![]() CANADADIRECTORY OF NIGHTCLUBS |
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OCTOBER 2023 FESTIVALS | ||
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![]() UNITED STATESDIRECTORY OF NIGHTCLUBS |
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CALIFORNIA | FLORIDA | ILLINOIS |
MICHIGAN | NEW JERSEY | NEW YORK |
OHIO | PENNSYLVANIA | TEXAS |
VIRGINIA | WASHINGTON | |
OCTOBER 2023 FESTIVALS | ||
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![]() CANADADIRECTORY OF NIGHTCLUBS |
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OCTOBER 2023 FESTIVALS | ||
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![]() UNITED STATESDIRECTORY OF NIGHTCLUBS |
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CALIFORNIA | FLORIDA | ILLINOIS |
MICHIGAN | NEW JERSEY | NEW YORK |
OHIO | PENNSYLVANIA | TEXAS |
VIRGINIA | WASHINGTON | |
OCTOBER 2023 FESTIVALS | ||
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North America / United Stated / New York
It was one of those nights of meeting with friends, those friends with whom you share the same musical preferences among other things, you know, of those gatherings where only you and your friends can spend hours discussing the best songs of Héctor Lavoe or remembering the best hits of the Fania, and in which there is no other way to end the evening than with the deities that brings the good Salsa music from a live band to close the night with a flourish.
And so that was, when with the hours passed we came across one of these charming Latin clubs that fill the streets and every day prevail more in the city of New York, where, of course, they offered Live Salsa. Eureka! If you allow me to say it … It was the perfect place to “Echarnos un Pie” (colloquial term that we usually give in some Latin countries when we refer to dance).
Upon entering, the characteristic sound of the band wrapped up the entire venue, no doubt, captivated us. It was the harmony of an orchestra that played the typical Cuban music: “La Charanga“, which had its maximum exposure in the 20th century. We were all enthralled or if you want to say “delighted”, it was the mixture of wind instruments with percussion instruments but especially with the string instrument that most caught our attention, the Violin.
When we asked for the name of the orchestra, they told us: “Son del Monte”. It’s the ideal name for an orchestra of 12 Latin musicians who project their virtuosity before an audience eager for Caribbean Music that bathes the senses and awakens the joy of living.
Son Del Monte is a band based in New York City that presents unique tunes from various artists. This orchestra was born from the musical director and timbalero, Manny Rivera whose aspiration was to create a Charanga band with a hard New York sound that paid homage to the orchestras of the 60s, 70s and 80s. “Our music is captivating for the listeners and dancers. Fans from all over the world have come to love Son Del Monte: Una Charanga Con Algo Más and our incredible musical swing”, said Manny Rivera.
This band that combines the typical sound of Cuba with the mixture of flute, violins and trombones with three singers that create a distinctive harmony of three parts, have performed in so popular Salsa venues, such as: Maryland Live Casino, the Baltimore´s Latino Festival, the boardwalk of Coney Island, SOB’s, Empire City Casino in Yonkers, Gonzalez y Gonzalez, La Marqueta, the Latina Hats Society, Industry City, Harlem Mist, among other recognized Salsa venues.
The members of this Charanga orchestra with “Sabor” and electrifying sound are: Mauricio Smith Jr. (Flute), Eric Roberto Salazar and David Rimelis (Violins), Michael Pallas, Juanga Lakunza and Charlie Garcia (Trombones), Eli Rivera (Piano), Bert Castro (Bass), Joe Gonzalez (Conga), Manuel Rivera (Timbales / Musical Director / Leader) and Luis Ayala, Armando Jiménez Sonji and Luis Soto (Singers).
Since the beginning of this year (2019), Son del Monte has been working on their record proposal for the Latin market with unpublished themes, rhythmic and unique sound – contemporary. To date they already have two singles: “Rumba Omelenko” and “Vengo de Nueva York” availables in: CD Baby, Deezer, iTunes, Apple Music, and Spotify. Likewise, the song “Herman” is in the process of recording. So, get ready because this Charanga orchestra promises their CD ended with great compositions for the public later this year.
Undeniable, the acceptance of Son del Monte has been so extensive on the part of New Yorkers and all who are Salsa lovers that they were recently awarded with the TANAE Digital Media Award for Band of the Year 2018, giving recognition to an arduous musical performance, but above all of great cultural value that keeps alive our Latin idiosyncrasy.
Manuel Rivera, have been a professional musician for more than 40 years and now Son Del Monte’s Leader/ Musical Director. His musical career started playing Bongo in a Latin Workshop band which eventually became Orchestra Yambu. Yambu was known for its Latin Jazz style and Disco Hit “Sunny”, his first recording. Subsequently, I joined the original Charanga Orchestra Sublime of New York City, doubling up on Bongo and Timbales. He recorded on Sublime’s first two albums in 1977 and 1979.
In 2001, he rejoined Orchestra Sublime now known as “Sonsublime”. Manuel recorded on Sonsublime’s Gran Reserva and Bailando Con Sonsublime, their latest CDs. He studied various folkloric rhythms, Bata drums and sight reading at the Harbor’s Conservatory of Music in El Barrio in New York City under the guidance of the Master Louie Bauzo.
Manuel Rivera has performed with the Bassist: William Millan, of the original Conjunto Saoco, singers: Henry Fiol, Ray Ramos, and Luis Ayala. Also, he performed with Yerason and the MTG All Stars Orchestra under the direction of Hector Leguillow, Joe Quijano at Lincoln Center and other various artists throughout his musical career.
Next Shows:
Monday, Jult 15TH
Venue: Cunanele Restaurant and Lounge. 1 Route 46 W, Totowa, NJ 07512
Saturday, August 17TH
Venue: La Placita de la Marqueta. North trains between 111th and 112th Streets in East Harlem, “El Barrio” and uptown Manhattan, NY.
For more information, please visit:
Or Follow them for their Social Channel:
North America / United Stated / New York
Roberto Quintero was born in Caracas, Venezuela, surrounded by Afro-Venezuelan and Afro-Cuban rhythms and music.
His father, a respected composer, singer and percussionist, tutored and encouraged Roberto Quintero on percussion throughout his adolescent years.
Roberto Quintero comes from a long line of outstanding musicians, including his Uncle Carlos Nene Quintero and cousin Luisito Quintero.
Roberto Quintero studied at the Conservatory of Music in Caracas, Venezuela and Sinfonica Orchestra Juvenil from Venezuela.
Besides his skillful Congas work, Roberto is also well known for his work on Bongos, Drum set, Djembe, Timbales and a wide variety of assorted percussion instruments.
He (Roberto Quintero) has played with Dave Samuels, Dave Weckl, Chicago, Gato Barbieri, David Sanchez, Roy Hargrove, David Sancious, Eddie Palmieri, Jack DeJohnette, Roy Haney, Marc Anthony, Timbalaye, Celia Cruz and countless other high-profile music acts in all genres, from symphonic to Jazz, Latin Jazz and Latin House.
Latin America / Colombia / Bogota
Elizabeth “Mimi” Ibarra was born in Colombia in the department of Choco. Since she was a child she dreamed of being able to venture into music as a performer, but “Mimi” was far from imagining that she would first become known internationally as a composer.
It all started when “Mimi” Ibarra dedicated herself to writing melodies, she felt happy doing it and as she describes it “it was definitely a gift from God” she kept the songs she wrote. She composed some songs for a record label in her native Colombia.
Her first song as a composer “Amor ingrato” was recorded in Puerto Rico by Milly, Jocelin y los Vecinos for the Musical Productions label.
“Mimi” Ibarra wrote songs that were definitely hits such as: “Señora”, “Nobody’s Toy”, “Déjala”, “Morena Linda”, “Tell him” and “Te Propongo” in the voices of well-known salsa performers like Tito Rojas, La Puerto Rican Power, Tito Gómez, Anthony Cruz, Maelo Ruiz among others.
“Mimi” Ibarra, romantic par excellence… a woman who has the virtue of writing beautiful songs dedicated to love, but who in turn considered that it was time to offer the public songs with romantic lyrics that were also danceable.
After becoming known as a composer “Mimi” Ibarra, she makes her most cherished dream come true… to become a performer. In the first production, the eight songs are of his inspiration, among them “así”, “que tiene ella”, “Para Quererte” and “No puede ser” in duet with Anthony Cruz.
In the second production the themes “hurts” (a duet with Tito Rojas), “I love you like this”, “Private Property” were heard.
These productions have taken her with her music to different places such as Panama, Colombia, the Dominican Republic, Puerto Rico; and cities like New York, Houston and Los Angeles, among others.
Now, he presents us with his fourth record production, with a very varied repertoire to satisfy all his followers.
The bachata “because I loved you so much” stands out, a theme that in turn was recorded as a ballad, in addition to “the Tun Tun dance, which is an indigenous rhythm of Colombia.
All songs are authored by Mimi Ibarra, arranged by Rafael “Bodo” Torres, Ramón Sánchez and Julio “Gunda” Merced.
Latino America/ Puerto Rico/ Humacoa
Julio César Rojas López better known as Tito Rojas was born in Humacao, Puerto Rico, June 14, 1955, is a Puerto Rican salsa singer.
Tito Rojas grew up and was educated in the city of Humacao, located on the eastern coast of Puerto Rico, where he attended primary and secondary school. From an early age Rojas enjoyed singing salsa to his family and friends.
In 1974 he had an audition with Pedro Conga and his International Orchestra. He sang the song ««Olvídate de mí»» accompanied by the orchestra and Pedro Conga hired him as a singer.
Some time later he left the band to join the “Borincuba Set”, led by Justo Betancourt, as lead vocalist. With this orchestra he participated in the recording of “Con amor” (“With Love”), becoming a success in 1978.
After a while, Rojas formed his own short-lived band, Conjunto Boricano. Between 1987 and 1988 he sang, with good success, salsa versions of “Noche de boda” and “Quiéreme tal como soy” together with the “Puerto Rican Power”.
In 1990, Rojas recorded the successful lp Sensual as a soloist for the “Musical Productions” label. Tito Rojas from 1992, A Mi Estilo” from 1993 and in 1995 he recorded in his own right, which he placed on Billboard’s Latin hits list.
He gained recognition from the recording industry by winning the double Platinum Album, the Paoli Award for “Best Salsa Artist of the Year” and the “ACE” award.
In 1996, Rojas had other successes with Humildemente and Pa’l pueblo, as well as 20º Aniversario, Alegrías y penas and Navidad Con Tito Rojas in 1999 and continued in the following years with the albums in 2000 Rompiendo noche, 2001 Auténticamente en vivo and Quiero. arriving home in 2003 Canta el gallo and Perseverancia 2004 The same as always, Fighting Hard and Traditional, 2005 Slate and new account, 2006 Better Than Always, 2007 No Comments and Successes and More
Tito Rojas is currently performing concerts and tours around the world.