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Search Results for: Willie Colon

Jimmy Rodríguez ”El Salsero Mexicano” talked to ISM about his career

El Salsero Mexicano 

Jimmy Rodríguez ”El Salsero Mexicano” is a talented singer born in Mexico City, but spent a lot of his childhood in the city of San Luis Potosí, where he took his first steps as an artist. 

Thanks to his brother and manager, Daniel Rodriguez, we had the opportunity to talk to him and learn more about the interesting career he has had in the world of entertainment. Meet Jimmy Rodriguez and the kind answers he gave to our questions.   

 

Jimmy on stage
Jimmy Rodríguez singing on stage

Beginnings of Jimmy Rodriguez in music   

By the time he got to high school, his talent for singing and charismatic personality made him the ideal candidate to participate in a talent contest, in which he would come in second place the first year in which he participated.    

Jimmy told us that he entered the contest to live a new experience, but he did not expect to achieve such a high place, so he felt very excited and motivated because of what he could achieve thereafter.    

The following year, he managed to get the first place in the same contest because he had spent a whole year studying and getting ready for that important moment. The previous time, he had only rehearsed the days prior, so he decided to take much more time on this occasion and the effort invested paid off.   

As a result of this achievement, the Group Alfa Omega saw the potential in this young man, so they contacted him and offered him to join them. This would be his first paid job in music, which began to teach him how this business worked. 

He began to play with Alfa Omega in events like weddings, and baptisms, which taught him how to entertain and charm an audience, and he is very grateful for this opportunity he had. Unfortunately, it didn’t last long.   

In the end, Jimmy had to leave the group due to his move to Mexico City to continue his studies.   

During his learning process, he developed their skills in playing the guitar and dancing in order to perform better on stage, keeping inmind that singing was his thing and that was not going to change.   

When Jimmy arrived in the United States, he began taking singing lessons for more than nine years to improve his voice. Today, he continues with his vocal learning, as there is always something new to learn in this field.   

Jimmy and Tito
Jimmy Rodríguez and Tito Nieves

Musical genres   

It is not common to find a Mexican who sings salsa professionally, and more if we take into account that many of the most famous Mexicans sing ranchera, norteño music and corridos tumbados. So, we wanted to know why he chose salsa as the genre he wanted to pursue.   

Jimmy explained to us that the first time he sang with a salsa orchestra on stage, half the musicians were Colombian and the other half were Mexican. At that moment, I felt like I had found my soulmate and I knew that’s what I wanted to do. Besides, dancing is very important in salsa and I have always loved to dance,” Jimmy said.   

He finished by saying ”salsa combines my three most important talents, which are singing, dancing and charisma”.   

When asked whether he would enter more typical genres of his country, he pointed out that he loves ballads and would have no problem in performing fusions and collaborations, but his north is still salsa for the moment.   

The Voice and proceeds from the show 

Being in The Voice has always been one of Jimmy’s biggest dreams, which he finally achieved a few years ago and whose judges were Luis Fonsi, Carlos Vives, Alejandra Guzman and Wisin. The best of all is that he made it to the final and he says that his secret to achieving this feat is to always be focused, to give the best of himself, to have a good relationship with show’s production and his colleagues and, above all, to choose a genre that was not typical for a Mexican.    

This particularity made people call him ”El Salsero Mexicano”, a nickname he has continued using to this day with pride in what has been achieved so far.    

Jimmy and Carlos
Jimmy Rodríguez and Carlos Vives

While he was still participating in the contest, Adolescent’S Orquesta contacted him to have him in the group, which Jimmy accepted and became the first Mexican to be part of this Venezuelan orchestra. In addition to that, Jimmy kept releasing new music in order to stay alive in the public spotlight, as the singer understood that the fame that came La Voz was momentary and he had to take advantage of it.    

Today, he continues touring with Adolescent’s Orquesta, working on an album with Marc Anthony‘s producer and taking singing lessons to further improve his vocal technique.   

And speaking of Marc Anthony, this Puerto Rican artist has been one of the greatest inspirations for the Mexican, who wishes to one day reach that level of talent and fame, although he knows it will not be an easy way. 

In addition to the already mentioned salsero, Jimmy has also been inspired and influenced by the styles of Rubén Blades and El Grupo Niche.   

He has also had the opportunity to share the stage with Tito Nieves, Willie Colón, Jerry Rivera and many others.    

Salsa and comparisons with other genres   

When we wanted to know what Jimmy feels with the current situation of salsa, he says that he is well aware that this musical genre is not going through a good moment due to the popularity of trap, reggaeton and, more recently, corridos tumbados.   

However, he ensures that he does not see this fact as something negative, but as a challenge of bringing salsa back to the place it occupied for years in past decades, so he gives his best every day to offer a fresh sound that appeals to new generations, and not only to fans aged 30 and older. 

Jimmy and Gilberto
Jimmy Rodríguez and Gilberto Santa Rosa

 

It is what has led the artist to make modifications in regard to the technical aspects, arrangements, lyrics and other details. In the specific case of lyrics, he has opted for simpler words and phrases that can be understood by anyone who listens to them. He continues to maintain the quality and heart that salsa should have, while taking into consideration what new generations are looking for. 

Jimmy understands that everything happens very quickly nowadays due to social media, so he has had to adapt his style to what young people are looking for on digital platforms. That is why when he shows his music on his social networks, he always tries to communicate what he wants from the first second so as not to lose the public’s attention.   

End 

The conversation concludes with a thank-you to all the people who still support the salsa genre and a recommendation to new talents to never give up on their dreams and to work continuously to achieve all what they want. 

Jimmy used his case as an example, remembering that he started singing on buses to help his family and now he assists international awards and reach the level that he has today, so he ensures that dreams come true and we must not lose heart until we achieved them. 

Read also: Life, Career, and death of Juan Carlos Formell 

1 New artist Wito Rodriguez “I am distinct and different”

Norte America / Estados Unidos / Florida

Wito Rodriguez. “I am distinct and different”

Irwin “Wito” Rodríguez was born in Chicago to Puerto Rican parents and got his start in the musical field as a singer and musician. During his teenage years, he performed with a Rock and Roll band as a guitarist.

In 1968 Wito Rodriguez decided to move to “La Isla Del Encanto”, Puerto Rico, in order to search for his musical roots and experience the spicy sounds of his beloved Latin Ritmo.

His first encounter in the Salsa genre was with a Puerto Rican percussionist from the 60’s called “Chacón y su Orquesta”, where Wito learned all the Latin rhythms such as Guaguancó, Boogaloo, Mozambique, etc.

Chacón was his coach in Latin percussion instruments and Wito also fell in love with maracas.

Wito Rodriguez returned to Chicago in 1971 to join “Orquesta La Justicia” a local band that opened shows for artists such as: Ismael Rivera, Ray Barreto, Willie Colón, El Gran Combo and the legendary “Fania All Stars”.

Like many young men of that time, in 1973 Wito Rodriguez decided to join the United States Army and was sent to Europe.

During his stay in Germany, Wito Rodriguez took singing lessons with the Opera singer Barbra Sutton, and at the same time he created two bands with the names of “El Conjunto Sabor” and “La Sonora Antillana”.

These orchestras accompanied artists of the Salsa genre such as: Adalberto Santiago, Ismael Miranda, Tito Allen, Santitos Colón, Pete “El Conde” Rodríguez and the queen of Salsa, Celia Cruz.

After his retirement from the army, Wito joined forces with German band leader Rudi Fuesers and created the European Salsa Orchestra “Conexion Latina”.

With Conexion Latina, Wito Rodriguez recorded two albums; “Calorcito” and “Un Poco Loco”.

He also had the great experience of recording two songs with the band of Director and Arranger Peter Herbolzheimer.

During the 80’s, Wito wanted to broaden his horizons by forming his own groups called “Wito Rodriguez y Orchestra” and “Wito Con Cache”.

Missing his family and friends, Wito “crossed the pond” to return to the United States to finish his Army career.

He never gave up his passion for music, a new big band sound was on his mind, and he returns to the spotlight with the Wito Rodriguez Salsa Jazz Orchestra under the musical direction of trumpeter and arranger, Gino Picart.

“What a wonderful world” or “What a Wonderful World” is his third album released in January 2015.

Although busy in 2016 with live performances, a new album had also been produced and recorded between South America Venezuela and Orlando, Florida.

The most recent production called “Como el Viento” will be released in 2017. This album contains a compilation of songs recorded over the years in Europe than ever for the Western Hemisphere. I hope you enjoy your first solo release… What a wonderful world!

In 2018 Wito released another CD called “The Best of Wito” which has a mix of all the songs that fans thought were the best and respected their preferences.

Wito also has four new singles that he has released from his new album, which will be available from February 2019.

Through the internet platforms you can find these releases.

Always and Forever, Soy Caribe, Yo No Te Echo La Culpa and Now and Forever are the ones that have been released so far.

“As a bilingual singer, I am blessed to contribute to the music industry in my songs, singing them in English and Spanish, unity through my music in a mix of salsa and R&B, etc.” Wito Rodriguez

In the year of 2018. Wito Rodriguez was blessed to be nominated at the Hollywood Music Media Awards (HMMA) in Los Angeles, CA in November 2018.

You can also see his certificate as an honoree at the Fox Music Awards USA, Miami in November 2018, who was nominated and honored for being the Army Veteran Salsero Singer.

The Chicago Salsa Congress was one of its great events in 2018.

In March 2019 his new bilingual production Soy Distinto Y Diferente came out with the song Soy Caribe already nominated at the Hollywood Media Music Awards on November 20, 2019 in Hollywood California.

NMJ Animal Music Records LLC. [email protected]

PQ Promotions/Management Jenny Morales [email protected]

(682-554-4851 or (813-785-3086))

Anderson Quintero

North America / United State / California

Anderson Quintero. The Multi Percussionist of relief generation in the Quintero Dynasty

Anderson Quintero began his musical career at the age of seven, when he joined Salserin, the only children’s Salsa orchestra visiting more than 10 countries.

Anderson Quintero
Anderson Quintero

Throughout his journey in this group, the young Anderson Quintero demonstrated the talent inherited from his father and the rest of his paternal family, who have been recognized as the greatest percussionists in Venezuela.

While in Salserin, Anderson Quintero became the official timbale player of the group, however he continued his developed on other percussion instruments.

This experience led him to visit about 20 countries, and record 5 musical productions.

Nevertheless, the talent that flowed through Quintero’s veins grew stronger with his studies in the Conservatory José Angel Lamas, along with lessons through which he discovered an interest for drumset.

Well-known musicians such as Vinnie Colaiuta, Tony Williams, Elvin Jones, Paul Wertico, Brian Blade, Robby Ameen, Jack Dejohnettee, and others, have influenced his musical career.

His talent on the drums eventually led him to join several rock bands in the city of Caracas, Venezuela.

During 2004 and 2005, Anderson Quintero was part of the band that accompanied Venezuelan singer/songwriter/Grammy Award Winner Franco de Vita on his tour “Mil y una Historias”, visiting more than 10 countries and garnering 2 Grammy nominations in 2006. That same year Quintero met up with two ex-band members of Salserin, Servando and Florentino, and joined their band “Enamorame”, playing drums and the timbales.

In mid-2006, Anderson Quintero moved to New York City, where he began to gain international recognition. Since then, he has performed with Jerry Rivera, Obie Bermudez, Louie Vega, Don Omar, Servando Y Florentino, Chino Y Nacho, Luisito Quintero Percussion Madness, Paloma San Basilio, Huascar Barradas , Aditus, Vanessa May, Kevin Jones, Tenth worlds, Sheila Charles (Ray Charles’ daughter), Emilly King, Taxi Amarillo, and Willie Colon’s bands, with whom he has traveled internationally.

Anderson worked on a musical about the life of the “Guarachera de América” Celia Cruz, in an Off-Broadway show.

He is a first-call session drummer in Venezuela and has recorded with the most important artist in that country in many different styles of music: pop, rock, folk, ethnic, latin, and jazz.

He’s also on tour with Venezuelan Trombon Ensamble, the best known trombone players in Venezuela. He recently joined the band of Spanish singer Paloma San Basilio, playing drums for their American tour.

In 2011 Quintero won a Grammy for Chino y Nacho’s album “mi nina bonita”.

He recently recorded drums on the album “punto ciego” by Venezuela’s progressive rock band LEXESTET and on “third element” by Luisito Quintero.

Anderson began 2014 touring with Frank Quintero and then joined the salsa orquestra “Los Adolescentes” for a tour around Mexico.

Currently he finds himself in the city of Los Angeles, California where he continues his musical career.

 

Soneros Birthdays Party

Soneros Birthdays Party

Omara Portuondo, Ismael Rivera, Jimmy Bosch, and Luisito Carrión celebrate their birthdays this month

October is filled with talent and it’s that in this month a hurricane of brilliant artists of the Salsero genre was born, who have captivated us and have shown their Gift before hundreds of audiences around the world. These Latin Stars have bathed us in SABOR with their lyrics and infected with joy with their melodies. It for that, this month we celebrate their births and dance to the rhythm of the applause towards them. Happy Birthday, Soneros!

Omara Portuondo (October 29, 1930)

Omara was born in La Habana (Cuba). Her first encounter with music was at a very early age. Just as in any other Cuban home, the future singer and her siblings grew up with the songs which her parents, for lack of a gramophone, sang to them. Those melodies, some of which still form part of her repertoire, were young Omara’s informal introduction to the world of music.

She and her sister Haydee sang well-known American group “Los Loquibambla” and their style, a Cubanised version of the Bossa Nova with touches of American jazz, was known as “Feeling”. In their radio debut, Omara was introduced as “Miss Omara Brown, the girlfriend of Feeling”.

“Magia Negra” was her debut record released in 1959. It combined Cuban music with American jazz and included versions of “That Old Black Magic” and “Caravan”, by Duke Ellington. Later she joined one of Cuba’s most important orchestras, La Orchestra Aragón, with which she recorded several albums, such as the one she did with Adalberto Álvarez in 1984 and “Palabras and Desafíos” on which she was accompanied by Chucho Valdés.

Omara Portuondo
Omara Portuondo

However, Omara Portuondo catapulted to her well-earned fame was in the mid-1990s when she collaborated in the recording sessions for Buena Vista Social Club on which she sang “Veinte Años”.

She was the star of the third launching of the Buena Vista Social Club released in 2000 and she toured Europe, traveled to Japan, and performed in the USA and Canada.

Omara went back to the studio to record her second solo album “Flor de Amor” (World Circuit), which was produced by Nick Gold and Alê Siqueira, signals a change in direction in her career: it is an album marked by a more subtle sound and a richness of texture. Portuondo brought in a mixture of Cuban and Brazilian musicians for this album, and it is this factor which influences the particular style of the music.

Omara returned to Europe in 2004 to promote this album, performing at such illustrious venues as the North Sea Jazz Festival, Marble Hill House in London, Olympia in Paris and the Concertgebouw in Amsterdam. “Flor de Amor” was nominated for a Grammy in the Best Traditional Tropical Record category and the 16th edition of the Billboard Latin Music Awards (2005); this album obtained the Tropical Record of the Year award.

Later, Omara released “Gracias”, the record that marks her sixtieth year in the music business and won the Latin Grammy Award for the Best Contemporary Tropical Album. It was a very special night as Omara was there to receive the prize in person and she also presented one of the awards, the first time that a Cuban artist has done this. The album was also later nominated for a Grammy in the Best Tropical Latin Album category.

After touring with the Orquesta Buena Vista Social Club in Europe during 2010, “the girlfriend of Feeling” released the latest recording, Omara & Chucho (Montuno Producciones) in spring 2011. 14 years after their last joint album, they reunite once again to continue unravelling the thread of their first joint project, and show us their talents in the simplest, most unclad manner on a context that enables them to lay emphasis on some of the features that been characteristic of their music at various stages in their careers.

Omara will also tour with the Orquesta Buena Vista Social Club later in Europe and the U.S.

Ismael Rivera (October 5, 1931 – May 13, 1987)

Puerto Rican singer and songwriter contributed to the dissemination of the island’s native rhythms such as the Bomba and Plena, and he was one of the first standard-bearers of the Salsero movement of the decade, the reason for he was called “El Sonero Mayor” and also known for others by the nickname “Maelo”.

In 1952 he was hired as a singer for the Lito Peña’s Orquesta Panamericana with which he became known and reaped his first hits: “La vieja en camisa”, “La sazón de la abuela” and the most popular “El charlatán”, a song in Plena rhythm that was widely heard through the Puerto Rico’s local radio stations.

Two years later he left this group to join the Combo de Cortijo with whom he popularized “El bombón de Elena” by Rafael Cepeda Atiles, and as well as performed on Puerto Rican television in the “El Show del Mediodía”.

At the end of the ‘50s, they were presenting their shows at the prestigious New York club Palladium Ballroom, where they contributed to making popular the tropical rhythms imported from the island with great hits such as “El negro bembón”, “Maquinó Landera”, “Tuntuneco ”, and others.

Ismael Rivera
Ismael Rivera

Ismael Rivera’s triumphant career was interrupted in 1962 for paying four years under the laws of Puerto Rico for possession of narcotics. Then, after recovering his freedom, Ismael formed his musical ensemble “Los Cachimbos” and immersed himself in the nascent Salsero movement to which he contributed two classics such as “Dime por qué” y “Mi negrita me espera”.

In the mid-70s “El Sonero Mayor” became the ambassador of Salsa throughout America, working for the record label of the genre Fania, and triumphing with emblematic songs such as “De todas maneras rosas”.

In his facet as a composer, he wrote very notable pieces such as “Besito de Coco” (famous song by Celiz Cruz), “El incomprendido”, “Arrecotín, arrecotán”, “El que no sufre no vive”, y “Mi libertad eres tú among many others.

In his last years, he suffered a throat cancer that caused him to lose his voice and he died as a result of a heart attack.  R.I.P MASTER!

Jimmy Bosch (October 18, 1959)

Jimmy Bosch was born in 1959 (New Jersey, U.S.). He is a world-renowned Trombonist, composer, singer, and bandleader in the world music genres. He has been performing professionally since age 13. Jimmy’s first two solo CDs, “Soneando Trombón” and “Salsa Dura” established him as the Ambassador of the Salsa Dura movement. He ignited this movement by combining old school quality salsa arrangements with a modern NY aggressive edge and socially conscious lyrics. “El Avión De La Salsa” demonstrates and solidifies his commitment to dancer centered music, while “A Millón” is the title of Jimmy’s 4th solo record released.

Jimmy Bosch
Jimmy Bosch

Appearing in over 100 recordings, Bosch “El Trombón Criollo de La Salsa” has garnered at least 10 Grammys and has toured with his orchestra, his sextet or as a solo artist, as well as with: Eddie Palmieri, Ruben Blades, Celia Cruz, Ray Barretto, Willie Colon, Manny Oquendo y Libre, FANIA Allstars, and the list goes on.

Jimmy has been featured throughout the world in major venues and festivals, including; Carnegie Hall, Lincoln Center (NYC), Celebrate Brooklyn (NYC), Montreal Jazz (Canada), Madison Square Garden (NYC), Sydney Opera House (Australia), Barranquijazz (Colombia), El Poliedro and Teresa Careña (Venezuela), and many other important places.

Luisito Carrión (OCTOBER 26, 1962)

A native of Arecibo in Puerto Rico, Luisito Carrión has been singing since he was 13 years old. He began his career as a Salsa artist with the Orquesta Kafe, Orquesta La Nativa and Grupo Concepto Latino.

In his first performances, he sang along with Celia Cruz, Adalberto Santiago, and Santitos Colón. Later on, he was a member of Salsa Fever together with Julio “Gunda” Merced, were several hits come from: “Renta de Amor” and “Señores ahí va Julián”. Afterward, he joined the Bobby Valentín Orchestra, where he sang songs, such as: “El Señor de las Señoras”, “Ramos de flores”, “El Gigoló”, “Tributo de Cali” and “Como lo hago yo”. In his evolutionary process, Luisito joined the Orquesta Don Perignon where he sang “La Fuga” and later with the Sonora Porceña, where he performed songs, such as “Yaré” and “A Comer Lechón”.

Luisito Carrión
Luisito Carrión

In 1997, he recorded with Roberto Roena y Su Apollo Sound “Mi música 1997”. At the end of the 90s, Carrión began his career as a soloist with the record company MP Records with Julio “Gunda” Mercéd and Rafael Bodo Torres, which led to hits, such as: “Sin tu amor”, “La Chica Más Popular”, “Nadie Como Tú”, “Porque”, “Amiga Mía”, “Muriendo”, “Como Ave Sin Rumbo” and “Para Ser Real”. Nowadays, Luisito Carrión is one of the best Puerto Rico’s Soneros bringing on “Histeriaaaa…” in his fans.

Pablo Padin born in Manhattan, New York

North America / United States / New York 

Pablo Padin born in Manhattan, New York. I grew up with a pair of Timbales at home

I was born in Manhattan, New York on December 1, 1969.  My parents Pablo and Haydee Padin moved from Puerto Rico to New York in 1968. My father played Timbales with local salsa groups at the time, so I grew up with a pair of Timbales at home.

My father started teaching me how to play at a very young age.  We moved to LA. , California in 1978 and I started playing drums in the school band and in the community drill teams as well.

I (Pablo Padin) got my first private drum set lesson at the age of 9 at a music school in Hollywood California.

Pablo Padin in concert
Pablo Padin in concert

At the age of 15, I (Pablo Padin) started playing my first steady gig in a salsa band with my father at a nightclub in Marina Del Rey, California.

In 1989 we moved to Puerto Rico so I started studying music at the Interamerican University in San German, PR. At the university I studied with the musicians that were playing with all the big salsa and merengue groups of that time.

So at that point in time I started playing with famous salsa singers such as Roberto Lugo, Nino Segarra, Hector Tricoche, Domingo Quiñones and Johnny Rivera.

At the same time I started doing studio work as well. In 1996 I got the call to play with Gilberto SantaRosa and did that gig for 15 years. It was with Gilberto that I hooked up with piano player, arranger and producer Jose Lugo.

Jose started using me on all of his studio productions. I have won 6 Latin Grammys and 2 American Grammys on recordings and productions of artists such as: Millie Quezada, Elvis Crespo, Grupo Mania, Gilberto SantaRosa and Tito El Bambino.

Pablo Padin singing
Pablo Padin singing

At that point in my career I started recording and playing concerts with artist such as Puerto Rican Power, Pedro Brull, Yomo Toro & Willie Colón, Andy Montañez, Ismael Miranda, Tito Nieves, Cheo Feliciano, Rafael De Jesus, Richie Ray & Bobby Cruz, Bobby Valentín, Marvin Santiago, Cano Estremera, Victor Manuelle, Ruben Blades, Ray De La Paz, Jose Alberto ”El Canario” Lalo Rodriguez, Truko Y Zaperoko, DLG, Isaac Delgado, Herman Oliveras, Edwin Colón Zayas and many others.

To this date I’ve been working with Jose Lugo’s Guasabara Combo, in which our first cd was nominated for the Latin Grammy.

We are working on our third cd now that will include two original compositions of mine. I’m super exited, humbled and thankful for all the great experiences that I’ve lived and for the ones that are yet to come, Thank You God!!!!!

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.