Search Results for: Trumpet

NOTICIAS CON SABOR on June 2022

The latest of salsa in the Bay Area of San Francisco

Someone to look out for is percussionist/bandleader/catalyst Javier Navarette who has been creating a serious buzz with his new group Javier Navarette and His Socially Distant Friends which features a “who’s who” of stellar Bay Area talent including esteemed violinist Anthony Blea, vocalist/percussionist Hector Lugo, rising star on the guitar, Kai Lyons, bassist Ayla Davila, percussionist Jesse Weber and charter members such as tresero/guitarist Camilo Landau, NY based trombonist and Javier’s brother Raul Navarette and PMO vocalist Chriselle Durandy. Navarette and friends play an intoxicating brew of danceable Salsa, Cuban descarga, Rumba, Afro-Cuban folklore, Bomba, Timba and Latin Jazz played superbly by this all-star ensemble that have impressed large audiences at Carnaval San Francisco, the UC Theatre, Rocky’s Market and other festivals and hot spots.

Navarette is also currently a member of the hot Bobi Cespedes Band and was formerly a member of renowned bands such as Charanson, La Mixta Criolla, Linda Tillery and the Cultural Heritage Choir among others. He has established himself as one of the SF Bay’s rising stars….a rumbero with excellent chops, taste and well versed both in the Cuban and Puerto Rican culture and heritage. Navarette also has taught in the classroom spreading the knowledge to younger grade school children in the Bay Area. Navarette is also booking the popular Modupue Sundays series at Rocky’s Market in Oakland. Go Javier!!

Javier Navarrette from Javier Navarrette and His Socially Distant Friends

The Western Region Puerto Rican Council will once again present their “El Dia De San Juan” Salsa Festival on Saturday, June 18, 11 am to 7 pm at Swiss Park, 5811 Mowry Avenue in Newark. Headlining the show will be Frankie Vasquez “El Sonero Del Barrio”. Vasquez is considered one of the finest soneros in the business today. With a star studded career that includes working with Manny Oquendo and Libre, Spanish Harlem Orchestra, Los Soneros Del Barrio, Pedro Bermudez, Doug Beavers and many others, Vasquez displays his art of the soneo, his distinctive vocal tone always backed up by a swinging band on record and live. Also appearing for the first time will be Izis La Enfermera De La Salsa from Puerto Rico, Gambizi & Dos Four hot from Carnaval SF, Hip Hop Jibarito, Orquesta Saboricua and Rinkinkaya playing Bomba, Plena and Jibaro music and DJ Santos Lopez. For more information, go to wrprc.org!

SF JAZZ and the San Francisco Jazz Festival are featuring an impressive array of Salsa, Cuban and Latin Jazz starting Wednesday June 8 with Pacific Mambo Orchestra. Followed by Gonzalo Rubalcaba and Grammy nominee Aymee Nuviola 6/9; Chucho Valdes with Dianne Reeves and Joe Lovano 6/12; Changui Majadero 6/13, Danilo Perez Global Messengers 6/14; Issac Delgado’s Con Tumbao Project w/Miguel Zenon, Oscar Hernandez, Pedrito Martinez, Alain Perez, Tony Succar and more 6/18. SF JAZZ and Stanford University also co-presents two legends: Piano master Eddie Palmieri and trumpet phenom Arturo Sandoval at Stanford’s Frost Amphiteater on July 23. Info: www.sfjazz.org.

The new hot spot for live music on Thursday’s is Charley’s LG, 15 N Santa Cruz Avenue in Los Gatos featuring the following for June: Orquesta La Moderna Tradición on 6/2; Carlos Xavier and his band 6/9; Edgardo Cambon and Candela 6/16; Son Y Clave from Los Angeles on 6/23 and Julio Bravo and Salsabor on 6/30. Presented by your friends at International Salsa Magazine and World Salsa Radio. Yours truly, Luis Medina from KPFA/WorldSalsaRadio.com will be your MC and DJ for the evening. WSR’s El De La Clave SF-Felipe Martinez will give dance lessons starting at 8 PM. Get a discount on your advance tickets by visiting charleyslosgatos.com.

Tregar Otton from Orquesta La Moderna Tradición

More clubs and events

La Peña Cultural Center, 3105 Shattuck Avenue in Berkeley has been gaining a lot of notoriety with their monthly Baila events. The June edition will also celebrate the cultural center’s 47th Anniversary on Friday, June 17th starting at 7 pm. Corey Raynor, the venue’s production manager who organizes the event will also be celebrating his birthday. The show will feature the explosive sounds of veteran timbalero Eric Rangel and his Orquesta America as well as KPOO/KPFA DJ Jose Ruiz in the main theater and DJ Ron Palma in the Bachata lounge. Salsa and Bachata dance lessons start at 7:30 pm. For tickets and information, please visit lapena.org.

It’s Summertime and outdoor venues have opened back up for Salsa, Timba and Latin Jazz! Modupue Sundays at Rocky’s Market at Oakland’s Brooklyn Basin is featuring the exciting band La Mixta Criolla on Sunday, June 5 under the direction of percussionist/vocalist Hector Lugo and a special Bomba dance performance by Shefali Shah. The festivities start at 5:30 pm. Another great band Orquesta La Moderna Tradición will be at Rocky’s on Friday night, June 10th from 6 to 9 pm. Rocky’s Market events are all outdoors and located at 288 Ninth Avenue in Oakland. For more information, visit rockysmarket.com.

The Office on 1796 Willow Pass Road in downtown Concord is now offering Rumba Sundays every Sunday from 5 to 10 pm in a large, covered outdoor patio with a huge dance floor featuring Salsa bands such as Orquesta Taino on Sunday, June 5th. The Office features live salsa monthly with SF Salsa Congress staple DJ Super Chino spinning Salsa, Bachata and more in-between the breaks! Check out their Facebook page for more info!

Orquesta Taino posing for the camera

The Cigar Bar continues with their mission to bring you exciting danceable bands in their unique venue that combines great food, fine drinks, a parlor for cigar enthusiasts and a hot dance spot for weekend patrons. The June Latin music offerings are the following: Pacho y Orchesta Evolution 6/3; Orquesta La Original w/Alexis 6/4; Orquesta Borinquen 6/10; Josh Jones Latin Jazz Ensemble 6/11; N’Rumba 6/17 ; Manteca 6/18; Orquesta Taino 6/24 and La Clave Del Blanco on 6/25.

The Ramp is heating things up for the Summer at their fine outdoor venue with their huge dance floor at 855 Terry Francois Blvd in San Francisco. Their calendar includes great acts on Saturday afternoons starting at 4 pm with DJ Mendy with live music starting at 5 pm featuring N’Rumba on 6/4; Julio Bravo y Salsabor on 6/11; Somos El Son with Braulio Barrera 6/18 and Orquesta Borinquen on 6/25.

The Seahorse in Sausalito features fine Italian cuisine, beer and wine and a fine space for dancing on Saturday and Sundays starting at 6 pm with KPOO/KPFA DJ Jose Ruiz. Featured acts for the month of June include La Clave Del Blanco on 6/4; Julio Bravo y Salsabor 6/5; Ricardo Lemvo and Makina Loca from Los Angeles on 6/11 and 6/12; Edgardo Cambon y Candela 6/18; Louie Romero and Mazacote 6/19; The Latin Rhythm Boys 6/20 and Eric Rangel and Orquesta America on 6/26.

Be sure to check out my radio programs Con Sabor on Saturday evenings from 9 to 11 PM PST on KPFA 94.1 FM and www.kpfa.org and Sabiduria Con Tumbao every Wednesday evening from 5 to 7 PM PST on worldsalsaradio.com. Enjoy your Summer! Ciao 4 now!!

Louie Romero from Louie Romero Y Su Orquesta Mazacote

By Luis Medina, ISM Correspondents, San Francisco, California

By Luis Medina, ISM Correspondents, San Francisco, California

NOTICIAS CON SABOR on June 2022

The latest of salsa in the Bay Area of San Francisco

Javier Navarrette from Javier Navarrette and His Socially Distant Friends

Tregar Otton from Orquesta La Moderna Tradición

More clubs and events (título 3)

Orquesta Taino posing for the camera

Louie Romero from Louie Romero Y Su Orquesta Mazacote

By Luis Medina, ISM Correspondents, San Francisco, California

Cuba Will Be the Protagonist at the Music Meeting Festival

Nijmegen is the city that will host this musical meeting with “Cuba Al Revés” as the main theme

Music Meeting Festival was organized in Concertgebouw de Vereeniging and Stadsschouwburg Nijmegen until 2003

This year Latin America will invade the 37^th edition of the Music Meeting Festival with Cuban music from Saturday, June 4^th to Monday, June 6^th at the Park Brakkenstein facilities. This park can accommodate 12,500 visitors and is in the Nijmegen city in the province of Gelderland. Nijmegen has more than 170,000 inhabitants (2015 data provided by the UN) and is very close to the border with Germany.

This festival in the Netherlands will have as its main theme this time Cuba Upside Down. In this event, around 30 concerts will be presented with the participation of established artists and new promises from the Cuban music scene, Spanish, and Brazilian.

Regarding the main theme of this edition, the Dutch trumpeter and Artistic Director of the Music Meeting Festival, Maite Hontelé, pointed out: “I would like to have been born in Havana, to have grown up with Son, Mambo, and even the beginning of Cuban Salsa modern, Timba. But I grew up in Haaften…although almost every day, I listened to Cuban music on cassettes and played it on my trumpet.”

The artists from the Afro-Caribbean Island that will converge at the Music Meeting Festival 2022 are:

Alain Pérez with the Orchestra demonstrates the origin and future of Cuban music

The musical genius in the Salsera scene, Latin-Jazz and Flamenco, Alain Pérez will take the stage on Sunday, June 5th at 11PM for an improvisation party at the Jam. This show will last 50 minutes. Alain with the rhythm section of his orchestra will establish the basic rhythm to which countless musicians will join and improvise, bringing special guests for that day. Who are they? They are still a surprise.

After 24 hours, Alain Pérez returns to the stage, but this time with his young Orchestra for the closing day. They will perform for the first time on Monday, June 6^th from 8:40PM to 10:50PM. Alain with this band of young Cuban artists brings a sound in which traditional Cuban music is intertwined with modern Jazz and Funk.

The same way will also join this celebration of Afro-Caribbean music Osain Del Monte with a group of young percussionists, singers, and dancers. They will recreate during their musical act a traditional cult with initiation rituals to be members of a secret brotherhood. This one-hour act will take place on the first day of the festival, on Saturday, June 4th, starting at 5:30 PM.

Likewise, Music Meeting Festival will feature the percussionist and singer Brenda Navarrete as a special guest in several musical presentations. Brenda has trained in Batá drums and has belonged to Latin Jazz bands such as Joaquín Betancourt and Alain Pérez, as well as in the Interactivo group, where Funk and Ska melodies are mixed with Afro-Cuban rhythms.

Cellist Ana Carla will also be brought to this stage of the festival. She will be on Sunday, June 5^th from 8PM to 8:40PM. Her third studio album is Bahía and has influences from Cuban Son, Tango, Samba, Bossa Nova, Jazz, and even the classic French Chanson. She currently is touring for South America.

Ramón Valle, Marialy Pacheco, Rolando Luna, and Ivan “Melón” Lewis

Joining this constellation of established and emerging Cuban artists on Sunday, June 5^th, starting at 2PM, is the Ping Pong Piano project. This 50-minute musical project brings together the following virtuous of this instrument: Rolando Luna, Marialy Pacheco, Ramón Valle, and Ivan “Melón” Lewis, the latter winner of the Latin Grammy for Best Latin Jazz Album for his album Voyager in 2021.

The starting point of this “four-sided” meeting is spontaneous. It consists of placing two grand pianos on stage and letting four stellar pianists converse musically. There will be friendship, rivalry, confrontation, and harmony putting aside their impressive resumes.

“Marialy Pacheco is a concert pianist known for her duets with Omar Sosa and her contagious rhythmic interpretation. Grammy winner Ivan ‘Melón’ Lewis counters this with almost mathematical precision as the founder of modern Cuban Salsa, Timba. Ramón Valle swings across styles and feels best when given the freedom to let his Cuban heritage hang over the music. The quartet of star pianists is completed by the whirlwind Rolando Luna, one of the most important Cuban pianists of the last ten years, who became world-famous for his work with Omara Portuondo”. Fragment extracted from the Music meeting Festival 2022 website. www.musicmeeting.nl

Likewise, the band El Comité will be present (Saturday, June 4th, 10:30 PM – 11:30 PM), the Son Bent Braam orchestra (Saturday, June 4th, 4PM – 5PM), African electronics, percussion from Brazil with the duo made up of Oleg Fateev & Simone Sou, and the New York afrobeat represented by the musical group from Brooklyn, Antibalas.

This interesting congregation of artists will be completed by the Spanish trombonist Rita Payés, one of the emerging artists of the new era of the Catalan scene.

Tickets for the three days of the Music Meeting Festival in Nijmegen are €80 at the box office. It costs €34 daily, and for those under 16 who want to attend, the admission is free.

The Salsera Fiesta Returns To Rome

The wait is over and Fiesta opens its doors with a new season of Latin concerts during the summer

Festival Fiesta has been the point of reference in Italy for Latin American concerts and events for 27 years.

Since 1995 the Fiesta club has been the point of reference for Latin American culture in Italy during summer nights in Rome.

Fiesta is located in the Rosati Tourist Park (Parco Rosati -Eur) and has an area of 5,000 square meters with a capacity of 3,500 people. Its distribution consists of an outdoor music room equipped with a stage with a led wall for live music and two dance rooms for different musical styles (Salsa, Mambo, Cha Cha Cha, Bachata, Rumba, Merengue, Timba, reggae, and reggaeton).

“The objective of this festival is to build a permanent cultural bridge between Italy and Latin American citizens living in Rome, promoting the value of integration between peoples and respecting different identities.” Fragment extracted from the website. https://fiestafestival.it/

In this regard, the artistic director Mansur Naziri expressed the following: “Over the years I have witnessed several changes in the audience of Fiesta. Now, we have reached the new generations, those the children of immigrants who were born in Italy feel Italian but still keep their traditions alive, even through music. Next to them are the Italians who dancing and listening to Latin songs have also learned a little Spanish, giving life to a beautiful cultural fusion…”

The most representative Salsa artists who have come to this evocative stage of the Eternal City have been Celia Cruz, Los Van Van, Rubén Blades, Gilberto Santarosa, Tito Puente, Oscar D’ León, and Marc Anthony, among many others.

This year the club with its Fiesta festival will continue to offer the best of the Latin music scene from the traditional to the most current. Here are the Salsa artists who will be performing in the cool of Rome’s nights from June to August.

PUPY Y LOS QUE SON SON

Pupy was the pianist in the Revé Orchestra

The Cuban traditional music orchestra created and directed by the pianist, composer, and director César Pedroso Fernández better known as “Pupy” will be performing on Wednesday, June 1^st, and tickets don’t exceed €17.

Pupy is recognized for being one of the most important figures in Timba and traditional Cuban music. He participated in two emblematic orchestras during his career: Orquesta Revé and Los Van Van. In this last-mentioned band, he was one of the founders along with his partner and friend Juan Formell.

After 32 years of artistic career, on October 4^th, 2001, he formed his band Pupy y Los Que Son Son. Its name derives from the recognition of “Son” as a musical genre where his roots come from, and the style of the band is the fusion of the different instrumental formats with the “Tumbao”.

HAVANA D’PRIMERA

Alexander Abreu spent his childhood in Cienfuegos city (Cuba), where he began playing the trumpet at ten years old.

The band of more than ten musicians created in 2008 and founded by the Cuban trumpeter, singer, and composer Alexander Abreu will take the Fiesta stage on Friday, June 3^rd, and you can get the ticket for €30.

Alexander Abreu has become one of the most versatile and acclaimed Cuban musicians in Afro-Cuban music. “I have always seen Havana D’Primera with 15 people on stage, and everyone said that it was impossible, that it would be too expensive, too difficult to move… It is how we started: 14 or 15 of us and a lot of positive energy, now we are stronger than ever.” Abreu commented.

Havana D’Primera’s first album is Haciendo Historia released in 2009, followed by Cantor del Pueblo (2018), A Romper el Coco (2019), and Será que se acabó (2021).

LOS VAN VAN

Los Van Van was the first Cuban group to replace a solo singer with a vocal quartet.

The musical orchestra founded by Juan Formell in Havana (Cuba) in December 1969 will arrive on Saturday, August 6^th. They will present their fusion of Cuban Son, Jazz, and Rock with the incorporation of percussion, trombones, keyboards, electronic violins, flutes, bass, and drums for a rhythmic and harmonic sound that complements the quartet of voices, and you can get tickets for a value of €30.

Jesús Algarín is a Puerto Rican bassist who, at the age of 25, landed in the salsa scene

A graduate of Berklee College of Music, with his college degree in hand, the young bassist returned home to make his homeland in salsa time.

Jesús Algarín is a Puerto Rican bassist who, at the age of 25, landed in the salsa scene to make music his life project. The young musician already walks with a firm step accompanied by the forceful interpretation of his bass, leading his own orchestra with confidence.

From the time he was born, according to what his parents told him, they used to party, so it was not surprising that at the age of 8 he was already the one who was the one who was livening up the parrandas while playing the Puerto Rican cuatro. Algarín, who was born and raised in the heart of Puerto Rico (Caguas), candidly tells us that as a child, he discovered through our very own parrandera tradition, that music -which he refers to as a wonderful art- had a healing and restorative power.

Well advised by the adults in his family, he recounts that his uncle explained to him early in his life that if he failed to ignite his audience at the Choliseo during a parranda, it would become more difficult for him. Once he understood the advice, he applied it to himself. Today he concludes that it is necessary to dominate every stage, from a marquee to a public square, and to take it one step at a time.

Through Puerto Rican folk music, studying and interpreting the seis, the aguinaldo, the bomba, and the plena, he was entering into what without planning it became his life project. Later, playing the Puerto Rican cuatro purely by ear, he was able to enter the “magical” world of music, as he himself describes it.

Already in the sixth grade of elementary school, he began his formal apprenticeship at the Escuela Libre de Música de Caguas. Before that time, he played the cuatro but did not read music. Once he learned to read music, he decided to continue growing musically in his instrument.

Six years later, in grade 12, about to finish high school, he took part in the camps that Berklee College of Music brings to Puerto Rico every year. He auditioned for the Puerto Rican cuatro. However, at the time, he did not achieve his goal of positioning himself. Determined not to give up, the following year he returned to the Berklee camp but changed tactics. He showed up to the workshops with a bass because he understood that the cuatro was not a good fit. When he filled out the registration form for the workshops, he reported that his bass playing was at the advanced level, even though he knew it wasn’t true. This adolescent idea, which added a good deal of pressure and stress to his musical performance, helped him get into the ensembles he aspired to qualify for. Today he admits that at that time, which today seems far away, he could not handle the bass because, as an instrument, it was still unknown to him.

In any case, Algarín qualified because, as we know, you have to take your chances with life. The rest is history.

With the bass as his main instrument, Algarín got Berklee to give him a scholarship and after four years in Boston, Massachusetts he graduated with a degree in Music Business. In other words, he spent four years making music while learning to see music as a business.

The young bass player confesses that he had not planned to be a musician nor had he thought he would make a living from music. He did not see music as a possibility, since although it was always an integral part of his life, music was a hobby or a way to serve God in the church. And that’s what he limited himself to until he came to Berklee’s summer workshops. Before that, he saw himself as a lawyer and when it was his turn to enter college, he initially enrolled at Ana G. Mendez University. There he attempted to complete a bachelor’s degree in accounting. However, from the very first accounting class he knew that accounting was not for him.

Algarín capitalized on what he learned, and has been able to stick to music as a way of life; from a more realistic and less idealistic perspective. Of course, all without losing the artistic focus of musical interpretation. Along with his musical training, he has been preparing himself in legal issues, maintaining business awareness, focusing on the protection of music and copyrights. He has also been responsible for making other musicians aware of the importance of registering their music with the Library of Congress and thus making the most of their work. There is no doubt that Algarín knows his worth as a musician and from his space he has decided to serve and guide his counterparts to protect their work.

Before entering the studio to record his project, Algarín had recorded with Manolito Rodríguez. During his student years in Boston, he was a musician in the Eric German Orchestra, the orchestra that accompanies visiting solo singers in the New England area.

Today, his main instrument is the bass, double bass, baby base or electric bass.

The bassist, a native of Caguas and graduate of Berklee College of Music, class of 2020, returned to Puerto Rico to lead his own musical project.

Two years after Algarín’s return home, the orchestra is already promoting its first production entitled “Dímelo Algarín”, which is part of his project “Jesús Algarín”. The format of the base orchestra of the project is as follows: winds (trumpet, trombone and baritone saxophone), bass, piano, conga, timbal, bongo and bell; backing singers and choirs. This, his first production, contains 5 songs, with contemporary themes in its lyrics. This lyric, however, embraces the nostalgic sonority of the sextet, complementing some of the songs with the Cuban tres. The bassist leader of his project arranged and composed these 5 unreleased tracks, which are merged in a production for which Jesús Algarín is also responsible.

The production is available in digital format on all platforms. The promotional cut is Sigue tu camino performed by Ricardo Colón, who also sings in the Willie Rosario Orchestra. The other four tracks included in the production are: Playita, Cadencia y sabor and La calle se prendió; performed by vocalist José Luis De Jesús and Caribeña, in the voice of Marisabel Vázquez Varela.

The recording studio musicians who participated in the production are from the Caribbean. Puerto Ricans, Cubans and Venezuelans merge in a salsa embrace; as is to be expected.

Vocals: José Luis De Jesús, Ricardo Colón and Marisabel Vázquez Varela.

Backing vocals: Jorge Yadiel Santos, Carlos García, Ricardo Colón, José Luis De Jesús, Manolo Ruiz and Carloscar Cepero.

Bass: Jesús Algarín

Piano: Aníbal Cruz and Juan Rivera

Tres: Renesito Avich

Percussion: Miguel Martínez

Trumpets: Luis Arnaldo Ramos, Angel Segarra y Nicolás Benítez

Trombone: Johan Escalante y Carloscar Cepero

Baritone saxophone: Efraín Martínez

Cuatro: Jesús Algarín.

As the son of documentary filmmaker Juan Félix Algarín, Jesús considers himself blessed to have been mentored by a father with first-hand knowledge. His father always instructed him to be aware of music as a business in the entertainment world. Jesus knows his worth and has kept himself informed as to the costs of production and is clear as to the rates of his work. He identifies himself as a Puerto Rican and Caribbean musician. He is in every sense of the word, a music worker.

As it is, we are still in salsa. Yes, salsa lives! The effort, discipline and talent -in that order- of this young bandleader attest to that. Congratulations, and may you continue to “catch the ride”.

For bookings, Ángel Ilarraza: 787-347-4662 or e-mail: [email protected]