• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Europe

Takashi Nakazato

Asia / Japan / Tokyo

Takashi Nakazato, Multi- percussionist specializing in various musical genres.

Takashi Nakazato Olympus Digital Camera
Takashi Nakazato Olympus Digital Camera

Takashi Nakazato born in Asakusa, Tokyo is a multi-percussionist specializing in various musical genres.

He has performed with numerous well-known artists throughout his career, as well as performing with “The Lion King, The Musical” for five years.

Nakazato has toured most of Europe and Asia with the Jaribu Afrobeat Orchestra, Jazztronik, Fried Pride (Tokyo Jazz Festival etc) Kyoto Jazz Massive (North Sea Jazz Festival, Tokyo Crossover Jazz Festival etc) and toured China with the Online Game Orchestra (Ro Legend 2016)

Takashi has also toured Japan with famed pianist, Yukie Nishimura and toured Mala in Cuba.

He was the only Japanese percussionist to be hired for the gig.  Takashi studied for a long while in Cuban, learning Cuban folklore and Bata under the wing of greats like Adonis Panter Calderon, Barbaro Yordany Crespo Richard (Osain Del Monte) and Angel Boraño.

He studied the Conga drum under Tomas “El Panga” Ramos, Edger Martinez and Joaquin Pozo.

His timbal mentor was Juan Carlos Rojas.  He made Santo, Obatala, while in Cuba.

Takashi Nakazato
Takashi Nakazato

Nakazato has his own fusion band, Piecework, and is also a member of 10 piece percussion group, Orquesta Nadge! Nadge! And Ayumigos (Japanese and Cuban members of Latin Jazz).

Takashi Nakazato with the orchestra
Takashi Nakazato with the orchestra

Nakazato released his first album “Clandestina,” which included guests Luisito Quintero, Robert Quintero, Calixto Oviedo, Karl Vanden Bossche and Olí Savill. His percussion instruction book & DVD was published in 2014.

He is currently a member of the orchestra of maestro Jimmy Bosch ¨The Trombon Criollo de La Salsa ¨ and at the same time is an exclusive artist of the percussion instrument brand Gon Bops in Los Angeles California.

https://www.facebook.com/takashi.nakazato.75

Maxima 79 Salsa Orchestra

Europe - Milano - Italy

Maxima 79 Salsa Orquestra was born in Milano – Italy in the year 2010 of the idea of the DJ and Musical Producer Fabrizio Zoro.

Maxima 79 Salsa Orchestra
Maxima 79 Salsa Orchestra

Fabrizio Zoro had the magnificent idea of making music, returning to the sound of the 70’s for dancers with a modern sound and, at the same, time of the golden age of salsa in New York.

With two productions made with high quality and an original and rich sound in Afro-Caribbean rhythms.

Maxima 79 Salsa Orchestra on stage
Maxima 79 Salsa Orchestra on stage

The two titled albums, Returning to Guaguanco in 2013 and Joseito in 2016, have given him a seat in the best dance halls across the European continent and thanks to all his successes, the orchestra is recognized worldwide as one of the best Salsa groupings for the dancer.

La Maxima 79
La Maxima 79 – Joseito

The original compositions by the hand of  Fabrizio  Zoro founder, director and performer of the bongo, bell and guiro, carrying Afro-Caribbean Rhythms in the soul, at the same time, Fabrizio tells us that Cuba is the most important musical novelty in the whole basin from the Caribbean and the world and for this reason they returned to the origins of the Traditional Salsa with a musical work entitled “Cuban Session” dedicated to typical rhythms of the Big Island such as Timba, the Cuban Son and the Traditional Changüí.

The musical arrangements of the productions were prepared by Fabrizio and Marco Puma, the official pianist of the orchestra and, also, known as the best-known Italian bachatero in the world, but with this album he has shown that his first passion stays within the key that beats in his immense salsa soul.

In their ten years of experience, they have been awarded the Honorable Mention USA and Songwriting Competition awards in 2014.

Musicians

Fabrizio Zoro: Director, founder, director and performer of bongo, campana and güiro

Marco Puma: Piano, Arrangements, Chorus

Jose Luis “Lalo” Brea: Mixing, Sound Engineer, Guitar on “Seventy-Nine Boogaloo”

Thorben Schütt: Trombone

Samuele Davìd: Trumpet

Efren Iriarte: Timbales and Drums

Umberto Nocita: Congas

Juan Carlos Avila: Bass

El Guille: Singer, Lead Voice, Chorus

Yoris El Trinitario: Singer, Lead Voice; Chorus

Dairo Todd Andino: General Chorus, Trombon

Ernesto “El Puro” Perez: Three

Mauro Brunini: Trumpet in “Rumbera Church”

Guest

Angel Luis Justiniano: Lead Voice on “Seventy Nine Boogaloo”

Isaia Leoni Dj The Prophet: Producer on “El Propeta Del Guaguanco”

Jeremy Suarez “J- Style”: Chorus on “One More Day”

Daniele Roveda: Vibes on “El Pasillito”

Inwoo Choi, Ilario Cali, ’Sara Spazzini, Francesca“ Alysea ”Carbone: Chorus on“ Seventy Nine Boogaloo ”

Samoel Scotton: Congas on “Rumbera Church”

Yannior Farre : Piano On“ El Bele Bele ”

They currently belong to the Record Label:

Smayra Publishing – www.smayrapublishing.com

RESILIENZA

Resilenza
Resilenza

Resilience is the ability of an individual to face a negative event by transforming and reorganizing their life in a positive way, including improving the previous situation.

The title is deliberately left in Italian to indicate the country of origin of La Maxima 79 and to indicate that Salsa today has become something Global with orchestras and dancers from all over the world under one family.

A special thanks goes to all the DJs and dancers of the World who help from the beginning La Maxima 79 to grow and spread their music and keep doing it.

Thanks to the entire iLatin Music Ilario Cali ‘Seal family, Sara Spazzini, Laura Fossati, Dj Alexio Grossi and Massimiliano Pioli for always supporting the production.

Thanks from my heart.

Milan, Italy

lamaxima79.com

+393398158230 (WhatsApp)

https://www.facebook.com/lamaxima79/

Takafumi Nikaido

Asia / Sapporo / Japan

Takafumi Nikaido, In his time in Cuba he studied with prominent percussionists Jose Luis Quintana “Changuito”

Takafumi Nikaido in concert
Takafumi Nikaido in concert

Takafumi Nikaido born in Sapporo Japan in the year 1993 started playing the saxophone at the age of 6 and at the age of 7, after watching a live performance by Earth Wind & Fire he was inspired to pick up the percussion and studied under the Fujio Saito.

At the age of 12 he traveled to Cuba to take classes on dancing and percussion where collaborated with the Los Muñequitos de Matanzas.

Upon graduating high school he attended Berklee college of music as a scholarship student.

Takafumi Nikaido
Takafumi Nikaido

He studied theory and performance from people such as Eguie Castrillo, Tiger Okoshi, Mark Walker, Oscar Stagnaro and Jim Odgren.

In 2014, he traveled to Cuba again to attend the Fiesta del Tambor Percussion Competition where he received the “Best Foreign Entrant Award”.

Takafumi Nikaido and his drums
Takafumi Nikaido and his drums

In his time in Cuba he studied with prominent percussionists Jose Luis Quintana “Changuito”, Adel Gonzalez, Adonis Panter Calderon, Osain Del Monte.

During his time in Berklee he performed with artists such as Oscar Feldman,Terence Blanchard, Jon Secada, FANTINE, Sivamani, Ruben Rada, Totó la Momposina and Mane De La Parra.

In the summer of the same year, he became involved with the “The Untied East Jazz Quintet” and played at 9 venues all over Japan and South Korea.

Alongside musicians Zahili Gonzalez Zamora and Gerson Lazo, they formed the musical group “MIXCLA” and perform regularly mainly within the Boston.

In 2015, he performed at the Montreal International Jazz Festival as a member of the Zahili Gonzalez Zamora Project.

Takafumi Nikaido on stage
Takafumi Nikaido on stage

He is currently studying in Berklee College of Music and have been participating in musical projects other than Latin music like pop, jazz.

  • Facebook: https://www.facebook.com/takafumi.nikaido
  • Website: http://www.takafuminikaido.com/

Rosario Jermano

Europa / Italia / Napoles

Rosario Jermano is probably the best known Italian percussionist, open to all types of traditional and worldwide ethnic music.

Rosario Jermano

Jermano’s Neapolitan origin together with his extraordinary intuitive interpretations have given birth to a music with a genuine Mediterranean sound with colours from World music and pop influences.
His world is not conned to the Neapolitan area, but is open to the sound and cultures of the entire Mediterranean area, mixed in a truly exciting blend.

The exotic Middle East as well as tribal Africa are united by the sound of his percussions to create what he himself calls “The breath of life”.

Rosario Jermano with his drums

Jermano has played with played with: Zucchero Fornaciari, Eros Ramazzotti, Fabrizio De Andre, Pino Daniele, Renato Zero, Rai Orchestra, Loredana Berte, Mia Martini, Ornella Vanoni, Gino Paoli, Fiorella Mannoia, Ana Belen, Edoardo Bennato, Eduardo De Crescenzo, Luca Barbarossa, Corrado Rustici, Raf, Riccardo Cocciante, New Perigeo, Toots Thielemans, David Foster, Gigi D’Alessio, Nuova Compagnia di Canto Popolare, Enzo Gragnaniello, Natascia Bonacci, Patch Stewart, Sting & Zucchero, Toquino, Luca De Filippo, Yaire, Jose Miguel Diez, Lorca, Tishubi y Giorgina, Andrea Bocelli, Tyromancino, Del Newman Orchestra.

For more information:
Facebook: https://www.facebook.com/R.Jermano/

Origins of Kizomba

Kizomba is a very catchy musical genre that has its origin in Angola, Africa. It can be said that its birth was in the 1980s; but if we want to understand its history, we must look further back to the 50s and 60s.

Kizomba class photo
Kizomba class photo

It was then that certain traditional dances of the African country and one of them was semba, began mixing with other rhythms both from its country of origin and other cultures after Africa was colonized by Europe in the 14th century. It is from there that a fusion of rhythms begins in which partner dancing takes center stage.

However, the old continent did not do all the work. Argentina and Cuba also played an essential role in the form in which semba must be danced.

In Portugal, the word Kizomba has its origin in all musical rhythms that derive from zouk, with which it is often constantly confused. It is a type of dancing laden with great sensuality and highly contagious that has become very popular with the passage of time, particularly in countries such as the United States, Canada, France, Spain, Poland, Belgium, Denmark, among others. Many Latin Americans consider that this is a breath of fresh air because it does not seem like anything they previously knew in terms of dance.

One of the reasons that it became so famous around the world is that this dance is very easy to learn due to its softness and simple dance steps. If you want to learn to dance, kizomba is a very good option to begin with.

Kizomba lets the couple play the music they dance. The more intimate the members of the couple, the more likely that the dance will be much more sensual and there will be much more complicity between men and women who enjoy this pleasure.

How kizomba originated

As we have said previously, kizomba has its origin in Angola, which was a colony of Portugal in the mid-1970s. With the arrival of Cuban military personnel, certain rhythms came from the Caribbean island that started to be used by various Angolan artists for their musical projects. The result was a fabulous mix of fast local rhythms with much slower, romantic and partially synthetic sounds.

The resulting genre was danced with semba and merenque, which made it known as kizombadas and, subsequently, kizomba.

By the 90’s, the word kizomba started to be used in Portugal to refer to all African rhythms danced in the nightspots of the most important cities in the European country. With the passage of time, the term would be used to refer to the musical genre and many other sub-genres with which it shares history.

Once this type of dance began to take hold in the rest of Europe, it was in France where all these rhythms that resemble one another started to be called kizomba, leading to the controversy over whether it and soft zouk are the same. Given that on certain islands belonging to France they were the cradle of zouk, it can be assumed that this has kindled heated debate even further still.

At the beginning, kizomba was only able to spread throughout the African continent, but migration allowed it to reach Europe and America respectively where a lot of passionate dance groups of this genre began to appear. The number of followers accumulated by this genre in countries such as Portugal, France or Spain was very huge.

Currently, there are a number of exponents of this kind of music that became famous worldwide such as Nelson Freitas, Djodje, Anselmo Ralph, Matias Damasio, among many others.

Kizomba dancer in Europe
Kizomba dancer in Europe – Origins

Kizomba in Europe

It is incredible the number of places where you can enjoy this spectacular dance. One of them is the world famous Eiffel Tower, where there are many options to learn or improve the dance steps. In France, the genre has been very popular, so much so that many places for dancing celebrate exclusive kizomba nights known as kizomba soirées by the locals. Considering the major African influence on this dance, those wishing to find out more will be able to enjoy a wonderful mix of dance styles and cultures that will leave no one indifferent.

In these places, you can share with a very impressive amount of tourists and foreigners from around the world. This contributes enormously to linkages and friendships between people of other cultures and other ways of seeing the world, which may be very rewarding from all points of view.

In the case of Lisbon, Portugal, it can be said that this is another place that every lover of kizomba in Europe should visit. Besides being a city that receives all its visitors with genuine hospitality, the dancing and music are ever-present. Among the many places you can go to enjoy the dance, it is important to mention the Estudio Sabor & Dança dance studio, the Academy World Dance and the Kizomba Power Dance School.

Kizomba class in Europe
Kizomba class in Europe

Regarding Barcelona, Spain, what can be said is that this is one of the best European cities for dancing as there is a gigantic variety of musical styles that can be found there. There are always parties and events worth attending. One of those dances that can be found in the city’s nightlife is kizomba that has gained popularity in recent years.

Latin music events and festivals were based on salsa and bachata, but kizomba has completely changed that reality. Today, it is very common to find festivals and congresses dedicated exclusively to this dance and its most loyal lovers. If you want to learn to dance this genre, there are a number of schools and workshops that could be very useful such as Así se Baila, Seven Dance and Baila Barcelona.

Kizomba in Latin America

Many people who do not know the origin of the kizomba think that it originated in Latin America due to its type of dancing, but the fact is that this dance was not even known in most countries of the continent. In fact, its main boom started relatively recently in some places such as Colombia, where it began to be known not long ago. In that country, there are currently academies and teachers who are dedicated exclusively to this musical style, which has started to happen in other Latin nations.

In Venezuela, it is said that it has been danced for more than 10 years, but it began to be known a short while ago thanks to some videos on the major social networks after it became famous in Europe. The pioneers of this practice were a certain number of instructors born in the Caribbean country after being trained in Brazil. Following this, kizomba was the subject of a great deal of interest in many young Venezuelans who want to learn to dance it. There are not many records on places to dance where this genre may be found, but there is no doubt that soon it will be like this.

Kizomba dancer in Europe
Kizomba dancer in Europe

Kizomba in Asia

There are many events and congresses linked to kizomba in Asia, which have a great influx of visitors, even when it is commonly believed that Asians are not fans of this type of rhythm. Experience with congresses of the last years has given the impression that this is not true. In fact, there are many fans of this rhythm from the continent who want to know all events and competitions details that are carried out in their countries for the coming months.

Japan is one of the nations where this type of event can be found the most. Such is the case of the Japan Kizomba Festival that has been going on in the country for many years due to the high level of attendance of visitors.

Video: https://www.youtube.com/watch?v=6WOVBNULkYc

 

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 13
  • Page 14
  • Page 15
  • Page 16
  • Page 17
  • Interim pages omitted …
  • Page 40
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.