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JD Productions, Erika Muñoz and International Salsa Magazine Present Jesus Pagan Acevedo
Jesus Pagan and his Orchestra Salsa Artist, Singer, Composer and Producer.
He began his musical career in 1991 as a percussionist and backup singer with various tropical music and nueva trova groups in Puerto Rico, being the Andrés Jiménez “El Jibaro”‘s group the best known amont those at that time.
In 1997, Jesús moved to the state of Massachusetts to get on with his life and continue his duties privately until he was invited to share a rehearsal of the Carlos Pabón’s orchestra, brother of salsa singer David Pabón.
That is when he again took the path on music, this time, as a lead singer. His name quickly ran throughout New England letting slip that this little guy was a great singer and sonero. Local orchestras such as The Latin Heartbeat, Komboloko, Ray Gonzalez, Eguie Castrillo and Frankie Rodriguez Y Homenaje A La Salsa immediately opened to him the doors and opened the plate to stand out as a great singer and sonero.
By 2008 Jesus Pagan was counting in a vast experience as a singer, sonero and composer, so he decided to release his first album under the title “Salsa De La Mata” becoming the new sense of the art of soneo in the genre he loves, Salsa. This album immediately became a classic of modern salsa.
Figures such as Hector “Maximo” Rodriguez, Eddie Montalvo, Ray Castro, Luisito Quintero, Joe Fiedler, Ray De La Paz and Lucho Cueto are among the talents in this recording which earned Jesus Pagan a Paoli Award and a U.S. Grammy Award nomination.
After this recording Jesus Pagan has released 3 other albums including one that he considers very special in his career which is “Ya Llego Conjunto Barrio”, “Somos Del Barrio” which he produced locally in the area of Springfield and Holyoke Ma. with musicians of the local salsa scene and internationally renowned figures.
Currently, Jesús Pagan is in the initial phase of what will be his new salsa work and has also recorded with other orchestras and artists in several genres as a guest artist, backup singer and composer.
Currently, Jesús Pagan also works as a chorister and singer for many of the best-known salsa artists in his environment. As a chorist, he has accompanied artists such as: Ismael Miranda, Tony Vega, Johnny Rivera, Adalberto Santiago, NG2, Frankie Negrón, Ray De La Paz, Raulin Rosendo, Wilmer Lozano, Héctor Tricoche, Tito Rojas, Roberto Blades, Willie González, Giro, Michael “El Buenon” and many others. As a singer, he has performed with: Larry Harlow, Richie Ray, George Delgado Y Conjunto Neoyorquino, Conjunto Classico, Alex Torres, Luisito Rey Y La Dinámica, Orquesta Dicupe and many others who have invited him to be part of special performances.
Recently, he returned from a super successful tour in Medellin, Colombia where he was the guest singer for the classic salsa orchestra from New York, the Dicupe orchestra in a sold out concert, over 10,000 people at La Macarena bullring.
His dreams realized include his performance at the most famous concert hall in the world, Carnegie Hall in New York City at a sold out concert with Puerto Rican percussionist Eguie Castrillo’s The Palladium Big Band and “The Gentleman of Salsa” Gilberto Santa Rosa featured as a guest artist by the year 2012.
Jesús Pagan also had the honor of being one of the main singers to salute the memory of Puerto Rican composer Rafael Hernández in a concert in his honour at the Mortenzen River Front Town Square in Hartford Ct and sang together with the son of the celebrated composer Chali Hernández.
Another of his achievements was to open 2 important concerts for renowned figures of the salsa scene. The first one at the UMASS Fine Arts a sold out concert with singer La India and the other one at the Boston City Hall for “Salsa’s bad boy” Willie Colon.
Jesús Pagan Y Su Orquesta Jesús Pagan & Conjunto Barrio
JD Productions Exclusive Artists
For booking: 413-297-8937 / 413-505-4745 E-mail: [email protected]
Artist Manager: Damaris Rivera de Pagan
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By: Erika Muñoz
La Mulata Rumbera
“Se Armó la Rumba en México“
International Salsa Magazine Correspondent
The role of boogaloo in the Latin essence
How boogaloo was born
Throughout history, music has undergone a series of transformations that have led it to become what we know today, which means that this set of artistic expressions is the product of an ongoing process that does not stop and will never stop. These changes are deeply and closely linked to the rhythms originating from a certain place and their mix with those of other latitudes. In the specific case of Latin music, this process was accelerated with the arrival of a large number of immigrants to the United States of America. That is how so-called boogaloo was born.
Boogaloo is a powerful combination of son montuno with American rock and soul, although there are many who claim that mambo played a much greater role than son. Its origins are not entirely clear, but one of the most talked versions asserts that the emergence of a generation of musicians who had no academic training or experience in the industry were the ones who started this impetuous and scandalous trend that had no reverse.
Likewise, it is believed that everything starts in New York with a then small group of artists who were inspired by the rock style of the time, but the one who really popularized Boogaloo around the world was singer Pete Rodriguez. Of course, We cannot fail to mention the important role played by pianist Richie Ray and La Lupe, also known as the queen of Latin soul.
How boogaloo revolutionized music at that time
Just as boogaloo came to revolutionize the sounds, it also did it with the topics addressed in most of the music of the time.
Generations raised in the United States that did not feel identified with the Beatles or the Rolling Stones found in this set of rhythms an identity to cling onto in order to combat the hottest at the moment. This rising genre began to address issues related to the social and economic situation of the most disadvantaged sectors. In any part of the world these songs were heard, local people knew what was going on, or at least from the perspective of the artists who lent their voices to give life to these new creations.
A very appealing characteristic of boogaloo songs is that they could be performed in both English and Spanish, so in a way, it gave the genre an essence merged with Latin and Anglo-Saxon elements that was fairly new at that time.
It went on to become some kind of social movement that intended to fill a gap that could not be filled by mistakenly called gringo music. Many of its defenders thought it was destined for greatness and durability, but unfortunately, it did not happen. In fact, the peak years of the rhythm went from 1965 to 1969, to show that it did not go beyond being a passing fad after an enthusiastic start.
It was quickly replaced by other catchier genres and dances that quickly sank in the taste of young and old alike, leaving behind what could have been the greatest musical legacy that Latinos have contributed to the outside world. Other sounds arrived, crept over the music scene slowly but surely, and left out boogaloo.
However, we must clarify that while this genre was no longer relevant as at the beginning, there is no getting around the fact that it was this movement that gave rise to a lot of legendary songs that today are still analyzed and commented on by those who danced and sang them at the time. Not to mention that this and several other rhythms that followed were the transition that salsa needed to explode as did at the peak of its popularity.
Que Siga la Fiesta with Carlitos Lopez “El Gordito Favorito”
Born in the city of Carolina, Puerto Rico in 1969 with music in his veins.
Carlos Enrique Lopez (Carlitos Lopez el gordito favorito), he begins to show interest in music in general, boleros and trios
The bomba, plena, jibara music which he listened to in the countryside when his uncles and aunts visited his family, they liked to play stringed instruments and harmony either the tres or the Puerto Rican cuatro and the symphony.
At the age of 7 he moved to his grandparents’ house to begin studying in elementary school in his native Puerto Rico, while studying in the afternoons he spent his time listening to Fania and its stars. Singers like Hector Lavoe, Cheo Feliciano, Ruben Blades, Ismael Rivera among others.
Courtesy of his cousin who was a loyal fan and collector of Willie Colon’s salsa etcetera, little by little he was learning to vocalize demonstrating the ability to learn to do vocals for the choir at that time he met a young Anthony Cruz for the first time and was impressed with his melodious voice, although they never shared in those days.
Carlos debuted at the age of 14 with an orchestra created by his cousin and some students of the vocational music school where he had the opportunity to accompany Santos Colon former singer Tito Puente, he decided to move back home to his parents where he met Anthony Cruz who lived on the same street where his parents lived, and who already belonged to the orchestra of Mario Ortiz and began to attend rehearsals, recordings and dances.
There he met a young Tony Vega, Gilberto Santa Rosa, Elias Lopez, Lalo Rodriguez, Dario Morales who encouraged him to take vocal lessons, but he never did for lack of time.
but he never made it due to lack of support from his parents because there were other hopes and expectations.
The teacher Mario Ortiz noticed his uneasiness and spoke casually with his parents, but the decision had already been made by his parents.
but the decision was already made by them leaving Carlos disenchanted with music and taking the decision to emigrate to the United States where he dedicated himself to the culinary arts for the rest of his life until 2004 when he met again with Anthony Cruz who already had a successful career as a soloist and was touring they spoke for a moment and that was enough to return to her first love, music.
Anthony Cruz introduces him to several of the musicians who accompanied him in that activity and the rest is history. He joins the orchestra as a chorus singer and debuts as a composer where he writes 4 songs for the production of a CD of the orchestra entitled Going solo under the musical direction of Harry Rios.
They gain the popularity and admiration of the salsa people playing in different parts of Central Florida, festivals, clubs, and discotheques.
Born in the city of Carolina, Puerto Rico.
They return and record a single Going Back to Old School on which Carlos dedicates a song to Israel Lopez Cachao titled 80 Year’s of Cachao with arrangement and direction by Luis Jungo Ortiz which had tremendous acceptance from the dancing public and the radio listeners, from there Carlos decides to retire from music again to continue his career in the culinary arts.
Until he receives a call from an old friend asking him to help him with the choirs because he was going to accompany different artists.
Carlos began to accompany different singers with that orchestra called La Predilecta as a chorus singer among which there were names of the height of Anthony Cruz, Lalo Rodriguez, Cano Estremera, Manolo Lezcano, Chamaco Rivera, Frankie Figueroa, Ommy Cardona, Paquito Acosta, Paquito Guzman, Hector Tricoche, Papo Cocote and many more.
Carlos has written several songs including a collaboration between Anthony Cruz and Danny Sanchez titled No Vale la pena Enamorarse with arrangement by Luis Jungo Ortiz.
In addition to a song titled Today again under the tutelage of Harry Rios sung by Danny Sanchez currently Carlos Enrique Lopez known as Carlitos (the favorite fatty) made his debut as a solo singer.
And is promoting the theme of his authorship entitled Me Enamore under the direction, arrangement and production of the master Luis Jungo Ortiz which has enjoyed a good reception on digital platforms, social networks and independent radio stations on the internet.
As Radio Brisa Tropical con the master Taíno Roldán, Radio Calidad de vida del Dr Ted, Top 98 radio with Richie Sanchez and also.
Que Siga la Fiesta
Carlos has just recorded a song of his authorship entitled Que Siga la Fiesta in collaboration with 2 talented gentlemen from Orlando Central Florida and Miami are Edwin el Calvito Reyes and Luis Jibarito de Jesus under the direction and arrangement of Mike Rivera The Professor in the studio 305 Imma Studio owned by music engineer Immanuel Ramirez which came out on April 20, 2021.
Facebook: Carlos Enrique López
Antonio “Tony” Succar, percussionist, composer, arranger, band leader and music producer
The Latin Tribute to Michael Jackson
Antonio “Tony” Succar (Lima, May 18, 1986) is a Peruvian-American percussionist, composer, arranger, band leader and producer.
Succar was born in Lima, Peru. When he was two years old, his family emigrated to the United States and settled in Miami, Florida.
Among his relatives were several musicians who encouraged Succar to develop his own musical interests. The family’s musical tradition began with his paternal great-grandparents, Mexican composer Lauro D. Uranga and Spanish flamenco dancer Adelina Esteve Gregory.
Succar’s father, Antonio F. Succar, is a pianist and his mother Mimy Succar Tayrako Sakaguchi is a singer. Since he was 3 years old Tony started playing in The Peruvian Cajon, when Succar was 13, he started playing drums with his parents’ band when they played at weddings and other private and corporate functions, mainly in Miami, Florida, USA.
Succar attended Miami Sunset Senior High School in Miami-Dade County. At the time his ambition was to be a professional soccer player, and he played on several teams, including his high school team when it won the 2004 state championship. He later tried to earn a soccer scholarship to Florida International University. Unable to get a scholarship, he asked his father for study advice.
The advice he received was to apply to FIU’s School of Music.
Seeking an interview with the school’s drum instructor, he ended up auditioning for the Latin jazz ensemble and was quickly accepted. Succar earned a Bachelor of Arts in Jazz Performance in 2008 and went on to study for a master’s degree, which he earned in 2010.
Succar already had an active musical career while still an undergraduate student. As a junior in college he took over as musical director of the family band, which he renamed Mixtura.
On September 21, 2010, Succar released an album recorded at his graduation recital, a live concert with Mixtura at the Wertheim Performing Arts Center in Miami. This CD/DVD contains a mix of Latin-influenced arrangements of classic jazz numbers and original material. It received numerous positive reviews including from Audiophile Audition5 and JazzChicago.
After graduating from FIU, Succar became artist-in-residence in 2012, and continued to work with the school’s music students on a number of projects. He is the youngest artist to ever hold this appointment at FIU.
Succar has worked with several prominent artists in Latin music genres. These include Tito Nieves, La India, Kevin Ceballo, Michael Stuart, Jon Secada, Jennifer Peña, Jean Rodriguez and Obie Bermudez, who collaborated with him on Unity: The Latin Tribute to Michael Jackson.
The Latin Tribute to Michael Jackson
Unity: The Latin Tribute to Michael Jackson is a collaborative project to produce a musical tribute to Michael Jackson. In addition to live performances, the project plans to release an album consisting of 14 Jackson songs rewritten to include Latin influences, primarily salsa and Latin American rhythms, Succar, who was a long-term fan of Jackson’s work, is the founder and producer of the project. Unity launched in 2015 with a concert at Miami’s Olympia Theater sponsored and broadcast on PBS TV, 360 stations, primetime, Friday night at 9:00 p. m., and also sponsored by Universal Music Classic.
Unity features over 100 musicians, Latin superstars such as Tito Nieves, Jon Secada, La India, Obie Bermudez, Jennifer Pena, Michael Stuward, Angel Lopez, Sheila E., Judith Hill, Jean Rodriguez, Fernando Vargas, Maribel Diaz, Kevin Ceballo, hosted on PBS TV by Gloria Estefan, and the magic of Jackson’s legendary engineer, Bruce Swedien.
Succar’s sound is refined and distinctive. His up-tempo songs have an unmatched explosive energy, while his slower arrangements are soulful and captivate the listener with the intricate nuances that are signatures of his sound.
Tony is currently working on his next album and touring the world with his band.
He has performed at the Caribbean Sea Jazz Festival (Aruba), the Ravinia Festival (Chicago), Auditorio Telmex (Mexico), Vivo Beach (Puerto Rico), Tempo Latino (France) and the 2019 Latin Grammy Awards (MGM Grand Las Vegas ), among others.
Contacts:
Youtube: tonysuccarofficial
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