• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Artists

Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment

Our orchestra was born at the end of 1969, year in which we also began to record the 1st production “Presenting” which was released at the end of 1970.

Many talented musicians have passed through our orchestra such as Juancito Torres, Mario Ortiz, Rey Santos, Frank Morell, Hugo Dumont and many more that we will mention later.

Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment
Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment

Singers such as Sergio Cariño, Juan Acosta, Raul Carbonell Jr., Tony Rivas, Cucho Caro, Andres Reyes, Pedro Arroyo, Ricky Ramos, Tito Gomez, Yolanda Rivera, Eddie Rosario and Johnny Maldonado.

Rubby Haddock is one of the greatest exponents of good Latin music. His orchestra is known as one of the most danceable “Big Bands” on the Island.

He is called “El Maestro” by his followers and fellow artists. Because of his long artistic career, exposed to the world of show business, Rubby has become one of the best connoisseurs in the history of Latin music.

Born in Manhattan, New York on February 6th to Puerto Rican parents. His mother lived in Miami most of her life and in the late 60’s his father, Ruben Haddock who was a musician in New York, founded the most famous Dance Club in Puerto Rico, MIRAMAR CENTER when he owned El Club Coameño in Rio Piedras and El Club Caborrojeño in Bayamon.

A glorious time where his Producer Father brought to the Island of Puerto Rico the biggest stars of Latin music such as: TITO RODRIGUEZ, TITO PUENTE, LA LUPE, EDDIE PALMIERI, RICKY RAY, JOEY PASTRANA, JOE CUBA, WILLY COLON, HECTOR LAVOE, LARRY HARLOW, ISMAEL MIRANDA, CHIVIRICO DAVILA, TNT BAND among others, besides being manager and producer of ROBERTO Y SU NUEVO MONTUNO.

Rubby Haddock grew up with his father as a teenager in Puerto Rico within the entire business operation of Don Ruben, knowing these top stars of our music and hence the vein of musician and producer during his artistic career and experience in show business.

Celebrating the Rubi of Salsa Rubby Haddock. One of the greatest exponents of good Latin music
Celebrating the Rubi of Salsa Rubby Haddock. One of the greatest exponents of good Latin music

Rubby Haddock studied piano but showed that his passion was playing trombone.

For the years 1972 under the label UNIART, Rubby Haddock launches his first record production, “PRESENTING ORCH HADDOCK” becoming a powerful hit on the Island with the musical cut MONACILLO Y CORREA COTTO as some of the hits of this production.

In this first stage of Rubby’s musical career are among the different recordings: “PRESENTING”, “ASI ME LLAMAN”, “LA LEYENDA”, “DE REGRESO”, “UNLIMITED”, “2ND CONCIERTO FAMILIA TH”, “THE ENTERTAINER”, “THE ENTERTINER 2”, “OTRA VEZ”, “SALSA TROPICAL”, “EL RUBI DE LA SALSA”, “PASAPORTE MUSICAL”, “EL RUBI DE LA SALSA” and “PASAPORTE MUSICAL”.

In the second stage of his career, in 1978, when Rubby was the most popular in Puerto Rico with the song “Son Los Nervios”, one of the songs that propelled merengue on the island, Rubby surprised everyone by joining the U.S. Armed Forces in San Antonio Texas and Washington State, where in addition to completing medical courses, he also completed his Bachelor of Music Education at the Universities of Puget Sound and Pacific Lutheran.

In the 9th Infantry Div. Rubby became a member of the 9th Infantry Division Band where in addition to the Division Military Orchestra, Rubby most enjoyed the experience of being a member of the JAZZ ENSEMBLE BAND and the Big Band Jazz.

It didn’t take long for some of these great musicians to come and join Rubby’s Orchestra… At the request of a great Puerto Rican friend, and high ranking Army officer Eddie Velez, Rubby agreed to form his Orchestra back in Tacoma Washington State.

Remembering beautiful moments lived outside of his homeland until 1980, when he returned to Puerto Rico for a recording contract with the firm TH RECORDS, In this “come-back” in his return to Puerto Rico for the 80’s Rubby produces one of his most successful works: “De Regreso” with songs like: A Mi Jibarita, El Amor, Maria Teresa, Sra. Temptation with singers Raul Carbonell and Tony Rivas.

At the end of the 80’s Rubby Haddock ventured into Puerto Rican television, Wapa TV and Telemundo Channel 2, as producer of shows such as “Un puertorriqueño para la Historia (José Feliciano)”, New Year’s Eve Specials, etc.

Rubby Haddock y Sus Amigos, where the most prestigious artists such as: José José, José Feliciano, Mongo Santamaría, Barry Rogers, Eddie Palmieri, Julio Angel, and many more paraded in this section produced within the Midday Show. …. This show remained on the air for five and a half years.

Rubby Haddock
Rubby Haddock

By 1992 Rubby Haddock y su Orquesta represented Puerto Rico in the Puerto Rican Pavilion at Expo 1992 in Seville, Spain.

In the mid 90’s, although Rubby still continued as the Director of his Orchestra, he also ventured as an Entrepreneur with his own commercial Advertising Agency, where in addition to directing the entire operation of the agency Haddock & Haddock Adv, he was also the Creative, being in charge of all the production of Radio, Press and Television commercials for all the clients of the Agency.

By that time Rubby had already founded his own Recording Studio (Pentagrama Round), where he produced his three most recent productions of this decade in addition to sharing recordings for artist friends such as: Omar Alfano with Son By 4, it was from this studio that hits such as “A puro Dolor” were released.

His recording engineer was the outstanding engineer Sonny Hernandez. With him he shared works with artists such as: Danny Rivera, Andrés Jiménez, Ismael Miranda, Elvis Crespo, Melina León, Edwin Colon Sayas, Trió Borinquén, and others.

In 2000 Rubby moved to the United States where he currently lives. His fans constantly ask him to re-form his Orchestra because they miss his music and they also ask him for a compilation of his hits and a “Historia DVD” exposing the History of his Salsa, which seems to be Rubby Haddock’s next endeavor as an Artist.

Rubby has 3 sons, the first 2 Reuben Haddock and Rubby Haddock Jr, dedicated their careers to the business world and his youngest son Randy Haddock, who currently lives in New York, is a musician, singer and composer, already demonstrating great talent and the vein that comes from Don Ruben (grandfather) and Rubby (his father).

A very special thanks to Edgar Berrio and all the staff of Las Leyendas Vivas De La Salsa #8 for this great recognition, on behalf of Rubby Haddock and his family
A very special thanks to Edgar Berrio and all the staff of Las Leyendas Vivas De La Salsa #8 for this great recognition, on behalf of Rubby Haddock and his family

Sources:

https://www.rubbyhaddock.com/news

pequi34 via Musica.com

Also Read: Jerry Ferrao says in salsa key: “My life is a drum”.

Puerto Rican singer Irma Kaché speaks exclusively to us

Irma Kaché is a talented singer born in Ponce, Puerto Rico, who has a very interesting story behind her, so we have set about communicating with her to talk about the most important facts of her life and career.   

Irma Ortiz, the artist’s real name, shows us that it is possible to achieve a lot with little whenever there is the will and desire to get what we want. What she tells us below proves it.   

Irma was born in Ponce
Talented singer Irma Kaché was born in Ponce, Puerto Rico

How Irma first became interested in music   

In her native Puerto Rico, music was always in Irma’s home since she was very young, as her mother was a singer in a radio station and won talent shows, but all that changed when she got married and had children, since it was not seemly for a wife participate in such activities.   

However, she and her siblings inherited the taste for music from their mother and she always instilled in them everything related to it. This is how the children began to play and sing the songs they listened to at home, many of which belonged to Los Condes, Los Panchos and other trios from that time.   

Although Irma’s mother was proud that her children played music as one of their main hobbies, she did not think they would follow it professionally. Irma’s older brothers already have their own orchestras and one of them calls himself Julio Kaché. That is where she took the name of Irma Kaché. 

While it is true that music had a very important place in her life, Irma finished high school and studied social work at the Pontifical Catholic University of Puerto Rico, so she did not practice her great passion at that time. She only limited herself to imitate her favorite artists of the time such as Yolandita Monjes, Ednita Nazario, Sophy, among others. 

Upon graduation, she moved to New York with the hope of singing professionally, but she became a single mother and found it difficult to have evening performances with a small child. In addition to that, her son presented certain language problems and had to attend therapy constantly. She only had her older sister’s support, who is also a singer by profession.    

On top of that, breaking into salsa as a woman was very complicated in a world dominated by men.    

Irma’s beginnings were not easy
Irma’s beginnings in music were not easy, but her talent and effort led her to be the artist she is today

Irma’s transit in music   

Just as Irma met ”dream merchants” who caused her to lose time and money with empty promises that went nowhere, she also met people who supported her and contributed a lot to her career as the composer and singer Miguel Angel Piñeiro, who is a very prominent figure in the salsa scene. 

Piñeiro discovered her on the local TV show Diamante Show, contacted her and they became good friends for a while. At that time, she was working with a record company, but things were not going as she wanted, so she let her new friend guide her in many aspects of her career. Piñeiro accompanied her to the studio, rehearsed with her, introduced her to important people in the industry and many other things that helped her become the singer she is today. 

Among those people she met thanks to Piñeiro, we can mention arranger Harry Rios, who was the one who made each and every one of the arrangements for her new album and played a pivotal role in its final result. 

In addition to this, he made a small monetary investment in Tumbao Media Productions, which is a marketing and PR agency, which has been highly beneficial for his career and the chance to become known to a wider audience. In addition to this, the work she has done in her own social networks to create her own community around her music.   

Con Clase Y Sabor
Cover of the album ”Con Clase Y Sabor”

Orquesta Salsa Libre NY 

Irma has been part of the Orquesta Salsa Libre NY since 2008 without uninterrupted, although the group has been through hard times such as the pandemic, which caused the loss of its most important members. This led Miguel, director of this orchestra, to seek new musicians to replace the previous ones. 

The pandemic had also prevented them from performing live for a very long time and Irma was anxious to return to sing in front of an audience, so she talked to Miguel to remedy the situation and be back to the stage as soon as possible. This is how Miguel, who was also Irma’s producer, contacted the Sound of Brazil (SOBs) nightclub to study the possibility of performing a small concert there. So, Miguel and Irma accepted the venue’s proposal and got to work.   

In fact, the Puerto Rican singer and her orchestra performed a wonderful show at SOBs with renowned producer and vocalist Javier Luis, who was already experienced in singing in that place and many others of its kind, so most of the responsibility fell on his shoulders. He was the one who made the arrangements for the show and sent her copies of the emails so that she could see how the organization of a show like theirs was handled.   

In the end, the performance was a success and Irma learned a lot from this experience, which would help her to replicate the right steps on other occasions. In addition, that night opened many doors for both of them. 

Read also: The road to success for Venezuelan harpist and cultural entrepreneur Ángel Tolosa 

Exclusive with tres player Iván Camblor from the group Pellejo Seco

Cuban musicians have always found the way to stand out in the entertainment world thanks to their talent and commitment and one of those examples is Ivan Camblor, tres player and vocalist with whom we have had the privilege to talk about his career and what was achieved with the group led by him right now, which is Pellejo Seco. 

During the conversation, the artist elaborated on a few topics we found relevant to discuss and we were pleased to hear some of the most important data of one of the most important Cuban son groups in the Bay Area today.   

Ivan playing the tres
Cuban musician Iván Camblor playing the Cuban tres live

Iván Camblor’s beginnings in music   

As is the case of many other artists of his kind, Ivan showed a very early interest in music, specifically since he was at school in his hometown, Havana, Cuba. He defines himself as a self-taught composer who began his musical learning on the street, while he attended classes like any child his age.   

From a very young age, many veteran musicians saw in him the enormous potential he had for music, so they began teaching him all they knew, leading him to the path of Cuban son and traditional Cuban music. Today, these genres is still his north after so many decades. 

The Felix Varela School of Music 

When he was old enough, Iván attended the Félix Varela School of Music, where he studied music appreciation theory, but unfortunately the island’s economic situation affected that part of his learning. Over time, the conditions of the institute started to worsen, making many teachers resign and leave students without chances to continue their studies, including Ivan, who could not see the classes he wanted because of the lack of staff. 

Being unable to study what he wanted, Ivan decided to continue learning on his own with the musical groups he had contact with and that is how it continued until today. 

His singing, composition and ability to play the Cuban tres came with the experience he acquired on the street and with friends who knew more about music than he did. He refers to guitarist and tres player Octavio Sánchez ”Cotán” and El Niño Rivera as his greatest teachers and influences.   

With the experience gained, he had the opportunity to go through all the Cuban music companies, since there were not many tres players at that time and tres teaching was very new.  

Ivan with Chucho Valdez
Pellejo Seco vocalist Sulkary Valverde, Cuban pianist Chucho Valdez, and Iván Camblor

Music composed by Iván for films 

Just as Iván was in several groups, he also had the opportunity to compose original music for films and such was the case of the film ”Hacerse El Sueco” directed by his great friend Edesio Alejandro, who contacted him to support him in the musical part of the production.   

It is then when he proposed him to write four or five original tracks to be used for the film, but Ivan did not mind getting credit, but helping his great friend with his project, so all the material is under his label Orula Music.    

However, he is grateful for the experience and the opportunity to help a good friend who needed his talent at that moment.   

Ivan’s coming to the United States   

Ivan remembers his coming to the United States as one of the most difficult things he had to do, since it is not easy to leave his roots and everything he knows to seek a different kind of future in other lands.   

At first, Ivan was not at all convinced of this decision, but his then partner and mother of his only son made him see that it was the best for them to leave Cuba and go to the United States to try their luck, to which the artist finally agreed.    

For many years, the tres player thought the worst of his host country because of the ideas the he grew up with in Cuba, but upon arrival, he found that the reality was very different from the propaganda he was bombarded with in his childhood and youth.   

Once he was there, he started working on the area of music that he liked most since he was in Cuba, composition. It was then that the idea of forming his own musical group started going round his head.    

Iván creó el Pellejo Seco
Iván Camblor conceived Pellejo Seco as a Cuban son and traditional Cuban music group

How the group Pellejo Seco was created   

Ivan conceived Pellejo Seco as a project in which he would pay homage to the Cuban community, so he tried to find the best musicians for the task. One of them was Cuban trumpeter Marcos Diaz, Puerto Rican Hector Lugo, trumpeter Mario Silva, Liban Montoya, Mexican singer Rogelio Maya and singer German Donatien. This is the original group with which the artist started his band, but others have already joined other orchestras or have started something on their own.   

That was more than 20 years ago and, today, Pellejo Seco has managed to consolidate itself as one of the main Cuban music groups in the Bay Area. Now, it is the most required traditional Cuban music sextet in the area. 

As for the name of the band, Ivan chose the name ”Pellejo Seco” as a tribute to the Cuban peasants whose skin is hard and dry as leather due to the sun and the working conditions that they are exposed to. 

Read also: Israel Tanenbaum from The Latinbaum Jazz Ensemble in ISM 

Rocío Hernández is the Announcer and General Producer of “La Metrópolis”, an entertainment radio program broadcast every Thursday in Caracas

Rocio Del Valle Hernandez Diaz, better known as Rocio Hernandez, Venezuelan born in the current state of La Guaira, in its capital La Guaira where all the people from Guaira or Vargas were born, at that time it was Vargas, until its current change of name of the entity.

I was born on July 20, 1986, here in my beautiful country Venezuela, I come from a working class family with strong Spanish ancestry and a little bit of Venezuelan indigenous race, which I am very proud of my roots, all Venezuelans have a mixture of European, indigenous and African, we carry it in our blood.

Rocío Hernández is the announcer and general producer of "La Metrópolis", an entertainment program broadcast every Thursday in Caracas
Rocío Hernández is the announcer and general producer of “La Metrópolis”, an entertainment program broadcast every Thursday in Caracas

I am 37 years old and I am the mother of a beautiful, intelligent and magical 10 year old girl, who came into my life in 2014.

The eldest of 3 sisters, all of whom are professionals in this country, and Aunt of 1 niece and 1 nephew.

My family is a fundamental support for the development of my entire career, which I will now tell you, thanks to them my parents and sisters always move forward with work, honesty, respect, responsibility and education, values instilled in our home always.

Current resident in the state of La Guaira, specifically in the Carayaca Parish.

Administrator in Customs and International Trade graduated from the Universidad Simon Bolivar USB and Universidad Marítima del Caribe UMC, professionally my main base as a career.

It has been almost 20 years of career in this area of administration and international trade. I am a University Teacher specifically in the area of English Language in its teaching as a foreign language for 2 universities in this country currently I have worked for other institutions teaching Arancel de Aduanas, economic integration, foreign trade , also advertising and marketing, budgeting, marketing for careers such as graphic design, interior design and advertising and marketing ,additionally I got certified in Radio Voiceover in 2018 I started those studies from 2017 to 2018 in the Latin American Institute of voiceover in the Chacao municipality in the city of Caracas.

This study I did in parallel to my work in the administrative area of finance during that time, at that time. Which I started and finished satisfactorily.

The radio broadcasting certification gave us, radio production, radio technical equipment management, diction, public speaking, brand positioning and networking for that time, a very complete course, which allowed us to develop all our skills and abilities to speak into a radio microphone and the general public, this certification required us to design a real radio program, with 1 month test airing with real production, real guests, real recording and airing in a real way, on the web platform (www.radiosinprecedentes.com. ve) of the institute once a week for 1 month, at that time with my study group we designed this format The Metropolis with the help of the teacher of the subject of production is how this group of 5 people 4 women and 1 man designed the format of the program “The Metropolis”, which helped us to pass the subject, practice and experience a radio program which remained as a sketch there, to use in the future if we wanted so, at present each one went different ways inside and outside the country, and have developed different types of programs in the area where they work or simply do not practice radio broadcasting.

In my case I always dreamed of having my own radio space after getting certified because for a natural and authentic reason, from the bottom of my heart I wanted to take the course to get certified and practice radio broadcasting, even if it was for 15 minutes something short or long.

“La Metrópolis”
“La Metrópolis”

But it was not until the year 2023 that opened the door to have my radio space, after knocking on about 2 to 3 doors, through a lifelong friend who knew I was looking for the opportunity, I was offered this opportunity by the board of IUS radio an innovative radio, and offered me the schedule accepting the proposal and these coincidences and without chronicities of life and destiny, has allowed me to develop The Metropolis every week on Thursdays from 11am to 12pm. Radio space which I am going to comment below:

La Metrópolis an entertainment program transmitted every Thursday from 11am to 12pm by the platform or website www.iusradio.com.ve, in which I am the announcer and main producer of the space, this radio space is a place where we announce and recommend the best places to enjoy and visit in Greater Caracas hence its name La Metrópolis we inform about what is there, what is happening, what is happening, what is new in the most important area of our country, La Guaira, Caracas and Miranda.

This includes all the human beings that live here and their daily activities of importance and impact, human, social, musical, productive, scientific, educational, artistic, cultural, business, commercial, among others, everything that makes life here.

That is why we started in this first year with 3 original sections that I am going to talk about:

Section 1 La Tienda: Varied national and international news. Guide of places to visit and activities in the great caraca.

Section 2 El Café: Space for interviewing our guests (people who contact us or contact me or the production of the station).

Section 3 El Coctel: Space for interaction with our public, contests, gifts, with our fans, collaborators and society.

And that contact with whatsapp networks, Facebook, Instagram, X, fixed or cell phone.

Already after this year, on our own initiative and together with the production of ius radio, an innovative radio station, La Metrópolis has released 2 new sections of our own creation, which I will name below:

Section 4. Cinema City: Space of anecdotes, historical and current curiosities of the 7th art, Cinema.

Section 5 La Pasarela: Space for current trends in national and international fashion.

These sections have these original names to associate them to the city since they are allusive to the activities that we live in a City.

The musicalization is under my selection and musical taste. The musical cut is Pop and Rock in Spanish and English, Ballads in English and Spanish, Bossa Nova, Jazz, Ryth and blues, Venezuelan music, music of national talent, classics of always, Latin music only Salsa, Merengue and finally Rap and Reggaetón, keeping a close eye on the content of messages and lyrics that are not offensive and out of order for our esteemed, valued and exclusive radio audience of my program and the station. I am and we are careful in that out of respect for our listening audience and the national communication laws.

At this time the Metropolis has an approximate or regular audience of 100 to 200 people estimated, with low and high peaks.

This is how in the section in the coffee everyone’s favorite we always have our guests here we have had the opportunity to have in the booth, interviewing from film directors, actresses, singers, dancers, musicians, educators, doctors, lawyers, artisans, music DJ, motivational Coach, holistic healers, therapists, publicists, musical groups, dance groups, music academies, journalists, writers of books and stories, who make life inside and outside the country, but have a common denominator, they have a dream and make this country a better country to live, they are useful to them, their families and society.

A space to project them, and allow them to express and show what they do and their impact, this is how La Metropolis is ready to support any activity that allows human development in its maximum expression. Trusting that we will reach more public with more frontiers promoting everything positive for people for the coming years of professional work.

Rocio Hernandez is a Broadcaster and General Producer of "La Metropolis".
Rocio Hernandez is a Broadcaster and General Producer of “La Metropolis”.

So after all written about me, which I do in parallel with my work as a mother, daughter, sister, and administrative and teaching professional at present, I want to tell you that the satisfaction is great to achieve all these activities in a professional manner within the radio broadcasting, which is a magical, recreational space within a work of continuous learning, it is more than a dream, It is a hobby, it is a passion, it is a love to do radio, and I feel very proud and happy to do this activity for me and for all the people of the medium and for the public and Venezuelan people who need it so much, thanks to my producer and the entire team of the station and its directors who support us in making quality content for our country, with the greatest and deepest love and respect for this activity. With gratitude always.

Thank you for this opportunity to show and express myself.

Rocío is a Broadcaster and General Producer of "La Metrópolis".
Rocío is a Broadcaster and General Producer of “La Metrópolis”.

Facebook: Rocio Hernandez

Also Read: If you want to listen to Tasty Salsa tune in to Ritmo Sabor y Salsa with Nesmary J. Gómez

Ismaray Chacón Tejeda

Latin America / Cuba

Ismaray Chacón Tejeda, a cuban who carries the betrayal of her land and her family throughout the world

When it comes to dances, rhythms and sounds, it is impossible not to take as a reference the island with the most impact in the world of dance in the entire world, the beautiful island of Cuba, how many countries are not nourished by all the culture that this pearl of the Caribbean It allows us to see with its cultural roots, it seems that on the day of creation they left in Cuba all the musical dance creativity that they had.

Today we will be talking with one of the distinguished artists of the Cuban cultural movement in Europe, a member of a family legacy in Cuba, the so-called aspirins, we are talking about Ismaray Chacón Tejeda, a Piscean eradicated in Switzerland.

Ismaray Chacón Tejeda
Ismaray Chacón Tejeda

Welcome and always grateful for opening the doors of your life to make it known to our readers and your followers, we are going to get to know you a little.

Thank you for this great opportunity sir.

Ismaray let’s start by talking about the roots of your country. Do you live for folklore or do you enjoy it?

I enjoy it and at the same time I live it, it satisfies me is transmitting it and having the greatest result that a teacher can have, seeing the progress of the students, knowing that they deepen and feel identified with my culture, with my dance.

What does folklore mean in your life?

My identity as Cuban. It is life, feeling, experience… Everything!!

Photo of Ismaray Chacón Tejeda
Photo of Ismaray Chacón Tejeda

 How was the idea of ​​being part of the dance world born in you?

I was born and raised in that environment for my family. My grandfather rehearsed every week at home with his group and I didn’t miss a concert. I am the result of that environment.

How long study and career?

Professionally I started at the age of 17, after I left the School of Art Instructors (EIA), which I could not finish, I auditioned in a group called Obini Bata (Bata Woman). This group and my family were my true school. Look, we rehearsed twice a week all day where we learned the different taps, songs and dances plus the rehearsal of the group for the weekly function, the other days I practiced with my family, or I attended a drum, güiro or cajon (religious festivals) . All that mix was very important to me as it gave me the foundation for my career.

How many countries have you traveled making known the culture of your Island?

Uff!… (Between laughter and emotion) I have really been very lucky to visit many and repeatedly. Singapore, Russia, Morocco, Israel, France, Italy, Spain, England, Sweden, Finland, Peru, Denmark, Poland, Serbia, Germany, Austria, Brazil, Canada, Croatia, Ukraine, Switzerland, among others. I would like to go to the brother countries of Latin America and be able to exchange cultures. I went to Mexico but only on vacation.

Ismaray Chacón Tejeda
Ismaray Chacón Tejeda

What countries have you not visited that you would like to know?

Colombia, Argentina, USA, Africa (Nigeria, Congo), Dubai, China, Japan, India, Venezuela and other Latin countries, hopefully I can. Hey, let the promoters know (between laughs)

The Casino (Cuban Salsa), the rumba or the Afro-Cuban?

What comes to mind when you hear the name Luis Chacón Mendive?

Phew!… my map, my friend, the example to follow, my teacher, my idol, my little green old man, my adoration.

You have a traditional surname and a lot of renown in Cuba. At some point in your training was it a requirement or a motivation?

Yes, it was both. A motivation because it is a great pride for me to belong to this important family and to have that experience, which made me lean towards this side of dance, but at the same time, a challenge because I grew up with my grandfather and my father and every time I had to work, the other artists always said…

that’s Aspirin’s granddaughter… Koky’s daughter… There were those who trusted that I would do a good job, but there were also those who wanted to see if I was up to the job. that last name. Sometimes even though I don’t like to be the center of attention, I had to show it and be a fool as we say in Cuba.

congress and competition with Ismaray Chacón Tejeda
congress and competition with Ismaray Chacón Tejeda

Why Aspirin?

Many say that when they see us play, dance or sing, their headaches go away hahahaha. In truth, it was from the great Aspirin who worked at that time and the boss always had pain in his teeth and sent him to the pharmacy to buy Aspirin. As it was very often, from there he got the nickname.

Do your dream and your reality go hand in hand? Did you dream of having another profession?

Today I can say yes. Being an artist was one of my dreams of the many I have. I remember when I was a child I wanted to be a flight attendant to travel the world and learn about other cultures, today I am lucky to travel carrying my culture and exchanging, I managed to be a flight attendant but in my own style. I’m very lucky.

What has the dance world given you and what has it taken from you?

It has not taken anything away from me, on the contrary, in addition to meeting so many beautiful people, it has given me life, emotions, sacrifices that today help me to value things more, it keeps me healthy and when I execute it, from that moment on all my problems they leave…it’s my therapy.

If you were born again, would you go back to dancing? Why?

Yes, a thousand times. Because art in general is a way of expressing what we feel, in the case of dance, we express it and transmit it with our body….it is life!

Photo of Ismaray Chacón Tejeda in a social
Photo of Ismaray Chacón Tejeda in a social

How is Cuban folklore currently spread in the world? Are lines of the original traditions maintained?

Well… this topic is very open and with different points of view, and the word Folklore says it all… In Cuba we have the Afro-Cuban and the Cuban, my point of view to summarize it in a few words, is an oral culture that was always transmitted through generations and family traditions, there is no book like in classical music where everything is written, rather what was seen that older people were doing was repeated, of course everything evolves and transforms over time of the generations even what is sung, the touches or their dances.

But in a certain way patterns are created to follow. I think that in order to spread it and teach it, it is important to know the basics and from there I totally agree with the evolutions, mixtures and others. We just have to be careful not to mistreat it.

What new projects could you share with us?

I currently live in Switzerland although I feel that I must start a new stage of my life in another European country. I also hope one day to be able to return to my country, be with my family and from there continue in the art that is what I love. For now I continue teaching and transmitting my culture throughout the world, already happily married I would like to have the blessing of one day having my family. Together with my husband Serguei Yera Madera, singer of La Reve, we want to continue developing our careers. We keep making history 😉

Grateful for letting us enter a very small corner of your life, we see that you are a true lover of your culture, we hope to continue seeing you succeed in the whole world. For our readers, you already know that this beautiful artist can be followed on her social networks.

Photo of Ismaray Chacón Tejeda and his family
Photo of Ismaray Chacón Tejeda and his family
  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 41
  • Page 42
  • Page 43
  • Page 44
  • Page 45
  • Interim pages omitted …
  • Page 105
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.