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Search Results for: tropical

ISM presents the Dominican salsa singer Quique Mota

 

International Salsa Magazine presents Quique Mota as a new Dominican talent of Latin music, a salsa singer born in Santo Domingo, Dominican Republic in 1974, during his youth his parents Luis Mota and Balbina Castillo observed his emotion, passion, taste every time he listened those tropical rhythms of the time, which were the Merengue, Son, Timba, Salsa, the latter most notorious motive inclining his taste towards this contagious rhythm.

 

And his interest was further developed when he was influenced by his paternal uncle Ramón Mota “mon trumpeta” making the decision to soon become a vocalist, starting with the parties in the neighborhood, singing whenever he had the opportunity and on Fridays at his school, where he was forced to sing since his companions always liked to hear him sing.

Motivated by great singers such as Ismael Miranda, Ismael Rivera, José Alberto “El Canario” Oscar D’León, Paquito Guzmán, Gilberto Santa Rosa, Tonny Vega, Wilmer Lozano, among other artists, he decided at the age of fifteen that that was what I wanted to do on a professional level; So he began to work on vocalization for a few years and singing in different popular events, he gained experience both as a singer and as a composer.

He mentions that Salsa is more than a musical genre that was born from the neighborhoods and that became popular through the corners and / or streets of New York between 1960 and 1970 … it is the history and experiences of the people, the town (person generally lower class), where the musicians express their musical themes in their lyrics, especially the romantic part and the rumba, managing to reach their listeners and / or dancers in their being; For Quique personally it is his relief, a poem as well as the song, an essence in his life with which he was born and at the age of 15 he wanted to find the meaning of his dreams of being a great salsa musician.

Quique Mota
Quique Mota Photo

The salsa genre emerged many years ago where it acquired its fame, but today the young population believe that Salsa is old music, outdated with a very good reputation, unfortunately the majority of the young population chooses what is fashionable, listening more reggaetón, hip-hop, electronics, rap, among others, losing in the process the opportunity to listen and enjoy good music, acquiring in the majority (rap and reggaetón) vulgar language as well as the degradation of the person (woman and ¬ / o men).

He tells us that if we want to make Salsa notice and popularize, we need to support both new talents and great artists and make ourselves noticed, without thinking that it is old music, that it can evolve and update us with a modern language without reaching vulgarity so much in the letter as in the clothing, so that it adapts to the taste of the new and current generation; And another very important point is that the songs that you create are adapted to the country where the singer and if not explain the meaning, for example in the Dominican Republic there are many terms that we do not know, and in his next musical theme that is a romantic sauce I call it ¨ Ella es mi Golpe¨ what does it mean ¨She is the love of his life¨, which tells us that it will be released in about 2 and a half months with its video clip.

All his songs are his own, they are his experiences, experiences, things he sees, phrases that his life offers him … many things can give the emergence of phrases for the creation of his musical themes; Quique Mota, presents his first single. “Dice”, a song of his authorship, which already sounds on the Dominican Republic stations and internationally, such as Canada, USA, among others, with which he intends to gain the popularity of the public.

 

For Quique, the pandemic that we live to date due to COVID-19 was not an obstacle as it happened to many, I take advantage of the time of course with all possible precautions to avoid contagion to continue with his musical career, he mentions that The human being is a being that adapts to his environment and this was a clear example, only that one has to know how to take advantage of the tools that one has at hand, musical talent is not only about concerts, parties … depending on what We can do to benefit ourselves without putting ourselves at risk is to overcome difficulties and many of them took advantage of one of the most extensive and complex tools that is the Internet.Although almost all of us use it, we do not use it correctly but in the most basic thing. … Such a wide work tool and knowing how to use it is a success for you… for example events, classes, concerts, live interviews through social networks.

Quique Mota Photo
Quique Mota at the recording studio

Quique had his ups and downs in his musical career and he tells us that his friend Montuno Salsa advised him and it was his apprenticeship and motto in his beginning as a new talent … “time job … do not faint easily and lose the opportunity to continue since you have to take advantage of the opportunities “…” dreams are pursued and fought, they are not achieved overnight, they are processes that must be fought as warriors … a Well made sauce, even if it doesn’t have the support that you think or need, it will like it wherever it is as long as it is well made and it doesn’t get tired of working … and the most important thing is I put my work in the hands of papa Dios, the great one … “

Quique mentions that everything is crossing and emerging is thanks to: his Venezuelan producer Franklin Zamora, who upon meeting him in the Dominican Republic knew what Quique really wanted and how to express it and / or express it, he also has Mary Yemaya, a Venezuelan promoter and producer of salaeeos events, it is she who guides him in Salsa and encourages him to contact us to promote it and get to know it better; He also thanks Juan Carlos Trinidad, José Bello, Montuno Salsa, Dj Salsero 2020, Etnia Salsera,, Joseph Fonceca, Edward Serrano and mainly his family, especially his beloved wife. He wants to extend a special thanks to the people of Venezuela for contributing a group of talented and valuable people who have helped him to pursue his dreams and to join great talents of Latin music worldwide, becoming one of the best exponents of the salsa genre in his country.

He mentions that he wants to give a special thanks to the people of Venezuela, for bringing many valuable and talented people into their lives, who will pursue their dreams and get hooked on the great talents of salsa music worldwide, becoming one of the best exponents of the salsa genre of your country.

DIEGO “EL CIGALA”

The “Cantaor” Of The XXI Century

Flamenco has been his principal victory. Tango his maximum exploration. Salsa his greatest ambition, and Bolero his deepest romanticism. The world has witnessed his talent, Diego Ramón Jiménez Salazar or better known as Diego “El Cigala” has immersed us in these torrential musical genres with his masterful voice for 24 years. Each album shows us intoxicating rhythms that introduce you to joy on many occasions, and many others evoke stories of deep melancholy in their unequivocal lyrics.

Diego, a good, upright, and friendly man has lived very hard moments like the loss of the two most important women in his life. Her wife, Amparo Fernandez, a victim of cancer that took her life in 2015 in her home (Punta Cana, Dominican Republic), and a year after lost her mother, Aurora Salazar Motos.

Diego "El Cigala" with his Wife Amparo
Punta Cana (Dominican Republic) “… It is a place where you can live, not just work. There is more space for life. “Amparo Fernandez

For 26 years, Amparo was his manager, friend, confidant, wife, and mother of his two oldest children (Diego and Rafael). She was always his stick of support even during the worst stage of his career.

Diego El Cigala has always been very familiar, sentimental, and a believer in God. “… My children make me and they will always keep me going, music heals me from the inside, and God accompanies me making everything possible”, explains the nationalized Dominican artist.

A year and a half after these fateful circumstances, the XXI century cantaor resurfaces and rebuilds his life with his current couple Dolores “Quina” and his third son Manuel, who was the product of this relationship.

Quina loves me, I love her, and she understands me like nobody. I have grief and joy every day of my life. I see my children, my wife, my granddaughters and shot forward.”

The Meeting

At the beginning of 2000, there was a meeting. Diego “El Cigala” and Bebo Valdés got together for the first time, and very much in the style of a bridal link, Diego and Bebo created a strong bond of friendship, mutual respect, and professional admiration.

Diego "El Cigala" with Bebo Valdés
His popularity arrived with Bebo Valdes and his album Lágrimas Negras

It was an afternoon at the house of musical director Fernando Trueba where they met and did not stop exchanging opinions about flamenco and Cuban music. From there their first collaboration together, three songs from the CD “Corren tiempos de alegría” released in 2001.

Bebo ever transmitted serenity and tranquility to Diego, which allowed them to record two years later Lágrimas Negras, an album with which they won a Latin Grammy Award for Traditional Tropical Album in 2004.

Both artists lived moments of unique and spiritual teachings. Each day Diego regrets Bebo’s physical departure and misses him so much that every day he looks up and sees Bebo saying to him: What’s wrong?

Bebo helped him get to know the Caribbean where he ended up living, helped him transcend flamenco, and learn about other genres. For that, the only way to pay tribute to him was with the sixth track belonging to the Indestructible record production, Fiesta para Bebo, with the special guest, Los Muñequitos de Matanza.

Since Lágrimas Negras, the cantaor of the XXI century has been able to venture into new genres and collaborations, such as the material Cigala & Tango (2010), Indestructible (2016), and his most recent record production “Cigala canta a México” presented in 2020.

El Cigala Indestructible

Since 2016 Indestructible presented the greatest musical fusion of the American and European continent. It was a Salsa and flamenco production that brought together the founders of the Fania All-Stars after 25 years and recalled emblematic songs such as El ratón, Periódico de ayer, Moreno soy, and Juanito alimaña popularized by Willie Colón and Hector Lavoe, among many others.

Diego "El Cigala" cantando
Indestructible released in 2016 is the tenth studio album of Diego “El Cigala”

Diego El Cigala from the gypsy ethnic group grew up in love with this Latin music since his childhood thanks to his father and the great stars of hard Salsa such as Héctor Lavoe, Celia Cruz, Cheo Feliciano, La Fania All-Stars, and El Gran Combo.

Diego "El Cigala" black and white
Diego “El Cigala” has always been very familiar, sentimental, and a believer in God

This tenth studio album in tribute to his wife Amparo Fernandez, and his great teacher and friend, Bebo Valdés, was recorded in different territories of the American continent, bringing the color and sound of Salsa from each area to this CD. The cities that he visited and captured part of the recording were: Cali (Colombia), San Juan (Puerto Rico), Havana (Cuba), Punta Cana (Dominican Republic), New York (United States), Miami (United States), and Jerez de la Frontera (Spain) where the production ended with the addition of guitar, choirs, cajón, and flamenco clapping.

As part of this fusion of genres, El Cigala had the opportunity to count on the talent of Oscar D’Leon, Bobby Valentin, Larry Harlow, Roberto Roena, Eddie Montalvo, Nicky Marrero, Jorge Santana, Gonzalo Rubalcaba, Luis Perico Ortiz, Horacio el Negro, José Aguirre, Diego del Morao, and the percussion group Los Muñequitos de Matanza with whom he created a very special connection because they have a lot of similarity with the culture of his gypsy people, “I love them, no I’ve seen better people with so much heart “, that’s how El Cigala described them.

Indestructible, nominated for the Latin Grammy for Best Tropical Album in 2018, represents the immortality of Salsa, the essence of the Afro-Caribbean rhythm that endures in the Latin roots of the new generations although it no longer has the same boom that is enjoyed between the period from 1970 to 2000.

Salsa was in the 70s a way to confront racism and xenophobia that Latin Americans were experiencing in the United States. That unites Salsa with gypsy music and the gypsy people, who have also experienced these prejudices”. Diego “El Cigala”

Discover The 8 Orchestras Of Tempo Latino 2021 (Cancelled)

The major Salsa Festival in France announced the lineup of orchestras to perform at Les Arènes: Pacific Mambo Orchestra, Los Van Van, Interactivo, London Afrobeat Collective, Alain Pérez, and Issac Delgado will display their talent on stage

Les Arènes (the only paid access area of the festival) will be the Latin and Afro-Caribbean music concerts. Here, you will enjoy the cultural and generational exchange, also the talent of the great trajectory & emerging artists, who will present their repertoire for the maximum Salseros. In this 27th edition of Tempo Latino (a festival held outdoors), all the biosecurity measures implemented in the country will be respected.

Concerts in Tempo Latino 2021

Pacific Mambo Orchestra

Pacific Mambo Orchestra
Friday, July 30, 2021 – 9:00 P.M.

The renaissance of the Latin sound of the Big Bands of the 1940s will be in the performance by one of the most important orchestras in the United States, Pacific Mambo Orchestra. Their music combines Mambo, Pop, Cha Cha, Timba, and Bolero. Additionally, Pacific Mambo Orchestra was the winner of the “Best Tropical Album” at the 2014 Grammy Awards.

This North American orchestra was founded 11 years ago by the Mexican pianist Christian Tumalan and the German trumpeter Steffen Kuehn. They have collaborated with famous artists such as Carlos Santana, Poncho Sánchez, Pete Escovedo, and Arturo Sandoval. Currently, this Latin Big Band performs on the west coast of the United States, and its repertoire is in English and Spanish. His third album: The III Side fuses the Mambo traditions of the 50s with the music of the moment.

Los Van Van

Los van Van vestidos de negro
Friday, July 30, 2021 – 11:00 P.M.

The emblematic Cuban music orchestra will celebrate its 50 years of experience on the Les Arènes of Tempo Latino stage.

Los Van Van was founded in 1969 by the bassist, composer, and legend of Cuban music, Juan Formell.

Juan, accompanied by José Luis Quintana, known as “Changuito” and César “Pupy” Pedroso, invented the “Songo”, a Cuban rhythm predecessor of the “Timba” or Cuban Salsa. This rhythmic fusion generated the Salsa-Son, a sound with a Cuban style.

In 2018 they recorded their first record production “Legado” since Juan Formell’s passed away in 2014. This tribute album has 14 songs with 3 new versions of international singles: “Te extraño”, “Por qué lo haces”, and “Amiga mía”. 

Interactive

Interactivo 2021
Saturday, July 31, 2021 – 9:00 P.M.

The avant-garde Cuban collective, Interactivo, is the most innovative and interesting project in Cuban music today.

This emerging orchestra on international stages brings together the brightest and most eclectic talents in Havana. Each member brings his specialty: Timba, Funk, Jazz, Hip Hop, Rock, Rumba, Cuban traditional music, and Soul for an optimal result of great richness, where individual originality, musical creativity, and avant-garde ideas enrich the group.

London Afrobeat Collective

LondonAfrobeatCollective 2021
Saturday, July 31, 2021 – 11:00 P.M.

London’s addicting Afrobeat for ten years has offered festive music based on Jazz, Funk, Rock, Dumb, and African Vibes. Its international ADN, composed of nine members from England, Italy, France, Congo, Argentina, and New Zealand, has made its rhythm together with the powerful voice of the Congolese singer Juanita Euka, addictive music with powerful and committed messages. Enjoy this emerging band from international stages, London Afrobeat Collective, at Tempo Latino.

Alain Pérez and The Orchestra

Alain Pérez de blanco
Sunday, August 1, 2021 – 9:00 P.M.

Alain Pérez, bassist, singer, and arranger, composes his orchestra of 13 young musicians on stage to offer a mixed show of contemporary Cuban Salsa, Timba, and Latin Jazz. His talent has given him marvelous experiences with internationally renowned orchestras and musicians such as Los Van Van, Irakere, Issac Delgado, Paquito D’Rivera, and Celia Cruz. He always is accompanied by his elephant-head cane, in homage to Cuban musician Benny Moré.

Alain also has been influenced by flamenco for his work with Spanish artist Paco de Lucía.

This multifaceted artist born in Havana was nominated twice for the Latin Grammy Awards, the first in 2015, in the category Best Traditional Tropical Music Album with “El alma del Son, tributo a Matamoros” and the second, “ADN” nominated in 2017 in the category Best Salsa Album.

El Cuento de la Buena Pipa 2020 is his most recent record production, and you can enjoy it on the main stage of the festival.

Issac Delgado

Isaac Delgado con bufanda
Sunday, August 1, 2021 – 11:00 P.M.

The great voice of Cuban Salsa, Issac Delgado, released his first album “Dando La Hora” in 1991 under the direction of Cuban pianist and composer Gonzalo Rubalcaba.

On November 13, 2020, he presented his new album “Dando La Hora 30th Anniversary Gold Edition” with eight temas remastered themes: La Novia Que Nunca Tuve, Aunque Soy Como Soy, Amor De Tierra Y Cuerpo, Entrégate a Mí, Cuando estás Lejos Estas Inalcanzable, Centímetro a Centímetro, Si La Vuelvo a Encontrar y Ella Es Un Reloj. “¡Vaya que chévere!”

Purchase your tickets at:

At the Tempo Latino Office: 3, rue du Général Delort, 32190 Vic-Fezensac

Authorized payments: Check (payable to Tempo Latino), Vacation Voucher, Cash, and Credit Card

During the Festival: The Tempo box office moves to Les Arènes. 18-20, Avenue Edmond Berges, 32190 Vic-Fezensac. Telephone: 05 62 06 40 40 / 05.62.06.66.56

Authorized Payments: Check (payable to Tempo Latino), Vacation Vouchers, Cash, and Credit Card

Manny Mieles Singer, Musician, Arranger and Producer

By: Diana Marie (ISM Correspondent in Miami)

From his own recording studio located in New York, the talented Manny Mieles has been providing good music to an extensive fan base around the night within their respective cities and alternating with big ones within the tropical market.

Born in New York City to Puerto Rican parents, Manuel “Manny” Mieles began his career as a pianist at the age of 15.

In 1983, he joined the Orquesta Generación and remained with it for four years. In 1987, he joined the Orquesta Herencia Latina as a lead singer. That same year he recorded his first musical production with Conjunto Imagen entitled “Algo Nuevo” since then Manny Mieles has become a sensation in the salsa genre.

Years later, he collaborated as lead singer with Johnny Ray “Salsa con Clase”, his performance within the salsa market has given him the privilege of sharing on the stage and being part of the musical repertoire of great artists and salsa legends such as; Marvin Santiago, Ismael Miranda, Richie Ray and Bobby Cruz (Carnegie Hall. NY), Hector Tricoche and Lalo Rodriguez  among others.

From his own recording studio located in New York, the talented Manny Mieles has been bringing you great music.
Manny Mieles Singer, Musician, Arranger and Producer

And in other occasions, he has participated in tours of artists like Frankie Negrón, Nino Segarra, Anthony Cruz, Roberto Blades, Viti Ruiz, Paquito Guzmán, Michael Stuart, and artists of the LP signature.  All-Stars.

Manny Mieles participated in 2005 in the song recorded by the great singer Ray Villegas titled “Puerto Rico” which has become an anthem for the inhabitants of the island of enchantment and the entire world; and which is heard as a voice of encouragement for all Puerto Ricans not to let themselves be defeated by difficult moments that are happening in the present.

His dedication and professionalism have led him to participate in various festivals within AND outside of New York City, recreational parks, beaches and private events, such as “The 116th Street Festival”, “South Street Seaport” “The National Puerto Rican Day Parade”, “NBC Stage”, “Univision” and “Telemundo”, among others.

Manny Mieles Singer, Musician, Arranger and Producer
From his own recording studio located in New York, the talented Manny Mieles

He also worked with Marc Anthony and Jennifer Lopez in the film “El Cantante The Story”, based on the life of the legendary “Cantante de los Cantantes”, Hector Lavoe. In his spare time Manny Mieles is a producer, composer, sound engineer and chorus player.

In 2006 he produced and recorded the production “Paso de Gigante” of the conguero “Pequeño Johnny” and his own production “Sabrosexy Plin”, where the song “Llego el Amor” stands out.

At present Manny Mieles is part of the presentations of the artists of the new movement of the Dominican salsa within the United States, such as Yiyo Sarante, Michell, Alex Matos, Asdrubal, David Kada and Sexappeal, among others.

In July 2015 the new production Manny Mieles mi princesa was released with the first song that was titled.

INFIEL

https://www.youtube.com/watch?v=53T5PGw-R1I+

A mix of Bachata recorded by Karlos Rose, the arrangements were made by Carli Maldonado, percussionist who accompanies artists such as Tony Vega, Victor Manuel, Gilberto Santa Rosa, Tito Nieves and others. At present this song is being played a lot in the Dominican Republic, Ecuador, Peru and Mexico. The song has had the privilege of being selected for broadcast by Salsa RD of La Republica Domicana and has been heard extensively on Fuego 90. A few months later I continued working and had the opportunity to listen to a song entitled

I BELIEVE IN YOU

The song that the group Riek recorded is a mix of Balada, which touched my heart when I listened to it and I could identify with it. It was arranged by J.R. Rivera, a young man who in spite of his youth is gaining popularity and many singers with recognition have noticed something different in his arrangements because of the unique and peculiar way that his style has.  Continue working and the theme that followed and recorded was

DIGITALISE

Theme recorded by Master David Bisbal, Spanish singer recognized nationally and internationally. When I heard the song I immediately identified with it and it touched my heart, without wasting time I contacted J.R Rivera who was the one who made all the musical arrangements to turn it into a Romantic Salsa.

At this moment Dígale is occupying the first places in Canada, Toronto, Venezuela, Puerto Rico and New York by the radio station Tropicalísima located in Mexico.

 

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José Alberto “The Nightingale” Several genres one style, composer and singer of Cuban music

Cuban Cultural with José Alberto “El Ruiseñor” Nominated for Best Latin Tropical Album  “Mi Tumbao”For the 63rd Grammy®Awards.

Hollywood, CA. The 63rd Grammy Nominations were announced on November 24, 2020.

The astonishing surprise was the Nomination of Cuban born José Alberto “El Ruiseñor”, Nominated for Best Tropical Latin Album “Mi Tumbao”.

The excitement is building and it could not have happened to a better man.

José Alberto Tamayo Diaz, aka The Nightingale. Born into a musical family, José’s parents played a key role in his musical journey; his father was a tres player and his mother was a singer.

At fourteen years young José flourished as the leader of the Cuban based band, Grupo Rock Lasser; his charisma and popularity spurred his passion, and the rest is history.

José Alberto "The Nightingale" Several genres one style Composer and singer of Cuban music
José Alberto “The Nightingale” Composer and singer of Cuban music

José Alberto has dedicated his love of Cuba through his music. A win for José Alberto on Jan 31, 2021 would make him the first solo Cuban male vocalist to win a Grammy in 21 years, since Chucho Valdez in 1999.

El Ruiseñor confesses, “The Grammy Awards are way up there, it is the Oscars for music, winning a Grammy award would mean a lot to my country.”

Hailing from Bayamo, the capital city of the Granma Province of Eastern Cuba, “Bayamo is my life”, Alberto admits proudly in reflection of his group BNM, Bayamo National Movement.

For over 30 years, Jose has thrived as a prominent citizen of Cuba, and has constantly worked hard for his city, his music and his valuable culture. As the most internationally awarded solo artist of Granma, José Alberto El Ruiseñor has dedicated many songs to his fellow countrymen.

With the pandemic numbers growing, he curated an online philanthropic concert, to recognize the efforts of doctors and nurses titled, “Cuba Saves”, broadcasted from his own backyard. Before the pandemic he was keeping up with his hometown roots by performing every Saturday in the main street of Bayamo.

Hailing from Bayamo, the capital of Granma province in eastern Cuba, "Bayamo es mi vida" (Bayamo is my life)
“Bayamo is my life” José Alberto “The Nightingale”

The album title, “Mi Tumbao” translated to “swag” or “grace to move,” transcends the listener into the origins of Cuban music, and the raw roots of his Cuban nation.

The album breathes three decades of artistic life, composed of Guaracha, Son, Salsa, Cumbia, and Merengue. Homage is vibrantly paid to his influencers and godfathers of Cuban music; Sindo Garay, Ñico Saquito and Miguel Matamoros, all who were introduced to him by his father.

The album has 10 illuminating, action packed tracks, some unpublished and others adaptations of known Cuban classics.

In the feature track “Emigrante” (Immigrant), José narrates the overlooked struggles of migrant life with pure vulnerability, through lyrics such as “This has to change, down ambitions, there is only one heaven in this world, why so many divisions”.

In the title track, "Emigrante", José narrates with pure vulnerability the forgotten struggles of migrant life, through lyrics such as "This has to change, lower your ambitions, there's only one heaven in this world, why so many divisions".
The album’s title, “Mi Tumbao”, translates as “swag” or “grace to move”,

A timely song meant for acknowledging all the current problems brought on by controversial governments. In contrast, José transforms the internationally known anthem, “Lagrimas Negras”  (Black Tears), to more of an inspired traditional salsa.

The project is backed by English label Tumi Music. With legendary A&R director Mo Fini at the helm, the UK based label specializes in authentic and original music from all corners of Latin America.

José Alberto’s innate vocal techniques, and the ability to relate to the common man through his music, will captivate and inspire any and all of its listeners.. Miracles do happen and this time it’s all rolled up in a profoundly talented troubadour, José Alberto; he is a force to be reckoned with. If you’ve never heard his music before, now is the time to listen; make yourself a cubano and a cafecito, take the old Victrola for a spin, your feet will do all the work. José Alberto’s contagious rhythmic vocals will get you going!

With legendary A&R director Mo Fini at the helm, the UK-based label specializes in authentic and original music from all corners of Latin America.
José Alberto Tumi Records

José Alberto

Tumi Records

www.tumimusic.com

Media Inquiries

Jodi Jackson

JJ Entertainment

323-356-0797

[email protected]

 

 

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.