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Search Results for: Van Van

Yissy García Calzadilla, former member of the Anacaona Orchestra, plays drums, timbal and bongo

On May 29, 1987, in Havana, Cuba, Yissy García Calzadilla was born.

With a great musical heritage that comes from her father and inspiration, Bernardo Garcia, who is a drummer of the ICRT Orchestra.

Since she was a child she has been inclined towards percussion and has her father as her first teacher.

At the age of 9 she began her elementary music studies at the “Manuel Saumell” school, later attending the Amadeo Roldan Conservatory where she excelled in the school’s Charanga band and was also a member of the Youth Symphony Orchestra.

As a student of the conservatory in 2004 she traveled to the island of Guadeloupe as part of a cultural exchange between music schools in both countries.

Also in 2005 she was invited as a soloist in the paila (Cuban percussion instrument) to play with the National Symphony Orchestra of Cuba under the direction of the prestigious conductor Zenaida Romeu. In the same year she obtained the Special Prize of the “Fiesta del Tambor” contest.

In 2006 he travels to Barbados to participate with the “Quinteto Chico de la Habana” (a group of outstanding students of the conservatory) in the Barbados Jazz Festival and shares the stage with prestigious jazzmen such as Horacio Hernández (El Negro), Giovanni Hidalgo, Arturo Tappin (saxophonist) and Roy Hargrove (trumpeter), his performance is reviewed by international television stations and for the English newspaper Daily Niticns.

In November of the same year he obtains a Special Performance MECION at the International Festival of Young Jazz Players “JOJAZZ” and plays drums with the Big Band of Canada.

It is in this same year that she graduates in Percussion with excellent grades.

Once graduated, she joined the female orchestra Anacaona with which she made multiple performances on stages all over the country, and also performed on national television and radio, recorded the album “No lo puedo evitar” for the Bis Music label, and has also accompanied the Buena Vista Social Club diva Omara Portuondo.

With a small orchestra format, he recorded in 2008 the song “Parampampán”, for the musical film: “Chico y Rita” by the Spanish filmmaker Fernando Trueba. And also participates in another recording of traditional music with an American singer, both in the Areito studios of the EGREM.

In 2009 she made two important international tours with Anacaona, first in several Canadian cities, among them, performing at the “Art Jazz Festival” in Toronto, and in the Lula Lounge of the same city, the “30th Montreal International Jazz Festival”, alternating with the famous salsa singer “La India” with whom she was also invited to play, During the days of this great festival she participated very actively in various Jan sessions with Canadian musicians and musicians from other countries, in the city of London in the “Sunfest”, the Festival “La Nuit de Africa” in Montreal in its 27th edition and in the cities of Chicoutimi in the Festival “Rhythms of the World” and in the City of Quebec in its festival “Musics of the World” in addition to other venues in some of these cities, monopolizing in all many applause and congratulations for his outstanding performance.

In September 2010 the Aruba Jazz Festival is presented where they have the responsibility to close the festival and also perform with great success with saxophonist David Sanborn with whom they have the honor of downloading to close his performance the first day of the festival, for all this they are welcomed with great success by the public and the press.

He has worked in Cuba with other important jazzmen such as Alexis Bosh and Orlando Cubajazz.

He also performs for a special program on French TV channel 33 about his musical life and appears on a web page of the Spanish magazine “The H”.

He competes again in the JOJAZZ Contest and obtains the 2nd place in interpretation.

He has also recorded the Cuban Television program “A todo jazz” with trumpeter Roberto García and saxophonist Emir Santa Cruz, and with the group “Joven Jazz” led by saxophonist Michel Herrera, with whom he also performs in Havana’s Jazz clubs. He has worked with the outstanding trumpet player Yasser Manzano and his group.

In early 2010 he made the national tour of the singer Cucu Diamantes and also participates in the film that was recorded of the same.

In June 2010 he performed with Anacaona a successful tour of Curacao presenting the show “Viva Cuba”, in order to raise funds for the fight against breast cancer, organized by the Sinte Rose Foundation of that country and also close the 1st International Film Festival of Aruba.

Solo career

Yissy and Bandancha.

In 2012 she decided to embark on her solo career, debuting as composer and leader of the project YISSY & BANDANCHA, a quintet that develops jazz from the fusion with other genres.

She is regularly invited to participate in the most important festivals in Cuba, such as Jazz Plaza, JoJazz, Ellas Crean, Havana World Music Festival, among others.

Along with her project, she develops an intense work of collaboration in record productions and with various artists and recognized groups in the country, as is the case of Interactivo, Alexis Bosch and Telmary Diaz.

In 2014 he participated in Argentina in the festival El sur suena a cubano, along with Kelvis Ochoa, William Vivanco and Yusa, whom he also accompanied on his tour of Japan. He participated in the recording of the album Feeling Marta, by singer Gema Corredera, and accompanied the Buena Vista Social Club diva, Omara Portuondo, on her tour of Mexico.

Since that same year and until now, he is part of the line up of the band Maqueque, led by the renowned Canadian saxophonist Jane Bunnet, with whom he has played in the most important festivals in Canada and USA, in addition to having recorded the album Jane Bunnett and Maqueque, winner of the 2015 Juno Award for Best Jazz Album.

She began 2015 with the recording of her debut album Última noticia, and with a tour with her band YISSY & BANDANCHA through several cities in the USA.

She was included in a documentary for Brazilian TV directed by filmmaker Max Alvim, which aims to collect the most outstanding of the vanguard of Cuban jazz today.

She was part of the concert Women of the World, led by M Alfonso. She participated, together with Brazilian artist Baddi Assad, in the Les Voix Humains festival, held in Havana and organized by the Leo Brouwer Office.

Invited by the prestigious drummer Terri Lyne Carrington, she gave a clinic on Cuban rhythms at Berklee College of Music.

Perspectives of our senses in being an excellent Dj. and or Musicalizer

It is known as Disc Jockey (also known with the abbreviation of DJ, and its Anglo-Saxon pronunciation of Deejay) or disyóquey to “the person who selects and mixes recorded music of his own or of other composers and artists, to be listened to by an audience”.

Musicalizador: is that person who can extract a periodic and varied list of an equis amount of songs of proven success loaded in the storage system.

Many people and/or dancers express the controversy of the musicalizadores and Dj’s. Of the rumbas salseras of all the times nowadays that call it of (Salsa Guateque and Baúl).

With respect to the content or musical selection that they place or propose each one to give to understand to the public rumbero dancer.

Today there are many musicalizers and above all self-appointed “Dj`s” and they use to call themselves from one day to another and what they do not know that to reach this art they must study and know the art of basic music such as harmonies, theory and solfeggio, to be more complex.

First, one thing is to be a Dj and another musicalizer, both have to know music, but the Dj is responsible for making the mix of one over the other in couplings of the song without distorting the original revolutions or Bpm that makes you feel the harmony of both in one. Making the dancers flow and make the place feel good and cool.

 

The Djs and musicalizers have a difficult task to bring the creativity and the magic to put to dance to their public some traditional and others demanding to be able to over carry a rumba or danceable night.

This work has been difficult, but also easy to have an ear to select a song with a good sense of lyrics and above all with a harmonious and contagious arrangement that gives pleasure at the time of dancing. Making of them the work of how and when to place the melody to make the hook between the public/dancer.

The public rumbero, dancer…It is hard to understand that going out one night and feeling the atmosphere with something musical that not only you like, but also your partner or whoever you ask to dance likes the theme. Remember that not only the song makes the night enjoyable, but also the sound of the song and the people around you.

On the other hand, there is the audience that is not even a dancer. Many have the bad sense to bother with a drink in hand, dance alone, even take pictures and record the musicians and / or DJs. They get in the way of those who really want to enjoy the dance floor.

The criticisms are constructive to be better for the next dance, remember that there is a lot of music from the older music stirring memories of the public. As well as the newest, given that the music is modern and evolving.

With this I do not mean that all are bad, on the contrary there are good musicians and DJs par excellence that I follow for many years. But there is a large group that is coming out in this that lacks some of the conditions mentioned above.

For DJ’s

  1. If you are going to play a number, play the original. The musicians, composers, arrangers and dancers will thank you for it.
  2. Music with instrument downloads are UNCOMFORTABLE FOR DANCING. Know how to choose which solos are danceable. Give swing to the dancer.
  3. Don’t cut the end of the music, or mix it up. It takes away the happy moment of that final punch.
  4. Just because it’s fast doesn’t mean it’s danceable; listen and see how people enjoy the different tempos in the music.
  5. Hey…the guajira, the son montuno, the chachacha…whatever you call it, it’s part of the genre. Why do you have to ask for it and they look at you funny? Out of every three to four salsas, a chacha goes down very well.

Fasching Presents An Intimate Concert With Miriam Aïda

The only performance of the most influential Bossa Nova and Jazz singer in Sweden will be in September

Leyenda: Miriam Aïda sings in Portuguese, Spanish, English, and Swedish (her native language).

Miriam Aïda is one of Sweden’s most popular Jazz singers. She has an indisputable talent, a seductive and harmonic voice, and her outstanding appearances on stage always surprise the audience thanks to her impeccable fusion of Jazz and Latin rhythms.

On Thursday, September 29th, it will be the only concert that the Swedish singer will give at the imposing club Fasching https://www.fasching.se/miriam-aida/#2022-09-29T20-00 from 8 PM, and tickets are available from 120 SEK (persons standing) to 200 SEK.

She will create this intimate and exceptional show with the feature of five prominent musicians from the Scandinavian Jazz music scene: Mats Andersson (Guitars), Johan Olsson (Accordion and Keyboards), Simon Peterson (Bass), Finn Björnulfson (Percussion), and Ola Bothzén on Drums.

Miriam will navigate the music of the American coast, stroll along the Caribbean Sea, and descend to the magnificent beaches of Brazil to present the rhythms that took root in the New World: Bolero, Cuban Rumba, Samba-Soul, and Jazz, among other genres that together to the colorful voice of Aïda, they will perform the songs from their most recent production Loving the Alien released in 2018, in addition to their greatest hits compiled on eight albums.

This singer, leader of Bossa Nova and Latin Jazz in Sweden, has taken her show to the main cities of Japan, the United Kingdom, Brazil, France, Spain, USA, Turkey, Russia, Italy, and Germany as a soloist as with the band A Bossa Elétrica, and has had the good fortune to have shared the stage with great Brazilian personalities such as Hermeto Pascoal, Badi Assad, and guitar master Marco Pereira.

She is the Director of the record label Connective Records and radio programs.

The extensive career of Miriam Aïda www.miriamaida.com goes from her first album Jan Lundgren Trio Presents Miriam Aida & Fredrik Kronkvist released in 2002. This record production together with her husband Fredrik Kronkvist, the pianist Jan Lundgren, and two very talented young soloists performed for the first time the Funky-Soul-Jazz rhythm and standards with an American and Swedish touch.

Who is Fredrik Kronkvist? https://fredrikkronkvist.wordpress.com/bio He is a master of the Alto Saxophone and one of the established stars of Swedish Jazz. He has nearly 9 million views on digital platforms for his ballad hits Theme for Ernie. This saxophonist with extensive knowledge of the instrument and Jazz is currently releasing a new album in early 2022 with ten original ballads and directs his band made up of four musicians from the vanguard of current Jazz.

Miriam after a year of this successful album releases her debut solo album My Kind of World (2003) with classics like “Big City” and passionate Bossa Nova ballads. She continues with A Bossa Elétrica – Eletrificacao (2004), and Miriam Aïda & Fredrik Kronkvist with Monday Night Big Band – Live at the Palladium (2005) recorded live. This CD features moving, direct Jazz and Bossa nova. With this powerful Big Band, they covered great songs like Horace Silver’s Senor Blues, Nat Adderley’s Fun, Right Here, and Right Now, to name a few.

She also participated in the album Joe Spinaci and the Brookolino Orchestra-Too Darn Hot (2005) and continued with her solo album Meu Brasil (2007). The material is mainly in Portuguese and compiles great composers from different eras such as Baden Powel, Nelson Cavaquinho, and Jorge Ben. It contains a new Bossa Nova written by Miriam with Swedish lyrics and incorporated Swedish poet Nils Ferlin’s interpretation of the poem in Portuguese.

It is followed by Come on Home (2008), Letras ao Brasil (2009), Visans Väsen (2011), É De Lei! (2014) recorded in Sweden and Rio de Janeiro in collaboration with the Brazilian arranger Jayme Vignoli and the voice of one of the best singers from Rio, Marcos Sacramento, and Quatro Janelas (2015).

Salsa Invades Belgium In September

We tell you about 5 Salsa events that you cannot miss

Salsa Park

Caption: Food & Latin Music at Josaphat Park in Belgium

We started with the dance school specializing in Cuban Salsa, Cuban Style, and Rueda de Casino in the capital of Belgium (Brussels), Danza Mania. This academy with more than a decade of experience teaches Salsa classes for all levels with an emphasis on mastering combinations, movements, and figures in a fun and relaxed environment.

The Danza Mania’s motto https://danzamania.be/ is Dancing with Feeling, which is the motive to offer the last free workshop for all Salsa lovers on Friday, September 2nd.

At 7 PM the lessons will begin for those salseros who want to start in Cuban Salsa but don’t worry, they will also teach classes for intermediate and advanced levels. An hour after Salsa Party will begin with DJ Felito, and at 8:45 PM, there will be entertainment with the Danza Mania team. The workshop will end with the last Salsa Party with DJ Felito from 9 PM until dawn. Where? At La Laiterie in the heart of Josaphat Park, 1030, Schaerbeek, Belgium. Dare to participate and have a pleasant recreation at no cost in a warm and welcoming environment.

Axxes Café

Caption: A pleasant evening with dinner and lots of Salsa

We continue with the second recommendation in this edition and it is Axxes Café https://www.axxes.be/. In this venue, you can taste delicious Mexican dishes and tasty cocktails.  Additionally you can dance to Latin rhythms such as Southern Salsa, Bachata, Merengue, and Kizomba every first Saturday of the month from 11:30 PM to 3 AM. Admission is free.

DJ Pepe is in charge of making this Salsa night a reality since last Saturday, July 22nd (2022). This resident DJ of Latin night in Belgium for almost two decades traveled for the first time to Old Havana (Cuba) in 1997, where he fell in love with this musical genre. Since then, he has been a faithful lover of Salsa, and is currently the organizer of the Salsa evening at the Salsa Axxes restaurant and café in the Kinepolis complex. Address: Groenendaallaan 396, 2030 Merksem. Enjoy the most southern atmosphere in Belgium!

Mambo Surge Weekend 

Caption: Daily workshops from 1 PM to 6 PM

The second weekend of this month Mambo Surge Weekend www.mambosurge.com event will be held in its first edition with workshops (7 PM – 8 PM), shows (11 PM), and social events in three different rooms of the Theater of Dramatic Art OC Djoelen, Steenweg op Mol 3/Bus 2, Oud-Turnhout, Belgium from 9 PM.

Mambo Surge Weekend is a cooperation of experienced Salsa event organizers whose goal is to create quality events that spread love and passion for this Afro-Caribbean rhythm.

Mambo Surge Weekend is from September 9th to 10th and will feature the following local DJs team: DJ CyCy, DJ Asmadi, DJ Cisko, DJ Louis, and DJ Lukas “El Taz” mixing the best Caribbean music. The cost to attend this event is €80.

10 Dance Delirium Salsa Festival Gante

Caption: Tickets for the daily Salsa parties range from 10 EUR to 15 EUR

This seventh edition of the festival will take place from Friday, September 2nd to Sunday, September 4th and will be packed with three days and three nights of parties in two areas (Salsa/ Bachata), around 20 hours of varied workshops, shows from at 11:30 PM, meet & greet with national and international artists, and three DJs: DJ Willy VIP, DJ Cisko and DJ Alfons doing their best mixes.

The location for this edition of the 10 Dance Delirium Salsa Festival Ghent www.10dancefestival.be will be the modern dance complex, Doxtudio, located at Dok-Noord 7/107, Gent. The cost of the Full Pass is 85 EUR, and street parking will be free from 11 PM to 9 AM each day.

But, if you want to continue the fun with the team of the young and dynamic dance school in Ghent, Lékip Dance, Dox Summer Sundays 2022 will take place on Sunday, September 11th, with two hours of lessons. From 8 PM to 9 PM the Afro Body Movement class will be held, and an hour later, you will be able to do the Rueda Cuban Style lesson by the pair of instructors Osbanis & Anneta from Poland.

 

Europe – September 2022

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.