• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: dancers

Katherinne Motta better known as DJ Katha Motta, salsa vinyl collector.

With her good musical taste, her great energy, exuberant beauty and sympathy, she has been infecting the hearts of salseros in Latin America, North America, Europe and Asia with her good taste in music.

On this occasion, the pages of International Salsa Magazine / www.SalsaGoogle.com are graced by our very special guest, the beautiful Katherinne Motta better known as DJ Katha Motta, collector of salsa vinyls, who has been infecting us with her good musical taste, her great energy, exuberant beauty and sympathy to the salsa hearts in Latin America, North America, Europe and Asia.

Born on December 1st in Bogota – Colombia and based in Miami, Florida in the United States, she has been doing an admirable job with her professionalism, talent, original style, versatility, sympathy, connection with the music lovers, dancers and followers; being some of the reasons to be with you today in the only salsa magazine in the world.

Welcome DJ Katha Motta to our edition of the month, for us, it is a satisfaction to talk with you…

Thank you very much Carlos, for your invitation and taking me into account for this interview so I can share and publicize my work as a DJ through International Salsa Magazine and wwwsalsagoogle.com, with all those beautiful and rumbera people, who are your faithful followers and readers around the world.

has been infecting salsa hearts in Latin America, North America, Europe and Asia with her good musical taste, great energy, exuberant beauty and sympathy.
Katherinne Motta better known as DJ Katha Motta

Very well Katha, tell us how were your beginnings in this professional DJ career?

Friend Carlos Colmenárez, well let me tell you that I started on August 26, 2017, in the city of Asheville North Carolina as a professional DJ and I have been participating since then in 5 states of the country, also in Peru in events and concerts of music lovers and collectors, but lately I have been developing my work in Atlanta GA, city that has given me affection to this day.

Excellent, by the way Katha, before continuing with the musical part; tell us if you have any hobbies or do you dedicate yourself to other things?

Yes, Carlos I am passionate about martial arts, photography, the natural environment, sharing with family, obviously dancing and somehow I have learned to value art and life…!

I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal.
At the age of 18, I only frequented salsa places because it brought me joy.

Your taste for salsa begins since when Katha?

My love for salsa began at the age of 16 when I started to enjoy family parties and I realized that the salsa genre called my attention more than the others. At the age of 18 I only frequented salsa places because it generated joy, feeling and flavor.

Does that give us to understand that you fell in love with salsa?

Yes, yes my friend Carlos, I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal, although, I still carry these genres in my heart I stayed with salsa because it is a genre that you can enjoy with a glass of wine, dancing, it is too versatile which for me makes the perfect combination. I think I am a proof that it is possible to be a passionate salsa dancer at an adult age.

And weren’t you influenced by your parents or friends to have that taste for salsa?

I remember that since I was a little girl I have been very curious about music, I remember that since I was a child I would take the tape recorder and the cassettes that my parents had recorded from the radio and I would write the names and artists in a notebook.

Very good DJ Katha and as for your taste for vinyls what can you tell us?

Prof. Carlos, when I started working, I started buying CDS and some vinyls, I demanded much more in my work as a DJ because I always want to give the best of me, I also enjoy learning and finding exquisite tunes from collections that are not very well known. Currently I keep buying vinyl for the love of music, the thirst to learn, enjoy the contact of the needle and the vinyl is magical and it is also satisfying to support new artists.  I think it is important to have the habit of giving that value to what we are so passionate about and contribute to the genre.

Which of the rhythms or styles of salsa are your favorites?

It is difficult to find favorites in this genre, when you fall in love with many artists who left their mark and continue to do so, but I think my personal taste is more for son montuno, guajiras and when I program for the dance floor I really like guaguancó, timba and salsa dura.

I have had the honor of alternating with: Chamaco Rivera, Bobby Valentín, Roberto Lugo, Roberto Blades, Papo Cocote, Andrecito Carabali
Katherinne Motta better known as DJ Katha Motta

DJ Katha Motta, we want to know in which places have you been working lately?

Well, let me tell you Carlos that I have been working and making all the dancers in the following cities enjoy:

Asheville NC, Charlotte NC, Greensboro NC Atlanta GA, Athen GA, Greenville SC, Pompano Beach FL, Margaret Fl, Los Angeles CA, Dallas TX, Knoxville TN and many, many more, and as for places where I have participated in vinyl collectors meetings, Orlando FL and Lima Peru.

By the way DJ Katha Motta, with which figures of our Afro-Caribbean music, have you shared the stage?

Carlos, I have had the honor of playing with: Chamaco Rivera, Bobby Valentin, Roberto Lugo, Roberto Blades among others, dear friend.

Perfect, Katha, can you tell us, what have been your latest and upcoming DJ sets for events?

Let me tell you Carlos, that on May 8th I was at the ”Mother’s Day weekend edition” (Noche caliente Latin Night) in Dunwoody, GA; last April 10th at the (Salsa al parque Miami number 3) in Hialeah Fl, May 29th at the ”Rumba salsera” event in Pembroke Pines Fl, among others…and I will be ”Celebrating fathers day” on Saturday June 26th in Greenville SC, alternating with Roberto Blades.

Your social networks Katha, so that music lovers and dancers can follow you?

You can find me as :FanPage Facebook: DjKathaMotta.Facebook Personal: KathaMotta.

Instagram:DjKathaMotta.Youtube:DjKathaMotta.https://Youtube.com/channel/UCSmpDKa1HyMcC4KsBVUpMtA. Twitter: Dj KathaMotta @djKathaMotta.

Thank you very much Dj Katha Motta for accepting our invitation to international salsa Magazine, www.Salsagoogle.com, for us it has been a great honor to have you as a guest and we hope you continue with such professionalism and dedication to the salsa genre and enjoy your “temotas” as you rightly present them in your work and transmissions. We send you a big kiss and a virtual hug with many blessings.

Thank you very much, my friend Carlos Colmenárez, you are a sun…! Let me tell you that the honor is mine and you have selected me to be with you in the “only salsa magazine in the world…!” I would also like to thank all your editors and directors for this high privilege. I will always be at your disposal to share experiences, good salsa and sincere friendship. With love and appreciation your friend Dj Katha Motta…!

By: Carlos Colmenárez Correspondent in Venezuela

Home

Mel Martinez I come from Puerto Rico and Puerto Rico is Salsero

Totally agree with the premise that Mel Martínez establishes in this song of his authorship.  Yes, Puerto Rico is the same as saying: “Yo soy salsero”.

Long live the music!  Know that this implies shouting:

“Long live the musicians, so they can keep making it”.

The song starts off timidly and it seems that the arrangement asks the listener for his opinion on what he thinks of what is the first single of what will be his next musical production in a segment that presents a transcript of that “what do you think of Cholito”.

From there it pivots into a melodic design that reminds me of a segment of “I like Christmas that tastes like Puerto Rico” The shyness of the theme lasts approximately ten seconds.

Then the arrangement takes a turn that suggests that in Puerto Rico it’s Christmas all year round.

The lyrics of the song assures that all salsa-loving countries have their flavor and their flag; defined by other rhythms, highlighting the native rhythms of Colombia, Dominican Republic, Argentina and Peru. But Mel comes from Puerto Rico and asserts on behalf of all Puerto Rican salseros that: “In Puerto Rico the sun is boiling and that’s where Caliente salsa comes from”.

The song starts off timidly and it seems that the arrangement asks the listener for his opinion on what he thinks of what is the first single of what will be his next musical production in a segment that presents a transposition of that "what do you think of Cholito".
Mel Martinez The essence of family and Music

Evidently salsa is our pride.  We are all Mel in terms of his love for salsa, the shout of pride, the flavor and the flag”.

And speaking of flavor and flag, it is clear that still “Aníbal Vázquez as a dancer, Giovanni Hidalgo hitting a leather, Tite Curet’s songs and Sammy Marrero’s feeling” are as valid as their first day in salsa performances.

New York’s emblematic nightclubs, all of them already disappeared, stand out in the lyric.

The mention of El Corso, Latin Quarter and the unforgettable Copacabana filled me with nostalgia and joy for having been lucky enough to have been part of that history. In Puerto Rico we have also been part of the history of salsa as it was spun in Lomas del Sol, El Coabey -which has been sustained against all odds- and El Tropicana.

The groups of Luis “Perico” Ortiz, El Gran Combo, Willie Rosario, Bobby Valentín, Tommy Olivencia, La Ponceña, Roena, Mulenze and Chaney star in the list of orchestras born in our soil and that Mel includes in the lyrics of the theme. Costa Brava, Puerto Rican Power, Canayón, Mario Ortiz, Don Perignon and La Solución complete the list of outstanding orchestras in sound and category.

The patron saint festivities and the dancers arrive at the theme at the climax of the mambo, through the pregones in the voice of our favorite for several decades.

From Fajardo to Mayaguez, passing through Bayamón and Carolina, Cataño and Dorado Mel assures that our 100 x 35 and its inhabitants are salseros by birth.

The lyrics of Mel’s song are so great that it secured mention of the dancers who every year try out for National Salsa Day, which until 2020 was exclusive to Puerto Rico.

If you haven’t heard this song, I dare you to listen to it without getting stuck to it:

I don’t know where you’re from

But I love my land

I come from Puerto Rico

and Puerto Rico is salsa.

I can tell you that the choruses are deluxe.  The coros feature Luisito Carrión, Lalo Rodríguez and Carlos García; the same Carlos García who composes, arranges, sings and dances, all while masterfully dominating behind his piano.

As Mel states in this beautiful composition, which is also patriotically historical: we were born salseros.

I add by way of an intimately personal opinion that no human being is prepared to face the battle of life without the encouragement that music gives us.

I conclude by recommending you not to miss the correspondence between Pedro Perez’s bass and Emanuel Navarro’s timbal at the end of the song.

For those who doubt that musicians give us music even when it seems that the musical theme has already closed.

What is left for me to say? Long live the music!  Know that this implies shouting: “Long live the musicians, so that they keep on making it”.  Ah! And that we are still salseros.

Facebook: Mel Martinez

By: Bella Martinez “The Irreverent Salsa Writer”

Puerto Rico

Puerto Rico es Salsero
Bella Martinez “The Irreverent Salsa Writer”.

Website: Bella Martinez Escribe

 

May 8, 2021 Day of the Cuban Son

On May 8, Cuban Son Day is celebrated on the birth of Miguelito Cuní and Miguel Matamoros, great exponents of the Creole genre.

This article is dedicated to exalt the most Creole of Cuban music, especially son.

 

This day is a tribute to this music-dance expression and to the musical legacy of its great exponents included Miguel Matamoros and Miguelito Cuní, reported the Cuban Music Institute.

The Official Gazette of the Republic said on 2 October that the Decree 19 of the Council of Ministers recognizes Cuban son as part of the intangible heritage since 2012.

This day is a tribute to this musical-dance expression and to the musical legacy of its great exponents, Miguel Matamoros and Miguelito Cuní, informed the Cuban Institute of Music.
May 8th Cuban Son Day

This declaration consolidates the file for its proposal to this candidacy.

The information has also been shared by the chief proponent of this initiative, maestro Adalberto Álvarez, who said on his Facebook page that the joy of having our Son Day is very great.

Cuban son is a vocal and sanceable instrumental genre that constitutes one of the basic forms within Cuban music that blends African musical elements with Spanish musical elements.

May 8 is a representative day, since the births of Miguelito Cuní and Miguel Matamoros are commemorated, that is why this date was the one proposed, said the 2008 National Music Award.

Likewise, the Caballero del Son, as Adalberto Álvarez is known, declared that this is only part of the task, since we already have the Day of the Cuban Son, we still have to get the son to be named Intangible Heritage of Humanity.
May 8 is a representative day

In addition, the Caballero del Son, as Álvarez is known, stated that this is just a part of the task, so we already have Cuban Son Day, we still have to get son to be named an Intangible Heritage of Humanity.

This is a vocal and danceable instrumental genre that constitutes one of the basic forms within Cuban music that blends African musical elements with Spanish musical elements.

It reportedly was born in the easternmost region of Cuba and was developed in provinces such as Guantánamo, Baracoa, Manzanillo and Santiago de Cuba in the late 19th century, even though there are testimonies that the most ancien Cuban sones date back to the 16th century such as the Son de la Má Teodora by the 1562 and performed by two Dominican sisters, Micaela and Teodora Ginés.

 DECREE 19, CUBAN SON DAY Single Article. To declare May 8 “Day of the Cuban Son” as a tribute to this music-dance expression and to the musical legacy of its great exponents. IT SHALL BE PUBLISHED in the Official Gazette of the Republic of Cuba. DONE in the Palace of the Revolution, Havana, to the next two days of September 2020, “YEAR 62 OF THE REVOLUTION”.

BE IT PUBLISHED in the Official Gazette of the Republic of Cuba. GIVEN at the Palace of the Revolution, in Havana, on the 2nd day of the month of September 2020, "YEAR 62 OF THE REVOLUTION".
The Cuban Son was born from the blending of Afro-Cuban and Spanish crossbreeding.

History of Cuban Son

Cuban Son was born by mixing Afro-Cuban and Spanish cross-breeding. Its origin is intimately linked to Changüi, considered as the mother rhythm of son.

Son came from the East to Havana around 1909. The “Cuarteto Oriental”, created in 1916, became the Sexteto Habanero in 1918, establishing itself as the traditional format of the son bands. In the 1920s, with the emergence of commercial radio broadcasting, the rise and popularization of son began, being the Septeto Nacional de Ignacio Piñeiro one of the main representatives from this time.

The upper classes of Cuba, who are fond of danzón (Cuba’s first native genre) sat watching son warily, seeing it as a slumming and classless genre. However, son was gaining popularity and ended up imposing on danzón, which was consigned to oblivion.

Apart from the fans son has always had in Cuba, the importance of this genre also lies in the influence it has had on the emergence of other genres such as son montuno, mambo, and salsa. In contrast of danzón, son has always been present in Cuba, either directly or within other later musical genres.

Son montuno is a type of son that was played and danced in the last part of Danzón. The importance of this son was its influence in the creation of salsa, in both in music and dance.

Dancing

This dance is only played at the last minute in a salsa club room if the deejay is Cuban, and hardly anyone dances it well.

The base of this dance is three steps followed by a pause, such as salsa. The figures are very simple and similar to those of Cuban salsa. The fundamental difference with salsa is the way of taking the steps. They are more energetic, such as mambo, with a wider hip movement and the pause more marked than in salsa. In other words, instead of the rhythm fast-fast-slow on salsa. In the case of son, it could be considered as fast-fast-fast-fast-slow.

The rhythm of son is, in general, slower than that of salsa, which allows the dancers to recreate in adornments and flirtations. The rhythm is better followed with the key, which is usually very marked.

There are no enchuflas, which are typical of Cuban salsa. The side steps, cockroach style, the couple turn, the walk, the side walk, the side walk, and the step forward-back are widely used.

A very typical and spectacular figure is when the man crouches or even is placed in a horizontal position, leaning the point of the foot on the floor, and the girl takes hom by his hand and walks around him, making him turn the sole of his foot.

Source:

great exponents of the Creole genre.
Cuban Son Day is commemorated on May 8 on the occasion of the birth of Miguelito Cuní and Miguel Matamoros.

[email protected]

 

Home

Argentina and its musical genres of origin and the tropics

Argentine musical genres and development to date with tropical genres

 

Each country has its essence with respect to what it represents above all in its culture, and in Latin America there is a great variety of musical genres and dances unlike Europe since during the colonization of the new world a mixture occurred not only at the level of races but also of culture, emerging a great variety of musical genres…

In this time we have Argentina, a country full of cultural diversity being the most interesting characteristic of this great South American country. It is a country where music is expressed with great style and elegance, especially at the level of dance, since its presentations are made in various places, including outdoors, especially in Buenos Aires (usually in summer).

Argentinian dance
Argentine Collash

Among the musical genres that stand out are:

  • Argentine Rock: it is the mix of rock and roll, blues, country & western, R&B, doo wop, boogie woogie and swing; It is characterized by having an outstanding and recognized Hispanic lyrics throughout Latin America thanks to the great popularity of the bands and artists that participated and reaped records in album sales and in attendance at recitals in the mid-1950s to date. (sample bands)

 

  • Tango: a musical and dance genre very characteristic of the Rio de la Plata region and its area of ​​influence, but mainly of the cities of Buenos Aires (in Argentina) and Montevideo (in Uruguay). Their music and dance is very popular in Argentina and this expressive dance has strong European influences. It is danced as a couple where the dancers merge in a romantic embrace, showing their sensuality, passion and feeling in each step taken, leading it to become one of the most famous dances and musical genres in the world.

 

  • Cumbia: despite the fact that this rhythm from the Caribbean countries, particularly Colombia, has spread in several Latin American countries including that country, the cumbia and the different variants are part of the music called “tropical”, and in Argentina Cumbia Villera is a subgenre born in popular areas, born approximately in 1997. It emerged from the fusion with local rhythms such as chamamé and tango, due to its instrumental endowment; Another particular characteristic of Argentine cumbia is the inclusion of flamenco within its musicalization.

 

  • In Argentine there are folk rhythms:

 

  • Zamba: its name derives from the daughters of black slaves and aborigines, who were sought to seduce through dance, this genre is located in the central part of the country and is generally associated with the Argentine Pampas. It is danced in pairs where the man surrounds the woman’s shoulders with a handkerchief with the intention of seduction.

 

  • Carnavalito: this genre is located in the Andean region, north of Argentina, its music and dance make up a part of the Andean pre-Columbian culture, it has a festive and lively tone.

 

  • Chacarera: a dance native to the north-central part of the country, has a marked aboriginal influence where the Quichua language is manifested. With vehement and intense tones, it is used in regional Carnival dances and is danced by stamping and courting figures.

During the 50s in the USA (United States) several musical genres were called “Latin Rhythms” to differentiate them from African-Americans, among which are salsa, merengue, samba, bachata and bolero among the most known. You will say that this has to do with the musical genres mentioned above … because there is a great difference and history since each musical genre or dance has its own rules to perform them either on a musical or dance level, but when a mixture arises. from two or more musical genres, a new one more innovative, fun and with a taste to the population, like what happened with the Latin rhythms in that country.

Photo of some dancers
Tango dancers photos

Salsa is a contagious and fun rhythm most of all for the general population at the time of dancing it, since people enjoy a very lively music where they usually shine with the amount of turns to magically show themselves with their spectators and to achieve this you are born with it or you train with professionals in dance; this generally applies to all Latin and / or tropical rhythms.

It does not matter what genre this popular in each country, the important thing is the dedication, expression and that each person has when producing their musical theme or dance to the public, giving the native his personal touch to his music or dance, becoming more unique and not as generic as it is made in other countries.

 

Home

Tips for the Latin dances “Salsa”, “Bachata”, “Merengue” and “Lambada”

To be able to socialize and have fun, many people learn different activities that can attract others either in their daily routine or during a rest time they have; among those activities is music and dance, where the person can interact with their neighbor and / or partner (a) either by practicing it or simply talking about the subject.

 

Dancing is simply the act of performing a dance, where a person uses his or her body to perform movements to the beat or to the rhythm of a music or melody, in order to express a message, by tradition or with the aim of entertaining oneself; of course, in order to practice it, body communication is very important because the couple or group needs to know certain signals that indicate the “when” or “how”, in order to perform the steps and as a result the success of this performance will test the quality, maturity and growth of the dancers; and to perfect the technique the best thing they could do is to look for an academy where they can orient them and thus achieve their equilibrium either as a couple or as an individual.

However the dance is not something monotonous, it has different musical genres and on this occasion we will talk about La Salsa, La Bachata, El Merengue and a little known but at the same time very interesting rhythm called Lambada.

 The tenses in these 4 musical genres are different, for example:

 

  • The Lambada is a dance that comes from Brazil although you still have doubts about its exact origin.  Another influence of its development came from Caribbean music adding metal drums, electric guitars making this a unique musical experience.  It has a degree of popularity in Europe because it is exotic and uncommon due to certain characteristics la Lambada that there are traces of flamenco and other ancient Spanish dances.  The Lambada uses a three (3) beats, where the first 2 are fast and the third (3rd) is slow, with simple steps dancing either in the same place or on the side, showing momentum and interest where the dancer is looser, flexible and docile, whereas the woman is full bodily movement and should be guided by her partner, as if the woman were clay in the hands of the potter.
Lambada dance
Photo of a Lambada dance contest
  • La Salsa is an Afro-Caribbean rhythm and dance fused with jazz and other styles.  Its birth has been much debated, but it is known that it comes from a fusion carried out by the inhabitants of the Caribbean when they listened to European music and then mixed it with their drums, it is a rhythm with flavor, joy and the force of life, a very common characteristic when it comes to party, which one can associate through the salsa songs. The Salsa handles a four (4) beat beat beat, either side to side or back and forth, it can also be crossed (as if you draw a “V” with the 2 and 3 in the middle) and the turns in both dancers can be from simple to complex as you progress level in (a dance academy), citing the textual words of Glenis is a rhythm where the woman It’s man-guided, so if you want to blame her for a misstep, you know who to blame.
Salsa Pose
Photo of a couple dancing Salsa
  • The Merengue is a dance from the Dominican Republic, becoming a Caribbean and Latin rhythm, it is one of the easiest rhythms to learn to dance even without experience, since it is not as fast or strict as the “Salsa” is, its movement can be back and forth, or side to side, always adding very noticeable hip movement with the rest of the body although not as exaggerated as bachata or kizomba; giving it a touch of flavor and flavor.  It is required to do this a close dance with your partner that when salsa is danced, facilitating the fluency of the couple at the time of moving and so be more synchronized, of course it is that not all the time is like this, the trick is the synchronization of the couple’s steps; usually it resembles the turns of the salsa with the merengue.
Meringue Competition
Photo of dancers dancing Merengue

There are many types of dances in each country and in its academies and-or dance venues, which have their own rules, tips, names and steps to follow, what matters is that you achieve the ultimate goal which is to “dance” by holding classes regularly, following the advice of your teachers, practicing your technique outside your classes, dedicating time to improve your dance skills specific, improve your postures, exercise without abusing it getting your rest time and above all observe outstanding dancers of different styles, this way you will be able to achieve your goals without staying on the path of learning.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 46
  • Page 47
  • Page 48
  • Page 49
  • Page 50
  • Interim pages omitted …
  • Page 53
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.