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Search Results for: Venezuela

Dave Valentín is considered one of the most important Latin jazz flautists in history, thanks to his technique and rhythm

Valentín: The Master of the Flute in Latin Jazz.

Dave Valentín is considered one of the most important flutists in the history of Latin jazz, thanks to his technique, rhythm, and vast musical knowledge.

Dave Valentín is considered one of the most important Latin jazz flutists in history, thanks to his technique and rhythm
Dave Valentín is considered one of the most important Latin jazz flutists in history, thanks to his technique and rhythm

Born in the Bronx, New York, on April 29, 1952, to Puerto Rican parents from Mayagüez, Valentín grew up in a home filled with music. From the sounds of Tito Rodríguez and Tito Puente to Machito, the musical culture that surrounded him as a child was a major influence. Although he loved the bongos and congas, he joined a Latin group as a timbalero during his teenage years. He played in the “cuchifrito” circuit and in working-class dance halls in New York.

Dave Valentín’s life largely reflects the story of the children of Puerto Rican immigrants in New York who forged their own destiny through hard work, dedication, talent, and family support. In fact, the musician, composer, and arranger himself liked to say that “each person creates their own reality.”

A Legacy-Filled Career

  • GRP Records Pioneer: Valentín was the first artist to sign with the influential GRP record label, which allowed him to consolidate his career and spread jazz fusion and Latin jazz to a wider audience. He recorded 16 albums with the label, including titles like Legends, The Hawk, Land of the Third Eye, Pied Piper, In Love’s Time, Flute Juice, Kalahari, and Red Sun, among others. These works combine the intensity of Latin cadences with influences from pop, R&B, Brazilian music, and smooth jazz. For the musician, being signed by this multinational company represented “the opportunity of a lifetime.”
  • Notable Collaborations: Throughout his career, he worked with major figures in jazz and Latin music such as Tito Puente, Manny Oquendo, Cano Estremera, Eddie Palmieri, Ricardo Marrero, Dave Grusin, and Patti Austin.
  • Awards and Recognitions:
    • He earned a Grammy nomination in 1985.
    • He won a Grammy Award in 2003 for his work on the album Caribbean Jazz Project, alongside vibraphonist Dave Samuels.
    • He was chosen as the top jazz flutist by readers of Jazziz magazine for seven consecutive years.

Come Fly with Me (2006)

Dave Valentin - Come Fly With Me
Dave Valentin – Come Fly With Me

Dave Valentín always moved in the realm of fusion. His incorporation of smooth jazz elements, Latin influences, and the sensitivity of modern jazz made him a difficult artist to pigeonhole. Come Fly with Me is one of his most notable albums, as it focuses on a direct approach to Latin jazz. The majority of the songs are Afro-Cuban with a New York flair, without including funk or samba rhythms.

Driven by a formidable rhythm section that includes Robert Ameen on drums, Milton Cardona and Richie Flores on percussion, Luques Curtis on bass, and his friend Bill O’Connell on piano, the album overflows with power and elegance. Trombonist and arranger Papo Vázquez also participates on several tracks. The group’s rhythm is profound and the solos are filled with inspiration. Despite some less successful moments, Valentín’s innate sense of taste and melody shines brightly.

Album Credits

Musicians:

  • Dave Valentín (Flute)
  • Bill O’Connell (Piano)
  • Luques Curtis (Acoustic Bass)
  • Papo Vázquez (Trombone)
  • Chris Barretto (Tenor Sax #1)
  • Robert Ameen (Drums)
  • Milton Cardona (Percussion)
  • Richie Flores (Percussion)

Tracks:

  • Come Fly with Me
  • Twinkle Toes
  • Enciendido
  • Mind Games
  • If You Could See Me Now
  • Easy Street
  • Tu Pañuelo
  • House of the Sun
  • Song for My Brothers

Sadly, Dave Valentín suffered a stroke in 2012 that forced him to step away from music. He passed away in 2017. Despite his passing, his musical legacy remains a fundamental reference for flutists and lovers of Latin jazz.

Valentín El maestro de la flauta en el jazz latino
Valentín El maestro de la flauta en el jazz latino

By:

L’Òstia Latin Jazz

Rafael Vega Curry for the National Foundation for Popular Culture

Dj. Augusto Felibertt

Also Read: Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger.

Rudy Regalado. The legend of percussion

North America / USA / California

Rudy Regalado was a composer/ educator and one of the top Latin Rock Timbaleros based in the area of East Los Angeles, California during the 1970s and the second more famous Latin percussionist after Tito Puente. His legacy has been exceptional, 23 recorded albums, participated in big Festivals from USA and shared the best platforms with the best in the world. This artist was well known for his style, his contagious rhythm and eccentric presence.

Photo 1: Rudy Regalado
Photo 1: Rudy Regalado

Rudy Regalado was a genuine and outstanding timbales maestro; he was inspired as a child by big bands Machito and Tito Rodriguez, who were two of favorites he became interested in playing music and the Timbales.

His beginnings in this instrument go back at the end of the 1950s. During that period as s teenager, he learned to play the drum and timbales in home town (Caracas-Venezuela). For 1963 and with desire to eat the world with his music he moved to Puerto Rico and started playing in hotels and clubs in the San Juan area with Julio y su combo, the first house bands he played with in Puerto Rico’s at Hotel Caribe Hilton. They were the backup house band for all the famous musicians that performed in the Island in 1965; at the same time he studied harmony and percussion at Pablo Casals Conservatory of music.

Photo 2: Rudy Regalado
Photo 2: Rudy Regalado

A decade later the restless Venezuelan timbalero migrated to Southern California, where he joined playing with local jazz and Latin groups before joining with the extremely popular Latin Rock Band called El Chicano.

The timbalero of timbaleros spent twelve years with El Chicano, singing and playing the timbales in 5 albums, which was included in Top 40 hits during the 1970s with the songs “Viva Tirado” and “Tell Her She’s Lovely”. El Chicano also created the theme song for the television series Baretta, which ran on ABC from 1975 to 1978.

After, Rudy formed his own Latin Jazz All-Star / Salsa Band in 1983, which included a selected group of musician from Los Angeles. Initially known as Todos Estrellas, the band eventually became known as Chévere (aan expression of Venezuelan popular slang) and appeared at the PlayBoy Jazz Festival, Disneyland and Fiesta Broadway, among other engagements. The band also performed overseas in summer festivals in Canada, Hong Kong, Indonesia, Kuala Lumpur, Malaysia, Singapore, Thailand and throughout the European continent.

Photo 3: Rudy Regalado
Photo 3: Rudy Regalado

As part of an El Chicano reunion in 2009, the Timbales maestro performed during the 40th anniversary of Woodstock festival at the Golden Gate Park Music Concourse in San Francisco, where the group actually celebrated their own 40th Anniversary, and last played with them at the Greek Theatre of Los Angeles in front of over a 100,000 screaming fans.

In addition, he participated in a variety of sessions with the Zawinul Syndicate, Quincy Jones, Alphonse Mouzon, Caravana Cubana.

Photo 4: Rudy Regalado
Photo 4: Rudy Regalado

Rudy also toured with Aretha Franklin in charge of her percussion section, was a drummer for Los Melódicos in its 1980 tour of United States, and performed on the Tonight Show, the Nancy Wilson Show and American Bandstand. His film credits include The Skeleton Key (2005), as well as the television series Pepe Plata (1990) and Clubhouse (2004).

Héctor José Regalado better known as Rudy Regalado passed away on November 4th, 2010, in Las Vegas – Nevada, where he died from complications of pneumonia at the age of 67.

Photo 5: Rudy Regalado
Photo 5: Rudy Regalado

Currently, his daughter Norka Tibisay Regalado founded in 2013, the Rudy Regalado Foundation. The goal of the foundation is to provide inner city music programs with instruments and financial support. “Let no child be left behind due to lack of funds”. In February, 2014, they donated over 2500 instruments and donated $2000.00 to help with cost for instructors. Her goal is to get financial support from big companies and the community in order to reach many more music programs; she is also working on bringing music programs inside children´s hospital to help the healing process to their mentally ill children and burned survivors.

Rudy Regalado will be forever remembered as one of the greatest Latin exponents of Salsa / Jazz sound of all time, undoubtedly, The Legend of Timbales (January 29, 1943 (Caracas – Venezuela) – Covember 4, 2010 (Las Vegas – Nevada).

Photo 6: Rudy Regalado
Photo 6: Rudy Regalado

For additional information or to make a donation, please contac Norka Regalado at 323.270.8176 or go to website www.rudysfoundation.org/

Tito Puente Jr.: perpetuating a legacy with its own rhythm

In International Salsa Magazine, we cannot contain our joy for the conversation we had with the son of one of the greatest legends of Latin music, who is now writing his own story of grandeur thanks to the education he has received practically since birth. This is none other than New York producer, composer, and percussionist Tito Puente Jr., who shared about 40 minutes of his time to answer some questions exclusively for Augusto Felibertt and yours truly, Karina Garcia. 

Tito puente jr. smiling
Producer, composer, and timbalero Tito Puente Jr. smiling for the camera

The burden of Tito Puente’s iconic legacy

Having a successful father is a great blessing, but sometimes, it can become a veritable martyrdom for a son who wants to follow his path, as comparisons between them will always be inevitable. Being able to share with Tito Puente Jr., son of the legendary King Of Timbales Tito Puente, gives us the opportunity to get his perspective on this interesting and important subject. 

Fortunately, the artist does not see this legacy as a burden, but quite the opposite. Although he admits that his father is one of the greatest masters and ambassadors Latin music and our culture in general have ever had, and that it is not easy to fill his shoes, he proudly bears his father’s surname and promotes his music.

Moreover, he sees the surname “Puente,” as well as the Spanish word implies, as a union among several generations because many young people this day do not know Tito Puente, Celia Cruz, and many other exponents of that salsa’s golden era. Tito Jr. wants to be part of that “bridge” between generations so that people of all ages can learn about these prodigies, including, of course, his father.

Childhood with Tito Puente as his father

Regarding his childhood and adolescence, Tito emphasized that he always saw his father play all types of instruments such as timbales, marimba, saxophone, percussion, and many others, which inspired him and made him want to imitate him from the beginning. Today, his career is largely influenced by everything he saw at home, and he plays his father’s arrangements and compositions, which are divided between a total of 186 albums. 

Everything learned within his family has taken him so far professionally, to the point that he now has seven Latin Grammys and 14 nominations, all thanks to the legacy he carries. 

Tito Puente and Tito Puente Jr.
Tito Puente Jr. and his father Tito Puente on the 1998 Grammy Awards red carpet

The Puente family today

On the more personal side, Tito is the youngest of his brothers, among whom he is the only one who works on music as a profession. To some extent, this has made him take upon his shoulders Tito Puente’s legacy through his own art.

The musician currently resides in southern Florida, specifically in Miami, although he works with orchestras from different cities and countries. He is married and has two children who are Miranda, 18, and Tito Puente Jr. Jr., 17. Miranda studies marine biology at university, while her younger brother is in high school but travels constantly with his father and enjoys composing and playing the guitar.

He also told us a little about his wife, who loves salsa but is not in music. On the other hand, he spoke lovingly of “the boss,” his mother Margarita Puente, who is currently in charge of royalties, record labels, publicity, and the documentary on Tito Puente’s life.

He also has two siblings: Audrey Puente, 55, who is a television meteorologist, and Rony Puente, 77, who is also a musician like his father and younger brother. 

Other musical influences besides that of his father

In addition to salsa, mambo, and guaguancó, Tito really enjoys English rock and several bands such as Metallica, Slayer, Iron Maiden, Black Sabbath, and others into this style. These tastes of his have led him to the idea of, at some point, blending heavy metal with mambo to see which result he gets.

As well as he can really enjoy the music of Bon Jovi and Ozzy Osbourne, he is also fascinated by El Gran Combo de Puerto Rico, which he finds to be a very interesting mixture of genres that he would like to experiment with someday. 

He also said laughing that his father did not share his musical tastes and that the only rock band he liked was Santana, and that was because they did their own version of the hit “Oye Cómo Va” in psychedelic rock and Latin rock. 

Tito Puente holding his son
Tito Puente carrying his son Tito Puente Jr.

Current singers

Today, Tito works with various singers, including Aymee Nuviola, Lucrecia, Yolanda Duque, and his great friend, “La Princesa de La Salsa” La India. His father worked with great vocalists such as Tony Vega, Michael Stuart, Oscar D’León, José Alberto “El Canario,” Miguel Ángel Barcasnegras Díaz “Meñique,” and many more. 

Tito’s latest album, “The King And I,” also features other big voices such as Domingo Quiñones, Frankie Negrón, José Alberto “El Canario,” Tony Vega, Sheila E., Pete Escovedo, and many other salsa superstars of today and yesterday. 

The timbalero has worked with many figures who also worked with his father in the past, so it is clear that they see him and respect him as the continuation of his musical legacy.

Tito’s views on academic training in music

On the important issue of academic training in music, Tito pointed out that there are not enough educational programs aimed at teaching Afro-Cuban music in schools and universities, which in his view needs to change as soon as possible.

In fact, he noted the importance of promoting programs in educational institutions around the world so that their students learn much more than just symphonic music and become more rounded professionals. Although he recognizes the importance of knowing Beethoven and Tchaikovsky, he also believes that aspiring musicians should know about Eddie Palmieri, Charlie Palmieri, Larry Harlow, Pupi Campo, and other artists in this style. 

The artist believes that the above mentioned artists and many others related to jazz and salsa are part of a very important era of music in the world, which is why he believes that teachers must take them into account during their classes. For him, it is a mission to promote both his father’s music and that of other exponents of his kind in the academic field.

Tito Jr. and his family
Audrey, Margarita, Tito, and Tito Jr.

Upcoming tours

For our research, we could notice that Tito has several performances and tours scheduled for the rest of the year, more specifically for November. In this regard, he told us that in the first week of September, he went to play his father’s music on his weekly show Mambo Mondays, which is held to delight dancers eager to keep enjoying Tito Puente’s music.

About international tours, he plans to go to Germany in February next year and Spain next summer. He is also close to release a documentary in 2026 and a new album with the Los Angeles Symphony Orchestra, which has 77 musicians and instruments such as violins, violas, harps, bagpipes, flutes, French horns, among others.

Tito Puente Jr. and his son
Tito Puente III and his father Tito Puente Jr.

Final comment

We still cannot believe we had this great conversation with the talented Tito Puente Jr. and it has been a great pleasure to share this time with him. Those who wish to contact him can do so through his social media channels, which are as follows:

 

Facebook: https://www.facebook.com/TitoPuenteJr/

Instagram: https://www.instagram.com/titopuentejr/

X: https://twitter.com/titopuentejr

Tik Tok: https://www.tiktok.com/tag/titopuentejr 

Spotify: https://open.spotify.com/intl-es/artist/2ROkqvVDXj5JgmN6z2uFrM

Read also: Venezuela violinist and former musician in El Sistema Ali Bello has many interesting things to say

Latin America / October 2025

Luis Conte 2025Dave Valentín 2025Sammy Figueroa 2025Roberto "Bobby" Rodríguez 2025Jose Nogueras and Bobby CruzJeremy Bosch 2025Calibrated maracas

OCTOBER EVENTS 2025

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VENEZUELA
Salsa Pal'23

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PUERTO RICO
Dia Nacional Zalsa 2025
DIRECTORY OF NIGHTCLUBS

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ARGENTINA

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ARUBA

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BELIZE

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BOLIVIA

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BRAZIL

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CHILE

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COLOMBIA

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COSTA RICA

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CUBA

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DOMINICAN REPUBLIC

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ECUADOR

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GUATEMALA

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MEXICO

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PANAMA

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PERU

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PUERTO RICO

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VENEZUELA

 

Salsa Pal Bailador

Europa /

Salsa Pal Bailador. The success of a passionate venture that goes against commercial trends

Salsa Pal Bailador - Anniversary
Salsa Pal Bailador – Anniversary

By Roberto “Vene Barral”

Last Saturday, May 6, the Garufa concert hall in A Coruña, a beautiful city in Galicia, central Spain, hosted the 5th Anniversary of Salsa pal Bailador. This event, created with the humble goal of offering a space to enjoy only quality salsa, has now become one of the most successful social events in Spain.

On the surface, the idea seems simple: organize a monthly event that brings together and gives free rein to all those who are passionate and nostalgic for pure, unadulterated salsa. But we must remember that we live in a consumer society that constantly tells us what we “have” to listen to, what fashions and styles are in and out. This is where SpB took a bold stand, going against what DJs and events were promoting at the time.

SpB emerged when kizomba, an African rhythm from Cape Verde, was spreading from neighboring Portugal into Spain. Along with the already established bachata, these were the trendy styles played at every social event that wanted to be a hit with audiences. But SpB’s proposal was even more daring. Not only did it focus exclusively on the most classic, least commercial, and least-known salsa, but it also had the audacity to schedule the event on a difficult day—Sunday—and at an even more challenging time: in the evening, starting at 8 p.m.

Perhaps in other parts of the world, organizing such an event would guarantee success with the public. But here, for the reasons already explained, it was a real challenge that was only expected to work because of the sheer tenacity that comes from having a passion for what you do.

So who are the impulsive salsa enthusiasts behind the success of Salsa pal Bailador?

DJs - Salsa Pal Bailador
DJs – Salsa Pal Bailador

For one, there’s one of the organizers of these sessions, Martín Fernández, an Argentine who has lived in Galicia for decades. He turned salsa and this event into his dream and his challenge, striving not only to make each edition better than the last but also to bring in dancers, DJs, and collaborators from other parts of Spain and abroad (Portugal, Italy, etc.). More importantly, he has tried to support all the local schools, dancers, and DJs in Galicia, as well as the salsa orchestra created by Galicians, the Orquesta Sonoridad. This is something to keep in mind, as the exposure for all these artists is possible thanks to the celebration and promotion of events like this one.

For its 5th anniversary edition, we enjoyed workshops and shows by Erik and Monika Eym Salsa from the Basque Country and Nuno and Rita from Portugal. There were also local shows like SSN Dancers, a group from a school in Betanzos, and Soulswing, a magnificent group of dancers from A Coruña, led by Javi Azúcar, who is a choreographer and guest DJ at several SpB sessions.

Over the years, many artists have participated in SpB sessions: figures such as Juan Matos, Yemambo, Carla Vocconi, Carlos Flow, Zergyo and Eva Mambo, Rui and Leonor, Nuno and Nágyla, or the local groups Mambo Sins and Son Candela, choreographed by the talented dancer Nuria Rodríguez Dieste, just to name a few.

Second, we have the two hosts who not only help organize all SpB events but also work hand-in-hand to ensure that each SpB session ends later, with more people asking for just one more song to dance to. I assure you that if the rules didn’t require a closing time, we would have the first after-hours venue where people consumed music, not substances, to stay awake. They are Manu Rumberito and El Nene del Bronx.

Salsa Pal Bailador - dance with me with Lugo - DJ Rumberito + El Nene
Salsa Pal Bailador – dance with me with Lugo – DJ Rumberito + El Nene

They are as unique as they are complementary, two tireless treasure hunters, searching for gems that haven’t yet been played on our dance floors, are unknown to our ears, or are classics we haven’t enjoyed in a long time or don’t get to hear very often. This is a luxury that, in these times of commercial music suffocation, very few of us can enjoy.

In addition, their passion for always seeking a more authentic, raw, and—why not say it?—more imperfect sound, but also one that is more acoustic and real, led them to start using vinyl records in their sessions. This trend has become SpB’s hallmark and has spread throughout Europe over time. Fortunately, we can now enjoy it at more and more events.

And, since passion is a state of mind that takes root everywhere, they found their alter egos in Madrid. Of course, they couldn’t celebrate SpB’s anniversary without them. These two turntable phenomena, Chema Sr. Importante and Marcin Martinelli, were the two guest DJs for such a special occasion. Other famous DJs have been featured at SpB sessions, including Hugo Leite, Nuno Melo, Dj Mito, Alexis Rodríguez, and Chris Beat, along with other local DJs such as Melao, Montuno, Sergio Elbembee, and the aforementioned Javi Azúcar. These DJs, like the guest dancers, aren’t unapproachable people; they come down to the dance floor to dance, chat, and enjoy themselves with the audience like everyone else.

Salsa Pal Bailador - Anniversary - DJs and workshops that will be presented
Salsa Pal Bailador – Anniversary – DJs and workshops that will be presented

At this point, many of you may be wondering: How is it possible that in a medium-sized city without a large Latin American population, an event featuring such a particular style of music can be so successful?

Well, it’s true that, fortunately for Galicians, in addition to having been welcomed with great hospitality in all the Latin countries to which we have emigrated, we have many returnees and natives from across the Atlantic living with us. This gives us the opportunity to enjoy many Cuban, Venezuelan, Colombian, and other styles of music and orchestras, which are very successful among both Galician and Latin American audiences.

But the truth is, we can say that they are different phenomena. People go to listen to the traditional music of these groups or orchestras for the pleasure of hearing those familiar tunes; it is more of a sensory delight.

However, when we talk about a social event, we associate it more with fun, leisure, and enjoyment in the sense of recreation. That’s what dancing at a social event means to us, where people of any age or condition simply let the music guide their bodies for pure joy, without any other pretensions.

It might be easy to conclude that this is the reason for the success of this type of event, and why they are so popular in this corner of the country. But we must remember that we are talking about A Coruña, a place that does not have the size or population of other large cities like Madrid, Barcelona, or Valencia. It’s a place where public attendance at these social events is high, where several social events are organized every week and on several days a week, and yet the public has been responding for decades. So what’s the secret?

Without wanting to diminish the great effort made in many other places, which despite this does not always have the deserved result, I believe that part of the success of this event is due to the courage to commit to formats or ideas that may not have an immediate and massive response or support but which, in return, offer sufficient quality to end up convincing even the most skeptical.

Therefore, in these times of commercial bombardment and mass-produced products, committing to creativity, innovation, and quality is a risky move. But we all know that if you don’t take risks, you don’t win, and SpB has taken that risk. As a result, every year it attracts more people from more places, including Portugal, Madrid, Valladolid, Asturias, Valencia, the Basque Country, Barcelona, etc. That is why, on its fifth anniversary, it has reaped its well-deserved rewards.

Salsa Pal Bailador - Congratulations
Salsa Pal Bailador – Congratulations

Congratulations to SpB and to its loyal audience, which is growing every day. Keep betting on quality!

Next event:

Salsa Pal Bailador

Sunday, June 4, 2017

Sala Garufa Club C / Riazor 5, A Coruña, Galicia, Spain

After the success of its fifth anniversary celebration, the Salsa Pal Bailador event returns on Sunday, June 4, to the Salsa Garufa Club in A Coruña, Spain. It will be a night of PURA SALSA, featuring 100% vinyl with DJs Manu Rumberito and El Nene del Bronx. There will also be two shows featuring the talents of Baila Conmigo Lugo and Euphoria Ladies Project from Vigo.

More information:

  • http://www.facebook.com/spb.salsapalbailadorlacoruna
  • http://www.facebook.com/SalsaGarufaClub/
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.