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Artists

Panama Jazz Festival 2017

Latin America / Panama / Panama
Panama Jazz Festival 2017
Panama Jazz Festival 2017

Although our magazine primarily focuses on Latin rhythms like Salsa, Kizomba, and Bachata, our editorial mission also includes promoting both emerging and established artists, as well as the academies and festivals within our scene. We believe these are synonymous with the Latin musical culture that enlivens our very souls.

Jazz is one of the most famous genres in the world, and as it has spread globally, it has evolved into various styles. In the Americas, it gave birth to Latin Jazz, which thrives on the fusion of rhythms and forms originating from Latin music. One of the world’s most renowned celebrations of this genre is the “Panama Jazz Festival,” an acclaimed cultural project where creativity, exchange, talent, and inspiration have made the event an international benchmark.

For its 14th edition (Note: The original text says 4ta/4th, but the 2017 festival was the 14th), the Panama Jazz Festival pays tribute to Violeta Green, whose voice brought a unique tone to Panamanian Jazz. Her career, drive, and spirit of perseverance transcend time and remain part of the musical legacy the festival seeks to share from “the heart of America to the rest of the world.”

Romero Lubambo - Panama Jazz Festival 2017
Romero Lubambo – Panama Jazz Festival 2017

Esperanza Spolding - Panama Jazz Festival 2017
Esperanza Spolding – Panama Jazz Festival 2017

Bill Dobbins - Panama Jazz Festival 2017
Bill Dobbins – Panama Jazz Festival 2017

Many remember Violeta Green for her humility, gentle nature, and versatility across musical languages, including Jazz, Blues, and Calypso—the latter being a quintessential Caribbean style known for its upbeat, catchy rhythm.

With her passion for song and rhythm, Violeta Green was admired for qualities that led her to perform internationally in the United States, Colombia, and Central America. However, in Panama, she is best known for leaving an indelible mark on the music scene by blending Jazz with Calypso to create a truly special sound. This year, the festival is proud to honor her contributions.

This magnificent festival will take place from January 10th to the 14th, turning Panama’s capital into a global jazz stage. This is made possible through the support of the government, private sector, NGOs, and the invaluable passion and loyalty of both local and international audiences.

Panama Jazz Festival 2017 - Retro Jazz
Panama Jazz Festival 2017 – Retro Jazz

Panama Jazz Festival 2017 - Photo 1
Panama Jazz Festival 2017 – Photo 1

Panama Jazz Festival 2017 - Photo 2
Panama Jazz Festival 2017 – Photo 2

Panama Jazz Festival 2017 - Dianne Reeves
Panama Jazz Festival 2017 – Dianne Reeves

The festival will feature an illustrious lineup of artists. Confirmed international performers include:

  • Dianne Reeves, Esperanza Spalding, and Romero Lubambo.
  • Bill Dobbins, Terri Lyne Carrington, and John Patitucci.
  • The Electric Guitar Quartet (featuring Adam Rogers and Steve Cardenas).
  • Children of the Light (Danilo Pérez, John Patitucci, and Brian Blade).
  • The Rony Eytan Quartet (presented by the Embassy of Israel).

Representing Panama, the festival will showcase the talent of Joshue Ashby & C3 Project, Graciela Nuñez and the Black Tea Project, Karla Lamboglia, Omar Díaz, Carlos Agrazal, Luis Carlos Pérez, and Los Beachers.

Additionally, the festival will feature “Retro Jazz,” a group from the Dominican Republic. Their repertoire reimagines popular Dominican songs through the lens of Jazz, Bossa Nova, Latin Jazz, and Funk—combining the elegance of Dominican classics with the harmonic depth and improvisational energy of Jazz.

The festival is the most important annual event organized by the Danilo Pérez Foundation, which uses music as a tool for positive social transformation. As Danilo Pérez says: “I invite you to celebrate with music to create a rhythm that inspires peace, love, and brotherhood.”

Panama Jazz Festival 2017 - Schedule
Panama Jazz Festival 2017 – Schedule

Contact Information:

  • Web: http://panamajazzfestival.com/
  • Phone: +507 317-1466
  • Facebook: https://www.facebook.com/ Panama JazzFesti/?fref=ts
  • Instagram: https://www.instagram.com/ panamajazzfestival/
  • Twitter: https://vimeo.com/ panamajazzfestival
  • Youtube: https://www.youtube.com/user/panamajazzfestival
  • Vimeo: https://vimeo.com/ panamajazzfestival
Panama Jazz Festival 2017 Flyers
Panama Jazz Festival 2017 Flyers

 

Miguel & Mayana

Europe / England / London
Miguel & Mayana
Miguel & Mayana

Miguel & Mayana. Salsa & Bachata Classes in London

Miguel Rico

Corona Salsa Champion 2001, Scala Latina Salsa Champion 2003 and UKA Salsa Champion 2006 are some of his rewards and achievements since he started this amazing journey 17 years ago.

Miguel’s music interpretation is a gift from his both musician parents, this knowledge & experience makes him stand out in his performances and freestyle.

His personality and smile is simply contagious.

Miguel & Mayana - event
Miguel & Mayana – event

Mayana

Mayana’s love for dance started at an early age, she followed her heart and went to one of the best Russian Dance Academy where she studied from traditional dances to ballet & contemporary.

She continued teaching various dance styles until she found Salsa.

Mayana

What really makes her unique its her dance style where she combines all the knowledge she has of various dances, creating her own signature which portraying her as an elegant and stylish dancer.

  • 2007-2008 UK Professional Salsa Champions.
  • 2009 & 2011 Top Salsa UK Teachers Award
Photo: Mayana
Photo: Mayana

Salsa & Bachata Classes In London

Regular weekly Salsa classes in London

Salsa Classes & Club every Monday night at The Bedford in Balham, 77 Bedford Hill, SW12 9HD

All levels classes cross body New York Style with Miguel Rico, Karizma, Juan & Nicholas.

  • Doors open from 8pm
  • Free cha cha intro from 8:00pm – 8:30pm
  • Classes from 8:30pm – 9:30pm
  • Club after till midnight
  • Absolute beginners are welcome.
  • No partner required.
  • Loads of fun and a very friendly atmosphere!
Salsa Bachata Classs in London flyers - Miguel & Mayana
Salsa Bachata Classs in London flyers – Miguel & Mayana

Salsa Class & Club every Thursday at The Ex-Servicemen’s Club in Caterham on The Hill CR3 5 UJ

The Classes are being held in the evenings from 8:30pm – 9:30 pm followed by Club until late.

Salsa Classes from absolute beginners to improver and Int/Adv Level.

Caterham Salsa Flyers
Caterham Salsa Flyers

Always there will be a Club after where you can freestyle, socialise and dance with each other.

The admission is a drop in basis, no partner is required and no advance booking is necessary.

Bachata Class & Club, every Wednesday night at The Bedford in Balham, 77 Bedford Hill, SW12 9HD

Since 9th November 2016 Miguel Rico of Miguel Mayana London & Alex Rasero are running a regular weekly Bachata class & club, every wednesday at The Bedford in Balham.

Times: Doors open from 7pm. Classes from 7:30pm-8:30pm.

Follow by strictly Bachata social dancing till midnight.

Absolute beginners welcome

Class with Miguel & Improvers & above-class with Alex.

Social dancing after classes is from 8:30pm until midnight.

It’s time for Bachatame Nights!!! and have fun with two of the most charismatic dancers/instructors in the UK.

Bachata Me Flyers - Miguel & Mayana
Bachata Me Flyers – Miguel & Mayana

10 week Salsa Training & Student Performance Course Miguel Mayana Mambonito

10 week intensive Salsa training & performance course with UK Salsa Champions Miguel Rico & Mayana.

On2 Intermediate/Advance Mambonito Student Performance Team

Starting 15th January 2017

Places available on request

  • Email: [email protected] for your free info pack.
  • Miguel Rico & Mayana http://www.miguelmayana.co.uk
  • https://www.facebook.com/profile.php?id=100006814576565
  • https://www.facebook.com/miguel.mayana/
Miguel & Mayana and their colleagues
Miguel & Mayana and their colleagues

Los Van Van Orchestra

European Union

Los Van Van Orchestra. The Flavor in Zurich

1960-1969

Vital to the success and peculiar sound of Van Van, was the career of its director Juan Formell. Before founding it on December 4, 1969, ventures as bassist in several groups, from the Orchestra of the Cuban Institute of Radio and Television, to several groups are and jazz, these multiple experiences conditioned their future.

Its passage by the Orquesta Reve marked a turning point in the search for the style I wanted to achieve. He tested his innovative spirit giving it some sound and format solutions.

It incorporates bass, organeta, electric guitar, violins and flute replaced the five by the system. The vocal work was replaced by mounting quartets own voices. This experiment served as a starting point for, once created the VAN VAN, their contagious rhythm patterns sit in popular dance music.

Los Van Van Orchestra
Los Van Van Orchestra

1970-1979

Earlier this decade important critics and connoisseurs of the subject could notice the successful future of the Van Van. Juan Formell maintaining the contributions made to the previous group (The Revé), enriched the set with other instruments such as percussion, that an exceptional and unique way, were weaving what would define as the SONGO.

This mode of address are elements taken from jazz and rock, it consists of a rhythmic design combined with a figurative percussion piano and bass. Then creating harmonic and melodic different timbres.

José Luis Quintana (Changuito), Raul Cardenas (the Yulo), Cesar Pedroso (Pupi), Fernando Leyva, Jesus Linares, Orlando Canto, José Luis Cortés (The rough), Julio Noronha, Gerardo Miró, William Sanchez, Jose Luis Martinez Miguel angel Rasalps (Lele), together with its director, explored all possible ways and then came to this rhythm that becomes the basis of its sound.

It is for these years that begin recording their first five albums and debuted on several international stages.

1980-1989

This represents an important period for the orchestra. They break their own style incorporating the bronco and cracking of the trombones sound. Turn introduced synthesizers, keyboards with multiple sound possibilities. The use of synthesized saxophone and electric violins draw much attention at the time. In addition to his recording material have new triumphs as: Báilalo eh! Ah! (1982), Come, see and move (1984), Havana itself (1985), Eso que anda (1986), We the Caribbean (1987), wanting (1988) is over, and finally Songo gives way to a new stage.

Van Van Orchestra collash 1980-1989
Van Van Orchestra collash 1980-1989

A hallmark of the group is the use of the picaresque, irony, manners in their songs. Becoming a sort of chronicle of the Cuban reality, his writings offer a social circumstance, themes that recreate the jocular of everyday life.

In these years his music transcends borders and Latin American venues like the Empire in London, England, Austria, Switzerland and Germany are witnessing a pace capable of passing the most skeptical of the dancers.

1990-1999

90 start with a tour around the country celebrating its 20 years, evolving into the contemporary timbre and go in search of more complex and preciosistas as the father expressions.

Their latest results leave no doubt that reach maturity. Pieces like “Give him cadela” and “That’s my problem” Disco Sugar (1993), “I am normal, natural” and “What a surprise” the latest in vivo (1994), “Let anger” and “De equals “Ay ampárame god (1995) and” This puts you bad head “and” Take her to your vacilón “Te puts the bad head (1997) are some of the records that predate came VAN VAN ( 1999) containing “Van Van arrived Permit”, “the black is cooking” and “Temba tomb timba”, works that have ravaged mercilessly in the context of salsa, for their contagious rhythm, joy and good taste. All retain the seal of the group even when using other orchestral resources.

Los Van Van Orchestra collash 1990-1999
Los Van Van Orchestra collash 1990-1999

2000

Thanks a work of more than thirty years with the Grammy award with Disco Van Van is here or Llego Van Van. Award for best salsa album recorded by soloists, duos and vocal and Instrumentalist groups. (It’s worth noting that the award received is not the Anglophone Grammy Latino) Such award is the result of its continued making magic for over thirty years.

Los Van Van Orchestra in concierto
Los Van Van Orchestra in concierto

Nano Cabrera Presents “Échate Pa’ Cá

North America / Puerto Rico

Renowned Puerto Rican singer-songwriter Nano Cabrera presents his theme for this holiday season titled “Échate Pa ‘Acá”. This song has mergers with urban music. It was written by Marinés Colón and can be downloaded for free via the Nano channel on the Sound Cloud digital platform.

“I present this song with a lot of humility and I hope you enjoy it, we did it with the purpose of downloading it and enjoy it at your parties.” Christmas is the best time of the year! It’s when forget the problems because the Christmas represents parrandas, joy and sharing in family, “said Nano.

The contagious joy to which we are accustomed, is demonstrated in the musical arrangement of the song “Échate Pa ‘Acá” that was created by the own Nano and counted on the co-production of Durand tla Elite.

Nano Cabrera - Echate Pa aca
Nano Cabrera – Echate Pa aca

Cabrera, responsible for successes such as: “Que le den, que le den” and “Este Pueblo tiene sabor”, is a graduate of the Conservatory of Music of Puerto Rico and dominates the execution of guitar, bass, piano, cuatro and percussion. In addition, it has participated in 65 record productions.

“The Christmas theme can be downloaded for free through the Sound Cloud digital platform”

Nano Cabrera

Date of Birth: March 1, 1952

Place of Birth: Puerto Rico

Nano Cabrera Biography

Nano Cabrera
Nano Cabrera

Nano Cabrera was born in the context of a musical family. In his childhood years he began to manifest his talent with the guitar and already in his adolescence he founded his first Latin rock group, “Dios, Madre y Patria”. In that stage of rocker that occurred in the years when the movement of the new wave reigned, Nano composed, arranged and played bass. Already in the late 60’s the young musician coincided with the arrival of the duo Nelly and Tony, with whom he worked for several years as arranger, bassist, composer and vocalist.

Graduated from the Conservatory of Music in the 70’s Nano was a founding member of the new group, Haciendo Punto en Otro Son. With this group, distinguished as one of the pillars of the new Puerto Rican trova, Nano remained for two years, thus polishing his knowledge as arranger and composer. In addition to playing the bass, Nano added to the group a singular falsetto that became the characteristic sound of Haciendo Punto.

Nano Cabrera - Nuevo Viejo
Nano Cabrera – Nuevo Viejo

After his work with the group, Cabrera began a career as a soloist popularizing the theme “Que le den, que le den” with which he won an exclusive contract with

Wapa Televisión (today Televicentro). At this stage comes his famous “Este pueblo tiene sabor” that brought so much popularity by becoming the jingle of a well-known soft drink.

In his career, Nano has recorded more than a dozen albums as a soloist, in which he has popularized songs such as “María Isabel” and “Ramito de azucenas”.

Part of his artistic career includes performances in the Dominican Republic, Colombia, the United States and Spain.

Since always his shows have been characterized by creating a fresh, original and full of positive energy. Today, along with twelve other musicians and some dancers, Nano Cabrera has managed to create a fusion of sounds and visual elements that allow spectators to make an imaginary journey through different musical genres.

Main Discography

  • A ella le gusta – 2000
  • Amiga de la luna – 1995
  • Con buena nota – 1997 (junto a Ismael Miranda)
  • Tropimusical – 1990
  • Caribe soy – 1986
Nano Cabrera - Exitos y algo mas
Nano Cabrera – Exitos y algo mas

Rey Ruíz visits the Salsa Museum and talks about his prolific career

The Salsa Museum is celebrating the tremendous and valuable support of Cuban singer-songwriter Reinerio Ruíz Santiago, known to the world as Rey Ruíz, whom I had the pleasure to interview along with El Rubio Boris on our show Salsamania.

The artist was not only in our facilities to tell us important details about his career and share some of his time with us, but he also granted us the honor of gifting us one of the suits he used to wear for several of his most important shows. We are very grateful for the distinction he has made with us, and now let us mention some of the most important topics we discussed with the salsa singer.

Rey posing for the camera
Cuban singer-songwriter Rey Ruiz posing for the camera

Rey’s life in Cuba

Rey sang since his childhood to the point that his parents said he sang songs without words and started imitating the sounds his father taught him. He began to study music in sixth grade in his native Cuba, but his interest went far beyond simple childlike curiosity, so his parents enrolled him at the music conservatory in Havana so that he could have a more formal training. 

Soon after, he appeared on Cuban television and sang for the orchestras “La Riverside” and “Los Dadas” at the then Habana Hilton.

Rey’s beginnings in music

Among many interesting things, Rey told us that he left his country at the age of 24, turned 25 in Miami, and arrived in Puerto Rico at 26. Shortly after arriving in Miami, he took a salsa demo to a record label, since Puerto Rican salsa was experiencing a long boom at the time, so they advised him to choose that genre. 

Then, he got down to work with his producer Toby Villarini, recently deceased, to create the album.

Mi Media Mitad
Cover of the album ”Mi Media Mitad’’

Following the success obtained, the record label asked him to move to Puerto Rico, where they got him an apartment for about six months so he could make a life there and focus on his music. He then began working with musical director Guillermo Calderón’s orchestra, until Rey felt confident enough to say that the orchestra was his about a year later.

In 1994, he released his second album ”Mi Media Mitad” and the cover includes a very young Rey on a mountain of salt posing for the camera in a beige outfit and with a big smile on his face. The arrangements were made by Ernesto Sánchez, who also passed away recently at a very young age.

What Ray Ruiz is doing now

When El Rubio and I wanted to know what Rey is doing now, the singer confessed that he had chosen a career in which work never ends and that always makes him seek progress. “You’re always looking for ways to produce something new and show people what you’re doing at the recording and show production level.” In fact, the day after the interview, on February 14, he had a concert to celebrate Valentine’s Day at the Lehman Center for the Performing Arts in New York City. 

Johnny and Rey
Johnny Cruz and Rey Ruiz at the Salsa Museum

He told us that it was the first time he performed as a solo artist at this venue, something he wanted to do for many years and finally got it. Never before has he performed in New York without the company of another artist or orchestra, so he was very happy and excited about living that new experience in his career.

Opinions about the Salsa Museum

Rey Ruiz had to leave soon to make final arrangements for the next day’s show, but we could not let him go without asking for his honest opinion about the Salsa Museum. When we asked him, he told us that he loved the place and that seeing what the museum exhibits was like seeing history. The history of salsa and all the artists who have been part of that genre. He also said that being here was like going to school because, even he who has been in this business for so many years, he has learned a lot from what he has seen.

He concluded by saying goodbye and thanking us for the opportunity to share with us and be on our platform.

Johnny Cruz ISM

 

 

 

Read also: Caoba Y Bambú, Tito Rivera’s first discographic production

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.