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Jonathan Moly starts 2021 singing to his exes

“No Volveré” is the name of his new single

Jonathan Moly released the single “No Volveré”, a song with which he takes advantage of singing to his ex to the rhythm of salsa. This song is produced by Sergio Ramos, who also participates in the writing of the lyrics together with Rafael Salcedo, Ernesto Suarez, Aníbal Morín, and Jonathan Moly himself. The official video was released through the Venezuelan’s YouTube channel and already has almost 250,000 views.

The new of Jonathan Moly
This year starts with a lot of work

The lyrics of the song talk about those failed loves, where even though there is still love there is no way to get back together, since their time has come and gone:

“Quisiera estar a tu lado, pero las cosas han cambiado

Esa historia baby ya es pasado

Cuantas veces lo intentamos, y ha quedado demostrado

Que lo nuestro nunca ha funcionado

Tú quieres volver, pero esta vez, no voy a perder el tiempo

Discúlpame, si te falle, ya pasó nuestro momento”

Jonathan himself has reiterated several times that the song is perfect to dedicate to exes, he highlights it in the comments that can be found in the official video on the YouTube platform: “Did you already dedicate it to your exes? ? ”. Many of them are about ex stories that Moly’s fans have shared, several have been answered by the artist, especially the weirdest and most interesting stories.

The artist in his salsa facet!
His style has conquered more than one

On January 19, Jonathan shared through his channel a tutorial video to play “No Volveré” on the guitar, one of the many ways in which he loves to be in constant communication with his fans. As part of the promotion for this single, he decided to give a new image to his account on Instagram where so far only 13 posts can be seen, most of them around the single and are from this year.

The two most interesting are where he asks his fans if you can be friends with an ex or if they would return with their exes, that way he increased the excitement for his new single so that there would be debate in the comments. Another great surprise for this single was the series of Lives that he shared through Instagram with his exes, where he thanked each one of them for the experiences that led him to be the man he is today.

Jonathan has taken advantage of these months of quarantine to continue doing what he enjoys the most: music, in addition to spending time with his family as can be seen in several vlogs where he shows things from his routines and days passed in 2020. In fact, the video clip of “No Volveré” was recorded in Colombia in January of last year, here it shows a story with an ex, along with scenes of him accompanied by beautiful dancers, one of the hallmarks of Moly’s videos.

Like many artists, Jonathan looks forward to the time where it will be safe for everyone, and to meet his fans again on stage. That way he can sing his latest singles live, but feeling the warmth provided by his fans, he really wishes that in 2021 we can win the battle against this terrible virus.

Knowing a little more about Jonathan

Jonathan Moly is a Venezuelan with art and stages in his blood, his parents are former Miss Venezuela Inés María Calero and the renowned singer, songwriter and producer Miguel Moly. He was born in Caracas on July 13, 1993, from a very young age he has been close to music thanks to his father, so much so that at the age of 4 he recorded and sang a song with him that became a success in Venezuela, even appearing in recognized programs like Sabado Sensacional.

Jonathan with his mother Inés María Calero
His mother, Inés María Calero

His growth in music continued in a professional way, when his paternal grandfather Jesús Moly gave him his first piano, where he carried out his studies of music and the instrument itself. At the age of 10 he continues with his studies in music, but complementing with acting, which he is very fond of. Then at age 11 he began his studies in guitar, which would be his favorite instrument to compose his own songs.

When he was 13 years old he began to record his first studio project under the production of his father, in 2007 he released his first single called “Mi Mejor Amiga” which became a hit on Venezuelan radio, and even managed to cross borders. He manages to perform in various parts of the Caribbean country with this song, which leads him to meet the manager of the most popular youth salsa group in Venezuela “Salserín” where artists such as Servando and Florentino have also been.

Memories with Salserín
His time in the youth group, Salserín

Salserín became Jonathan’s musical school, not only as an artist but also in the salsa and merengue genre, which despite being overshadowed in the Latin region by the urban one, has managed to remain among the new generations thanks to groups like this and artists like Jonathan. His stay in Salserín was from 2008 to 2010, with which he recorded several hits and also allowed him to have his first appearance on television with the miniseries “Robando Corazones” that was very successful in the region.

Upon leaving the group with honor and beautiful memories, Jonathan decides to continue with his solo projects, after the experience gained during those years he begins to embrace more genres such as pop and ballad. In fact it is this mixture that forms his personal stamp, salsa and merengue will always be his flag but he likes to mix it with pop or ballads, in fact he calls it pop salsa. “A mi manera” was the single that he released after Salserín which was distributed by BREÑA SOL from Spain throughout Venezuela, demonstrating everything he can offer in the tropical genre.

2012 was the year of Jonathan’s internationalization by moving and settling in Miami, from there only good things began to arrive for Moly, releasing many more singles and studio productions. In 2013 he sang a duet with the salsa singer Luis Enrique of the famous theme “Yo no se Mañana” during the Chica HTV ceremony in Colombia, which places his name on social networks due to the excellent presentation given by both.

With Luis Enrique in Colombia
Next to Luis Enrique in Colombia

To this day, Jonathan maintains that charisma and simplicity that have always accompanied him, and maintaining constant communication with his fans. We wish this talented Venezuelan artist many more successes, not only in the artistic part but also in the personal one with his wife and their little son, may more good things come.

 

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Ayumi “Azucar” Suzuki, she plays Latin percussion, Classic percussion, Marimba & Vibraphone

Ayumi was born in Japan She graduated from the Faculty of Percussion, Tokyo College of Music.

Ayumi was born in Japan. She plays Latin percussion, Classic percussion, Marimba & Vibraphone.

At the college; she began to study percussion in earnest mainly with classic music and gained experience of ensemble in orchestras, brass bands, musicals, operas, etc.

Ayumi “Azucar” Suzuki She plays Latin percussion.

Ayumi "Azucar" Suzuki She plays Latin percussion At the same time, he began to organize concerts and to participate as a percussionist, keyboard percussionist or drummer.
Ayumi “Azucar” Suzuki, she plays Latin percussion, Classic percussion, Marimba & Vibraphone

At the same time, she started to organize concerts and participate as percussionist, keyboard percussionist or drummer.

She has been also teaching  eurythmics at a nursery school.

In 2015, she started her own band, “Ayumania” that features mostly her original compositions and arrangements, where she fuses Japanese atmosphere into Latin rhythm.

Inviting both Japanese and foreign guests, she has been organizing live concerts in various places in Tokyo.

In July 2017, she released her first album “Oukagekka” in Japan. It has been promoted in overseas radio programs in Colombia, Puerto Rico and New York.

He plays Latin percussion At the same time, he began to organize concerts and to participate as a percussionist, keyboard percussionist or drummer.
She graduated from the Faculty of Percussion, Tokyo College of Music

The Japanese vibraphonist, timbalera, composer and arranger Ayumi Suzuki launches her Ayumania debut, a musical production recorded between Tokyo and Los Angeles that includes 7 original numbers – composed and arranged by Suzuki herself – and two covers: Maria Cervantes de Noro Morales and Mi Amore by Naoya Matzuoka. In this album, Ayumi’s speech establishes a bridge between classical and contemporary Cuban music, with different rhythmic touches and influences that have marked his background as an instrumentalist.

Sakura, a beautiful instrumental melody composed by Suzuki herself, highlights Chiho “Isabel” Saito on the violin, as well as Hiromishi “Yan” Tsugaki on the keyboards, and of course, Suzuki on the marimba and the vibraphone.

Ring Loop is a cadenciosa are montuno with outstanding participation of Takashi Nakazato in the congas; La Lluvia, vocalized by the Cuban Julian “El Pillo” Tapia, presents the solos of Mitsuru Tanaka and Ayumi on the trumpet and vibraphone, respectively.

Knock Knock Knock is a festive cut that builds bridges with Caribbean music, particularly calypso, and salsa and in which Ayumi herself punches the timpani and a mind-blowing one in the marimba.

Saredo Danzon, as the name implies, is a danzon that opens with a solo by Hiromichi Tsugaki on the piano while Umihotaru, with vocals by Julian “El Pillo” Tapia, is an afro rhythm in 6/8 with the intervention of Hiromichi Tsugaki (fender rhodes) and Ludwig Esteban Nuñez (drums).

Suzuki offers a tribute to Noro Morales in his legendary composition of Maria Cervantes. In this piece we hear the participation of Jimmy Branly in the drums and an overwhelming solo of Ayumi in his vibraphone, with that way of playing that only she has.

Branly himself performs the drums in the last two pieces;Suzuki achieves a premium opera that honors her at the rumberos school.

With sophisticaded arrangements. with the elegance and the street necessary to position it is as one of the most

outstanding salseras of the international level. It wil surely be one of the best productions of this 2017.

Ayumania

Sakura emerges with a flow of wind sounds with minor percussions that set the mood for an eclectic and harmonious journey.
Ayumania A material consisting of 7 original songs, two covers and all under the baton of Ayumi.

A modern and contemporary material, original and unusual, is the one that establishes this Japanese multi-instrumentalist Ayumi Suzuki, establishing different arrangements and touches to each theme, this Japanese vibraphonist, timbalera player, composer and arranger establishes a thin line between Cuban music and modern, going through bold and effective rhythmic domains.

A material that consists of 7 original songs, two covers and all under the baton of Ayumi.

Sakura emerges with a flow of wind sounds with minor percussions that make the environment conducive to an eclectic and harmonious journey, one of the fundamental pieces to understand the musical transculturation of this talented woman, the violin solo by Chiho “Isabel” Saito and the keyboards by Hiromishi “Yan” Tsugaki and the marimba and vibraphone by the emblematic Ayumi stand out.

A son montuno can not be missing in this material, Anillo De Lazo where a congas solo by Takashi Nakazato stands out, La Lluvia, a song that already rolls through the wide world of the networks in which the voice of Julián Tapia can be appreciated, the trumpet of Mitsuru Tanaka and the vibraphone of the great Ayumi, undoubtedly a 5 star material, a musical base and instrumentalist of first line that give the incomparable recognition to the musical talent of this great artist and in conjunction with the band.

Ayumi “Azucar” Suzuki
Ayumi “Azucar” Suzuki

 

 

Anacaona The Cuban Female Orchestra

It was founded on February 19th, 1932 by Concepción Castro Zaldarriaga and her sisters, being the first son female Sextet and expanded to the jazz band and typical charanga format in 1934 and projected onto the world from the famous “Aires libres of the Hotel Saratoga” at the Prado of Havana.

These talented women toured the entire length of America from north to south, the Caribbean and France between the 1940s and 1960s.

In Mexico, one of the most visited countries by the Orchestra at this stage, their images and sounds were recorded in some Mexican films, such as: “La noche es nuestra”, “No niego mi pasado” and “Mujeres de teatro” that they alternated with film and music artists from that country. At the same time, they recorded for the record label RCA Victor.

Anacaona The Cuban Female Orchestra It was founded on February 19th, 1932 by Concepción Castro Zaldarriaga and her sisters
Anacaona The Cuban Female Orchestra

THE AGUIRRE

 Sisters Georgia and Dora Aguirre, who have a strong background playing contrabass and saxophone and were new graduates from the “Amadeo Roldan” Conservatory, joined the Anacaona Orchestra with its founders from the 1983 under the direction of Alicia Castro, with whom they learned the most genuine genres of Cuban popular music, rigor and discipline in this profession.

3rd GENERATION

 With the Castro sisters’ retirement in December 1987, Georgia Aguirre asumed the direction of the orchestra and continued the work of its founders with her sister and other young women graduates in music schools, consolidating a style that combines tradition with modernity in order to preserve and enlarge the history of Anacaona.

Sisters Georgia and Dora Aguirre, with a solid musical training in the specialties of double bass and saxophone, recently graduated from the "Amadeo Roldán" Conservatory of Music.
Anacaona La Orquesta Femenina de CUBA Between the 1940s and 1960s, these talented women toured all of North and South America, the Caribbean and France.

TOURS

At international level, they have traveled to more than 30 countries in Europe, Asia, Africa, America and the Caribbean to perform at important festivals and multiple scenarios including: The 34-city tour in China; their participation in the theater play “The Tropical Bourgeois” under the direction of Gerome Sabarí and inspired by Moliere’s classic, “Le bourgeois gentilhomme”; the tour round some US cities in which they also had an emotional meeting with Graciela Pérez, singer and founder of Anacaona and the show “Sabor de la Habana” that opened the season of Cuban shows at the Cabaret of the Grand Casino Monte Carlo from the Principality of Monaco and other important jazz and summer festivals in Spain, Germany, Belgium, Sweden, Holland, Canada, Jamaica, Aruba, Curaçao, French Guiana, Guadeloupe, Martinique, St. Lucia, Peru, Honduras, Venezuela, Mexico, among others.

TRAYECTORY

The orchestra has also participated in several films such as “La Bella de la Alhambra” by director Enrique Pineda Barnett, “Vidas Paralelas” by Pastor Vega, the Cuban-Swiss co-production, “Barrio Negro”, as well as the documentaries “La ruta del ritmo” by director Harry Belafonte, “Anacaona, 70 Años después” by director Jorge Aguirre and produced by Cuban Television, and the documentary “El mundo cantan el mundo baila” about the history of Cuban music produced by NHK from Japan.

LATEST NEWS

 In recent years, they have recorded 8 albums with the labels PM Record, LUSAFRICA, BISMUSIC and COLIBRI and have been invited to productions from other labels such as DISMEDI-Spain in Volume ll of “Cuba le canta a Serrat” and with the English producer Kenny Young to perform two classic theme songs of Anglo-Saxon music set to Cuban rhythms.

Anacaona The Cuban Female Orchestra
Anacaona The Cuban Female Orchestra

In Cuba, it performs in popular dance music main stages, cultural events, national tours, festivals and Cuban radio and television programmes with a great gathering and the public and critical acceptance.

At present, it is integrated by 14 women who cultivate Cuban popular music, merging the most traditional rhythms with a contemporary sonorite. The musicians, also known as “Las Mulatísimas del Sabor”, have achieved a seal that distinguishes them and are appreciated by critics and dancers from all over Cuba and other countries.

ANACAONA, with more than 85 years of uninterrupted work, is among the top-level groups of Cuban popular music and considered “The Distinguised Cuban Female Orchestra”.

 

RAIDER  TECHNICAL

– YAMAHA or Peavy Drum

(’10, ’12, ’14, ’22) with stool.

-Timbal LP (’14 and ’15) with stand.

-LP Congas (’12 and ’13) with stand.

-Bongó LP with stand.

-ROLAND RD 700 or ROLAND RD 500 piano with stand.

-Korg Trinity keyboard.

-Baby Bass, AMPEG or similar with stand.

-Peavy, Tracy Elliot bass amp, or similar for Baby 400w (minimum) Bass and Electric Bass.

-Digital mixing console with 32 channels for living room with splitter and connectors (Yamaha).

-MCL7, CL5, LS9, Soundcraf Expression Si3 or similar).

-7 Music stands.

MICROPHONICS

-1 Shure Beta 52 AKG 112 (Bass Drum)

-6 Shure SM 57 or similar (Brass)

-8 Senheiser 421 or SM 98 H or similar (Percussion)

-3 Condenser SM 81 (Over)

-6 Shure SM 58 or SM 87 (Vocals)

-6 Direct Box (Piano, Bass, Keyboard, Tres)

Each microphone with its stand and corresponding lines.

MONITORING

-1 Mixing console with 32 reference channels with 8 sends and splitter.

-5 floor monitors for vocals.

-2 Brass monitors.

-1 Tres and guitar monitor.

-1 Piano monitor.

-2 Drum monitors.

-1 Drum Field.

* Kilos of Power and Monitoring will be adjustable according to the to the conditions of the place, depending on whether they are indoor or outdoor stages.

ANACAONA THE CUBAN FEMALE ORCHESTRA

Director: Georgia Aguirre

Email: [email protected]

FB/Orchestra Anacaona II

Recruitment agency: Artex’s Clave Cubana

Email: [email protected]

Manager: Leonardo Sintes

Email: [email protected]

FB/Orquesta Anacaona II

Cell phone number: 5 35 289 82 26

Email: [email protected]

ANACAONA, with more than 85 years of uninterrupted work, is one of the first level groups of Cuban popular music and is considered "The Insigne Female Orchestra of Cuba".
“Las Mulatísimas del Sabor”

“Vuelve conmigo” the new song by Enyel CO

Enyel Co

Salsa is a genre that never goes out of style, especially in Latin America, where new songs salsa songs are coming out constantly and they hit the radios of a lot of countries, and although there are many established artists in the salsa genre, there are others, that despite not having immense popularity in comparison to others, they surely emerge in a promising way, showing that their valuable potential is worth paying attention to; this is the case of Enyel Co.

Enyel Co is a Dominican singer whose musical career is starting, although, it is worth mentioning that in the year 2000 he was part of a Puerto Rican salsa group called “selección perfecta” (Perfect Selection), this while he was in the state of Massachusetts in the United States. It is pretty clear that his taste for the salsa genre gradually led him to start thinking about creating his own music. Although he has a lot of experience in multiple musical genres, Enyel Co has currently decided to lean towards salsa, the genre with which he is surely most familiar.

‘Vuelve conmigo’ (come back with me)

Despite the fact that the base on which the salsa songs are created is similar, the trends tend to constantly vary over time, this is what makes new artists with different rhythms emerge, always trying to adapt to the times, so that they can please the audience. This is the case of the new song by Enyel Co: Come back with me, a song where he shows the talent that he owns.

The song is under the label of “tumbao media productions”. The influence that the great salsa masters had on Enyel is evident, listening to the sound of vuelve conmigo is enough to realize it. On the other hand, as the title suggests, the song lyrics are about missing a person and wanting her to come back after being away from him. It could be considered a romantic song.

Vuelve conmigo
Vuelve conmigo by Enyel Co.

Although the artist has performed the song years ago, it is in January 2021 that the single has been officially released. Enyel himself has published the news about it on his Facebook profile, inviting all his followers to read an article about the song releasing; this article not only talks about the song and Enyel as a musician but also ensures that the Dominican is currently working on a second single that is said to be out soon.

Enyel Co has previously played the song at some events, thus gaining valuable stage experience; plus, he has also shared the stage with other internationally recognized artists, such as the Latin Grammy nominees Chiquito Team Band, a group that for many years has gained much relevance in the salsa scene.

A lot of artists are emerging with new ideas that contribute something different to the salsa genre, so it is worth keeping an eye on these, after all, they can become important exponents of salsa in the future.

Vuelve conmigo is now available to the public, so if you want to enjoy the song you just have to do a quick YouTube research.

More information:

Facebook: @EnyelCo

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Ángel “Cucco” Peña and a great legacy

Cucco Peña has donated his emblematic tuxedo to the Spanish Harlem Salsa Gallery Museum

By Johnny Cruz

News from NY City

Who is Cucco Peña

The emblematic tuxedo
Ángel “Cucco” Peña

On September 1, 1948, Angel ‘Cucco’ Peña was born, someone who from elementary school showed his interest in music and as the years passed, showed that there were little flashes of that brilliant talent he had. His talent and passion were aligned, so he always spent his life surrounded by music. Today he could be considered an icon of Latin music thanks to his achievements as an artist and thanks to everything he offered to the industry; he has managed to trace a career full of successes, one that today continues to inspire many people.

Peña’s talent led him to interact in many music-related activities, not only did he graduate from the Puerto Rico Music Conservatory, but also, after graduation, he joined the Pan-American Orchestra, starting with what would be a career full of reached goals. In the orchestra, he would familiarize himself with many different styles that would help him as a musician, since in the orchestra he played a wide variety of music, from bolero, blues and jazz, to pop and even rock.

Cucco Peña’s path

Cucco Peña is a great artist

Cucco left the band and began to trace his own path with everything he learned, he didn’t just become a music director, but a producer, composer, and arranger for many internationally famous artists such as: Ricky Martin, Chayanne, Ricardo Arjona, Olga Tañon, Gilberto Santa Rosa, Luis Fonsi, Franco de Vita and many other artists; despite each artist’s very different styles, Peña’s talent has allowed him to understand perfectly what all of them needed. In his own words, “it is important to see that music has three perspectives: the artist perspective, the company’s perspective, and my own.” Finding a perfect harmony between these three perspectives, Peña has participated in the creation of great themes.

Achievements

The North American has not only managed to collaborate with a large number of renowned artists, but has also achieved a lot of recognition for his work, he is a two times Grammy winner, the first is the Grammy for the best tropical album contra la corriente, Marc Anthony’s album (1999), the second is Latin Grammy for best musical production, this thanks to Olga Tañón’s album, Yo por ti. Grammy is not the only award he has won, he also received a total of 60 Cuspide awards and 40 Addy awards, plus 20 awards from the New York Theater Festival and an “Agüeybaná de Oro” for Director of the Year.

The awards are not everything, he has been both the director and the composer of the Central American games’ opening and closing ceremonies, and the composer of two movie soundtracks (“La Gran Fiesta” and “Nicolás y Los Demás”); Plus, he has produced more than 100 compositions, not to mention that he also worked as a producer for important figures in the industry, such as Lunna, Jerry Rivera, Chayanne, and many others.

Without a doubt, Ángel “Cucco” Peña is a very important figure for the industry, and after a long career dedicated to music, he has shown that his talent is worthy of being recognized.

The new piece of Spanish Harlem Salsa Museum

The invitation to tune in to the new Fm / Internet radio station on Live365.com: Salsagallery continues. Great music, artist interviews and much more.

At the Spanish Harlem Salsa Gallery Museum we are happy to affirm that New York City is preparing to resume its activities little by little. We hope to have more news soon and that we can return to normal soon.

The Museum is open free to the public. We wait for you!

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.