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Search Results for: orchestra

Salsa Pal Bailador

Europa /

Salsa Pal Bailador. The success of a passionate venture that goes against commercial trends

Salsa Pal Bailador - Anniversary
Salsa Pal Bailador – Anniversary

By Roberto “Vene Barral”

Last Saturday, May 6, the Garufa concert hall in A Coruña, a beautiful city in Galicia, central Spain, hosted the 5th Anniversary of Salsa pal Bailador. This event, created with the humble goal of offering a space to enjoy only quality salsa, has now become one of the most successful social events in Spain.

On the surface, the idea seems simple: organize a monthly event that brings together and gives free rein to all those who are passionate and nostalgic for pure, unadulterated salsa. But we must remember that we live in a consumer society that constantly tells us what we “have” to listen to, what fashions and styles are in and out. This is where SpB took a bold stand, going against what DJs and events were promoting at the time.

SpB emerged when kizomba, an African rhythm from Cape Verde, was spreading from neighboring Portugal into Spain. Along with the already established bachata, these were the trendy styles played at every social event that wanted to be a hit with audiences. But SpB’s proposal was even more daring. Not only did it focus exclusively on the most classic, least commercial, and least-known salsa, but it also had the audacity to schedule the event on a difficult day—Sunday—and at an even more challenging time: in the evening, starting at 8 p.m.

Perhaps in other parts of the world, organizing such an event would guarantee success with the public. But here, for the reasons already explained, it was a real challenge that was only expected to work because of the sheer tenacity that comes from having a passion for what you do.

So who are the impulsive salsa enthusiasts behind the success of Salsa pal Bailador?

DJs - Salsa Pal Bailador
DJs – Salsa Pal Bailador

For one, there’s one of the organizers of these sessions, Martín Fernández, an Argentine who has lived in Galicia for decades. He turned salsa and this event into his dream and his challenge, striving not only to make each edition better than the last but also to bring in dancers, DJs, and collaborators from other parts of Spain and abroad (Portugal, Italy, etc.). More importantly, he has tried to support all the local schools, dancers, and DJs in Galicia, as well as the salsa orchestra created by Galicians, the Orquesta Sonoridad. This is something to keep in mind, as the exposure for all these artists is possible thanks to the celebration and promotion of events like this one.

For its 5th anniversary edition, we enjoyed workshops and shows by Erik and Monika Eym Salsa from the Basque Country and Nuno and Rita from Portugal. There were also local shows like SSN Dancers, a group from a school in Betanzos, and Soulswing, a magnificent group of dancers from A Coruña, led by Javi Azúcar, who is a choreographer and guest DJ at several SpB sessions.

Over the years, many artists have participated in SpB sessions: figures such as Juan Matos, Yemambo, Carla Vocconi, Carlos Flow, Zergyo and Eva Mambo, Rui and Leonor, Nuno and Nágyla, or the local groups Mambo Sins and Son Candela, choreographed by the talented dancer Nuria Rodríguez Dieste, just to name a few.

Second, we have the two hosts who not only help organize all SpB events but also work hand-in-hand to ensure that each SpB session ends later, with more people asking for just one more song to dance to. I assure you that if the rules didn’t require a closing time, we would have the first after-hours venue where people consumed music, not substances, to stay awake. They are Manu Rumberito and El Nene del Bronx.

Salsa Pal Bailador - dance with me with Lugo - DJ Rumberito + El Nene
Salsa Pal Bailador – dance with me with Lugo – DJ Rumberito + El Nene

They are as unique as they are complementary, two tireless treasure hunters, searching for gems that haven’t yet been played on our dance floors, are unknown to our ears, or are classics we haven’t enjoyed in a long time or don’t get to hear very often. This is a luxury that, in these times of commercial music suffocation, very few of us can enjoy.

In addition, their passion for always seeking a more authentic, raw, and—why not say it?—more imperfect sound, but also one that is more acoustic and real, led them to start using vinyl records in their sessions. This trend has become SpB’s hallmark and has spread throughout Europe over time. Fortunately, we can now enjoy it at more and more events.

And, since passion is a state of mind that takes root everywhere, they found their alter egos in Madrid. Of course, they couldn’t celebrate SpB’s anniversary without them. These two turntable phenomena, Chema Sr. Importante and Marcin Martinelli, were the two guest DJs for such a special occasion. Other famous DJs have been featured at SpB sessions, including Hugo Leite, Nuno Melo, Dj Mito, Alexis Rodríguez, and Chris Beat, along with other local DJs such as Melao, Montuno, Sergio Elbembee, and the aforementioned Javi Azúcar. These DJs, like the guest dancers, aren’t unapproachable people; they come down to the dance floor to dance, chat, and enjoy themselves with the audience like everyone else.

Salsa Pal Bailador - Anniversary - DJs and workshops that will be presented
Salsa Pal Bailador – Anniversary – DJs and workshops that will be presented

At this point, many of you may be wondering: How is it possible that in a medium-sized city without a large Latin American population, an event featuring such a particular style of music can be so successful?

Well, it’s true that, fortunately for Galicians, in addition to having been welcomed with great hospitality in all the Latin countries to which we have emigrated, we have many returnees and natives from across the Atlantic living with us. This gives us the opportunity to enjoy many Cuban, Venezuelan, Colombian, and other styles of music and orchestras, which are very successful among both Galician and Latin American audiences.

But the truth is, we can say that they are different phenomena. People go to listen to the traditional music of these groups or orchestras for the pleasure of hearing those familiar tunes; it is more of a sensory delight.

However, when we talk about a social event, we associate it more with fun, leisure, and enjoyment in the sense of recreation. That’s what dancing at a social event means to us, where people of any age or condition simply let the music guide their bodies for pure joy, without any other pretensions.

It might be easy to conclude that this is the reason for the success of this type of event, and why they are so popular in this corner of the country. But we must remember that we are talking about A Coruña, a place that does not have the size or population of other large cities like Madrid, Barcelona, or Valencia. It’s a place where public attendance at these social events is high, where several social events are organized every week and on several days a week, and yet the public has been responding for decades. So what’s the secret?

Without wanting to diminish the great effort made in many other places, which despite this does not always have the deserved result, I believe that part of the success of this event is due to the courage to commit to formats or ideas that may not have an immediate and massive response or support but which, in return, offer sufficient quality to end up convincing even the most skeptical.

Therefore, in these times of commercial bombardment and mass-produced products, committing to creativity, innovation, and quality is a risky move. But we all know that if you don’t take risks, you don’t win, and SpB has taken that risk. As a result, every year it attracts more people from more places, including Portugal, Madrid, Valladolid, Asturias, Valencia, the Basque Country, Barcelona, etc. That is why, on its fifth anniversary, it has reaped its well-deserved rewards.

Salsa Pal Bailador - Congratulations
Salsa Pal Bailador – Congratulations

Congratulations to SpB and to its loyal audience, which is growing every day. Keep betting on quality!

Next event:

Salsa Pal Bailador

Sunday, June 4, 2017

Sala Garufa Club C / Riazor 5, A Coruña, Galicia, Spain

After the success of its fifth anniversary celebration, the Salsa Pal Bailador event returns on Sunday, June 4, to the Salsa Garufa Club in A Coruña, Spain. It will be a night of PURA SALSA, featuring 100% vinyl with DJs Manu Rumberito and El Nene del Bronx. There will also be two shows featuring the talents of Baila Conmigo Lugo and Euphoria Ladies Project from Vigo.

More information:

  • http://www.facebook.com/spb.salsapalbailadorlacoruna
  • http://www.facebook.com/SalsaGarufaClub/

Chick Corea

North America / USA /

Chick Corea. The worldwide Jazz sensation

Chick Corea
Chick Corea

Armando Anthony “Chick” Corea is an American jazz and fusion pianist, keyboardist and composer. Many of his compositions are considered jazz standards. As a member of Miles Davis’s band in the late 1960’s, he participated in the birth of the electric jazz fusion movement. In the 1970’s he formed Return to forever. Along with Herbie Hancock, McCoy Tyner and Keith Jarrett, he has been described as one of the major jazz piano voices to emerge in the post-John Coltrane era.

A DownBeat Hall of Famer and EA Jazz Master, 22 – time Grammy winner and keyboard virtuoso, Chick Corea has attained living legend status after five decades of unparalleled creativity and an artistic output that is simply staggering.

Chick is the fourth – most – nominated artist in the history of the Grammys with 63 nominations. He’s also earned 3 Latin Grammy Awards, the most of any artist in the Best Instrumental Album category.

“Chicl Corea: Documentary of Legendary Jazz Great, Pianist and Component http://vimeo.com/10933550”

From straight ahead to avant-garde, bebop to fusion, children’s songs to chamber music, along with some far-reaching forays into symphonic works, Chick has touched an astonishing number of musical bases in his illustrious career while maintaining a standard of excellence that is awe-inspiring. A tirelessly creative spirit, Chick continues to forge ahead, continually reinventing himself in the process.

Chick Corea: European Tour 2017

  • Wroclaw, Poland – 06/22/17: Chick Corea Elektric Band – Hala Orbita – 8:00 pm
  • London, United Kingdom – 06/24/17: Chick Corea Elektric Band – Barbican – 7:30 pm
  • Lviv Ukraine – 06/27/17 : Chick Corea Elektric Band – Alfa Jazz Festival – 9:00 pm
  • Timisoara, Romania – 06: Chick Corea Elektric Band – Timisoara Jazz Festival – 9:00 pm
  • Belgrade, Serbia – 07/02/17: Chick Corea Elektric Band – Kombank Arena – 10:00 pm
  • Skopje, Macedonia – 07/02/17: Chick Corea Elektric Band – Metropolis Arena – 10:00 pm
  • Kongsberg, Norway – 07/07/17: Chick Corea Elektric Band – Kongsberg festival – 5:00 pm
  • Rotterdam, Netherlands – 07/07/17: Chick Corea Elektric Band – North Sea Jazz Festival – 11:00 pm
  • Rotterdam, Netherlands – 07/08/17 Chick Corea & Bela Fleck – North Sea Jazz Festival – 09:00 pm
  • Rotterdam, Netherlands – 07/09/17: Chick Corea & Trondheim Jazz Orchestra – North Sea Jazz Festival – 4:30 pm
  • Dublin, Ireland – 07/10/17: Chick Corea & Bela Fleck – National Concert Hall – 8:00 pm
  • Trentino, Italy – 07/12/17: Chick Corea & Bela Fleck – Sounds of the Dolomites Festival – 1:00 pm
  • Grugliasco, Italy – 07/13/17: Chick Corea & Bela Fleck – Gru Village Festival – 10:00 pm
  • Sant Feliu de Guixols, Girona, Spain – 07/16/17: Chick Corea & Bela Fleck – Festival de Porta Ferrada – 9:30 pm
  • Valencia, Spain – 07/17/17: Chick Corea & Bela Fleck – Jardines de Viveros – 8:00 pm
  • Moritz, Switzerland – 07/21/17: Chick Corea & Bela Fleck – Festival Da Jazzz – 9:00 pm
  • Albany, NY – 08/05/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – The Palace Theater – 7:30 pm
  • Vienna, VA – 08/06/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – The Filene Center – 8:00 pm
  • Red Bank, NJ – 08/09/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Count Basie Theatre – 7:30 pm
  • Kennett Square, PA o 08/09/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Longwood Gardens – 8:00 pm
  • Chautauqua, NY – 08/11/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Chautauqua Institute – 8:15 pm
  • Sterling Heights, MI – 08/12/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Michigan Lottery Amphitheatre- 7:30 pm
  • Cincinnati, OH – 08/13/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – PNC Pavillion – 7:00 pm
  • Denver, CO – 08/15/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Denver Botanic Gardens – 6:30 pm
  • Salt Lake City, Utah – 08/16/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Red Butte Garden Amphitheatre 6:00 pm

For further information and tickets:

411 Cleveland St. #215 Clearwater, FL 33755

(888)712-4425

The Kurland Agency

[email protected]

(617)254-0007

htpps://www.facebook.com/chickcorea

htpps://www.youtube.com/user/ChickCoreaTV

 

Cuban singer-songwriter Osmay Calvo shows his versatility in the New Jersey music scene

Osmay Calvo is just one of many examples of why Cubans have triumphed so many times in the United States, which is why his story and that of many of his compatriots always serve as inspiration for those seeking a career in the music industry but who do not dare to do it because of the misfortune of being born in a place that did not offer them the necessary opportunities for this.

Calvo was kind enough to take a few minutes of his time to talk about all that had happened to his career to date, so it is an honor for us to describe what was discussed in the following lines.

Osmay performing
Singer Osmay Calvo performing during a birthday

How Osmay became interested in music

Osmay tells us that, from an early age, he loved popular music, so he began to participate in school music events when he was just six years old in Tarará, east of the city of Havana. At the same time, his mother enrolled him in singing lessons and he spent much time with his family musicians, including his uncle, singer Pedrito Calvo, who was a member of Los Van Van.

A few years later, he began to attend various types of contests and joined the Mariana de Gonitch Singing Academy, directed at the time by maestro Hugo Oslé, thanks to which he met Pacho Alonso, Ela Calvo, Mundito González, and many other important figures of Cuban popular music.

Official beginning of his professional life

Osmay’s professional start was in Cuba when he joined the Adolfo Guzmán company in 1995, which is when he had his first paid job in music. Although it is true that the Cuban government got a huge percentage of the money earned by the artists, Osmay appreciates the experience and the chance to know other countries through his activities with the company.

Some time later, he had the opportunity to travel to Spain and then to Mexico, where he participated in a music competition and won first prize with the song “La Bamba.” He then spent another month in Spain for an event until returning to Havana and winning the Mariana de Gonitch Singing Contest, obtaining the prize for the great popular generation of national music award, which led him to travel through the 14 provinces of Cuba to offer his services and make himself better known.

Osmay, Ela, and Beatriz
Singer Ela Calvo, Osmay Calvo, and ”La Musicalísima” Beatriz Marquez

Moving to the United States

It was in 2002 that Osmay finally decided it was time to look for other roads and leave Cuba to no longer return. He was going to sign a contract with Mambo Records in Miami, but things did not go according to plan, so he started recording his own music and went to New Jersey, where he began to organise his own orchestra with which he has 16 original songs written by himself, but also numerous covers of hits by other artists.

He has not been back to his native country for about 24 or 25 years. In fact, most of his family also lives in the United States and Canada, except for his uncle Pedro Calvo, some cousins, friends, and his music teachers.

However, after all the time he has been gone, things have not been entirely easy for Osmay, especially in the beginning. The hardest thing for him was language learning and how little he knew about his new place of residence, but the artist quickly learned and was gradually integrated into this new music scene, thanks to which he was able to play with many orchestras and meet great figures such as Oscar D’León at the Coco Bongo Club in Elizabeth, New Jersey, and Fernandito Villalona, for whom he opened one of his shows.

In New York, he played with many bands and learned a lot of music that was played locally. Osmay brought an academic background in lyrical and symphonic singing from Cuba, but New York has mostly restaurants, nightclubs, and fairs, so he had to adapt to a completely new format and audience. 

Osmay, and Oscar
”El Sonero del Mundo” Oscar D’ León and Osmay Calvo

Fortunately, he got it and was recommended by other musicians to play in many places until one night he was asked to play at Don Coqui and was told that Tito Nieves would be there. Then, when it was time for Osmay and nine other musicians to perform on stage, Jimmy Rodríguez, the owner of Don Coqui, approached them to say that Nieves might come and play with them later. A little while later, the Puerto Rican actually did approach with a microphone in his hand, and both he and Osmay began to improvise, and the show lasted until two o’clock in the morning. For the Cuban, it was an exceptional experience and an unforgettable moment in his career.

Haberte Conocido

After all the progress made, in 2021, Osmay felt ready to release his first independent album, which he titled “Haberte Conocido”. This was a goal to fulfill since Hugo Oslé, who was also his singing teacher, told him and the rest of his students that it was very important to be an independent artist who wrote and recorded his own songs. 

In addition to that, he remembers that everyone in the class was a bolero singer, so he wanted to do something that would set him apart from the rest, and that is how he began to turn to salsa and other genres. This made him a much more versatile artist who could sing almost any genre coming his way. From then on, he stopped learning the original soneos of the songs and started to improvise on many occasions, which eventually led him to compose. Finally, in 2021, he wrote “Haberte Conocido,” which he put together from ideas that came to his mind and that he saved on his mobile phone during rehearsals. Then, stanza by stanza, he created the first song of his own. 

Osmay and Tito
Osmay Calvo singing with Tito Nieves at Don Coqui

Read also: Multi-instrumentalist Ian Dobson talks about his trips and academic background

Juancito Torres: The National Trumpet of Puerto Rico

We present the musical life of one of the greatest trumpeters in Latin music, the master Juan “Juancito” Torres Vélez, known as “The National Trumpet of Puerto Rico.”

La Trompeta Nacional de Puerto Rico Juan Torres Vélez
La Trompeta Nacional de Puerto Rico Juan Torres Vélez

Born on January 14, 1936, in Caguas, Puerto Rico, to Justina Vélez Vázquez and Félix Torres Varcárcel, he began his musical journey playing the violin in his hometown. He joined the Municipal Band, where he was taught by Adrián Benjamín and Carlos Julio Bosch, who also taught him the intricacies of the trumpet.

Juancito was a fan of Placido Acevedo, the trumpeter and director of the Mayarí quartet, and Acevedo was his biggest influence for his development as a professional trumpeter. At the age of fourteen, he studied at the Escuela Libre de Música. In 1952, he joined the orchestra of jazz musician Ramón “Moncho” Usera Vives and stayed with him for a year before joining his teacher Miguelito Miranda’s band.

In 1955, he traveled to New York, where he worked with Xavier Cugat, Noro Morales, and the Lecuona Cuban Boys. It is also said that he was part of the orchestras of Pupy Campo and Tito Rodríguez and that he recorded with René Touzet, Dámaso Pérez Prado, and Eddie Cano.

Juancito Torres Primera Trompeta de Fania All Stars
Juancito Torres Primera Trompeta de Fania All Stars

Juancito returned to Puerto Rico in 1960 and enrolled at the Puerto Rico Conservatory to further his musical knowledge. In 1965, he appeared on the list of musicians who recorded the album Bobby Capó and His Orchestra with the great Bobby Capó. In the late 1960s, Juancito joined master Bobby Valentín’s orchestra, recording five albums with them between 1969 and 1975. During the 1970s, he recorded with Frank Ferrer, Justo Betancourt, Puerto Rico All Stars, and Marvin Santiago.

In 1979, Juan began his participation in recordings, concerts, and international tours with the Fania All Stars. He appeared as a member of the Pacheco and Masucci collective on at least ten albums between 1979 and 1997. These include Habana Jam, Commitment, Latin Connection, Lo que Pide la Gente, “Live”, Viva Colombia, and Bravo 97.

Juancito’s extraordinary musical career and great talent also allowed him to participate in recordings for many singers, musicians, and groups such as Cheo Feliciano, Tommy Olivencia y su Orquesta, Adalberto Santiago, Roberto Roena, Sonora Ponceña, Eddie Palmieri, Tito Rojas, Pedro Arroyo, Descarga Boricua, Lalo Rodríguez, and Ray Barreto, among many others. “The National Trumpet of Puerto Rico” also participated in recordings by musicians and singers of other rhythms and musical genres such as Pop, Tropical, Jazz-Rock, Progressive Metal, Rock, Reggae, and Funk/Soul.

Juancito Torres
Juancito Torres

Regarding our music, we remember some of the tracks in which our great musician from Caguas recorded immortal trumpet solos: “Cuando Te Vea” with Bobby Valentín, “Dime,” “Menéame La Cuna,” “Quítate La Máscara,” and “Puerto Rico/Adoración” with Fania, “Amada Mía” and “Salí Porque Salí” with Cheo Feliciano. “Pedregal” with Justo Betancourt, “Canto A Borinquen” and “Alianza De Generales” with Puerto Rico All Stars, and “Palo Pa’ Rumba,” “Prohibición de Salida,” and “Solito” with Eddie Palmieri.

Through this work on Juancito Torres’ artistic life, we want to pay a small but well-deserved tribute to one of the ambassadors of Puerto Rican music. Juan Torres Vélez’s musical career spanned half a century, during which he participated in more than a hundred albums in our music alone, which was named Salsa from the beginning of the 1970s. The National Trumpet of Puerto Rico will live forever in the hearts of Salseros around the world.

The trumpeter and producer Charlie Sepúlveda presented his new musical work titled Feeling Good Again, a jazz album released in 2003 on the Metrix label, which included our Juancito Torres on flugelhorn. Los Licenciados is the name of an album published by the Duque Records label and Omar Duque y su Orquesta. The recording year for this album is not specified, but Juancito Torres also participated as a trumpeter.

Charlie Sepulveda Feeling Good Again, Lanzado en 2003
Charlie Sepulveda Feeling Good Again, Lanzado en 2003

Juancito Torres suffered from high blood pressure and bronchial asthma. Unfortunately, he passed away from a heart attack while sleeping at his home in Carolina on July 26, 2003. We will always remember him.

Long Live Music! Long Live Salsa! Long Live Juancito Torres!

By:

The Best Salseros in the World

Dj. Augusto Felibertt

Read Also: Luis “Perico” Ortiz: six decades of impeccable musical trajectory

Puerto Rican American bandleader and singer Elle Jay is proud of her roots

After so many years of coexistence between Latinos and Americans on US soil, there are many citizens who, as a result of this mix, carry in their DNA both identities and that is how they live their lives. Such is the case of Elle Jay, the founder and lead singer of Spanglish Latin American Band, with whom we talked about her life, career, and current orchestra.

Elle Jay recording
Bandleader and singer Elle Jay recording in the studio

Elle’s beginnings in music

Elle has been singing since she was very young. In fact, her mother says that when she was just six months old, she flounced excitedly whenever she heard Latin music. In addition, she comes from a family of musicians, firstly with her father, who played drums in an orchestra, and her mother, who was a singer. For this reason, music was always very present in each and every stage of her life, but she would not become a professional until many years later.

Moreover, once she grew up and became an adult, she felt she did not yet have the skills required to be a good singer, so she had to roll up her sleeves and start to gain experience if she wanted to reach the level she sought. That is how she met the members of a salsa orchestra that played in her area and asked them if they could give her the opportunity to join the group and get better over time. They said yes, and that is when she began to learn everything she could under the wing of various veteran musicians, who taught her to understand the rhythms and clave in the various genres of Latin music. 

She also joined other bands like the Orquesta Curaré and Pa’ Gozar Latin Band led by vocalist Laura Sosa, whom Elle considers one of her greatest mentors and teachers in the competitive and complex world of music.

Elle Jay and Jorge Rosario
Guitarist and bassist Jorge Rosario and Elle Jay presenting an evening serenade

How Spanglish Latin American Band got started

Several years later, she finally felt ready to start her own project according to her professional aspirations and therefore stop relying on what others were looking for in a group. In that regard, she took advantage of her half-Puerto Rican and half-American identity and her fluency in Spanish and English to develop an idea that she would share with other musicians she met in her neighborhood. These artists liked it and decided to join her on this road and see what the future held for them.

That was about six years ago, and the project has not done more to grow over time thanks to the tenacity of both Elle and the rest of the team who have made it all possible.

Current and former members of Spanglish Latin American Band

As many other groups of its type, Spanglish Latin American Band has undergone many changes since its founding. One of the few who has stayed in the band from day one is guitarist and bassist Jorge Rosario, who has accompanied Elle at all times and is by her side to this day. He also supports her greatly in everything related to sound and recordings.

The rest of the musicians have come and gone since the beginning. Among the current members of the band are Elle, Jorge, Italian trombonist Mike Matarrazo, and pianist Walter Ávalos. They are currently the most visible and stable faces of the group, while the others only play along with them occasionally.

Elle Jay and the rest of the band
Conguero Mike McSweeney, trombonist Mike Matarrazo, bandleader and singer Elle Jay, drummer Hermidez, bassist and guitarist Jorge Rosario, pianist Walter Ávalos, and bongo player Jay Torres

Half Puerto Rican, half American

In other interviews, Elle has said that she identifies herself a lot with both the United States and Puerto Rico, which she has wanted to reflect in her music. That is why she has always felt a strong connection with artists like Selena, as “The Queen of Tex-Mex” was also very aware of her Latin culture despite being born in the United States. Quintanilla inspired her so much that she wanted to make a tribute to her by singing her famous song “Bidi Bidi Bom Bom” in reggae.

Another example of this is the group Sade with the song “The Sweetest Taboo,” which Elle translated into Spanish and covered in rumba and salsa to “latinize” it. She has done the same with many other well-known songs that have been covered in salsa and Spanish by her group. 

Although the majority of the public has shown great receptiveness to their work, Elle also points out that this has caused them some problems with producers and event promoters who think that the group is not American or Latin enough, which has negatively impacted them in some bookings. However, the artist assures that both she and her bandmates stand firm in their convictions and should not change the basis of their project just because a few people do not like it.

“This is who I am, and I can’t please everyone. There always will be people who say yes or no because that’s how this business works, so you have to be strong and move forward despite the obstacles you face,” Elle said on the subject.

Elle Jay and her students
Elle Jay with her students during a salsa class. She is also a dance teacher

To communicate with Spanglish Latin American Band, you can do so via social media or email:

Facebook: Spanglish Latin American Band

Instagram: @spanglishlatinamericanband

Email: [email protected]

Read also: Trombone player Lindsey McMurray from the women’s orchestra Las Chikas

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.