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Search Results for: World Salsa

Héctor Martignon has been one of the most sought-after pianists on the Latin jazz scene in New York

New York based-, Colombian born Hector Martignon has composed, orchestrated, produced, performed and recorded music in a wide spectrum of genres, from Classical and Crossover, to Jazz and World Music, to Rock and Pop.

His five albums as a leader, two as co-leader (MOZART’s BLUE FANTASIES and BACH’s SECRET FILES) as well as his work on over a hundred albums, scores for five feature films, three Broadway Musicals and multiple other projects, showcase his wide-ranging area of expertise.

At Mozart Studios recording Carlos Jimenez’ second CD, + Ruben Rodriguez + Vince Cherico. A pleasure!
At Mozart Studios recording Carlos Jimenez’ second CD, + Ruben Rodriguez + Vince Cherico. A pleasure!

After several nominations as a sideman, two of his five solo CDs were nominated for a GRAMMY Award (REFUGEE, 2008, and SECOND CHANCE, 2010).

He arranged and performed parts of the score of Ang Lee’s OSCAR-nominated movie EAT, DRINK, MAN, WOMAN.

His first professional recording was at age 18 (Mikis Theodorakis’s “Canto General”) while one of the most recent was on legendary rock band CHICAGO’s latest production, the Latin-tinged “EXITOS”.

He has written symphonic orchestrations, performed and recorded by the Russian Philharmonic Orchestra and compositions like ABRE LOS OJOS, CIERRA LOS OJOS, commissioned and premiered by the MUSICA DE CAMARA STRING ORCHESTRA at St Patrick’s Cathedral in April 2011.

Hector Martignon is currently working on a first CD with his BANDAGRANDE Big Band + String Quartet as well as an album with selections out of a series of  7 solo piano recitals at the Ludwigsburg University of Education (Germany), where he conducts a “compact seminar” on Classic Music-based improvisation every November.

Our trio in Tokyo
Our trio in Tokyo

As a requested sideman he has toured the world with such greats as Paquito D’Rivera, Ray Barretto, Gato Barbieri, Steve Turre, Don Byron, Tito Puente and was featured pianist with Max Roach’s PROJECT AMERICA at the 92 St Y.

His joy of teaching has made him a requested guest-lecturer and performance teacher in music faculties and academies in several countries of Europe, Japan, North- and South America.

Hector wrote an instructional book on Latin piano commissioned and published by Hal Leonard, the SALSA PIANO BOOK.

Martignon’s abilities as a pianist have always been enriched by his interest in varied musical genres.

He paid for his studies of classical piano and composition at the prestigious Freiburger Musikhochschule in Germany by performing with the best Afro-Cuban and Brazilian bands of Europe, backing stars like Celia Cruz and Ismael Quintana on their European tours, and recording with Tata Güiness and Arturo Sandoval.

At the same time he was attending seminars of contemporary composition with masters like Gyorgi Ligetti, Luigi Nono and Karl Heinz Stockhausen.

He also performed classical music in recitals and concerts in Germany, Italy and his native Colombia, specializing in Chopin, Bach and Debussy.

One of his latest endeavors has been a Jazz-Classical crossover  project, co-lead with star virtuoso trumpeter Joe Burgstaller, in which the music of the classics, from Bach to Ellington is re-created in a chamber-jazz setting, to be enjoyed on their two releases, “Mozart’s Blue Fantasies” and “Bach’s Secret Files”.

Living in Brazil for a one-year love affair with that country and its music, Martignon soon became a requested studio musician and worked for star producer Carlinhos Brown.

Luquillo Beach, PR
Luquillo Beach, PR

Since relocating to New York City, Martignon has been one of the most sought-after pianists on the Latin jazz scene.

He’s toured North and South America, Europe, and Asia with the bands of Mongo Santamaría, Gato Barbieri, Steve Turre and Don Byron, who had him record in his latest CD.

He was featured pianist with the bands of Tito Puente, Mario Bauzá, Chico O’Farrill, Paquito D’Rivera, and Max Roach in his “Project America.”
Most notably, Martignon was pianist for the late Ray Barretto’s various ensembles.

During his eight-year association with Barretto, his contributions as pianist, arranger, and composer were fundamental in shaping the sound of the now famous New World Spirit Sextet.

One of his last collaborations with Barretto, “My Summertime,” was a favorite nominee for a Grammy award.
Martignon’s versatility has also made him extremely active in the film and television industries.

Besides playing all piano parts, he arranged and produced many parts of the score for the Oscar-nominated film “Eat, Drink, Man, Woman” by Ang Lee and performed the piano and keyboard parts for many movie scores (i.e., “Gloria”, “Relativity”).

He is composer of the original music of two feature films, one of which, “Septimo Cielo”, won international awards. He also collaborated in the production of many Broadway musicals (“Chronicle of a Death Foretold”, Paul Simon’s “The Capeman”, “Selena Forever”) as conductor, arranger, and co-composer.
In the fall of 2003 Hector visited Slovenia and Russia to collaborate with singer-songwriter Vitaly Osmsçko’s first symphonic CD.

The Russian Philharmonic Orchestra recorded in Moscow the orchestrations written by Hector.

As a composer, producer and arranger of TV and radio music his record is no less impressive. In 2001 he landed two spots for HBO Latino, and one for Coca Cola.

HECTOR” S FOREIGN AFFAIR
In 1998 Martignon performed with his quartet “Foreign Affair”at the Brooklyn Academy of Music’s famed annual festival “The Next Wave” on a triple bill with Tito Puente’s “Top Percussion” and Don Byron’s “Music for six Musicians”.

This proved to be a turning point for him and his ensemble, which evolved from the strictly acoustic trio sound of the first two CDs to a more eclectic and electric quartet sound.

The new configuration that evolved from that memorable concert started a series of concerts and recordings, with guitarist Mark Whitfield, Cameroonian bassist Richard Bona and Cuban drummer Horacio “Negro” Hernández.

This quartet performed and recorded live during a weeklong stint at New York’s famous Birdland.

The group has also performed on BET television festivals, at jazz clubs in Manhattan, and made various appearances in clubs and open-air festivals in his native Colombia and in Europe.

Martignon’s third solo project, to be released in the fall of 2003, is not only a reflection of the group’s new musical direction but also of his interaction with other world class musicians.

Eddie Gomez, Jeff Watts, Mathew Garrison, John Benitez, Dafnis Prieto, Willard Dyson have all made their unique contribution to this, Martignon’s new sound of Jazz.

Hector In Amsterdam with daughter Leticia
Hector In Amsterdam with daughter Leticia

Hector Martignon never fails to surprise, challenge and delight us. Stay tuned and get involved in this affair.

Site: Héctor Martignon

Also Read: “El Sol de la Música Latina” el primer premio Grammy para el histórico disco de Salsa Eddie Palmieri

We bring trombonist Félix O. Rodriguez from Santurce to ISM

The beautiful island of enchantment Puerto Rico has always given birth to many of the best salsa exponents of all time and the source of talent that has come out of that place has been inexhaustible. It is always a pleasure to be able to talk with a boricua of those who continue to leave their Latin heritage on high and, this time, it was the turn of the arranger, composer, sound engineer and trombonist Félix O. Rodríguez from Santurce. 

It was very kind of the artist to give us a few minutes of his time to answer some questions for International Salsa Magazine and then we will be elaborating a bit on the topics we discussed with the salsa exponent.   

Félix from Santurce
Trombonist and sound enginer Félix O. Rodríguez from Santurce

Félix’s beginnings in the music world 

Félix’s first contact with music was at home, as his parents listened a lot to salsa, merengue, bachata and Latin music in general. While listening to this music, one of the things that attracted him the most was the sound of the trombone, especially in artists such as Willie Colón, Oscar D’ León, Gilberto Santa Rosa and many others. 

Once he reached the seventh grade in school, he decided to take music lessons and chose that instrument to start his training due to his fascination with it, something that today he does not complain about because he assures that he has done very well.   

In this learning process, noticing Félix’s interest in the trombone, his father, who was a professional orchestra musician, invited him to rehearsals so that he could soak up this whole atmosphere from an early age. It just so happened that the trombonist of this orchestra could not attend a rehearsal, so they gave the opportunity to the young boy to take his place for that night.   

After two or three shows, Félix was selected as house trombonist when he was only thirteen years old. Although he was not old enough to enter nightclubs, he was allowed to be present because he was part of the orchestra that would play there.  

Félix playing
Félix playing the trombone

Orquesta Innovación and musical arrangements 

When he entered high school, Félix began to study a bit about music theory and related topics such as chords, writing for a specific instrument, percussion and other subjects. 

The young man worked so hard to train that, at only 15 years old, he was already perfectly capable of making musical arrangements, starting with transcriptions of music existing so far and copying notes from those songs. After several years on it, he finally started writing his own original music.  

In fact, he went on to record a couple of songs with Orquesta Innovación (the second orchestra he was in), a couple of original songs that unfortunately were never released, but served as experience for what would follow.   

University of South Carolina 

Félix acknowledged with laughter that this was the only university he applied to, so it was almost an obligation for him to be admitted. Fortunately for him, it was. 

He had to perform some tests with instruments and show examples of material of his own authorship to prove his musical skills. Everything he had learned so far was mostly based on salsa.   

Thanks to his effort and dedication in previous years, he was admitted to the University of South Carolina, where he studied music theory and trombone for five years. While there, the musician learned everything necessary about the historical aspects of all variants of classical music, jazz, marching band, orchestral symphony and many more. 

The formation obtained in his studies is still useful to Félix in the arrangements he makes today. However, he made it clear that his passion was and still is salsa and Latin music in general.   

Félix during a performance
Félix during a live performance

Military life and musical activities during those years 

Upon graduating from the university, Félix was commissioned as an officer in the U.S. Army, following his father’s example, who was perfectly capable of meeting his obligations in the military and continuing to exercise his passion for music without having to give up either.   

As fate would have it, the artist met up with a former colleague from Orquesta Innovación, which led them to revive their passion for music and to create Orquesta Ideal, with which he spent eight years at Fort Bragg (U.S. military installation), North Carolina, his first stop as an officer.   

Over the years, he was assigned to units in Spain, Germany and Korea. It didn’t matter where he went because there were always Puerto Ricans and Latinos eager to get together to make music, which Felix took advantage of to be in touch with music, whether as a trombonist or a DJ. 

When asked if these events in which he was involved in were open to the public, he said yes in most cases, as military bases allowed entry to anyone, but unfortunately that changed with the Twin Tower Bombings on 9/11.  

Berklee College of Music 

During the last years of his military career, Felix studied production, mixing and remastering at Berklee College of Music in order to go preparing for his return to music once his retirement was official.   

In addition to playing the trombone and arranging, the musician also loved production, editing, mixing and mastering, so he wanted to learn much more about all of these areas and thus have more control over his own work.   

Given that the Covid-19 pandemic was starting at that time, his hours at the military base where he worked were significantly reduced, which he took full advantage of to dedicate more time to school and continue growing as a professional musician.  

Félix recording
Félix in a recording studio

‘‘Con La Música Por Dentro’’ 

In the year 2021, Felix released his first EP titled ”Con La Música Por Dentro”. In a world still hit by the pandemic, the artist found it very difficult to record and promote his first solo musical work. 

He wanted to record with live musicians, but because of this same situation, it was not possible, so there were endless backing vocals he had to do and instruments he had to play himself in order to make the EP happen, so his name is the one that predominates in almost all the credits of the material.   

Fortunately, he succeeded to establish a recording studio at home and was supported his friend and singer João José, who recorded voices, piano and bass for the three tracks that make up the EP.   

Atlanta 

When we wanted to know why he chose Atlanta as his final destination to settle permanently, he told us that he did it to support his wife, who has got a good job in that city. He remembered the time when he started in the army and his wife and daughter always followed him wherever he traveled for his military duties, so he considered that it is time to return everything his partner has done for him and decided to follow her this time. 

He had to look a little to meet musicians and re-weave those connections in the industry and the Latino community in Atlanta, so he had to start from scratch in that sense. The good thing is that everything worked out for him and, as soon as he arrived in Atlanta, he was contacted to play with Willie Gonzalez. The bandleader liked his skills as a musician and offered him to continue playing with them, and so it has been to this day. 

Read also: Four nationalities united in Ladama 

Asia / November 2023

Calibrated maracasBill Martinez

Japan circular flag
JAPAN

DIRECTORY OF NIGHTCLUBS

Bar Mirage
Bar Mirage
5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku
Tokyo 106-0032, Japan
+03-5860-6946

Fiesta
Fiesta Latin Spot Bar
3F, 1 Chome-14-6 Kabukicho, Shinjuku City
Tokyo 160-0021, Japan
+81 90-1086-2878

El Cafe Latino Tokyo
El Cafe Latino
3 Chome-15-24 Roppongi, Minato City
Tokyo 106-0032, Japan
+81 3-3402-8989

JBA
Studio JBA
11-8 HAT Chuo-ku
Chuo City, Tokio 103-0011, Japan
+81 3 62310638

jsdc
Japan Social Dance Club
1-19-5-705 Shibuya-ku,
Tokyo 150-0042, Japan
+81 3-5939-7262

Studio Pepe
Studio pepe
7-17-12 Minato-ku
Tokyo106-0032, Japan
+81 090-4705-715

La Tropi Azabu
La Tropi Azabu
3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku
Tokyo1060031, Japan
+81 3-6804-5776

Latin Club Leon
Latin Club Leon
5-17-6 B1 Shinjuku, Shinjuku-ku
TOKYO 160-0022, Japan
+81 90-6474-5638

Hong Kong `circular flag
HONG KONG
DIRECTORY OF NIGHTCLUBS

PCL
Petticoat Lane
8F, California Tower, 30-32 D’Aguilar Street, Central
Hong Kong, Hong Kong
+852 2808 2893

DANCETRINITY
Dancetrinity
8/F, Fung Woo Centre, 279-281 Des Voeux Road Central
Hong Kong, Hong Kong
+852 9634 9770

Sole Mio Restaurant
Sole Mio
Upper Ground Floor, 51 Elgin Street, Soho. Central
Hong Kong, Hong Kong
+852 5508 8244

Solar LKF
Solar LKF
+2F, Ho Lee Commercial Building, 38-44 D’Aguilar Street
+Central District, Hong Kong 0000
+852 65467339

After Work Salsa Party
After Work Salsa Party
Pong, 1st Floor, Ho Lee Commercial Building, 38-44 D’Aquilar Street, Lan Kwai
Fong Central & Western District, Hong Kong
+852 6389 6213

ISRAEL

DIRECTORY OF NIGHTCLUBS

Havana Music Club
Havana Music Club
Yigal Alon St 126
Tel Aviv-Yafo, Israel
+972 3-562-3456

Salsa Carlos
Salsa Carlos
Yegi’a Kapayim St 10, Tel Aviv-Yafo, Israel
+972 54-573-7173

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THAILAND
DIRECTORY OF NIGHTCLUBS

bAFROS lOUNGE
Bafros
Sugar Club Complex Sukhumvit Soi 11, Bangkok 10110
Bangkok, Thailand
+66 63 039 8700

Havana Social Cocktail Bar
Havana Social
1/1 Sukhumvit Rd. Soi 11
Bangkok, Thailand
+66 2 821 6111

MillionSpace
MillionSpace Rooftop Bar & Bristro
Soi Sukhumvit 32, Khlong Tan, Khlong Toei
Bangkok 10110, Thailand
+66 83 898 9939
ASIA FESTIVALS IN NOVEMBER 2023

Nepal circular flag
NEPAL
nEPAL lATIN dANCE

Nepal Latin Dance Fiesta

Nov 16 2023 – Nov 19 2023

United World Trade Center
Tripureshwore

Katmandu, Nepal, 44600

Thailand circular flag
THAILAND
Salsa Bangkok Fiesta 2023

Salsa Bangkok Fiesta

Nov 02 / 05 2023

Quaint Bangkok : Brasserie Bar Venue 23 soi sukhumvit 61 Klongton-nuea Wattana

Bangkok, Thailand

 

The Great Pichie Pérez and his brilliant career

There have been many artists who have supported the Spaha Salsa Gallery due to the multiple contributions made to salsa since its foundation. One of them has been the great Pichie Perez, who gave a fabulous interview to the founder and president of the famous salsa museum in New York, Johnny Cruz.   

During the video on the Johnny Cruz’s Facebook account, Piche talks about some of the most important aspects of his professional life and, of course, gives his unconditional support to the Spaha Salsa Museum and the labor it has been fulfilling in recent years. Below are some of the most outstanding details of the artist’s life.   

Pichie performing live
Pichie Pérez performing live in Peñuelas, Puerto Rico

Youth   

Héctor ”Pichie” Pérez was born on September 24, 1960 in El Bronx, New York, the youngest of three brothers whose parents were Ramón Pérez Rodríguez and Haydée Casiano González, both of Puerto Rican nationality.   

After the age of seven, he moved with his family to Ponce, a place where a genre called bugalú became increasingly popular and the boy’s father enjoyed that kind of music, which made Piche begin to be interested in certain artists, especially Pete Rodríguez with his song ”I Like It Like That”.   

At the age of 10, his parents decided to move again, but this time to Cañaboa Encarnación, Peñuelas. Some time later, he became part of what would be the first band of his career, Los Metálicos Steel Band, with which the artist began to gain a lot of knowledge about merengue and calypso. When this same group became a sextet under another name, Pichie started singing and playing maracas and güiro.   

Pichie was working in several orchestras that gave him the experience he has today such as the Adolfo Grana school orchestra, Orquesta La Intelectual, Orquesta La Preferida, among others.   

Pichie and Jerry
Jerry Rivera next to Pichie Pérez

Orquesta La Terrífica and Orquesta La Primerísima 

However, his big moment would come when he was part of Orquesta La Terrífica, in which he worked as a vocalist between 1976 and 1981. Additional to this group, Pichie would be in six recordings, among them stands out ”La Terrífica. Sabor a Pueblo”. 

Some time later, he would sing in Tommy Valencia’s Orquesta La Primerísima, which would give him the opportunity to share the stage with world famous and acclaimed singer Frankie Ruíz, of whom he cherishes very good memories. Although this is one of the groups for which Pichie would be best known, it was not the last one he was in.   

For more than 30 years, he was in La Sonora Ponceña, to which he thanked for all that he achieved and learned during those years. However, there came a point when the singer wanted to make his own way and had to make the tough decision to leave the orchestra and start a solo career, which had ”El Sonero del Bailador” as its starting point in 2016. 

Pichie and Frankie
Frankie Ruiz next to Pichie Pérez when they were in La Primerísima

Pichie was expectant before the audience reaction to his solo material, but fortunately, the overall response was very positive, which motivated him to release a new album entitled ”Alegrando La Navidad”.   

Nowadays, he has an extraordinary reputation as a solo singer and in orchestral formations, but he also obtained great merits as a güirero and maraquero throughout his artistic career. He also had a great participation as a backing vocalist in many productions and recording sessions to which he added his unique touch. 

Read also: Willito and Japhet from La Sonora Ponceña 

Johnny Cru ISM corresponde in New York City

Tom Teasley, described in the Washington Post as “a multi-instrumental genius”

Tom Teasley, described in the Washington Post as “a multi-instrumental genius,” maintains a unique career as a solo percussionist, composer and collaborator. Tom is a 2010 and 2011 Helen Hayes Theater Award recipient for outstanding sound design (nominations in 2012 and 2014).

Tom Teasley playing the drums
Tom Teasley playing the drums

Tom tours frequently throughout the world performing and presenting clinics for the instrument companies he endorses including Yamaha, Vic Firth, Sabian, Remo, Gon Bops and others.

He is the 2012, 2013 and 2014 WAMA (Washington Area Music Award) World Music Instrumentalist of the year. A four-time recipient of a Fulbright-Hayes grant for performances in the Middle East, Tom collaborated with indigenous musicians and gave historic performances in Saudi Arabia, the West Bank and Jerusalem.

Tom Teasley in concert
Tom Teasley in concert

He has been an artist-in-residence at the John F. Kennedy Center for the Performing Arts and has collaborated with the National Symphony as both a soloist and composer.

As an international collaborator he has performed by invitation in Europe, South America, New Zealand and Samoa. Tom earned the Artist-of-the-year award from Young Audiences of Virginia for his creative and educational presentations.

Tom Teasley
Tom Teasley

 

Tom Teasley's Drums
Tom Teasley’s Drums

His seven CDs have been greeted with international airplay and acclaim.

He has been the subject of feature articles in both “Modern Drummer” and “Drum!” magazines.

Please visit: www.tomteasley.com and for more information.

Tom Teasley
Tom Teasley

https://www.facebook.com/TomTeasleyMusic/

https://www.facebook.com/tomteasley

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.