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ISM presents 2 Venezuelan DJ with a great passion for Salsa

Latin America / Venezuela / Caracas

DJ Katiuska Oropeza

Katiuska Oropeza. Born in Caracas, the capital of salsa in Venezuela, currently based in the Carabobo State, Valencia – Venezuela.

He mentions “My passion for salsa began at the age of 3, influenced by my father who was a great connoisseur of this genre and at the age of 7 I already wanted to learn to play the timbal since I love percussion.

Over the years and by chance I got to know the salsa movement produced by a number of virtual collection salsa stations where a number of music lovers gather to enjoy and keep alive what is the essence and basis of salsa, I become passionate and I begin an incredible learning about everything that Venezuelan salsa is and that is when I become a programmer for the pioneering station on the Internet called www.rumbayguateque.com through this I was the representative in Venezuela of Mr. Alfredo Maleta Torres, the last singer who had the Joe Cuba sextet.

Today I try to spread the little that I have learned from this genre that has an endless history and from time to time participating as a musicalizer in different salsa events.” “Long live salsa forever.”

DJ Jaime Guanipa

During his interview on La Maceta radio conducted by me, Jaime mentioned that he was born in December 1966 in Caracas Venezuela, a native of Sarria belonging to the La Candelaria parish, where he grew up in two aspects in his early years, between Sarria and Alta Vista. in Catia parish Sucre also in Caracas.

His first tangible experience within Latin music called “SALSA” was thanks to the Venezuelan “PHIDIAS DANILO ESCALONA” who gave him this label that has immortalized the genre, and for Jaime’s memory it was in 1973 with the premiere of the movie “Nuestra Cosa Latina” and The SALSA Movie in different theaters in Caracas, and through its soundtrack I was shocked, and began to develop a definitive taste within the musical field, nurturing and wanting to be more extensive…

In this way, through the years, I achieved a broader knowledge within the Latin American culture, where it was enriched by absorbing like a sponge everything related to the environment and listening to Radio where they moderated great knowledge to which I can name our Venezuelans and connoisseurs. and moderators in different Radio stations in Modulated Amplitude for the time in Caracas such as Phidias Danilo Escalona, Floro Manco, Enrique Bolívar Navas, Héctor Castillo, Rafael Rivas, among other great broadcasters, achieving a very solid understanding within the majesty of salsa , but…

As of 1979 he has the concern to share and listen to the coarsest of our Latin music, beginning with family parties and friends, then he made comments and selected music from the acetate discs that were in said meetings, being this a cult and from 1982 he defined himself as a DJ. Salsero, enriching the technology and the true art of the moment, which is research, the study of the genre and the credits of his albums that logically were and are in LP format.

Generating in this way a breeding ground for experimentation and musical selection, it is from this moment referring to the date in which his experience and exchange of criteria between friends who throughout these years have followed and accompanied him within this passion, having successes as Salsero Musicalizer in extinct venues in the city of Caracas for the years 1985 to 1990, was triggered.

Later, in 1993, he temporarily retired due to family responsibilities, but without ever abandoning my passion for music and genre research both here in my country Venezuela and abroad, and in 2008, he decided to resume after a reasonable time. my most significant taste for salsa musicalization, already for the moment obtaining many valuartes but with its due time within the genre, evolving distinctively in terms of its versatility and exponents, highlighting that for me it is not a challenge since due to the concept earned and maintained has given me a preferential position within the taste of the salsero and the dancer that…

I call demanding, experience experience gained due to the fact that at the time I was surrounded by great friends who love the salsa genre that many of them share today, which is why and subscribed to current technology and its ease of access, it means that in a masterly way I can give the what the dancing public really wants and desires in each meeting, event and party, without a doubt, before it I expose an interactive referential synthesis of my time in this exciting world as it is and I define “Salsa musicalization in Caracas nightlife ”.

12th edition of the distinguished Salsero and tourist Festival of Venezuela

Latin America / Venezuela / Caracas

Venezuela land of salsa by nature year after year offers us a space dedicated to this beautiful dance, mainly framed in the presentation of the talent of more than 150 dance schools registered as diffusers of Salsa in this country and an expected visit of guests and foreign public. will make the so named Venezuela es Latina an event to remember. With 12 years of successful editions, it invites us not to one more edition, it calls us to enjoy 4 nights and 3 days of multiple activities, best of all, nights of great social parties.

Venezuela es Latina XII Festival - Flyer — Venezuela es Latina XII Festival – Flyer

Venezuela is Latina, an event with more than 11 years of experience, organizes for this 2018 edition a festival full of workshops, seminars, forums, certifications, bootcamp, shows, competitions and good local tourism, the ideal space for everyone who wants to meet one of the most emblematic tourist and salsa lands in the world, the famous Venezuela.

This 12 installment gives us a cycle of more than 20 hours of classes and training cycles distributed in workshops, seminars and Bootcamp on days dedicated to the professional training of dancers or dancers, as well as instruction for visitors, novices and / or dance fans.

We will be able to delight ourselves with the knowledge of the best instructors from Colombia, Ecuador, Cuba, Venezuela among other countries that remain to be confirmed, with workshops of the most sought-after disciplines, added to this 3 high-caliber seminars of theoretical and practical content that seeks to certify participants.

For the general public, Bootcamps are offered guided by the organizing academy, the Son Rumbero school, which for 2 years has brought this famous practice to the festival, giving attendees the opportunity to do a cycle of classes that ends when they appear on stage. along with the best dancers of the moment on the main night of the festival.

For lovers of good music, there will be a meeting of salsa and timba fans or collectors, where we can enjoy the best musical themes, acquire good music, together with 3 nights of parties and social dancing to share with all attendees, framed in nights of enjoyment and sharing between dancers and sympathizers of these great rhythms at the hands of the best guest DJs.

Stage of the Venezuela es Latina XII Festival

For those who wish to visit this great event, the organizing committee has distributed all-inclusive packages for Colombia, Ecuador, Peru, Uruguay, Chile, Argentina, Central America, North America and Europe, with 5, 4 and 3 star hotels adapted to each need. In the same way, free packages are offered for promoters, directors or group managers who visit the festival.

Everything is ready for the 12th edition of this festival, the city of San Cristobal – Táchira State will offer us the best spaces to enjoy 4 days of great Latin things, a city 30 minutes from the border with Colombia in Cúcuta that speeds up access from the south. Dare to be part of this great festival, for more information, contact through social networks: @vzlaeslatina on Instagram and Facebook. Telephones: +573114061366 / +584126142562.

Mariana “The Sonera of Venezuela and for the world”

Janett Guevara García, artistically known as Mariana “La Sonera de Venezuela”, was born in La Pastora, Caracas on January 19, daughter of Reina García and Vicente Guevara.

Daughter of Reyna García and Vicente Guevara, she is the oldest of six siblings and from a very young age she showed her taste for music; an activity that has been her eternal passion, and has led her to make 12 record productions.

She is the oldest of six siblings and from a very young age she showed her taste for music; an activity that has been her eternal passion and has led her to make six record productions.

Educated in a convent school, she always participated and stood out in cultural events, until on one occasion she was suspended for telling the mother superior that there was a song called “La Cárcel” by Septeto Juventud that she wanted to sing at a cultural event.

At the age of 14, during her high school education, she learned to play drums and participated in the choir of the Caricuao Parish church where she lived.

As the years went by, Mariana was invited by Mr. Naty Martinez to a rehearsal, who was impressed when he heard her and decided to make a musical production.

That is when Mariana’s true pilgrimage began, going through stages earning the admiration of salsa greats.

In past years, she received praise from Queen Celia Cruz and has the guarantee and support of the singers of the Fania Stars, the Gran Combo de Puerto Rico, José Alberto El Canario and even her great friend and fellow countryman Oscar D’León.

Oscar El Sonero del Mundo y Mariana La Sonera de Venezuela

Mariana has been worthy of awards such as “El Congo de Oro” at the Barranquilla salsa festival.

She has been praised by personalities such as Don Tite Curet Alonzo. Mariana alternates her exciting career with the media, where she has a radio program dedicated to our Latin music “Sonsoneando con Mariana” winner of the 2010 Excellence Award, as a popular radio space in the Vargas State Venezuela.

She recently participated in the heartfelt tribute to the 50 years of artistic career of maestro Elio Pacheco, founder of the Latin Dimension, where she recorded an excellent song called “Al Olvido”.

She received praise from the Cuban queen Celia Cruz, and has the support of singers such as the Fania Stars, José Alberto “El Canario”, the Gran Combo de Puerto Rico and even her friend and confidant Oscar D’ León.

“Oscar represents more than a friend to me; he is like a brother. When he has a presentation in Vargas he does not hesitate to call me to see us and talk about our projects. I thank him a lot for his advice, because it has helped me to be where I am. The responsibility of being La Sonera de Venezuela falls on my shoulders.”

Y así quedó esta Sonera para su noche boleros

She has managed to release 12 musical productions. Among her best-known songs are “Frases hecha” in 1996, recorded in Peru and “Eres más fuerte que yo” by the composer Enrique Hidalgo.

Awards obtained

La Sonera has been worthy of multiple awards, including the “Congo de Oro” at the Barranquilla Salsa Festival, as well as the nomination three times in a row for the Vargas Excellence.

She has also received plaques as Female New Artist of the Year and Best Sonera in Caribbean Representation.

“I will never forget when they gave me the Catatumbo de Oro in Maracaibo, in the year 2000. It is one of my greatest achievements.”

Mariana La Sonera en el Santuario de La Divina Pastora en Barquisimeto

My family is my life

At just 18 years old, Mariana became a mother for the first time. “It is something that very few people know, but my first husband mistreated me physically, verbally and psychologically. The only thing I can be thankful for from that relationship is the existence of my son.”

She is currently a speaker, producer, and host of her own radio show “SONSONEANDO CON MARIANA,” broadcast Monday through Friday from 12:00 AM to 2:00 PM on Dial Azul 95.9 FM. At the same time, she directs her own group and is part of Jeque y su Banda, the Rumberos Callejón orchestra, directed by the experienced timbalero Carlitos Padrón, where she shares the stage with Rodrigo Mendoza, Wilmer Lozano, among others.

Edgar Dolor, Hayzalex, El Jeque, Janett Trejo, Mariana, Frederick, Carlitos Hurtado

Research Sources:

Djane. Shina Rojas

Luisana Brito, [email protected]

Also Read: “Canelita Medina” Caribbean popular music loses one of its best exponents

Federico Betancourt “Pioneer of Salsa in Venezuela”

Latin America / Venezuela / Carabobo

Jesús Federico Betancourt was born in the city of Valencia, Carabobo state, on March 22, 1940. He was always attracted to music from a very young age.

In his adolescence, he liked Cuban rhythms, being influenced by Sonora Matancera, Mon Rivera, Eddie Palmieri and Joe Cotto. Before entering the entertainment world, he works at the Bank of Venezuela.

He affirms that he has not carried out formal studies at the musical level, learning the necessary theory to be able to perform as an orchestra conductor, but without interest in interpreting any instrument, but with a well-tuned ear, which has allowed him to remain in the music business for decades. , in fact on certain occasions he is named as the King of the Güiro.

His career began when he entered the Los Selectos Orchestra, where they played songs by the Billos Caracas Boy’s and the Los Melodicos Orchestra, which were at their peak in the 1960s, all this in a particular way, said Orchestra did not go beyond that.

In 1965, Federico Betancourt decides to satisfy his artistic restlessness and founds a band called Federico y su Combo Latino. The members that made up this band were chosen from among the founder and together with Roberto Monserrat.

But it was not until the middle of 1966, when the twenty-six (26) year old undertook the recording of the LP that would make him famous forever. This record production entitled LLEGO LA SALSA, would mark an important stage in Venezuelan Salsa, because it was the first LP that made use of the word SALSA in the country.

Federico Betancourt himself recounts that the Venezuelan announcer Phidias Danilo Escalona had a Radio Program called LA HORA DE LA SALSA, EL SABOR Y EL BEMBÉ, where all the Cuban and Puerto Rican Caribbean rhythms that were fashionable at the time were placed, among those who highlighted La Sonora Matancera with Celia Cruz, Tito Puente, Joe Cuba, Tito Rodríguez among others, and who was the one who supported them the most in terms of recording the album.

The production was recorded under the Palacio label, and the LP was titled LLEGÓ LA SALSA, he affirms that the title was chosen without taking into account the importance that it would revert in the future, he also affirms that it was not the name that gave him success , the album was a “bump” in sales, since all the songs were the most requested at the time, using his words: “The album sold like hot cakes”.

The music lovers of the time requested it on specialized sites such as the LA SALSA album. Federico says: “The father of the word SALSA was Phidias Danilo Escalona, he used it for the first time in his radio program, and I, humbly, with the success of my LP, gave him the push for its mass use.”

Federico Betancourt - Photo — Federico Betancourt – Photo

In Venezuela, the word SALSA was welcomed by the public willingly, since it suggested a mixture of flavors, which was exactly what happened in the Phidias program, but at the level of rhythms. After the appearance of Federico’s album, all the shows that were performed at the level of Caribbean and Cuban rhythms, carried the name of SALSA.

It is important to name the musicians who took part in this historic production: The musicians are: Ali Rojas Bongo and Cencerro, Roberto Monserrat Music Director and Timbal, Pedro Medina Congas, Alfredo Arcas Trombone, César Pinto Trumpet, Enrique Iriarte Piano, Rafael Prado Bass, Carlín Rodríguez Singer and maracas, Dimas Pedroza Singer, Federico Betancourt Güiro and Director of the Orchestra. The musical arrangements were by the famous trumpeter Eduvigis Carrillo (RIP). Production themes:

Llego la Salsa CD - Federico su Combo Latino — Llego la Salsa CD – Federico su Combo Latino

1.- Cocolía

2.- Conmigo
3.- El Pachanguero

4.- Sancocho Caliente
5.- Guaguancó Manía

6.- Celosa

7.- Despierta Rumbero

8.- No Critiquen
9.- Saoco

10.- Baila Yemaya
11.- Café Y Pan

12.- Que Me Querías

After the success obtained with the record work, the time came for the first international outing, which was to Colombia, in 1969. It happened because the singer of Los Melodicos, Víctor Piñero, informed Betancourt that he was stuck in Cartagena and Barranquilla with the themes El Cobrador and Federico Boogaloo. After the information, the young musician went to the neighboring country and got a contract for the famous Reina del Mar parties, in Cartagena, on November 11, 1969.

The experience of the band was so good, that in 1970 they returned to visit the country. From then until our days Federico y su Combo continues to be an emblematic and legendary band in Venezuela, for this reason the WEB of the classy salsero SALSA BRAVA, offers its respects to such an important salsa figure.

Discography
1966	Llegó La Salsa	Palacio (LPS-6171)
1966	Salsa y Sabor	Palacio (LPS-6185)
1967	Más Salsa	Palacio (LPS-6205)
1967	Durísimo – Vol. 4	Palacio (LPS-6216)
1968	Federico Boogaloo	Palacio (LPS-6228)
1968	Psicodélico Con Salsa	Gilmar (LPG-110)
1969	Mejor Que Nunca	Gilmar (LPG-111)
1969	Vibración y Ritmo	Sonus (102-17080)
1970	Dos Sets	Velvet (LPV-1539)
1970	La Machaca	Velvet (LPV-1539)
1973	Federico Si Te Pone A Bailar	Palacio (LPS-6332)
1975	Derrape De Salsa	BASF (10.068)
1976	Siguelo Ahí…. a Lo Cortico	BASF (10.070)
1977	Ayer y Hoy	BASF (10.076)
1977	Esto Es Lo Mejor	Palacio (LPS-6372)
1978	Mis Exitos y Más	BASF (10.079)
1978	Sabor	Foca (LPF-10.037)
1979	Federico y Su Combo	Foca (LPF-10.120)
1979	Federico y Su Orq. – El Maestro	Discomoda (DCM-1128)
1980	Federico y Su Orq. con Memo Morales	Discomoda (DCM-1148)
1982	No Le Digan	Integra (PF-14.075)
1983	Nuevamente	Palacio (LPS-66.541)
1984	SaaaBroooSo!	Palacio (LPS-66.552)

Compilation
1996	Mis Exitos y Más…Vol.1	Sonograma
1996	Mis Exitos y Más…Vol.2	Sonograma
1996	Mis Exitos y Más…Vol.3	Sonograma
2005	El Pionero De La Salsa	Palacio
2008	Salsa De Oro	Gilmar

Meet the venezuelan Oeste 11 orchestra

Latin America /  Venezuela / Caracas

Did you know that tropical music arises from the region surrounding the Caribbean Sea and the Antillean region of the American continent, where there is a mixture of rhythms from the African continent, fused with folklore and rhythms from the different American countries?

In this edition we can say that many music and dance lovers tend to choose Salsa and/or Tropical music, since they are musical genres that people enjoy as a couple or in a group, whether at an event, party or festival. giving it essence, life and sharing among all the members, for this reason there are many singers and members of orchestras that specialize in these genres, today we have as a special guest the Oeste 11 Orchestra from Caracas, Venezuela.

It was made up of young musicians belonging to the Venezuelan Orchestral Movement, among them the Venezuelan percussionist Alejandro Alfonzo who baptized it in 2007 with the name “Oeste 11” for all the musical experiences they shared since childhood, because most of their members were formed together in said parish.

It is currently made up of 13 musicians, who specialize in the musical genre “Salsa”, giving life to 2 discographies, the first entitled “AL NATURAL” that came out in 2015, consists of 8 unreleased songs and a cover. “With his songs I lie, Al natural, I forgot about you, Forget you, Medicine, You made fun of me, I have decided to forget you, My sweet friend and Dancing”

And for this month of May their second discography “Amor y gusto” will be available, which will be composed of 11 unreleased songs, and to give a preview of the new album they already presented us this March 31 their first single (theme), titled “ I want you to feel Mine”, which is accompanied by a music video that you can enjoy on her YouTube page https://www.youtube.com/watch?v=EpleKvxCg9Y.

And over the years they had the opportunity to share on stage with several well-known artists and/or groups, such as the Latin Dimension, Rafael el Pollo Brito, Proyecto A, Los Satélites, Magia Caribeña, Grupo Mango, and other national artists. of different musical genres.

Among their achievements, they mention that in the National Festival of Salsa Orchestras Dile no a la Payola de PDVSA la Estancia were the winners in 2014, they were also selected to honor the Sonora Ponceña for her 60 years of artistic career and were in the Festival Sounds Caracas.

If you want to listen to their discographies “Al Natural” and “I want you to feel mine”, they are available worldwide on the platforms Amazon, Itunes, Spotify, Tidal, Google Music, among others.

For more information:

E-mail: [email protected]
Facebook: https://www.facebook.com/Oeste11/
Twitter: https://twitter.com/oeste11?lang=es
Instagram: https://www.instagram.com/oeste11/?hl=es-la
YouTube: https://www.youtube.com/channel/UCR-wi3ybnoTbLH9C3-8keMA
Phones: +584242251360 / +584265161630 del manager Alejandro Alfonzo