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Search Results for: salsa

Kizomba and the protagonism of the woman in dancing

Women in dancing

A society has a large number of art expressions that reveal how each one of its members is perceived in the cultural field. One of them is the dancing, which permits us to illustrate how men and women are seen by everybody. It is no coincidence that the man has always been the one to set the pace for his female counterpart to follow during any given social dance, so we can say that the woman was nothing more than a passive element who had to await her partner’s instructions. 

After decades of intense struggle for women’s rights, a number of profound cultural changes were taking place that led to the biggest transformation we have ever had as a society. Music and the arts in general certainly could not escape this reality. 

One of those changes came about with a greater role for women in social dances, who are no longer so dependent on their male partner as they used to be in the past. Now, both members of the dance couple are very important for the execution of any choreography. 

What role did kizomba play in this change? 

Role of women in kizomba and dancing in general
Two women dancing kizomba

We all know women are no longer seen in the same way as decades ago, but there is still limited understanding on how this situation changed in dance. Well, one of the events that marked the end of male hegemony at the dance was the emergence of kizomba. This was the first musical genre in which both the man and the woman could be the ones who direct the dance pace. That does not mean men cannot remain the guide of the steps, but it does not have to be this way all the time. Gender roles no longer play an important role during the dance. 

Due to the ease with which kizomba is danced, the roles of the partners of the couple can change at any moment without any problem. In the same way, the two can learn to carry on and be carried away to decide when the best time is to change the role of each of them. The wonderful thing about it is that both the man and the woman have greater freedom to follow or change the performance of the dance. 

Women and its role in dancing
Women dancing kizomba in pairs

After the birth of kizomba, there has been the emergence of many other musical styles that further take into account women and give them a much more active role when dancing. That has enabled them to be more confident and secure in their movements on the dance floor. 

In view of the fact that more and more women are encouraged to take charge during the dance, it is possible that both she and her partner begin to experience new sensations and emotions that none of them knew, which may be extremely beneficial for both of them. Along with exercising certain areas of the brain that we do not even know, we can also explore new personalities and ways of looking at life, which very important in dancing. 

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Everything you need to know about tarraxa

Tarraxa in Europe

It is amazing the number of African genres that have gained strength at this time. This can be seen in this in the huge amount of events that include these rhythms in Europe, which speaks of an important evolution in the musical ear of those who often did not listen to these styles. 

One of those many rhythms is tarraxa, which has begun to play a leading role in dance classes taught in the Old Continent. These classes have managed to gather a large public and very interested in learning to dance genres different from those that they tend to listen to. 

What is tarraxa? 

tarraxa and traditional kizomba
interracial couple dancing tarraxa

Many people define tarraxa as a very modern way of dancing kizomba, in which the corporal expressions and the rapport between the members of the couple are the two most important details in the dance. This dance is full of sensuality and feelings, something that is not seen very often in more traditional versions of kizomba. 

One of the major complications of traditional kizomba is the excessive softness and slowness of many of its rhythms, so the dancers simply do not know how to proceed sometimes. This is also the reason why many would find this African genre a bit boring and choose to look for other styles that are a little more cheerful and lively. Here is where other slightly more intense modalities come to life, such as tarraxa or batida. 

When listening to songs based on this dance, it is possible to realize that the rhythm is very marked, allowing the dancers to have more flow and security in their movements. This and other new versions of kizomba derived from the need to try something different, modern and much more intense. Not everyone tastes calm and tranquility in the same way! 

Expension of tarraxa through Europe and other latitudes 

Tarraxa in the Old Continent
Couple dancing tarraxa closely

As already mentioned, tarraxa is closely related to kizomba, while many have dared to say that the first is nothing more than a more modern version of the second. Well, kizomba originates in Angola with the mixture of a rhythm known as semba with another one called kilipanda. If we have already said that tarraxa was born as a consequence of the modernization of kizomba, that means that we can conclude that tarraxa is also of Angolan origin. This makes its voyage around the world even more interesting. 

After kizomba arrived in Europe through Portugal and other countries, this well-known genre has been intermingled with other more local rhythms as a consequence of the adaptation of the rhythms to the ears of its new audience. This resulted in the creation of new variants such as tarraxa, passada, saida, ventoinha, and so on. 

The specific case of tarraxa is not very different from that of other musical styles from Africa. It has simply undergone modifications of all kinds to the point at which it resulted in what is now. Nowadays, it is one of the most present genres in events held in Europe and other parts of the world. 

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ISM December 2020

December Cover Edition 120

Banners Wishes you Merry Christmas

Thanks to the artist Fiorenza Gorini

Kizomba

Kizomba and the protagonism of the woman in dancing

Triangle Trade

Role of the Triangle Trade in the birth of Cuban rumba

Tips for dancing

Tips for dancing salsa with style and elegance

Albert Giorgio Giovanni DJ

From Italy Albert Giorgio Giovanni DJ. Lindo Salsa and Bachata

Los angeles salsa and its origins

Los Angeles salsa and its origins

Latin rymtms preferred by europeans

Latin rhytms preferred by Europeans to learn to dance

Everything you need to know about terraxa

Everything you need to know about tarraxa

What makes sesual bachata so popular

What makes sensual bachata so popular

Alfareros

“Alfareros” launches “Guerrera”

Jorge Celedon

ISM: Meet Jorge Celedón

Angel Bonne

Ángel Bonne He was part of Juan Formell’s Los Van Van Orchestra, and collaborated with the impressive Irakere band of maestro Chucho Valdés

Harry Fraticelli

Harry Fraticelli Virtuoso on guitar, requinto and bass Music for All Occasions

pirisila orchestra

ISM : Pirisalsa Orchestra

Hanny the voice if Cuba

Hanny the Voice of Cuba for the world

Domi Dance

You know “Domi Dance” Online

Villariny Salsa

Villariny Salsa Project from Puerto Rico

Jessi Uribe and Americo

Jessi Uribe and Americo

Jimmie Morales

Jimmie Morales a conguero for the history of Afro-Caribbean music

Ephemerides

ISM magazine back cover

You know “Domi Dance” Online

A new brand for dance comes to New York 

Domi Dance a brand of dance products, designed by ex-dancers for dancers.

The city of New York saw the birth in 2019 of a new brand of products for the dance world, a brand that seeks to reach all corners where music, rhythm and dance can be presented, by the hand of Dorelys Rodriguez, a former dancer who Since she was 7 years old, she has shown the world of dance, going from ballet, flamenco, salsa among other genres, I always dream of achieving many things in the dance world, hence it will never be possible to separate from this beautiful discipline. In his professional studies and work experience in the world of Marketing, he managed to devise a proposal that would manage to marry his great passions, his line of work in the world of sales and his passion for dance, from here DomiDance arises.

In the United States, Dorelys saw the opportunity to exploit his abilities to create a brand, a product, an object that would allow him to give him a new business and business life, without forgetting the main point of his idea, to be what the dancer needs, to reach your specific needs with a range of high-quality products at well-affordable prices for everyone, from the professional to the beginner who ventures into any discipline of this art.

Since 2019 Domi Dance has been able to position itself in many of the corners of dance, starting with its first product presented the openwork stockings, little by little it developed innovative strategies to enter the commercial game, facing large brands established in the American market, it was able to enter through of online sales a channel that allowed him to reach many people due to the boom in shopping through the web.

Domi Dance
Domi Dance Company

The brand claims to present its products under a first-level raw material line, quality is the main object in its line, they seek to offer quality above any point, customers can be sure of acquiring an object that will not be easy to beat. When it comes to bringing life to life on the stage and in the dance halls, Dorelys tells us ¨ we do not want a dancer to be under pressure not to sit on the floor for fear of breaking the stocking or shoes on difficult floors, we do not sell products unbreakable but difficult to beat¨.

Domi dance is not a sales space for other products, they are manufacturers, they are exclusive when designing products for their brand, they generate new ideas based on the direct experience of the dancer, they are concerned with investigating the experiences lived with the use of clothing and footwear in the scene, an element that drives them as a brand concerned with giving the artist what they need.

To date, it has a range of first-class textiles, ballet shoes, urban clothing and much more, all aimed at meeting needs in many disciplines. They continue to bet on their sales framework through digital platforms such as Amazon, Ebay, social networks such as Instagram, Facebook, among others. They have already developed a point of sale for Latin America, a business established in Panama, Colombia, Argentina, Venezuela and moving to other latitudes.

For this 2020 the projects are aimed at designing footwear for flamenco, tap, extending its textile line into leotards and garments in greater demand, working with masculine elements and continuing to advance in its extension project in America and Europe. Follow them on their social networks through @ domi.dance

By Jose Perez Correspondent, Bogota, Colombia

Project Pentagram Agrupación Gaitera de Venezuela in the USA

At present, Pentagram has international recognition for being the group that has made more national tours in the USA

Agrupación “Gaitera” was born in 2008 in the city of Miami, participating in various events and festivals, in 2012, they began to produce themes for the Spectator, which were very accepted by the public.

In 2017, the group was established as a group since they began to accompany great artists of the genre, as Neguito Borjas, Ricardo Cepeda, Nelson Arrieta, Rafael “Pollo” Brito among others.

Agrupación "Gaitera" was born in 2008 in the city of Miami, participating in various events and festivals, in 2012 begin to produce themes for the Spectator, which were widely accepted by the public
Project Pentagram Agrupación Gaitera de Venezuela in the USA

At present, Pentagrama has international recognition for being the group that has made more national tours in the USA and international tours in Panama, Chile, Spain, Argentina, and Colombia.

Members

Robert Richards-Four and Soloist

Jesus “Chuchito” Ibarra-Solista

Fernando Mindeola-Solista

Avelino Romero-Solista

Luis “Chua” Urdaneta-Congas y Coros

José Rafael Querales-Bajo y Coros

Gilberto Ferrer-Teclados

Ronald Guerra-Pianos

Adelmo Gauna-Battery – Timbal

Alejandro Araujo (Timbal)

José “Pokemon” Ferrer-Tambora

Melvin W. Alvarez-Charrasca

Melvin Álvarez Sr. – Furro

Arnaldo Quintero (Contra Bass)

Daniel González (Drums)

At present, Pentagrama is internationally recognized for being the group that has made more national tours in the USA and international tours in Panama, Chile, Spain, Argentina and Colombia
Project Pentagrama Agrupación “Gaitera” born in 2008 in the city of Miami

The Gaita and its History

In the first forms of bagpipes, the chants of the Mass that the Catholic missionaries taught, the percussion of the drums, the characteristic guttural sound of the furro (a derivative of the Zambomba), the maracas and the charrasca were combined, and the cuatro, derived from the guitar, together with the Spanish chants, represented the Iberian contribution.

The performance of the natives contributed the definitive style to this new music.

The following is an extract that comments a little more on the origins of the Gaita:

The origins of the Zulian Gaita have not been established with precision, but it is assumed that it was born with the republican concerns of the people, perhaps in the first decades of the 19th century, as demonstrated by the patriotic Easter songs dedicated to Ana María Campos, the Altagratian patrician who was whipped by order of the fierce Morales when she refused to withdraw her lapidary phrase: “O capitula o monda”.

Traditionally, the Gaita has been linked to the devotion to Santa Lucía in the El Empedrado neighborhood, and in this sense it is recalled that when Father José Tomás Urdaneta was in charge of the parish, he took the noisy bagpipers out of the temple. It can be said that since then, the Gaita has lost the religious character that it had for many years in the cobblestone district, to become definitively an instrument of healthy Easter joy and the most effective means of criticism and protest of the humble people.

Our Gaita has always been characterized by the freshness of its music and the mental agility of its players.

The origin of the Gaita according to Rafael Molina Vilchez

“The Zulian Gaita, like many other manifestations of Latin American costumbrismo, is mestizo. It has a polyethnic genetic mosaic, but its root is Hispanic, although the Hispanic nature is preserved in very different progressions than the maracaibera bagpipe (also called the furro bagpipe), the song of the criollo citadinos, in which it survives with strength, in comparison with the tambora and perijanera bagpipes, in which the blackness leaves a more intense mark”.

This scholar of folklore points out that the gaita is Spanish, but that over time two divergent tendencies have emerged: The maracaibera Gaita and the black Gaita.

This opinion has generated controversy, but it is quite shared, since the term “gaita” has Galician-Portuguese roots: it comes from the Gothic word “gaits” which means “goat”, because the bellows of the Galician gaita are made from the leather of the goat. From Spain through the African Arab countries it reached Turkey, in whose language it is translated as “shepherd’s flute”, which would be in accordance with the drawing Agustín Pérez Piñango found with the Glorious San Sebastián Gaita, which dates from 1668, according to a document located in the old National College of Maracaibo, which brings the lyrics and music in Gregorian characters. It would be the oldest Gaita known.

However, other scholars, among them Juan de Dios Martinez, maintain that the Gaita began with the black slaves in the haciendas of the South of the Lake, as a protest and evoking their festivals in the African areas from which they came.

The Gaita and its History The first bagpipe forms combined the mass chants taught by the Catholic missionaries, the percussion of the drums, the characteristic guttural sound of the furro (a derivative of the Zambomba), the maracas and the charrasca.
Our gaita have always been characterized by the freshness of their music and the mental agility of their performers.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.