• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: music

Yamira Blanco -Director and tresista of her group Son Latino

Many musical genres that emerged over the years, among them are the salsa genre which was a boom in the decade between the 60s and 70s, being a movement that mixes African and Caribbean sounds, which has been adopted by male artists already that in those times the woman who played a musical instrument was frowned upon and it was not accepted that they were in music, however this did not stop and the experience made the artist and she spent many years, female groups managed to exist in Salsa.

In this October 2021 edition, we have the opportunity to interview Yamira Blanco Ramos, a salsa singer who participated in the orchestra made up of fourteen women who cultivate Cuban popular music, fusing the most traditional rhythms with contemporary sound, also known as “Las Mulatísimas del Sabor ”, have achieved a seal that distinguishes them and are appreciated by both critics and dancers from all over Cuba and from various countries around the world.

Yamira Blanco - Photo
Photo by Yamira Blanco

He was in the hands of the prestigious guitarist Efraín Amador during his beginnings and in turn began his studies at the National School of Art (ENA) and then continues the same at the Higher Institute of Art of Havana (ISA), where he graduated with a Degree de Oro, during his student years he always stood out for his active participation in groups of different formats, from duos to septets; Later, he had the opportunity to participate in the 2001 Mujer International Guitar Festival in Costa Rica, where he performed with the Plectro trio, made up of guitar, tres and lute.

He joined the Anacaona group, starting in September 2006 with his tres to enrich the musical spectrum of the group and after a year (January 2007) he joined the Los Galanes quintet simultaneously, under the musical direction of Armando Vidal , vocalist of said group, with whom he performs a musical work based on traditional Cuban music.

In 2008 he recorded with the quintet the album Suena por mi Cuba with the Egrem label, and later with a small format of the Anacaona group, he recorded in 2008 the musical theme “Parampampan”, for the filmmaker’s musical film Chico y Rita Spanish Fernando Trueba; and after a year (2009) he participated with the Anacaona group in an artistic tour in Canada and also attended different jazz festivals and “World Music”, including the third edition of the Aruba Jazz Festival.

As of 2010 Yamira together with the Anacaona group, on their tour to Curacao they presented the show “Viva Cuba”, with the purpose of raising funds for the fight against breast cancer, organized by the Sinte Rose Foundation of said country. This tour brings the Aruba International Film Festival to a close.

Yamira Blanco in the music studio
Photo of Yamira Blanco posing at the piano

Later they resumed their participation with the Anacaona Orchestra in the Santa Lucía Jazz Festival in 2011, being its 20th edition, where they were together with leading jazz players from the international arena, shining for their improvisations on the different themes that they performed with the orchestra. both on the tres and on the guitar.

In 2012 they celebrated their 80th anniversary of this musical institution, making an extensive tour throughout the country in addition to multiple radio and television programs and in August they performed with the group at the PDVSA salsa festival. , in Venezuela, alternating with salsa groups from that country.

They began to record the album De Cuba soy, in 2013 under the Colibrí label, a phonogram dedicated to celebrating the eight decades of artistic life of the Anacaona group, then Yamira assumed the direction of the Quinteto Los Galanes, being appointed by its vocalist and founder, who decides to retire, so she poses new challenges in the music that is the inspiration of this young and talented Cuban tresera.

In 2015:

  • I participated in the documentary Mix The World by Grammy nominated filmmakers Alex Elena and Steve’s Baughman.
  • Son Latino, a music septet that he has directed since 2015, is made up of a format of three, guitar, double bass, bongos, tumbadora, singer, trumpet and minor percussion.
  • Works multiple genres such as son, song, cha cha cha, bolero, rumba, guaracha, bachata, merengue and the interpretation of current Cuban timba, starting from its purely traditional format.
  • It is a group that seeks to defend Cuban popular music from more contemporary harmonic and rhythmic sounds, with good taste and a high aesthetic sense in creation, seeking its own stamp with auditory and visual identity.

In 2020 Yarima Blanco becomes a Soundwear artist and records with several guests the CD Pa mi tres, a co-production between the Recording Company and Musical Editions, Egrem, and Soundwear Production that will have its presentation and launch in 2021.

The phonogram is a journey through the sounds of Cuban and Caribbean popular music based on 12 unpublished songs where the authorship of Yarima herself, the Puerto Rican Tomás Pérez and the Cubans Yunior Molina, César Lozada and Juan Antonio Gil stand out.

With musical production by the hand of the Latin Grammy award Roniel Alfonso Mella, they participate as special guests in several of the songs on the album: maestro Pancho Amat, Alain Pérez, Kelvis Ochoa, Rolando Luna, Bárbara Zamora, singer from Anacaona, among other important Cuban musicians.

Yamira Blanco
Photo of Yamira Blanco Live

Now if you want to know the exact list of the different activities that he carried out throughout his musical career, you can see them here:

Participation in Festivals: Discography
2001 International Woman Guitar Festival, Costa Rica 2006 Cuba le canta a Serrat vol. 2, discography –Discmedi
2009 Aruba Jazz Festival 2007 No lo puedo Evitar, Anacaona -Bis Music
2009 Canadian Jazz Festivals 2008 Suena por mi Cuba– Quinteto “Los Galanes” – EGREM
2009 La Nuits D’Afrique Festival in Montreal Canada 2008  “Parampampan” – tema para el Largometraje Chico y Rita
2010 Aruba International Film Festival 2013 De Cuba soy – Anacaona – Colibrí
2011 20th edition of the Santa Lucia Jazz festival 2019 Lágrimas de la cantante Cassandra Nuñez –Egrem
2012 PDVSA Salsa Festival, Venezuela 2020 Pa mi tres, Egrem – Soundwear Production
2019 Salsa Festival in Bogotá Colombia Park    
2020 Jazz Plaza Cuba Festival. Collaboration with Dominican-American Cassandra Núñez.    
2020 Concerts and show in tribute to the bolero and its relationship between Mexico and Cuba, Mexico City, under the direction and musical production of Rosario Castro.    

 

 

If you want to contact this great artist:


  • Contacto: https://www.facebook.com/yarima.blanco.79

  • Email: [email protected]

Heyzer Cabrera, brilliant and virtuoso Venezuelan percussionist

International Salsa Magazine / www.SalsaGoogle.com and its correspondent, Professor Carlos Colmenarez from Barquisimeto, Venezuela have the privilege to present one of the most important bastions of our Latin music in the Caribbean.

In this opportunity we honor in our salsa column, the Venezuelan percussionist Heyzer Cabrera, born in the city of Caracas, on May 3, who already has more than 30 years of musical career, because at the age of 7 years old he was part of the Venezuelan Children’s Choir, directed by Professor Raul Cabrera, his uncle.

At the age of 15 he began his interest in percussion, with the help of his great friend and also percussionist Juan Pablo Barrios and at 17 he began his career as a professional musician with the “Orquesta Canela” in 1994 and since then he has been part of many groups of the salsa genre, such as: “El Combo de Venezuela”, “La Negramenta” and accompanying international artists such as Andy Montañez, Van Lester and Pedro Arroyo.

At the age of 15 he began his interest in percussion, hand in hand with his great friend and percussionist Juan Pablo Barrios and at 17 he began his career as a professional musician with the "Orquesta Canela" in 1994 and since then he has been part of many groups of the salsa genre, such as: "El Combo de Venezuela", "La Negramenta" and accompanying international artists such as Andy Montañez, Van Lester and Pedro Arroyo.
Heyzer Cabrera, brilliant and virtuoso Venezuelan percussionist

In 2013, he began his project to make a recording studio, which is called “A Tempo Récords” and in parallel he studied sound engineering at the academy (Audio Place), under the guidance of Jesus Sanchez and Jean Sanchez. In his career as a sound technician he has participated as a producer of several orchestras and in 2019, he gets his first recognition by being nominated in the production “Con Todo” by Coco y su “Sabor Matancero”, for Record of the Year, Salsa Genre, at the Pepsi Music Awards in Caracas.

Heyzer, at the international level you have had presentations? Indeed Professor Carlos, in 2018 I had the pleasure of being in Cali, Colombia, with the orchestra “La Negramenta”, in La Topa Tolondra and the reaction of the public was of great emotion, chanting all the songs of the orchestra; later in 2019, I returned to Cali, but with the orchestra “Noche Caliente” and soon we will return to the neogranadino country.

And with Juan Pablo Barrios, you were part of his wonderful jazz-salsa band? Hey, yes, I was part of that wonderful orchestra for 8 years.

I was part of that wonderful orchestra for 8 years.
With Juan Pablo Barrios, I was part of his wonderful jazz-salsa band.

Heyzer, with which of the percussion instruments do you feel better for its execution? My friend Carlos, with all the irons equally, that is: timbales, congas and bongos.

Also, Heyzer Cabrera has just become part of the musical project “Ritmo Caliente”, the group formed by the musicians: Cheo Navarro, Alfredo Naranjo, Jhoán Muñoz, José Soto, Miguel Urbina, Rodrigo Mendoza on vocals and of course, Heyzer on percussion and also the first personal single entitled “Mi social”, was recorded in Cabrera’s studios.

For those who wish to contact and hire the excellent percussionist Heyzer Cabrera, you can do so at 0412-9782696, through Instagram: heyzer_drums, atemporecords. Facebook: Heyzer Cabrera and A Tempo Récords.

with all irons equally, i.e.: timbales, congas and bongos.
Heyzer Cabrera has just become part of the musical project “Ritmo Caliente”.

From Salsa Escrita, International Salsa Magazine / www.SalsaGoogle.com and all its staff, we wish the greatest success to this bastion of Venezuelan percussion.

Facebook: Heyzer Cabrera, brilliant and virtuoso Venezuelan percussionist

Everything prior to the 20th century is in the History of Salsa, since what happened in the Caribbean is common to mankind.

As in the rest of the world, salsa in Venezuela entered in the 60s from the new sounds created in New York, and driven by musicians like Federico Betancourt (Federico y su combo latino), or radio programs like La hora de la salsa, although rumba and Cuban son were already rooted since the 40s and 50s.

Article of Interest: Johnny “Dandy” Rodríguez Jr.

See you next time and let’s keep on salsaing!

By: Professor Carlos Colmenarez from Barquisimeto, Venezuela

ISM: Fanny Almanera better known as La Sonera del Callao

On this occasion we have the opportunity to interview the Peruvian Sonera called Fanny Almanera also known as La Sonera del Callao, her nickname comes from her native country El Callao, Peru.

She was born on January 23 and is the 9th daughter of her parents (Don Héctor Almenara and Carmen Barreto), from a very young age she knew and learned many things about the music of both parents; in the lyrical genre thanks to his mother and his best teacher Dona Ana María Parodi and with respect to his father who is / was a collector of the best exponents of Salsa (especially Cuban and Puerto Rican music), both listened almost all the time to Justo Betancourt, La Lupe, Candido Fabre, Benny More, Ismael Rivera, Los Papines, Irakere, Luis “Perico” Ortiz, among others.

When she turned 16, she realized that she was passionately and in love with the dynamic salsa genre and made the decision to leave the choir and classical music, since her love and her taste is for the salsa musical, thanking her father greatly for showing her , show him and listen to the best collection of salsa music to date … “Music is like medicine … it fills the soul and innovates over time” and over time, while gaining his experience, his own audience would give him their nickname La Sonera del Callao and with the favor of God take his parents, especially his father, to Cuba.

Tribute to Omara Portuondo Living Legend of Cuba
Memory of the brave Sonero Cano

She also had the honor of participating for the first time in the choir to Junior Gonzales and alternate Grandes with Peruvian Orchestra such as Peru Salsa by Beto Villena, Las Estrellas de la Maquina by Boris Gomez, La Nueva Generación by Franco Covetto, during that time chosen as the best nobel voice of the salsa genre for the 80s; and at the same time he made several recordings for different groups, likewise he recorded an unpublished song of his own entitled “Yo Te Espero”.

Unlike other musicians, Fanny Almanera during this season met and currently has friends of renowned musicians, who interacted with her and her family, even before becoming a singer.

Memory of Ray Barreto and singing Adalberto Santiago de Fannia
Ray Barreto and singing Adalberto Santiago de Fannia

Between the 70s and 80s, Las Leyendas Latinas arrived in Peru with Ray Barreto and Adalberto Santiago, who gave him the great opportunity to sing with them “Quitate La Máscara”, then with Linda Caballero (La India), the song “Mi Primera Rumba ”, Then with the salsa pharaoh Oscar de León with the song“ Toro Mata ”and also with the great Lebrón Brothers with the song“ Sin Negro no hay Guaguancó ”. With the Owner of the Soneo Carlos “El Cano” ESTREMERA the song “Amame en Camara Lenta”, with Frankie Vazquez “El Cuarto de Tula”, with Yolanda Rivera the song “Rumba en el Patio”, Vity Ruiz brother of Frankie Ruiz the song “La Cura”, with Aldalbeto Santiago on the song “Nadie se Salva de la Rumba”.

In all these golden opportunities, he managed to ask her many questions to perfect her singing, including knowing more about how to rhyme the phrases and after a while with her imposing voice, Fanny captured the attention of the greats of salsa, representing Callao and for which the Chalaco people named it “La Sonera Del Callao”.

Souvenir of Linda Caballero best known India and Fanny La Sonera del Callao
Singing with Linda Caballero, the best known India and Fanny La Sonera del Callao

She tells us that she is very happy with this great experience acquired, especially that she met many internationally recognized artists, many met them in person and others thanks to social networks, expressed by many who have a very beautiful voice, which is why she sang many songs musical expressing that at the time of singing he likes it because it is his passion with all his steps (vocalization, expression, movement).

During the Covid-19 pandemic it affected her like the rest of the world, in her case the recordings of her musical themes could not be made as before since the recording studio did not work as before, she had to sing with a smaller group of people, they couldn’t get together to practice; Although he was on a halt due to the pandemic, he was able to record a challenger “El Virus Se Mata Con Musica”, invited by a Cuban musician which was also recorded by Cuban artists, which was successful as it was heard in different parts of the world.

Thank God, despite all the complications that arose regarding her musical career, she achieved many things during this pandemic and also remained active thanks to social networks and is currently activating social activities in clubs, where They work in small groups live or online.

Fanny Almenara, continues with her impeccable musical career, loving music and recording a song entitled “Amor de mis Amores”, a salsa version with the Orquesta NG del Callao Director Franco Crovetto.

For her vast artistic career, she was awarded by different musical associations and by the company Pinsen Callao, Asocosalsa Peru (Ceremony Tite Curet, Busto Hector Lavoe, Charlie Palmieri and 25 Anniversary of Artistic Life (Okonkolo Association) and a few days ago she received the award The Miami Radio Salsa Superior Award Director Richard Roman (“La Dama De La Salsa” Award)

Fanny La Sonera del Callao 2021
Fanny La Sonera del Callao the Los Award award from Radio Salsa Superior of Miami Director Richard Roman

After his voice reached Cuban pages like the page “Benny More”, “Un Millón De Adalsoneros” and “Al Son Del Pinar Del Rio” She was invited to the day of Son 8 de mayo led by the gentleman of son Adalberto Álvarez, later I also record a song authored by the Reyna del merengue Milly Quezada “Gracias A Ti” dedicated to those who are always in the front line such as doctors and nurses in Covid 19 and the latest that the production of the song La Sitiera Tributo has recorded to the Cuban diva Omara Portuondo in which Nelson Gonzales participated in the tres, Eddie Montalvo on the congas, Nohelia Zambrano from Colombia on the violin and Luis Perico Ortiz on the Trumpet

For more information:

  • Tik Tok: @fannyalmenara

The happiest month – Euroson Latino World Salsa Championship.

December, the month where families and friends get together to give, share and have fun for most of the people worldwide for the arrival of the new year and Christmas, and therefore this month various events are held, whether they are activities. (trips, games, parties, musical events and / or dance) and in Mexico one of the most well-known and expected Congress and World Salsa, Bachata and Kizomba Championships in Latin America called Euroson Latino World Salsa Championship, which was founded in in 2009 and from that moment its reputation and popularity increased a lot and it is part of the various competitions that are held in America and many of them are the winners who classified in other competitions for what they are and will be very interesting competitions there.

Euroson Latino World Salsa Championship info
Promotional image of the Euroson Latino World Salsa Championship

From December 06 to 11, 2021, the Euroson Latino World Salsa Championship will be held, this being the 12th edition that has been held since the beginning, it will be held in Cancun, Mexico and the cost of tickets for the congress at this time are as follows ( Be careful, these prices will be available until September 1):

  • The Full Pass has a cost of $ 120 USD includes world championship, international shows, concerts, Salsa & Bachata Social, foam party, Holly Color Party and workshops

 

  • The Night Pass has a cost of $ 100 USD, where you can participate in the world championship, international shows, concerts, Salsa & Bachata Social, foam party and Holly Color Party.

There will be categories / championship:

·         Bachata Pro-Am Group ·   Pair Salsa Infantil ·    Pair Bachata Pro Cabaret
·         Bachata – Amateur Group ·   Pair Salsa Junior ·    Paraje Bachata Pro Piso
·         Bachata – Amateur Group ·   Pair Salsa Grand Petite ·    Pair Bachata Pro-Am Mujer Pro
·         Bachata Alumnos Group ·   Pair Salsa Pro On 2 y On 1 ·    Pair Bachata Pro-Am Hombre Pro
·   Pair Salsa Semi-Pro ·   Pair Salsa Pro Cabaret ·    Pair Bachata Amateur
·   Pair Salsa Same Gender Femenino Open ·   Pair Kizomba Fusion Open ·    Pair Bachata Alumnos
·   Pair Salsa Pro-Am / ·   Pair chachacha open ·    Duo Femenino Infantil
·   Pair Salsa Over 65 Pro-Am ·   Pair Bachata Semi-Pro Rising Star ·   Bachata Masculino Pro Soloist
·   Professional Bachata Femenino Soloist ·   Solista Salsa Femenino Baby
Flyers @eurosonlatino
Euroson Latino World Salsa Championship
info

The Euroson Latino World Salsa Championship will be held in the beautiful Hotel Grand Oasis Cancun which has a great variety of things included among them, it has rooms of different kinds, consumption centers (restaurants, bars, snacks 24 hours), entertainment centers where all the activities are very close to all the fun and the best attractions in the hotel zone of Cancun; in Grand Oasis Cancun the ideal place where you can live a luxury vacation in front of one of the most beautiful beaches of this Caribbean destination, if you want to know more details of the hotel you can call them through +52 55 4170 9258 or search on google to find out what are the best accommodation offers.

They mention on their official website that “Remember that it is important to emphasize that those attending the Euroson Latino 2021 must be staying at the Hotel Grand Oasis Cancun, since by hotel policy the use of the facilities will not be allowed to outsiders” …

If you want to know more or contact them, you can do it by the following means:

  • WebSite: https://www.eurosonlatino.com.mx/
  • Facebook e Instagram: @eurosonlatino
  • Youtube: https://www.youtube.com/user/Eurosonlatino
  • Correo: [email protected]
  • Telefono: +52 1 222 250 1558

Find out the details of the Guanajuato Salsa Congress 2022.

There is a great variety of folklore and tastes among the inhabitants of each country throughout the world and this time we have Mexico, which is the fifth largest country in America, with a great variety of cities and partially different customs and in Guanajuato It is a state of the Mexican Republic little studied in terms of traditional musical and dance manifestations, surely because there is one of the most important industrial corridors in the country.

Guanajuato Salsa Congress Logo
Guanajuato Salsa Congress 2022 Logo

For the year 2022 in the state of Guanajuato it will be held, this being its 2nd. Edition of the Latin dance and music congress, based in the city of Guanajuato, Mexico. For all people interested in learning, competing and / or showing their talent regardless of their style and / or age.

There will also be competitions of:

  • Ladies shines Salsa open category
  • Ladies shines Bachata open category
  • Sauce same gender Open category
  • Amateur Bachata couple – student
  • Amateur Salsa couple – student

The Guanajuato Salsa Congress 2022 will be held at the Hotel Real de Minas, Guanajuato, Gto. Mexico, where its musical environment will emerge thanks to the Official Dj Salsero, Dj Mr Swing, Dj Wagner, Dj Boss and Dj Cordero, where you can dance to the best musical themes that exist in these times and with them do the various planned activities.

The Socials will be held on Friday 28, Saturday 29 and Sunday 30 of January 2022, where people will be able to unfold and get to know each other and practice their dance steps and with the shows that will take place, they will make it a great show since they will be In charge of great dancers recognized internationally and nationally, where Salsa, Cha cha cha, Bachata, Afro-Cuban and Kizomba workshops will be held.

We are pleased to inform you that among the artists already confirmed are the following:

  • In the sensual bachata genre we will have Juan Pedro Navarro and Diana Alducin (Mexico), @JuanPeyDianaOficial who come to share with all their spectators and participants their dance steps in the workshops and shows.
  • In the Afro-Cuban genre we have Adrián Arellano (Mexico), follow him through his Facebook page and Instagram @ Salzumba-Adrian-Arellano.
  • La Pachanga we have the pleasure of being instructed by the professional dancer Shani Talmor (New York), if you want to know more about her follow her through @ShaniTalmor.
  • The dancer (China-Mexico) Rubén Lee will be teaching us Mambo on2, know his skills through his website @ RubenLeeDance.
  • In Salsa / Mambo Fusión we have the dance couple Selene Tovar and Enrique Jarquín (Mexico) @ EnriqueJarquinOficia, where you will learn a lot with them this wonderful Salsa / Mambo fusion.
  • In Bachata Dominicana we have the director of @bachateros_con_ashe Oskar Hdz (Mexico)
  • And the Kizomba classes with the dancer Kali Kali (Mexico), you can contact her through @kalikalidjwah.
Guanajuato Salsa Congress 2022
Guanajuato Salsa Congress flyer

The cost of the tickets of the first presale will last until August 31, however through the following pages you will be able to know the new costs:

  • Fullpass $ 900
  • Danserpass $ 800
  • Fullpass + 3 hotel nights $ 1800 based on a quadruple room.

Payments and / or deposits:

  • BBVA Bancomer account: Juan Sergio Cordero Barrera 156 113 3923 Clabe Account 012 180 0156 1133 9238

If you want to have more information or about the cost and payment of the Guanajuato Salsa Congress 2022 tickets, you can consult it through the following means:

  • Facebook e Instagram: @GuanajuatoSalsaCongress
  • Telefono: +52 4771798966

 

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 218
  • Page 219
  • Page 220
  • Page 221
  • Page 222
  • Interim pages omitted …
  • Page 267
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.