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Artists

Grupo Batachá, Houston’s Premier Latin band

Latin talent has been spreading across the United States over the years and every day more salsa bands and orchestras are becoming better known in states where we never would have imagined before. Such is the case of Grupo Batachá, known as ”Houston’s Premier Latin Band”, which is established in the state of Texas and whose director, Oscar Larrañaga, was kind enough to give us some minutes of his time to answer some questions regarding his career and the group lead by him.   

Oscar, Founder of Batachá
Oscar Larrañaga, founder of Grupo Batachá, playing the güiro in a concert

Oscar’s beginnings in the music world 

Oscar has told us that as a child he always knew he was meant to devote himself to music. Even since he was in preschool, he showed signs of how would be his future in music by showing interest in certain instruments and styles.   

The musical figure who has inspired him most in his family was his great-grandfather, who was part of a philharmonic. Oscar heard many stories about the musician, the way he played and how good he was at what he did, which led his great-grandson to want to be like him someday.    

It should be noted that, at all stages of his formation, he never obtained any academic training related to music. Everything he knows about the job he has learned on his own through constant practice and attention to everything he wanted to emulate.    

However, it was in 1990 that his career officially began many years later in the United States. It was there when he finally decided to create a project with a few musicians he began to perform at Latino family events such as weddings, quinceañeras, birthdays, among other events. This gave him the necessary experience to know how an orchestra works on stage and, of course, fitted for what was to come next in his career.   

Oscar in a performance with Batachá
Oscar Larrañaga showing the stage where Grupo Batachá would perform that day

How Grupo Batachá began   

Oscar revealed to us that Grupo Batachá was founded in 1997 in Houston, Texas, and made up of the artist and four other members who joined him at that time. They all decided together that Oscar was the best choice to lead the band and chose him as their director, a position he still holds today. Many members have come and gone, but he has always managed to ”keep the ship afloat” at all times despite the changes.   

He explained to us that the name ”batachá” is a term that comes from Cuba and its literal meaning is ”fun times”. In addition, when he was in his early twenties, Oscar met the members of a group with the same name in Guatemala and liked it very much from the first time he heard it. For him, ”batachà” is synonymous with fun and having a good time, things he sees represented in his work with the band. That is why his album is called ”Batachando” and would be something like ”disfrutando” in Spanish.   

Languages played by Grupo Batachá   

While it is true that Grupo Batachá makes music in several languages such as Spanish, English and Portuguese, Oscar wanted to make it very clear that everything he and his bandmates do is aimed at salsa influenced by the typical Cuban flavor that comes from drums and Yoruba culture, elements that are primarily handled in Spanish. This is why the main language of the group is and will continue to be Spanish.   

In terms of clave, it is much easier for the group to get into the correct rhythm in Spanish for what we have explained above. For the same reason, English, Portuguese and any other language are not a priority for Batachá at this time.    

Batachá is influenced by the Cuban Flavor
Grupo Batachá’s music is influenced by the typical Cuban flavor that comes from drums and Yoruba culture

How Grupo Batachá manages its performances 

During the band’s 15-year trajectory, Grupo Batachá has performed at more than a hundred weddings, quinceañeras, birthday parties, anniversaries, corporate events, among others. In each and every one of these performances, Oscar and his bandmates have always stood out for their professionalism and great musical quality, so they have no problem to obtain contracts and clients of this kind very often.   

As for the method the band uses to select their clients, there is not much to explain. Oscar simply gives priority to the client who agrees on a date first and then tries to reach an agreement with the one who makes his request later, although he emphasized that this does not happen very often.   

About this, he said he feels very lucky to bring joy to different types of public with what he likes more than anything in the world, which is music. It makes him really happy to be able to live from what he loves and, by extension, to transmit that same happiness to those who have the opportunity to attend one of his shows. 

Read also: Don Perignon and La Puertorriqueña are prides of Puerto Rico 

Medusa Pop Band delights its fans with a pretty interesting mix of rhythms

Medusa Pop Band is a group based in the city of Calgary, Canada, that is mainly focused on the Spanish language and Latin rhythms of the 80s and 90s, so it has some very particular characteristics that distinguish it from other bands that can be found in the aforementioned country.  

As we found everything about the Medusa Pop Band very interesting, we contacted its manager to talk to some of its members and know a little more about the band. This is how we have managed to have a wonderful conversation with Lorena Galindo, Eduardo Infante and Willy García, who talked a bit about their beginnings, styles and future projects.   

Medusa’s members
Medusa Pop Band from right to left: bass player Eduardo Infante, drummer Cristian Gonzalez, keyboardist Lee Que Long, lead singer Lorena Galindo, guitarist Kalvin Ma, and percussionist Willy Garcia

Musical backgrounds of the current members of Medusa Pop Band 

As is the case with most bands like this, its members have already been part of other groups until they met and came together to do completely new things. This is how Lorena, vocalist and founding member of the group, who has been working with versatile music for more than 40 years, explains that she had the idea to create this project just two years ago. She even worked with the famous actress and singer Lucero and belongs to the musicians’ union in Mexico City.   

In Eduardo’s case, he has more than 25 years of experience in rock in his home country Mexico, until he decided to move to Canada to try his luck. That was when he met Lorena and was invited to join Medusa Pop Band as the lead bass player.   

On the other hand, Willy has five years of experience in music, so he would be the one who has the least time in this world, which does not diminish the importance of the role he plays. He was in a group called De Cajón, but when receiving the proposal of Medusa Pop Band, he decided that this was what he was looking for and accepted to be the percussionist and be in charge of ”embellishing” the songs, as he himself describes it. 

How Medusa Pop Band was created 

Eduardo heavily emphasizes that the one who started the whole project and put together the team is Lorena, and subsequently, the rest of the team joined his idea. In his case, he saw an advertisement on the internet saying that a group was looking for new members and he was postulated to be part of Medusa. He mentions that what attracted him to this proposal was the style of pop handled by the group and the possibility of playing the bass, which he loved being able to do since he had always played the guitar and it represented a challenge for him. 

Willy commented that he lived very near to Lorena’s home and they already had a friendship for a long time. When he found out that Lorena was also a musician, he was invited to rehearse with the rest of the band and loved the kind of music he listened to and professionalism of the musicians there, so he stayed with them.  

With regard to the name of the band, Lorena explains that she had always wanted to do something with the famous figure from Greek mythology Medusa, in addition there was a nightclub called 

Medusa in Mexico City the singer liked a lot, so it all added up to being the name chosen for her band. In the end, the word ‘‘pop” was added because of the main genre on which the group bases its discography. 

Medusa Pop Band performing
Medusa Pop Band performing live in Calgary, Canada

Why choose Canada to establish Medusa Pop Band? 

‘‘We have chosen Canada to establish the band basically because we all live here and it was in this country that we all met. There was no way for Medusa Pop Band to be born in any other country but this one” said Lorena about the reasons why to establish the band in this country.  

On this, Willy added that the diversity of nationalities in the group has been a great advantage for them in Calgary, as that has allowed each member to bring their own essence to the music they are doing. ‘‘It’s very important for us to have more diversity in the rhythms we choose to make more people happy and please a wider audience. I think Canada is an excellent country for that” said the percussionist. 

Receptivity of the Canadian public towards Medusa Pop Band’s Spanish-language music  

Eduardo has said that the reception from the Canadian public towards them has been warm and has come from less to more. In fact, he commented that the amount of assistants to their shows has been growing exponentially and every day the band are gaining more and more fans at the local level.  

”Currently, we only have music in Spanish because we are focused on the Latin American and Spanish-speaking community, but we also have a musical amalgam of different countries and cultures, which makes Medusa Pop Band even more magical. We are always looking to please all types of audiences” Eduardo continued explaining. 

Lorena also added that she and her bandmates have found that many Canadians love Spanish, to the point that they have learned that many fans have started taking Spanish classes to understand their lyrics, which makes them extremely happy and motivates them to keep creating more and better music.   

 

Medusa Pop Band rehearsing
Medusa Pop Band rehearsing for a show

Challenges Medusa Pop Band has had to face 

Eduardo took the floor again to affirm that one of the biggest challenges facing the band has been finding Spanish-speaking musicians because there are not many in Calgary and the vast majority of them already have their own projects and bands, so getting the necessary elements for the group has not been an easy task. 

To these words, Willy adds that the hardest thing to find are singers who speak Spanish, so he is glad Lorena handles that part. Faced with these challenges, he ended up by saying that the support of their families has been fundamental in order to move forward, and like any other band, its members spend many hours rehearsing each day of the week. That is why the understanding of their partners and children has made it much easier for them to follow this difficult path to the success they have achieved. 

Nationalities in Medusa Pop Band 

One of the most interesting things about Medusa Pop Band is that its members come from very diverse countries like Mexico, Peru, Colombia, Vietnam and China. This makes the group have elements with a variety of musical cultures so diverse that it could complicate the picture when agreeing to work on their music. 

What Willy has to say about this is that the Latin musicians have a certain ”feeling” to play the music, while the Asians have a completely different one, so guitarist Kalvin Ma and keyboardist Lee Que Long have gone the extra mile to engage with the rest of the team and play their instruments as is required. 

In this regard, Lorena stressed that both Calvin and Lee have done a great job all these years and their contribution to the group has been immeasurable, since they also propose techniques and add different sounds to those already known. 

What has made things difficult for the aforementioned musicians is the language, as they do not speak Spanish and the rest of the band can only communicate with them in English, but that is no impediment to fulfill their role to the fullest. 

Lorena from Medusa Pop Band
Lorena Galindo is the founder and lead singer of Medusa Pop Band

What makes them call themselves an eighties and nineties band? 

Once again, Lorena took the floor to explain that the group describes itself as an eighties and nineties band because many fans of their work who are contemporaries with them, but that does not stop them from playing music of all kinds and all eras, either from the 80s or this same year. What they seek is to make different arrangements so that their covers sound different than their original versions. 

It can be said that the age group that most often follows them goes from 18 to 50 years old, giving Medusa Pop Band a huge range of action. Additionally, the word ”pop” is too general and gives them the possibility to choose from a large range of genres and rhythms that captivate an ever wider audience. 

Read also: Venezuelan businesswoman Joanna Torres is an example to follow 

Rey Ruiz’s ‘Contigo’ concert at the Coca Cola Music Hall in Puerto Rico was Phenomenal.

As part of his Contigo tour, Rey Ruiz returned to what he considers his musical homeland: Puerto Rico. Since August 1992, when his first album (Rey Ruiz) was released, he has not stopped singing. He affirms that from the beginning he longed for a concert on Puerto Rican soil like the one he finally achieved on March 23, 2024 at the Coca Cola Music Hall.

Rey Ruiz's 'Contigo' concert at Coca Cola Music Hall in Puerto Rico phenomenal
Rey Ruiz’s ‘Contigo’ concert at Coca Cola Music Hall in Puerto Rico phenomenal

Before the concert, we were counting on hearing the songs that the salsero’s fans turned into hits. Certainly, the Coca Cola Music Hall witnessed how the euphoria with which Rey Ruiz catapulted in the early 90’s was revived. We knew we would hear the usual hits, such as ‘No me acostumbro’, ‘Si me das un beso’, ‘Amiga’, ‘Si te preguntan’, ‘Mi media mitad’, ‘Luna negra’ and ‘Creo en el amor’. To these were added ‘El Rey del mundo’, ‘Mal momento’, ‘El hombre de tu vida’, ‘Así se compone un son’, ‘Es difícil de explicar’ and a medley that included ‘Miénteme’, ‘Estamos solos’ and ‘Eso digo yo’.

An emotional Rey Ruiz sang ‘Cuba y Puerto Rico’, a song of his own authorship, arranged by Papo Lucca, which was included in his 4th album (Destino, 1996). For this special performance he was accompanied by the Puerto Rican cuatro player Prodigio Claudio. The concert was brought to a close with a tasty rendition of ‘Mañana por la mañana’.

Rey Ruiz, whose battle cry also gave the title to one of his musical productions: Fenomenal (2000), clarifies that he is a composer by muse, and that he does not consider himself a composer by trade. However, he is a singer-songwriter by definition, and the composition that best defines him is ‘Si me das un beso’, a song that highlights the Caribbean spark that characterizes his lyrics and interpretations.

Rey Ruiz was one of the soloists who firmly established himself in the salsa scene when salsa romántica was taking over the changing spaces of Latin music. Salsa dura was evolving to give way to the new trend we know today as salsa romántica.  With the repertoire with which Tommy Villariny’s production and Jorge Luis Piloto’s pen were shaping the salsa artist’s career, the success was epic. That great takeoff in the career of the icon of salsa romántica was given with the impulse of the person Rey Ruiz calls “the daddy of the chicks”, his promoter: Edgardo Barreras.  During the concert, Rey Ruiz made a stop to thank Edgardo and the late Tommy Villariny, who was represented by his son Oscar, for the success of his career.

Rey Ruiz
Rey Ruiz

The performance at the Coca Cola Music Hall of the production by Rosalis Torres exceeded all expectations.  It had been anticipated that there would be “a unique experience, a magical night with Rey Ruiz as part of his Contigo tour.  The promise of an evening with the incomparable energy of Rey Ruiz on stage was fulfilled.  Indeed, Rey Ruiz is a legend.  His voice is unique, soft and romantic. However, that “softness” does not detract from his vocal strength, which he managed to show off accompanied by a large orchestra and symphonic sound.

The super orchestra that accompanied Rey Ruiz included Erick Castañeda on congas and musical direction, Elías Lopés, Jr. on timbales, Idelfonso Correa on bongo, Sergio Munera on bass, Héctor Ortiz on piano; Iván Odio, Mario Ortiz and Alfredo Pérez on trumpets; Alexander Zapata and Ramón Benítez on trombones; as well as Alain García, Laura Ruiz and Juan Carlos Gonzales on backing vocals. For the symphonic sound, the chamber orchestra featured Sarli Delgado on double bass and conducting the string ensemble; Leticia Medina, Olga Juliá, Stephanie Berríos Carla Berríos, Mariel Pagán and Emily Reyes on violins; Chrystal Villalongo and Gina Flaz on violas; and Keren Torres and Ruth Brin on cellos.

Rey Ruiz’s more than 30-year musical career confirms that Cuba and Puerto Rico are one bird with two wings. Rey Ruiz is the pride of Cuba and is also the pride of Puerto Rico, his home of always.

Rey Ruiz y Bella Martinez
Rey Ruiz y Bella Martinez

Bella Martinez Puerto Rico

 

 

 

Also Read: Jerry Ferrao says in salsa key: “My life is a drum”.

Here we have Brazilian bandleader and composer Paula Maya

Today we have an exclusive that makes us very happy, since it is a talented artist from a country we had never talked about in this section: Brazil. We are talking about none other than the award-winning bandleader, composer, pianist, keyboardist and singer Paula Maya, with whom we had the privilege to talk by Zoom. 

Paula has a very interesting background, since she was born in the South Zone of Rio de Janeiro, the birthplace of the world famous bossa nova genre and the popular composer, pianist and singer Carlos Antonio ”Tom” Jobim. It is clar that this had much to do with artistic inclinations that the woman would show later in her life.   

Under her belt, she has several nominations and awards she received thanks to her talent and effort of so many years as her nomination to the Focus Web News Brazilian International Press Awards in the category of Best Brazilian Musician living in the US, her nomination to the Austin Chronicle Music Awards in the category of Top Ten World Music Bands, Winner of the Seattle Weekly Awards in the category of Best Brazilian Composer, her nomination to the Seattle Hot Rocks TV Show Music Awards in the category of Best Female Singer, among others. 

Here are the most important topics we touched with lovely Paula about her life and career.  

Singer Paula Maya
Brazilian bandleader, composer, pianist, keyboardist and singer Paula Maya

Paula’s early interest in music 

Paula first developed an interest in music when she was only four years old or even younger, as she had musical toys such as pianos or keyboards she used to play with all the time. To this it is added that her mother always listened to classical music, which she already found beautiful back then.   

What is interest about his direct family is the fact that there were no musicians in it. In fact, her father was a lawyer and her mother was a dancer and yoga instructor, but a cousin of hers was a bandleader, composer and music teacher who traveled to the United States and developed quite a big reputation at the time, so he became an example for Paula, who would end up following in his footsteps in the future. 

When she turned 10 years old, she began taking piano lessons, which was her first formal experience with music. Since then, she has continued to learn about a lot of instruments and areas related to this art, which she assures that it is so rich and diverse that you never stop learning new things.  

Paula’s mentors in music 

Paula has been very fortunate to be mentored by some of the most talented musical celebrities in Brazil and one of them was producer and percussionist Teo Lima, with whom she has continued to work on her latest album to the present. Paula met this Brazilian legend in Seattle, where she lived for 17 years, and music led them to form a great friendship that has lasted until today. 

They had wanted to make an album together for many years and it has finally happened, which was a dream for Paula, as she grew up listening to his greatest hits and dreamed about one day meeting him. Not only did she meet him, but also she became his friend and worked with him.   

Another name we can leave out is guitarist Baden Powell, whom Paula met in her early twenties and describes him as someone who supported her a great deal in her career and even came to her shows to watch her sing. 

Another artist who was important in her training was Luizihno Eça, who was one of the greatest exponents of bossa nova at the time and a great reference for all musicians who wanted to follow in his footsteps.  

Paula at ONE-2-ONE BAR
Paula Maya performing at ONE-2-ONE BAR in Austin, Texas

Music theory and the Brazilian Conservatory of Music 

Paula comments that, before entering the Brazilian Conservatory of Music, she had an excellent teacher who was a concert pianist of name Luis Magalhães, who taught her the best piano techniques that she uses today in her performances, meaning that she was admitted to the hous of studies with a solid foundation of knowledge that helped her a lot.  

In addition to that, music theory has been very useful for Paula at the time of teaching her classes, since she is a music teacher and thinks that all this knowledge is fundamental for an artist’s education, since music is very logical and occasionally you must look for quick answers to certain situations that certainly require studying and academic training. 

She also told us that she usually uses music theory when composing because of the theoretical part, but not always.   

Paula as a bandleader, pianist, keyboardist and singer   

When we asked Paula how she has developed and performed in all these areas of music, she laughs and says that this is just the beginning, as she is also in charge of producing, composing, recording her albums, running the business part, making booking arrangements, among other things. ”That’s the life of a musician nowadays, especially when you don’t have a machinery behind you to back you up” Paula said on this topic.   

This means that, apart from all the musical knowledge Paula has, she also takes care of all the details regarding her work, but they do not have to do with her profession directly. She does not have a large team of assistants to back her up, so she manages everything related to her career herself. 

Since there are so many things she should do, she has a calendar in which she arranges the day and time to do every activity and always follows it to the letter. The artist says that the hardest thing about this is finding the time to be inspired and compose, since so many occupations, sometimes, do not let her clear her mind. However, she has learned to take full advantage of those few spaces.  

Paula playing the keyboard
Paula Maya playing the keyboard at Barton Creek Farmers Market in Austin, Texas

Paula’s role as a Grammy Award voting member 

For some time, Paula was a Grammy Awards voting member in its version in English and Spanish, so we could not very well not ask her about this important issue. 

She told us that, although it is true that she is no longer part of the committee responsible for voting, social networks and these new forms of communication have made things much easier, since judges and committee members have groups on Facebook, WhatsApp and other platforms where they can conduct the necessary discussions. 

In her particular case, what she considered when the time comes to vote for a nominee was talent and how much she liked a type of performance, but all member had their own particular approach to choosing a specific artist. 

Something that Paula definitely did not like was that the majority of votes to an artist did not necessarily reward talent, but rather the popularity of the moment and promotion. She thinks this is not entirely fair, since talent, music skills and preparation do not always go hand in hand with popularity, but she is also aware that the ”game” is as well and she had to adapt to it. 

Paula Maya & Bosa Nova Plus 

Paula says laughing that everybody in Seattle expected her to play bossa nova because she was Brazilian, but she refused to do so. Eventually, she ended up doing exactly what the public expected and started playing bossa nova when she moved to Austin, Texas.  

The fact that this Texan city has so many residents and musicians from Brazilian descent living in Austin has been an advantage for this genre to continue to become more popular and this niche to develop more and more. This led her to meet the musicians who have accompanied her in the band, who also came from playing bossa nova and other genres during their respective careers. 

Read also: The Conga Room closes its doors, but says goodbye in style 

 

Cajiao, says he always had a taste for good music: the tangos and ballads of the 50s and 60s

Danilo Cajiao was born on February 9, 1969 in Cali Colombia son of Marina Munevar and Antonio Cajiao family with three siblings Walter, Patricia and Raul.

From my father I inherited the musical taste for Afro Antillean rhythms, we listened at home to the Sonora Matancera, Benny More, Arsenio, Daniel Santos and many more.

Danilo Cajiao was born on February 9, 1969 in Cali, Colombia.
Danilo Cajiao was born on February 9, 1969 in Cali, Colombia.

There was always a taste for good music: the tangos and ballads of the 50s and 60s.

When I was a student I participated in several music festivals at school and I was part of several dance and Andean music groups.

I always liked salsa and my favorite artist of the genre will always be Angel Canales.

After the appearance of the program “YO ME LLAMO” in Colombia I was motivated to start the process to achieve the perfect imitation of Angel Canales.

I began my presentations in small salsa bars with a dance floor and I did about 4 songs of Diferente, as I went along the character was being perfected and the public and the owners of the bars were asking for something more.

I then created “the Orchestra SON DE LA 8″ in 2013 with the purpose of making the accompaniment and mount all the music of the different Angel Canales.

Orquesta SON DE LA 8

The market was opening and the support of the salseros was very large, We have had much acceptance in the salsero environment in Colombia.

Participating in major events locally, nationally and internationally:

Leyendas Vivas De la Salsa in Medellin Colombia,

Salsa al Parque Cali, Salsa al Parque Bogotá, Homenaje a la Salsa, Tributo a los salseros and Noche Blanca.

I have alternated and shared stages with several national and international artists and orchestras.

Orquesta Brodway, Orquesta Colon, Nelson y sus Estrellas, Gran Combo de Puerto Rico, Henry Fiol, Adalberto Santiago, Luisito Carrión, Papo Cocote, Cano Estremera, Moncho Santana, Orquesta Zodiac, Luigui Texidor, Frankie Vásquez, Tony Molina, Orlando Marín, Orquesta la Inmensidad and Orquesta la 33.

Danilo Cajiao, says there has always been a taste for good music, the tangos and ballads of the 50s and 60s.
Danilo Cajiao, says there has always been a taste for good music, the tangos and ballads of the 50s and 60s.

International presentations:  

Guayaquil Ecuador and Caracas Venezuela.

Endorsed and supported by the family of ANGEL CANALES and by him I have taken my tribute to the most recognized places and salsa clubs in Colombia.

Apart from accompanying the Diferente Angel Canales with the orchestra Son de la 8 we have made our own music always keeping the line of heavy salsa and with good taste.

Angel Luis Canales “El Diferente”.

There were nine record productions by Angel Canales between 1975 and 1987, twelve productive years.

By 1970 Angel Luis Canales had put his voice on an album by African-American pianist Mark Dimond, and five years later Dimond’s orchestra was renamed “Angel Canales y Sabor”.

The immense musical freedom of Ángel Luis Canales Canales has much to do with the determining influence exerted on him by Rafael Cortijo, Ismael Rivera and the irreverence of the Combo de Cortijo as a whole.

The difference was that those two masons did not have enough money to support their ideas economically (discographically speaking) while Canales had enough because of the money he earned from his profession as a jeweler and diamond cutter.

That’s why he didn’t lower his head to anyone, that’s why he didn’t give in to any advantageous record contracts and made his own record label, that’s why he never paid or bribed radio producers, and he dressed the way he wanted.

That’s why the conservative salseros kept a CIA-like eye on him. And Canales revolutionized everything in his path: from his clothing to his vocal and orchestral arrangements, his presentations and his choice of repertoire.

By 1970 Angel Luis Canales had put his voice on a record by the Afro-American pianist Mark Dimond, and five years later Dimond’s orchestra was renamed “Angel Canales y Sabor”, and with it he would make a mark like few others in the world of salsa, from his total independence, to the freedom for the musicians, his revolutionary shaved head, and a wardrobe that had nothing to do with the salseros, in addition to his voice, repertoire and arrangements. Ángel Canales recorded in 1979 the album “El sentimiento del latino en Nueva York”, and an exquisite version of “Dos Gardenias”, by Cuban composer Isolina Carrillo.

“El sentimiento del latino en Nueva York” was a clarinada similar to “Imágenes Latinas”, the song by Argentine Bernardo Palombo presented a year earlier by Conjunto Libre, in terms of its contents of denunciation and clamor for justice. “Es el sonido que el americano oye/ y no entiende” (It’s the sound that the American hears/ and doesn’t understand).

Musical childhood

Ángel Luis Canales was born on June 29, 1950 in Santurce, Puerto Rico, son of Ángel Luis Canales and Ana Ilda Canales.

At the age of 8 he was already in New York with his parents, who liked to listen to romantic music and also to Cortijo y su Combo.

The Puerto Rican country song was also among his favorites; it was the jíbara song of his people. In time Canales would indicate that Cortijo and Ismael were determining influences in his musical and social journey.

Much has been said that his current retirement is due to Parkinson’s disease, but Ángel Luis Canales is there, he attends private invitations of his friends and remains in the battle line of salsa and life. He is currently 73 years old.

In those years and in school he was more inclined to practical workshops than books and that is why he went to work, recommended by one of his teachers in a jewelry store where from being a messenger he would learn all the secrets of the art of cutting, polishing and mounting diamonds. He became a professional, solvent, and with an extraordinary clinical eye that would serve him a lot later.

Vista larga, his new friends did not speak Spanish, his native language, but fortunately Angel Luis had peers of his generation, and Latinos like the Lebron brothers and Willie Colon himself.

He also took a long view of his internship in the U.S. Army and later assimilated the new trends that emerged in the music being made in New York.

He started out firmly, as we have already mentioned, with pianist Mark Dimond (Markolino), who had been linked to Willie Colón. With Mark he added his voice to some of the songs on the album “Brujería” and later, with the departure of the pianist, the orchestra was renamed “Ángel Canales y Sabor”.

With this band he would record “Sabor” in 1975 and other albums until “El Sentimiento del latino en Nueva York” in 1979.

Two years before the recording of this album, in 1977 Angel Canales made his first visit to a Latin American country, Panama, and the reception he received was such that he would later write a song dedicated to that country.

The same happened during his visit to Venezuela on November 13 and 14, 1981, which became a musical commotion of great proportions at the Poliedro de Caracas.

Likewise in Colombia and Peru he felt the devotion of the public of those nations. Perhaps he did not know the scope of his work and the projection he already had.

Angel Canales "El Diferente" receiving Danilo Cajiao's production "Mi Perdicion" year 2020.
Angel Canales “El Diferente” receiving Danilo Cajiao’s production “Mi Perdicion” year 2020.

Much has been said that his current retirement is due to Parkinson’s disease, but Angel Luis Canales is there, he attends private invitations of his friends and remains in the battle line of salsa and life. He is currently 73 years old.

Source: TeleSurTv

Also Read: Orquesta la Identidad is one of the most nationally and internationally recognized groups in the salsa genre

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