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August

Julio Albino Y Su Secreto A Voces released ‘‘Pasaporte A Rumbero’’

After a few months of absence, we’re finally back with the batteries recharged to put a magnifying glass on the current projects of the best soneros right now. Today it is the turn of percussionist Julio Albino, who, as usual, delights us with every project he releases. 

But before that, we are going with a bit of the artist’s story so that everyone can know him better.

Julio during an event
Julio Albino during a live event

A little bit about Julio Albino’s beginnings

Julio Albino, also known artistically as Junito, became interested in music in his homecity of New York, and after his subsequent return to Puerto Rico, this curiosity did nothing but grow as time went by. It was then that he started listening to the music of legendary names in the industry such as “El Rey de Los Timbales” Tito Puente and Oreste Vilato, who inspired him to join the San German’s school band to some extent. He would later pursue an artistic career through collaborations with more experienced artists.

He ventured into this world professionally in the 1960s, when he began to be taken into account by several of the greatest salseros of the time, such as Frankie Ruiz, Hector Tricoche, Marvin Santiago, Paquito Guzman, Junior Gonzalez, Los Hermanos Colon, Joe Quijano, among others.

There is no denying that each of these collaborations contributed to Julio making known his great talent as a percussionist, but he would not rest until he was able to form his own project, which he eventually achieved. That was how he founded his own orchestra, Julio Albino Y Su Orquesta Secreto A Voces.

Secreto A Veces

Thanks to all the effort invested in his career, Julio has managed to secure a place for his orchestra in the salsa scene, and his best-known musical works are proof of this. His big debut came in 2005 with the album ‘‘Bailalo’’, which ranked high on the charts in countries such as Italy.

Ten years later, he also released the album “Haciendo Ruido” and, the following year, he came with his single “Chachara Con Cua” and the promise of a new album. In 2018, he released “Edén Borinqueño” as his second promotional single, and shortly after, Julio released the full album, which he named “El Secreto Ya No Es Secreto”.

secreto a voces
Cover art of the song ”Pasaporte de Rumbero”

Pasaporte de Rumbero

In 2025, Julio once again showed why he deserves the place he has earned and released his new single “Pasaporte de Rumbero”, with which he looks to consecrate himself as a worthy heir to the soneros who previously gave him the opportunity to join their ranks. Similarly, he shows absolute respect for Afro-Caribbean culture and its deepest roots. 

This joyful and energetic piece is not only a reflection of the Puerto Rican artist’s talent, but also of the strength and modernity of his orchestra, which is deeply connected to the Cuban musical tradition. From the very first seconds of the song, listeners can appreciate a festive street atmosphere, but at the same time with sophisticated percussion led by Julio himself, who boasts incredible technique that serves as a guide for the rest of the musicians accompanying him.

Among the members of the orchestra, we can mention trombonist Juan Colón, trumpeter Juan “Junito” León, saxophonist Ricardo Dávila, pianist Gabriel Rodríguez, and bassist Luis Rodríguez. Likewise, the lead vocalist is the charismatic singer Ángel Ríos, who contributes his exquisite phrasing and an enviable dominance of the clave at all times. 

Johnny Cru ISM corresponde in New York City

Read also: Our friend Tito Allen supports the Salsa Museum

Omar Ledezma Jr. shares with us the new from his project with Azesu

Today’s guest needs no further introduction because you know him very well. This is the talented Venezuelan percussionist and singer Omar Ledezma Jr., with whom we have been able to talk about his latest projects, one of which gets him focused and excited in equal parts. 

Omar talks to us about his projects
Percussionist and singer Omar Ledezma Jr. talks about his new project with Azesu

What is Omar Ledezma Jr. up to now?

After showing his gratitude for the latest of many invitations we have made to him in International Salsa Magazine, Omar went on to describe the new phase of his career, in which production plays a major role. We are talking about a project he has been involved in since 2011 called Azesu, which includes great musicians and is led by Cuban percussionist Orestes Vilato.

Although the initiative had progressed considerably, Omar and the rest of the group are still waiting for official communication from the social media of the organization that will fund the project by the artists who have applied for it. The group is awaiting approval, although they already have promotion, photos, and a series of details ready to be released once the financing becomes a reality.

What was required of Omar and the rest of the team to present the project

At the beginning, the idea of a recording was floated because this was one of the categories in which artists could apply for funding, so Omar and the others chose to pay tribute to Orestes Vilato. The organization loved the idea, which led them to be one of the groups chosen to receive this financial aid, and they are very happy about that.

However, not everything was rosy, as the members of Azesu could not find the right moment to start recording due to personal situations of some of them and the arrival of the pandemic. After overcoming all that, Jonathan Alford, the group’s pianist and overall director on the project, came to Omar with the idea of recording a second album (they had already recorded one in 2011, also called Azesu) to resume the project they had left behind.

It was then that the Venezuelan artist came up with the idea of paying tribute to Orestes and, in turn, bringing to life some of the lyrics written by his father, who passed away two years ago.

The material also seeks to be a tribute to that generation that is quickly departing, which is why Azesu tries to recreate those concepts and that way of making music, but at this time. 

Omar and the rest of Azesu
These are the members of Azesu from left to right: Sheldon Brown (Saxophone), Orestes Vilató (Percussion), Jonathan Alford (Piano), Maria Marquez (Vocals), David Pinto (Bass), and Omar Ledezma Jr. (Percussion and Vocals). Photo taken by Roddy Blelloch

Timeline and objectives for the project

When Azesu released his first album in 2011, it all started with Orestes calling some of the group’s members, who were pianist Jonathan Alfort, Venezuelan singer María Fernanda Vázquez, Peruvian bassist David Pinto, and American saxophonist Sheldon Brawn.

The project is not conceived as a commercial album in every sense of the word, but as a hymn to Las Americas that has a little bit of everything, including jazz, folklore, popular music, dance music, and many more elements coming together to create a unique and different result.

It is also important to note that Azesu’s new album, next to release in 2016, will feature new tracks and covers with completely new versions in the style of Azesu, some of which will be sung and others instrumental. In addition, the new music was composed and arranged by Jonathan and David, although Omar also played an important role in the creative process when it comes to lyrics and melody. It is anticipated that they will enter the studio to start recording in about three weeks, and the album is expected to be released before the summer of 2026.

Omar teaching
Omar Ledezma Jr. teaching at the San Francisco Ballet School

Omar and teaching

We have already addressed the issue of Omar and his role as a teacher in previous editions, so we wanted to know if he is still teaching and which capacity he is using. The musician replied that the teaching part has been and will remain very important in his overall project as an artist, as he believes that, due to his profession, he has a great responsibility to showcase the music he grew up with and the instruments that have allowed him to develop his career.

He currently teaches Latin percussion at the California Jazz Conservatory at Berklee, which is basically a summer ensemble where students learn to play congas, timbales, and bongos. During the rest of the year, he focuses on specific instruments and developing the tumbadora curriculum.

He also offers private lessons in which students can enjoy a much wider range of instruments to learn, such as drums, cajón, bongos, timbales, and much more.

Omar concluded this important topic by saying, “I always take on the idea of remaining a student. Just as I teach classes, I want to continue acquiring knowledge and taking classes with teachers who know many things I don’t.”

Read also: Caesar Vera Y Su Sexteto NuevoSon, traditional Cuban music with a touch of modernity

Trumpeter Davián Raúl Launches Solo Career with “Despierta Salsero” Album

Davián Raúl has released his debut production, Despierta Salsero, available now in digital format and on CD. The young Puerto Rican salsa artist is currently on a promotional tour for the album.

Davián Raúl is no stranger to the salsa scene. He’s been playing the trumpet since he was ten years old, starting with the Banda Sinfónica de Toa Baja. He eventually became a trumpeter for Sonora Ponceña, thanks to the support of Papo Lucca, director of “Los Gigantes del Sur.” To reach his current position, Davián Raúl pursued an education in Music Education and Performance, with the trumpet as his primary instrument. He is a graduate of the Interamerican University of Puerto Rico and is currently a music teacher at a school in Comerío, Puerto Rico, where he mentors students from pre-kindergarten through sixth grade.

Trumpeter Davián Raúl launches his solo career with the album Despierta Salsero.
Trumpeter Davián Raúl launches his solo career with the album Despierta Salsero.

Before joining one of the most important and iconic salsa orchestras—one that heavily emphasizes the trumpet’s sound—Davián was a trumpeter for the orchestras of Nino Segarra, Primi Cruz, Osvaldo Román, and Anthony Cruz, to name a few. He was also part of Conjunto Chaney shortly before auditioning for La Ponceña. During his time as a backing musician, he traveled the world, playing his instrument in major venues and gaining the experience necessary to make his leap. Davián Raúl makes his debut as a solo singer with Despierta Salsero, bringing a solid hard salsa proposal aimed at satisfying the taste of true salsa aficionados.

Album Details

The album features 10 tracks encompassing hard salsa, romantic salsa, rumba, bolero, and son. The recording includes: ‘Al que nace pa’ salsero,’ ‘Tengo que marcharme,’ ‘La campana’ (a song dedicated to Cali, Colombia, known as “the salsa capital of the world”), ‘Ahora me extrañas,’ ‘Coño, despierta salsero,’ ‘Mientras me sigas necesitando,’ ‘Mi salsa no muere,’ ‘La pachanga,’ ‘Te traigo el son,’ and ‘Ten compasión.’ The orchestration was arranged by Raúl Berríos Raymundí, with arrangements by talented musicians such as Ramón Sánchez, Ernesto “Tito” Rivera, Ángel “Pajay” Torres, and Andy Guzmán. Nine of the ten compositions are original works by Raúl Berríos Raymundí and Irvin Raúl Berríos López. The tenth track, ‘Mientras me sigas necesitando,’ is a renowned song by the celebrated Camilo Sesto.

Musical Production and Guest Artists

The musical execution was handled by a carefully selected group of great Puerto Rican and international musicians. The congas feature “Pequeño” Johnny Rivero, Kachiro Thompson, Gadwin Vargas, Charlie Padilla, and Sammy García. Japhet Rodríguez, Pete Perignon, Edwin Clemente, Pablo Padín, and Diego Camacho play the timbal. Alexandra Albán, Luisier Rivera, Javier Oquendo, and Richard Carrasco perform on the bongos. Richard Bravo is on drums, while Raúl Berríos Raymundí, Sergio Múnera, Ricardo Lugo, Ramón Vázquez, and Pedro Pérez provide the rhythm on bass. Andy Guzmán, Ramón Sánchez, and Carlos García play the piano. The trumpet section showcases David “Piro” Rodríguez, Angie Machado, Jesús Alonso, Marito Ortiz, Dante Vargas, Pedro Marcano, Yoandy Vera, and Davián Raúl himself. José Berríos Raymundí and Irvin Raúl Berríos López contribute on trombones. For the choruses, the voices of Carlos García and Jorge Yadiel Santos alternate with those of Raúl, Irvin, and Davián himself. The sound engineering team responsible for mixing and mastering included Papo Sánchez, Andy Guzmán, and Rolando Alejandro. With this impressive lineup, Davián Raúl, one of the youngest members of the Berríos dynasty, makes his debut, confidently declaring that “salsa is still in control.”

Davián Raúl released his first production available in digital format and on compact disc, Despierta Salsero.
Davián Raúl released his first production available in digital format and on compact disc, Despierta Salsero.

Endorsements

Recently, “El Caballero de la Salsa,” Gilberto Santa Rosa, endorsed Davián Raúl’s debut production via a video clip shared on social media. Santa Rosa stated, “Davián Raúl is a tremendous young talent whom you must listen to… so that true salseros know there’s plenty of salsa for a long time to come. Davián Raúl: Go for it!” In response, Davián Raúl commented on his Facebook page, “Infinite thanks (…) for making this dream possible. You didn’t just give me space, you gave me an opportunity worth gold! This is just the beginning… and may the salsero awaken throughout the world!”

Bella Martinez Puerto Rico

 

 

 

Also Read: Bella Martinez, the irreverent Salsa writer

Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo”

Born in Havana on September 14, 1918, and passing away in Coral Gables, Miami, on March 22, 2008, Israel “Cachao” López, often known simply as “Cachao,” was a Cuban musician and composer.

Israel Cachao López musico y compositor cubano, ha sido definido como el Inventor del Mambo
Israel Cachao López musico y compositor cubano, ha sido definido como el Inventor del Mambo

He became a legend in Cuban music with his masterful handling of the double bass and was renowned for his performances in mambo and Latin jazz.

His talent earned him two Grammy Awards (in 1995 and 2005), a Latin Grammy in 2003, an honorary doctorate from Berklee College of Music, and a star on the Hollywood Walk of Fame.

He has been described as “the inventor of mambo” and is considered a master of descarga (live improvisations).

He began by playing various instruments until he settled on the double bass, which allowed him, as a teenager, to join the Havana Philharmonic Orchestra, where his father and older brother also played.

“Cachao” left Cuba in 1962 with a long list of successes and stated in a 2007 interview that if it weren’t for his compatriot and colleague Dámaso Pérez Prado, “mambo would not have been heard worldwide.”

Israel Cachao López nacido en La Habana, un 14 de septiembre de 1918 y falleció en Coral Gables un 22 de marzo de 2008 en Miami
Israel Cachao López nacido en La Habana, un 14 de septiembre de 1918 y falleció en Coral Gables un 22 de marzo de 2008 en Miami

His first stop was Madrid, where he stayed for a year before emigrating to the United States. In the U.S., he resided in New York City, Las Vegas, and Miami.

López also played acoustic bass with his brother, the multi-instrumentalist Orestes López. They literally composed over 3,000 songs together and were highly influential in Cuban music from the 1930s to the 1950s.

They created the “nuevo ritmo” (new rhythm) in the late 1930s, which transformed the danzón by introducing African rhythms into Cuban music, ultimately leading to mambo.

He won several Grammy Awards for both his own work and his contributions to albums by Latin music stars, including Gloria Estefan. In 1995, he won a Grammy for Master Sessions Volume 1.

In 2003, he won a Latin Grammy for Best Traditional Tropical Latin Album alongside Bebo Valdés and Patato for El Arte Del Sabor. He won another Grammy in 2005 for his work ¡Ahora Sí!

His nephew, Orlando “Cachaíto” López, became one of the pillars of the famous Buena Vista Social Club.

Cachao performed with artists such as Tito Puente, and his music has been featured in films like The Birdcage and the soundtrack of the video game Grand Theft Auto: Vice City.

The Actor Andy Garcia produced a documentary titled Cachao… “Como Su Ritmo No Hay Dos” in 1993 about his music. He also shared stages with Celia Cruz and her husband Pedro Knight, as well as with trombonist Generoso Jiménez.

Leyendas de Nuestra Musica Latina Pacheco, Puente y Cachao
Leyendas de Nuestra Musica Latina Pacheco, Puente y Cachao

His last musical collaboration was with Gloria and Emilio Estefan on the singer’s album titled 90 Millas.

López passed away on the morning of March 22, 2008, in Coral Gables, Florida, at the age of 89, due to complications following kidney failure.

Cachao y Su Ritmo Caliente – Monte Adentro (2000)

Tracks:

  1. Monte Adentro (Cógele el golpe) (A. Castillo Jr.)
  2. Goza Mi Trompeta (O. Estivill)
  3. Guajeo de Saxos (E. Peñaver)
  4. Estudio en Trompeta (I. López)
  5. Gozar Timbero (O. Estivill)
  6. Trombón Criollo (O. Portillo)
  7. Malanga Amarilla (S. Contreras)
  8. Controversia de Metales (I. López)
  9. Descarga Cubana (O. Estivill)
  10. Pamparana (A. López)
  11. Sorpresa de Flauta (O. Estivill)
  12. Oye Mi Tres Montuno (A. Echevarria)
  13. La Floresta (O. López)
  14. Avance Juvenil (B. López)
  15. Redención (O. López)
  16. Descarga Mambo (D.P.) 

Musicians:

  • Israel López “Cachao” (Double Bass)
  • Guillermo Barreto (Timbales)
  • Tata Güines (Tumbadora)
  • Rojelio “Yeyo” Iglesias (Bongos)
  • Gustavo Tamayo (Güiro)
  • Alejandro “El Negro” Vivar (Trumpet)
  • Armando Armenteros (Trumpet)
  • Generoso “El Tojo” Jiménez (Trombone)
  • Oreste López (Piano)
  • Enemelio Jiménez (Alto Sax)
  • Emilio Peñalver (Tenor Sax)
  • Virgilio Lisama (Baritone Sax)
  • Richard Egües (Flute)
  • Niño Rivera (Tres)
  • Roliyo y Reyes (Chorus)

Recorded in Havana, 1957-1958

Cachao y Su Ritmo Caliente - Monte Adentro (2000)
Cachao y Su Ritmo Caliente – Monte Adentro (2000)

 

The tradition of being musicians comes from grandparents and great-grandparents, all the Cachaos are musicians.

By:

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Israel “Cachao” Lopez Sobrado in fame and respect in the seventies was dedicated to maintain the tradition at the highest level

Miguel Zenón is widely regarded as one of the most innovative and influential saxophonists and composers of his generation

“Miguel Zenón, this young musician and composer, is simultaneously re-establishing the artistic, cultural, and social tradition of jazz while creating an entirely new jazz language for the 21st century.”

Miguel Zenón is widely considered one of the most innovative and influential saxophonists and composers of his generation.
Miguel Zenón is widely considered one of the most innovative and influential saxophonists and composers of his generation.

Born and raised in San Juan, Puerto Rico, Zenón has released seventeen recordings as a leader, including his most recent, the Grammy-nominated Golden City (2024), and the Grammy-winning album El Arte Del Bolero Vol. 2 (2023).

He has collaborated with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazzo, Steve Coleman, Ray Barreto, Andy Montañez, Jerry Gonzalez & The Fort Apache Band, The Mingus Big Band, and Bobby Hutcherson.

Zenón is a Grammy Award winner, a Guggenheim Fellow, a MacArthur Fellow, and a recipient of the Doris Duke Artist Award.

He also holds an honorary Doctorate of Arts from the Universidad del Sagrado Corazón.

Widely considered one of the most innovative and influential saxophonists and composers of his generation, he has also developed a unique voice as a conceptualist, focusing his efforts on perfecting an excellent blend of jazz and its many musical influences.

enón ha lanzado diecisiete grabaciones como líder
enón ha lanzado diecisiete grabaciones como líder

Zenón has released numerous albums as a bandleader and has appeared on over 100 recordings as a sideman.

Música de las Américas: A Masterpiece

With Música de las Américas, Puerto Rican saxophonist Miguel Zenón has created his finest album to date since his professional debut twenty-two years ago.

On this album, Zenón is accompanied by the same combo he has worked with on his recent projects, notably Venezuelan pianist Luis Perdomo, with the addition of some high-caliber percussion reinforcements from his native Puerto Rico.

He has worked with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazz
He has worked with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazz

Música de las Américas presents a very appealing balance across its eight tracks, weaving classic Latin jazz with more modern jazz forms, venturing into the turbulent waters of free jazz when necessary (as heard in ‘Venas Abiertas’), and incorporating traditional music from his homeland.

Zenón’s compositions aim to reflect the dynamism and complexity of indigenous American cultures (‘Taínos y Caribes,’ which opens the album), as well as their encounters with Europeans and the resulting historical implications, exemplified by tracks like ‘Imperios.’

As Miguel Zenón himself has stated, “the music on the new album is inspired by the history of the American continent, not only before European colonization but also by what has happened since.”

Música de las Américas serves as a kind of manifesto for Zenón’s concept of America as a continent.

This new musical offering from the alto saxophonist, born in San Juan, Puerto Rico, in 1976, was conceived during the pandemic (does anyone remember that there was a pandemic in 2020 and 2021 originating in the People’s Republic of China that caused thousands of deaths?). The book ‘Venas Abiertas’ by Uruguayan writer Eduardo Galeano, who passed away in 2015 and was a prominent figure of the Latin American left, played a significant role in its development.

Zenon Nacido y criado en San Juan, Puerto Rico
Zenon Nacido y criado en San Juan, Puerto Rico

Zenón has been featured in publications such as The New York Times, The Wall Street Journal, The Los Angeles Times, The Boston Globe, and The Chicago Tribune. He also topped the Jazz Artist of the Year and Alto Saxophonist of the Year categories in the 2014 JazzTimes Critics’ Poll and was selected as Alto Saxophonist of the Year by the Jazz Journalists Association in 2015, 2018, 2019, and 2020 (when he was also recognized as Arranger of the Year). In 2023, he was recognized by the same organization as Composer of the Year.

As a composer, he has received commissions from SFJAZZ, NYO Jazz, The New York State Council on the Arts, Chamber Music America, Logan Center for The Arts, The Hyde Park Jazz Festival, The John Simon Guggenheim Foundation, MIT, Spektral Quartet, Miller Theater, The Hewlett Foundation, Peak Performances, PRISM Quartet, and many of his colleagues. Zenón has given hundreds of lectures and masterclasses at institutions worldwide and is a faculty member of MIT’s Music and Theater Arts Department, as well as the current Visiting Scholar for the Jazz Harmony and Composition Department at Berklee College of Music.

Ultimately, Música de Las Américas is the product of Zenón’s intellectual curiosity to learn more about the history of America (the continent) and translate that history into music (distritojazz).

Miguel Zenón – Música De Las Américas (2022)

Tracks:

  1. Tainos y Caribes
  2. Navegando (Las Estrellas Nos Guían)
  3. Opresión y Revolución
  4. Imperios
  5. Venas Abiertas
  6. Bámbula
  7. América, El Continente
  8. Antillano

Musicians:

  • Miguel Zenón (Alto Saxophone)
  • Luis Perdomo (Piano)
  • Hans Glawischnig (Bass)
  • Henry Cole (Drums)

Guest Musicians:

  • Los Pleneros de La Cresta (Emil Martinez, Edwin “Wechin” Aviles, Joshuan Ocasio, Joseph Ocasio, and Jeyluix Ocasio) (Panderos, percussion, and vocals on #2)
  • Paoli Mejías (Percussion #3)
  • Víctor Emmanuelli (Barril de bomba #6)
  • Daniel Díaz (Congas #8)

Recorded at Big Orange Sheep, Brooklyn, New York, March 21-22, 2022.

Miguel Zenón - Música De Las Américas (2022)
Miguel Zenón – Música De Las Américas (2022)

Zenón lives in New York City with his wife, Elga, and their daughter.

By:

Miguel Zenón

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Luis Perdomo, one of the most diligent jazz pianists in New York

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.