro, Marcial Istúriz, Edgar “Dolor” Quijada, Felipe Blanco, Johan Muñoz, Eliel Rivero, Alberto Crespo, José “Mortadelo” Soto, and Alexis Escobar (R.I.P) and replaced by Leo Pérez, make up a compendium of talent, knowledge and experiences whose result cannot be other than excellence and quality expressed in each of their interpretations.

Bailatino Llegó... Con Todo!!! 2005
Bailatino Llegó… Con Todo!!! 2005

Bailatino is the result of national and international musical influences, such as: La Dimensión Latina, Federico y su Combo Latino, El Grupo Mango, La Salsa Mayor and Tabaco y sus Metales, just to mention a few Venezuelan groups; likewise, Eddie Palmieri, Charlie Palmieri, Grupo Libre, Grupo Experimental Newyorkino, Ricardo Ray, Sonora Ponceña, Fania All Star , Mon Rivera, among others.

In 1995, Bailatino debuted in the framework of the International Theater Festival of Caracas, coincidentally in the spaces that previously was one of the temples of salsa and dance, the now disappeared “Sabor Latino”, formerly called “La Pelota”, sacred contexts of salsa and the nightlife of Caracas.

Bailatino has become one of the most popular and requested groups by the legion of “rumberos” and “rumberas”; salsa men and women, true experts and connoisseurs in the matter.

La Resistencia 2008, Bailatino
La Resistencia 2008

Who organize throughout the year the best salsa parties in Caracas, promoted and spread by means of oral tradition or selling tickets in the famous “Tío Pepe” of Sabana Grande, in Caracas.

These CDs are dedicated to all of them, because with their encouragement we were able to make our dream come true.

Bailatino has also performed on various stages in our capital and internationally:

Museo de Bellas Artes, Corp. Group, Espacios Unión, Trasnocho Cultural del Paseo Las Mercedes; Banco Central de Venezuela, Colegio de Ingenieros, Colegio de Médicos, El Maní es Así; “El Rincón Caribeño (currently “Rumba Aché”), Hawai Kai, El Atrio, Centro de arte la Estancia, celebrated its tenth anniversary at Casa del Artista, Aula Magna, first Metropolitan Salsa Festival, Herman among others. Internationally Bailatino makes his first presentation at the Jorge Isaac theater in Cali Colombia, he was invited to the festival “Salsa al parque” in Bogota Colombia, in 2007 he travels to the city of Dax France for the festival “Toros y Salsa”, in 2008 he travels to Mexico and that same year he performed at the Salsa summer festival in Cali, in that city, he also performed at the prestigious Changó nightclub; in 2009 we were in Australia; all these presentations with resounding success and acceptance.

Bailatino is a network of alliances, solidarity and complicity between musicians, composers, arrangers and friends from different professions and trades, who have contributed their grain of sand so that the Bailatino project, once the proposal was approved by music lovers and dancers, would not remain only in multitudinous presentations and excellent comments from its heterogeneous audience that multiplies every day.

Aniversario 2012
Aniversario 2012

Bailatino, is musical memory transmitted from one generation to another, reinterpreted with all the care and respect that the great masters deserve, who have contributed to design the musical map of Latin America.

The Bailatino group vindicates, once again, the place of honor that Latin Music deserves, not only for the Caribbean, Andean and Afro-American countries; it is a proposal within the framework of a globalized society, but also in a historical moment in which our cultural identities have a great capital to contribute in this multicultural and multiethnic counterpoint that currently exists in the world, in diverse fields and of course in the musical plane.

Currently they are preparing their fifth production entitled “No hay quinto malo”, and at the same time they have released two excellent songs with the brand of “Bailatino”, “Lo mismo de siempre” from the pen of José “Cheo” Navarro and a masterful arrangement José Soto “Mortadelo” in the vocal part Edgar “Dolor” Quijada, the second song entitled “Salsero Soy” composition and arrangements by pianist Alberto Crespo in the voice of the talented young Francisco Rojas and as special guest in this production the Sonero del siglo XXI Herman Olivera performing the song “El que te ama” another excellent composition and arrangements by Alberto Crespo.

Bailatino y Herman Olivera el Sonero del Siglo XXI
Bailatino and Herman Olivera el Sonero del Siglo XXI

For next Friday May 5, 2023 from 8:00 PM they will be performing at the public works club of Maracay in Venezuela with the help of “Taylor Productions” celebrating their 28th anniversary, an event that promises for the public of Maracay since La Ciudad Jardín is their second home.

El Conjunto Bailatino “La Resistencia Salsera”

Read also: Ronald Gòmez One of the most respected young soneros of the New Generation

Edwin “El Calvito” Reyes

Edwin El Calvito Reyes, Winner of the Paoli Prize 2019, as Tropical Revelation of the Year

Edwin El Calvito Reyes
Edwin El Calvito Reyes

Undoubtedly, today, considered by legends and colleagues of the salsa genre, as one of the fastest growing exponents, projecting and establishing its brand, at a firm pace and worldwide; Winner of the Paoli Prize 2019, as Tropical Revelation of the Year, he is Edwin “El Calvito Reyes”.

Born on April 19, 1974, he had his childhood in a humble 20-foot-square wooden house and graduated as an Electrician from the Higher Vocational School in his beloved Trujillo Alto in May 1992.

He then graduated with studies in Tele-Communication at the University of the Sacred Heart of P.R. This 2020, “El Calvito” is scheduled to finish his Master of Science, with a major in Entertainment Business, at Full Sail University in Orlando, FL. (Entertainment Business, Master of Science).

Edwin El Calvito Reyes on stage
Edwin El Calvito Reyes on stage

Although in OCT 2018, it was his first appearance in the world, with his own musical proposal, “El Calvito” has a career and / or musical history, of more than 25 years, which began to the tune of Plena in his native Trujillo Alto.

Since childhood, music has been his passion. Edwin continued to show his leadership and passion for music, and already in 1993, Edwin began to make himself known in his hometown with PLENA, keeping the culture and tradition of a people alive. As early as 1996,

Edwin joined the US Army and, in his spare time, began singing salsa, thanks to Mr. Víctor París and Mr. Godreau “Papo Salsa” who offered him the first opportunity to share his talent with the community of Hinesville, Ga in 1996, singing salsa classics.

Since then, “El Calvito” has been performing all genres of Latin music in the United States; Never leaving behind its origin, nor its vision.

Edwin El Calvito Reyes with the award
Edwin El Calvito Reyes with the award

“El Calvito” Reyes has several many LIVE SALSA performances in South Korea and the Middle East (Iraq, Afghanistan, Kuwait, Turkey), with more than 10 thousand soldiers (combined count) dancing to the rhythm of live music, relieving all types of stress in combat and highly raising their morale. A genuine leader, who brings that same leadership to the sauce in a very entertaining way.

Over time, thanks to Sergeant Alberto Sánchez and Sub-Officer Carlos Negrón, he joined the Official Salsa Orchestra in the U.S. Army (LATINO CONJUNTO DEL ARMY DE USA), to later become the officer in charge of it.

An Officer who, for 6 consecutive years, was personally tasked with selecting and forming the Only Latin Music Orchestra, ever assembled, in the US Army, whose purpose was to act for dignitaries and personalities (Michelle Obama, Hillary Clinton, Jennifer López, Olga Tañón, Vicente Fox, etc.), within the National Conventions of the League of United Latin American Citizens (LULAC) and Annual Presidential Galas. Clearly leaving an immense legacy in that difficult world. Also, El Trujillano is one of the few salseros in the world that has been able to perform live at the Seoul Olympic Stadium in South Korea.

Edwin El Calvito Reyes
Edwin El Calvito Reyes

Immediately after that performance, “El Calvito” performed in 2012, at the Asian Salsa Congress, where dancers from around the world gathered to compete along the rhythms of their music in the course of an extravaganza of 7 days.

He is an artist without equal. After 22 years of active military service, including more than 65 months accumulated in combat, “El Calvito” Reyes has established his own brand, appearing before a large number of people throughout the American country and Puerto Rico. “El Calvito” is a true warrior and avant-garde in this new era of salseros that will surely keep them dancing from start to finish.

Don’t wait for the magic call. He seeks his own, very professional, and has earned the respect of many employers, DJs and Promoters around the world, for his kindness, professionalism and above all his show.

In this past March 2020, “El Calvito” was one of the guests of honor for one of the Bailables prior to the National Day of Zalsa in Puerto Rico, sharing the stage with greats such as NG2, N’Klabe, Carlos Javier, and Abrante, as well as, Julio Badillo and the Salsa Stars, Julio López, Kayvan Vega and many more, making their music shine by its own light and gain the respect and admiration of several present, the international press and their colleagues.

Edwin El Calvito Reyes on stage
Edwin El Calvito Reyes on stage

Also, Edwin is part of the first star cast to perform at the FIRST NATIONAL DAY OF LA ZALSA in ORLANDO, FL, alongside stars like Willie Rosario, Eddie Palmierie, India, Jerry Rivera, Grupo Niche and many more “El Calvito” does not stop here, as he has also been chosen to be a fundamental part of the 22nd Anniversary of the Salsa Cruise, along with stars such as Maelo Ruiz, Luisito Carrion, Andy Montañez, Grupo Gale, Grupo Niche and Chino Núñez.

Publicly blessed by Legends such as TITO NIEVES, TITO ROJAS, TITO ALLEN, BOBBY CRUZ, CHINO NÚÑEZ, LALO RODRIGUEZ, WILLIE ROSARIO, PAQUITO ACOSTA LUIS GONZALEZ “EL TSUNAMI”, among others, confirms Edwin “El Calvito” Reyes, as a S Today, at the level you deserve.

Since it came out live on OCT 2018, “el Calvito” has not stopped shining in its own light. Now, he celebrates the worldwide successes of his latest songs, “QUIERO BAILAR CON ELLA”, “TOCALE LA MOÑA”, “MI RITMO SE LLAMA” ZALSA “,” MI TIERRA QUERIDA ”SONEROS DE SANGRE NUEVA, and the most recent SO CALLED THE COUNT.

So what’s next for Edwin “El Calvito” Reyes? “Work hard, with honesty, respect and dignity, in favor of the genre of salsa, in general. Stay humble, loyal to my followers and, of course, continue with my faith in God.

Edwin “El Calvito” Reyes The music of our Hispanic brother and Boricua, Edwin “El Calvito” Reyes is found on all digital platforms (CD Baby, iTunes, Spotify, Amazon, Google Music, YouTube Music, etc.) His music continues to occupy prestigious positions on Global Radio.

Edwin “El Calvito” Reyes has a high reputation, as a truly dedicated human being, passionate about contributing to the salsa genre, who studies and respects the genre’s pioneers and their contemporaries.

With an energy on stage that will make you dance from start to finish. Also, as a person who provides a great environment with his leadership and professionalism, with Latin Music for his communities, but above all, as a family man; and of faith.

Edwin El Calvito Reyes
Edwin El Calvito Reyes

Fanny Almenara better known in the salsa environment as “La Sonera del Callao”

Sonera of Callao, who maintains an impeccable musical career, loving music and recording numerous songs as a soloist and with various singers of first order of the Afro Latin Caribbean genre.

The salsa singer named Fanny Almenara, better known in the music scene as the Peruvian Sonera, was born in Callao, daughter of Don Hector Almenara and Carmen Barreto, the second of 9 siblings.

Fanny studied singing thanks to her mother, she met the best teacher, Mrs. Ana Maria Parodi and entered music at a very early age in the lyrical genre.

Juan Canevello: Percusionista, Antonio Cartagena: Cantante, Fanny Almenara: Cantante y Oscar Huaranga Bajista y Productor Musical
Juan Canevello: Percusionista, Antonio Cartagena: Cantante, Fanny Almenara: Cantante y Oscar Huaranga Bajista y Productor Musical

Her salsa collector father made her listen to the best of the best exponents such as Justo Betancourt, La Lupe, Candido Fabre, Benny More, Ismael Rivera, Los Papines, Irakere, Luis “Perico” Ortiz, etc.
At the age of 16 she fell in love with the genre called salsa and had the honor of singing with Junior Gonzales for the first time and alternated Grandes with Peruvian Orchestras such as Peru Salsa de Beto Villena, Las Estrellas de la Máquina de Boris Gómez, HIt Parade Latino del Callao, La Nueva Generación de Franco Crovetto.
She was chosen as the best new voice of the salsa genre in the 80s.

La cantante de salsa llamada Fanny Almenara mejor conocida en el ambiente como la Sonera Peruana
La cantante de salsa llamada Fanny Almenara mejor conocida en el ambiente como la Sonera Peruana

She made recordings for different groups, and also recorded an unpublished song of her own entitled “Yo te Espero”.

Between the 70s and 80s came to Peru Las Leyendas Latinas with Ray Barreto and Adalberto Santiago, gave him the great opportunity to sing with them Quítate la Máscara.

Then with Linda Caballero (lLa India), the song Mi Primera Rumba, then with the pharaoh of salsa Oscar D’ León the song Toro Mata, also with the great Hermanos Lebrón the song sin negro no hay guaguancó.
With the owner of Soneo Carlos “El Cano” Estremera the theme Ámame en Cámara lenta, with Frankie Vázquez the theme Cuarto de Tula, with Yolanda Rivera the theme Rumba en el Patio, Vity Ruiz brother of Frankie Ruiz the theme La Cura, with Aldalberto Santiago the theme Nadie se salva de la rumba.

Primera sonera del Callao, que mantiene una carrera musical impecable
Primera sonera del Callao, que mantiene una carrera musical impecable

And so with her imposing voice Fanny captivated the attention of the greats of salsa, representing Callao and for which the people of Chalaco named her “La Sonera del Callao” (The Sonera of Callao).
For her vast artistic career she was awarded by different musical associations and by the company Pilsen Callao.
(H3) Asocosalsa Peru (Tite Curet Ceremony, Hector Lavoe Bust, Charlie Palmieri and 25th anniversary of artistic life (Okonkolo Association).
Fanny Almenara, continues her impeccable musical career, loving music and recording a song entitled Amor de Mis Amores, salsa version with the Orquesta Ng del Callao director Franco Crovetto.
Although she was in a halt due to the pandemic, she recorded a Challenger “El Virus Se Mata Con Musica” invited by a Cuban musician, which was also recorded by Cuban artists in different parts of the world.

Fanny Almenara
Fanny Almenara

After her voice reached Cuban websites such as “Benny More” “Un Millón De Adalsoneros” “Al Son Del Pinar Del Rio” she was invited to the “Son 8 de mayo” days led by the gentleman of the son Adalberto Alvarez.
Then she also recorded a song written by the King of merengue Milly Quezada “Gracias A Ti” dedicated to those who are always on the front line as doctors and nurses in the Covid 19 and the last thing she has recorded the production of the song La Sitiera Tribute to the diva of Cuba Omara Portuondo in which in that production participated Nelson Gonzales in the tres: Eddie Montalvo on congas, Nohelia Zambrano on violin and Luis Perico Ortiz on trumpet.

Website: Fanny Almenara Oficial

Maelo y su Klan want to bring tropical rhythms to the whole world

Maelo y su Klan is the latest project, and one of the dreams, of the producer with more than twenty years of experience, Johnny Ysmael Salaverria Dicurú. The popular “Maelo” as his dearest friends call him, continues his career by working and pouring his heart into this project. With them the first genre fusion between Son and Kizomba is known. In the following lines we will talk about Maelo and his most beloved project.

Who is Maelo?

Johnny Ysmael Salaverria Dicurú was born in San Juan parish, in Caracas, capital city of Venezuela, where he spent his childhood surrounded by the joy of the Caribbean “soneros and salseros”. He was a child when he first expressed his interest in one of the most popular tropical Caribbean rhythms, salsa. Part of his influences came from his uncle, Héctor Bruno Dicurú.

Ysmael D´La O, is his artistic name on stage and producing, but his closest friends call him “El Tiburón de la Salsa”. He left with $80, and a luggage full of dreams, to look out for adventures abroad. His destiny was Tenerife, where he quickly earned the love and respect of the natives, and was embraced as an adopted son.

Maelo as a producer has worked with renowned soloists and groups, from all over the world. To name a few: Nicky Jam, El Binomio de Oro, Tito Rojas, Oscar D’León, Porfi Baloa, Tony Vega, La Dimensión Latina, Ray Sepúlveda, Guayacán, El Grupo Niche. As a promoter and producer of events, one of his greatest achievements was El Gran Combo De Puerto Rico who celebrated their 50th anniversary, and visited Europe hand in hand with him.

We can call Maelo, the cultural ambassador of Caribbean rhythms, making more than 30 countries listen and enjoy them. He was the first Latin American to have 100 continuous virtual conversations during the pandemic, a time when creativity was the escape of many artists.

Among his awards and recognitions is being nominated as International Producer of the Year in 2020, Producer and Promoter of the Virtual Euro Festival in the 20/21 edition. But soon more will come, since Maelo’s talent is infinite.

Defining Maelo and his Klan

The band stands out in danceable rhythms such as: Son, Charanga, Guaguancó, Salsa, Tropical, Latin Jazz and a lot of fusion with an original sound, which is inspired by African rhythms. Of course, with the influences of great masters of the old tropical school. In this way, a combination is created that generates a modern sound, worthy of the new generation. But what most characterizes this Klan is the creation of the fusion of the genres between Son and Kizomba.

The works of Maelo y su Klan have the collaboration of the renowned arranger and director of Billo’s Caracas Boys, the Venezuelan Julio Cesar Estrada. Also by Paquito Barón, ex-member of the Orquesta Bronco of Venezuela, in the musical production.

The Klan has all the merits and the support of the Anglo-Saxon and Asian public. One of his productions entitled ¡Cultura viva! Fusion is positioned as the new sound in Afro-Caribbean music. Maelo not only puts his talent for the band, but also puts all his knowledge of the tropical rhythms of Latin America, as well as its movements through Europe and Asia. Let’s hope that the journey of Maelo y su Klan will be a very long one, full of great successes, so that they can continue to please the public that loves these tropical rhythms.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.