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July

Hernan Olivera the sonero of the 21st century

Latin America / Puerto Rico / Puerto Rico

Hernan Olivera, this excellent Salsa singer named Hermenegildo Olivera was born on January 30, 1959 in Newark, New Jersey.

Hernan Olivera is the son of Puerto Rican parents and from an early age he felt a great affinity for Latin music since his father listened to the groups of the moment such as Tito Puente, Celia Cruz, Machito, Ismael Rivera with Cortijo y su Combo, Alegre All Stars, Tito Rodríguez, Santitos Colon, etc.

Hernan Olivera
Hernan Olivera

Then, in the 70s, in the midst of the Salsa Boom, Herman began his love of singing listening to the performances of Chamaco Ramírez, Héctor Lavo’e, Cheo Feliciano and Marvin Santiago, among others. These vocalists were mainly his source of inspiration; That school of soneros served as an apprenticeship for him and that is when he made the decision to sing professionally.

Hernan Olivera - photo
Hernan Olivera – photo

When he was just 15 years old, Herman began his career as a Salsa performer with an orchestra called “La Justicia”, after this he was part of the band “La Sónica” where he met his friend and trombonist Jimmy Bosch, after this He spent time with the “Caramelo” orchestra and later made the most important leap in his career by joining the “Con Conjunto Libre” in 1978, where he left his voice for the first time on the LP “Increíble” from 1981 under the direction by percussionist Manolo Oquendo and Bassist Andy González where he stands out with the song “Decide”.

Then in 1983 he would record with the Conjunto Libre in the production “Rhythm, sound and style” the song “Que Humanity” that would become a success. In 1988 Herman left the group “Libre” and became part of a project by Mr. Fernando Pastrana and under the musical direction of trumpeter Miguel Santiago whose album was called “La Exclusiva” which shared the vocal part with Roberto Mier, in this album stands out interpreting the songs “Xiomara” and “Te vi pasa”.

Hernan Olivera with his piano
Hernan Olivera with his piano

After this, in 1990 he was invited to record on the album “Salsa Sudada”, for the Valdesa Records label of Víctor Raúl Sánchez “Patillas” and with the musical direction of Isidro Infante, sharing vocals with Mario Muñoz “Papaíto”, Adalberto Santiago, Eladio Peguero “Yayo El Indio” and Pablo Villanueva Branda “Melcochita”; in this work he interprets the themes “La needle” and a tribute to the city of Cali called “Valle plata de salsa”.

He continued with his career as a performer and in 1993 he was once again invited to record the production “Now” with the Free Ensemble, where his great conditions and resources as a singer are undoubtedly reflected, there the song “You belong to me” became a hit in addition to other songs such as “Obsesión” and “El Son” stand out on this album.

Subsequently, he launched an independent project called Herman Olivera and La Exclusiva “Chequea La Mercancía” produced by Fernando Pestana, where the song “Me Extra Spider” is one of the most outstanding. In 1996 he reunited with the Conjunto Libre and made the live album entitled “On The Movie”.

Caratula Alta resolucin sin letras of Hernan Olivera
Caratula Alta resolucin sin letras of Hernan Olivera

In 1997 he participated in the CD of the band Rikoson All Stars called “Evoluciones Del Son” where he stands out very well in the romantic theme “Aquella Noche”.

Photo - Hernan Olivera in concert
Photo – Hernan Olivera in concert

In 1998 he was requested by the piano teacher Eddie Palmieri and together with the vocalist Wichy Camacho they recorded the album “El Rumbero Del Piano” in which he stood out as a singer in the songs “Malagueña salerosa” and “Oiga mi guaguancó” that same year. he is invited to the recording studios by the trombonist Jimmy Bosch and they release the album titled “Soneando Trombón” which contains the hit “Otra opportunity” that he performs as a duet with Frankie Vázquez, on this CD the song “Descargarana” is also inserted. ”.

Photo 2- Hernan Olivera in concert
Photo 2- Hernan Olivera in concert

That same duo Olivera and Bosch meet the following year (1999) and make the production “Salsa Dura” where Herman shines interpreting the full “Impact we will have” this album also has the participation of the singers Frankie “Nene” Morales and Frankie Vázquez parallel to this album, the RMM label launches a live CD and DVD entitled “Eddie Palmieri & Friend’s” where Herman looks excellent in the number “Palo Pa’ Rumba”.

Hernan Olivera in concert
Hernan Olivera in concert

Salsa Warriors Radio. Playing the best Salsa on the Planet!!!

North America / USA / New York

Salsa Warriors Radio began its program in June 2014 as an ambitious and supportive project to enhance the most famous and danceable tropical genre in the world for more than three decades, Salsa Music. Among 15 disc jockeys friends, during a celebration, came the idea of this online station with live DJs that would play Salsa 24 hours a day, 365 days a year; just Salsa from yesterday, today and always.

Salsa Warriors Radio flyer
Salsa Warriors Radio flyer

So it was! This digital station currently has 14 DJs from two continents (America & Europe) and they perform their daily work with the most variable Salsa music, which differentiates it from the main FM commercial radio stations in New York and the rest of the planet.

The name “Salsa Warriors Radio” was chosen with great success by these 15 friends to identify those people willing to fight for the Salsa genre. Likewise, this corporation has three owners:

“DJ Boricua” Renan Morales, Andrés Padua and Harry Trinidad, elected by the 15 founding DJs and of which 9 continue with their radio programs on the digital station.

Owners of Salsa Warriors. Andrés Padua, Harry Trinidad and Renan Morales. From left to right.
Owners of Salsa Warriors. Andrés Padua, Harry Trinidad and Renan Morales. From left to right.

To be a Salsa Warriors’ DJ you must have experience, mastery with computers and a lot of Salsa music.

After overcoming the estimated listeners of 700 people per month in its beginnings to 194,000 listeners worldwide each month in their different shows after four years, Salsa Warriors Radio also bets on national Salseros events after 2 months of its official opening as a radio station alternative.

Salsa warriors in the Park
Salsa warriors in the Park

Since September 2014, Salsa Warriors have been sponsors of 25 Salsa musical events on the East Coast of the United States, such as: Empire City Casino in Yonkers, NY and two annual Salsa concerts in the summer at Flushing Meadow Park, Queens also in New York with massive attendance of professional dancers, amateurs and lovers of salsa in general.

Empire City Casino
Empire City Casino

In addition, they have had the support of great and renowned world-renowned artists who have attended these events, such as: Yolanda Rivera, Ismael Rivera Jr., Pedro Brull, Gilberto Colon Jr., Eddie Montalvo and Adalberto Santiago, among many others.

This station, broadcaster of the salsa culture, can also listen to it through the Roku system, accepting its channel “Salsa Warriors”. And if you are away from your PC you can listen to this digital alternative radio through the application for Smartphone with the same name.

Salsa event photo
Salsa event photo

Salsa Warriors Radio is committed to supporting both the Salsa masters with great experience and the new generation, the latter being the key to continue with the progress of this musical genre, said Renán Morales. Furthermore, Salsa Warriors radio maintains its plans to continue holding mass events, to maintain the digital station and bring orchestras from Puerto Rico or from other parts of the world to New York soon.

DJs Staff:

★   Andrés Padua ★   Harry Trinidad ★   Mario Chiclana
★   Esther Díaz & Jules Asencio ★   Carmen Cepeda ★   Roy López
★   Howard Turner & Evelyn Moro ★   Jaime Soler ★   Tito Massas
★   Jules Asencio ★   Monica Dobroiu ★   Fabian Rivera
★   Renan Morales “Dj Rey Boricua”

 

Renán Morales was born in New York of Puerto Rican parents. He is the founder and Salsa Warriors Radio’s owner. His Radio Show “Salsa Es Lo Que Hay” airs on Wednesdays at 7:00 pm and Thursdays at 8:00 pm. His specialty is Salsa Dura and he has already broadcast 325 live shows. As “DJ Boricua” has performed at: White Plains – NY, Nyack – NY and in Connecticut.

Salsa Event
Salsa Event

 “Para mí la Salsa es una música pegajosa que te habla del amor, sufrimientos, triunfos y cultura. Es un género que significa pueblo, orgullo y mucho sabor. La misión de Salsa Warriors es promover nuestra Salsa del pasado, presente y futuro para mantener el género en alto, al igual que la cultura de todos nosotros”. Renán Morales

For more information, visit www.salsawarriors.com or follow them on Facebook www.facebook.com/salsawarriors

Flyer Salsa Warriors Radio
Flyer Salsa Warriors Radio

To be promoted, write me to:  [email protected]  

Edwin Ortiz Y La Mafia Del Guaguancó is present in ISM

As all our readers already know, this section is always looking for the best Latin talents to give them the exposure they deserve and today is the case of New York producer and musician Edwin Ortiz, who was kind enough to share a bit of his story with us.   

Edwin is an artist who was born in the East Harlem section of New York, where he began his musical career with the full works and spent most of his life, but left that city with his pregnant wife to raise their son in a different environment. It was there that they moved to Washington DC, where the musician has continued to live and pursued his career to this day. 

Below, we will provide more info about the artist’s career during these moments and how he managed to become the great bandleader and musician he his today.   

bongo player Edwin Ortiz
Bandleader and bongo player Edwin Ortiz kindly talked to us about his interesting career

Edwin’s music education   

Just as other great musicians, Edwin studied at the prestigious Johnny Colon Music School, the institution in which he learned a lot of what he knows today. His first lessons are focused to teaching how to play the flute alongside Mario Rivera, which can be said to be the first contact the young man had with music. However, it was not this instrument that would capture his attention, but the bongo. 

His brother Edgar Ortiz was an acclaimed bongocero in the Orquesta Las Siete Potencias and the Tito Puente Orchestra, so Edwin already had a lot to learn from. However, it was with acclaimed percussionist Manny Oquendo with whom he turned professional and decided to dedicate himself fully to the bongo as his main instrument, to the point that it is the only one he still plays today.   

Outside of his work as a musician, Edwin is in charge of everything about the management of his most recent orchestra Edwin Ortiz Y la Mafia del Guaguancó.   

Edwin Ortiz Y La Mafia del Guaguancó   

Before even thinking about founding his own orchestra, Edwin was involved in a number groups of different genres throughout the Washington DC Metro area, whose main genre was cumbia at the time. In that sense, the artist wanted a change in his style and to do something different from what he was playing at the time, although he knew it was ging to be hard.    

His big break came when the director of the band he was in at the time was going to move to the state of Florida, so he left Edwin in charge of the group in order to make the changes he believed were pertinent. That is when he took the opportunity to introduce salsa, a genre he had always been passionate about, in the metropolitan area with the resources he had on hand at the time. He invested in some 25 salsa arrangements and released a new version of the classic ”Olga Y Margara”, which was the first of many hits to come for his career. 

Edwin toca el bongó
Edwin playing the bongó live

Later, when he was finally creating an orchestra of his own, he took pains to find the best musicians possible, many of whom were recommended by friends and seen playing by Edwin himself. However, he would soon realize that the best musicians were not necessarily the best pieces he required for his band, which made him change his approach a bit when choosing the team that would accompany him in his project.   

At first, the project was called Orquesta La Romana, but it was not long before Edwin decided to call it ‘‘Edwin Ortiz y La Mafia del Guaguancó’’. This change was due to the fact that Bobby Quesada, a musician whom Edwin greatly admired, had an orchestra with the same name, but it had already disbanded by that time. He always liked the name ”La Mafia del Guaguancó” so he gave it to his own group. He knew how risky this move was and the displeasure of some of its members with the change, but fortunately it was worth it.   

Today, the musicians of the orchestra are affectionately known as ”the mafiosos” in the Washington DC Metro area, so this has become part of the band’s identity.    

Diferente A Las Demás 

One of their most recent musical works is entitled ”Diferente A Las Demás” and it is a tribute to women that was released in March, the month dedicated to them.    

With respect to this song, Edwin was telling us that he and his partner and the lead singer of the band Vivian Mojica had the opportunity to meet the talented musician Héctor Luis Pagán, who kindly invited them to his home and shared with them part of his repertoire, including the song ”Diferente A Las Demás”. Edwin loved it since the first time he heard it and Pagan gave it to him with pleasure. That is how the orchestra got down to work and recorded their own version of the song. 

Edwin y Vivian
La Mafia del Guaguancó vocalist Vivian and Edwin Ortiz

The first thing the bandleader did was look for the right arranger for it, who was Ramón Sánchez, and the producer he had always wanted to work with, Isidro Infante, whom Edwin has known for more than 30 years. 

Then came the recording, mixing and remastering. In the end, the chosen date was 1 March of this year as a tribute to International Women’s Day, achieving a result that made everyone in the orchestra very happy. 

Read also: Vocalist of La Moderna Tradición Eduardo Herrera and his fascinating story 

Virgilio Martí participated as aVirgilio Martí participated as a vocalist in the Grupo Folklórico Experimental Newyorkino in which he composed the song “Cuba Linda”

Virgilio Martí, born in the year 1919 Havana, Cuba, Rino Rumbero, Singer, Composer, Arranger, Percussionist, Actor and Orchestra Director, well known since the late 40’s, especially as a guaguancó singer.

He began touring the world in 1949 and met his later wife in 1960 in Peru.

Virgilio Martí participated as a vocalist in the Grupo Folklórico Experimental Newyorkino in which he composed the song "Cuba Linda".
Virgilio Martí participated as a vocalist in the Grupo Folklórico Experimental Newyorkino in which he composed the song “Cuba Linda”.

That same year, he settled in New York, participating in the local scene.

He participated in the LP “Patato y Totico” in 1967, he also participated with his brother Eloy Martí, in a Quintet accompanied by Gene Golden, for the year 1979.

Israel López (Cachao), Arsenio Rodríguez, Héctor Cadavieco, Francisco Valdés, Papaíto, Tony Mayari and Mario Cadavieco also worked on that album.

He participated in the “Grupo Folklórico Experimental Newyorkino”, where he was their vocalist and percussionist, in 1975. During his stay with them, he composed the song “Cuba Linda”.

"Grupo Folklórico Experimental Newyorkino, donde fue vocalista y percusionista del mismo, en 1975
“Grupo Folklórico Experimental Newyorkino, donde fue vocalista y percusionista del mismo, en 1975

Another work of Martí of great remembrance is the album entitled: “Saludando A Los Rumberos”, published by the Caimán label in the early 80’s and in which the Cuban acts as vocalist and main star. In it, Martí is involved with talents such as: Tony Cofresí, Andy and Jerry González, Yomo Toro, Paquito Pastor, Ray Romero, Claudio Roditti and Ignacio Berroa, among others.

Virgilio Martí, born 1919 Havana, Cuba.
Virgilio Martí, born 1919 Havana, Cuba.

“Iya Modapue”, constitutes in itself, a guaguancó with open rumba being at the same time the favorite number of the “Grupo Folklórico”, and even the first groove that was recorded.

The levels of experimentation and the freedom to unload several rhythms in a single musical performance are the factors producing the attraction of the musicians for “Iya Modupue” (which means Thank You Mother).

The vocal part is in the hands of Virgilio Martí. The trumpet of “Chocolate” Armenteros, the trombones of José Rodríguez and Reinaldo Jorge, the flute of Gonzalo Fernández and the percussion of Frankie Rodríguez stand out.

“Se Me Olvidó” – a bolero by Lolita de la Colina – but adapted in guaguancó to the style of the Grupo Folklórico, which, by the way, turned out to be the piece with the greatest radio airplay in the tropical environment and, therefore, the one that would open the doors to the group. The song was performed by Virgilio Martí, who also plays the congas. In “Se Me Olvidó”, the violin of Cuban Alfredo de la Fe, the quinto of Julito Collazo, the street redoblante of Jerry González and a Mexican marimba played by Andy González in counterpoint to the notes of the double bass, also played by Andy, stand out.

Here it is worth mentioning that Alfredo de la Fe is a virtuoso violinist and among his many performances, I remember his work with Eddie Palmieri, Larry Harlow (the wonderful Jew), the Fania All-Stars and the avant-garde Típica 73.

In the early 80’s he formed a band with brothers Andy and Jerry González, and percussionist Ignacio Berroa.

It is worth mentioning Virgilio Martí’s 1985 performance in the film by Cuban filmmaker León Ichaso entitled: “Crossover Dreams” (Sueños truncados). In it, the Havana native plays the role of “Cheo Babalú” and sings the song “Llora Timbero”.

In this film production made in New York City, the actor Rubén Blades, who plays the role of “Rudy Veloz”, also participates. There they sing the song “Todos Vuelven”.

In 1990, he contributed to the “Soundtrack” of the movie Azúcar Amarga.

He maintained a great skill in converting songs from other genres into rumba arrangements. We can mention the adaptation of the song by Brazilian composer Jorge Ben, “Más Que Nada”, which appears on the LP with Patato y Totico. Martí died on October 17, 1995. (Tom Data “Facebook”)

Virgilio Marti - Guaguanco (1979)
Virgilio Marti – Guaguanco (1979)

Virgilio Marti – Guaguanco (1979)

Tracks:

  1. Amanecer (Armando Manzanero)
  2. Todos vuelven (Rafael Otero)
  3. A tus pies (D.R.) (Agustin Lara)
  4. My childhood (Laureano Martinez)
  5. Saluting the rumberos (Manolo Albo)
  6. I’m going to divide it (R. Livi)
  7. Acanapon (D.R.)
  8. The little handkerchief (D.R.)
  9. Que susto (Virgilio Marti)
  10. Odiame (Rafael Otero)

Information realized (June 1, 2024)

Sources:

DiscoGS

Spotify Virgilio Marti

Virgilio Marti Youtube

Also Read: Justo Betancourt Querol Cuban sonero and singer famous for his interpretation of the song “Pa’ bravo yo”

Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment

Our orchestra was born at the end of 1969, year in which we also began to record the 1st production “Presenting” which was released at the end of 1970.

Many talented musicians have passed through our orchestra such as Juancito Torres, Mario Ortiz, Rey Santos, Frank Morell, Hugo Dumont and many more that we will mention later.

Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment
Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment

Singers such as Sergio Cariño, Juan Acosta, Raul Carbonell Jr., Tony Rivas, Cucho Caro, Andres Reyes, Pedro Arroyo, Ricky Ramos, Tito Gomez, Yolanda Rivera, Eddie Rosario and Johnny Maldonado.

Rubby Haddock is one of the greatest exponents of good Latin music. His orchestra is known as one of the most danceable “Big Bands” on the Island.

He is called “El Maestro” by his followers and fellow artists. Because of his long artistic career, exposed to the world of show business, Rubby has become one of the best connoisseurs in the history of Latin music.

Born in Manhattan, New York on February 6th to Puerto Rican parents. His mother lived in Miami most of her life and in the late 60’s his father, Ruben Haddock who was a musician in New York, founded the most famous Dance Club in Puerto Rico, MIRAMAR CENTER when he owned El Club Coameño in Rio Piedras and El Club Caborrojeño in Bayamon.

A glorious time where his Producer Father brought to the Island of Puerto Rico the biggest stars of Latin music such as: TITO RODRIGUEZ, TITO PUENTE, LA LUPE, EDDIE PALMIERI, RICKY RAY, JOEY PASTRANA, JOE CUBA, WILLY COLON, HECTOR LAVOE, LARRY HARLOW, ISMAEL MIRANDA, CHIVIRICO DAVILA, TNT BAND among others, besides being manager and producer of ROBERTO Y SU NUEVO MONTUNO.

Rubby Haddock grew up with his father as a teenager in Puerto Rico within the entire business operation of Don Ruben, knowing these top stars of our music and hence the vein of musician and producer during his artistic career and experience in show business.

Celebrating the Rubi of Salsa Rubby Haddock. One of the greatest exponents of good Latin music
Celebrating the Rubi of Salsa Rubby Haddock. One of the greatest exponents of good Latin music

Rubby Haddock studied piano but showed that his passion was playing trombone.

For the years 1972 under the label UNIART, Rubby Haddock launches his first record production, “PRESENTING ORCH HADDOCK” becoming a powerful hit on the Island with the musical cut MONACILLO Y CORREA COTTO as some of the hits of this production.

In this first stage of Rubby’s musical career are among the different recordings: “PRESENTING”, “ASI ME LLAMAN”, “LA LEYENDA”, “DE REGRESO”, “UNLIMITED”, “2ND CONCIERTO FAMILIA TH”, “THE ENTERTAINER”, “THE ENTERTINER 2”, “OTRA VEZ”, “SALSA TROPICAL”, “EL RUBI DE LA SALSA”, “PASAPORTE MUSICAL”, “EL RUBI DE LA SALSA” and “PASAPORTE MUSICAL”.

In the second stage of his career, in 1978, when Rubby was the most popular in Puerto Rico with the song “Son Los Nervios”, one of the songs that propelled merengue on the island, Rubby surprised everyone by joining the U.S. Armed Forces in San Antonio Texas and Washington State, where in addition to completing medical courses, he also completed his Bachelor of Music Education at the Universities of Puget Sound and Pacific Lutheran.

In the 9th Infantry Div. Rubby became a member of the 9th Infantry Division Band where in addition to the Division Military Orchestra, Rubby most enjoyed the experience of being a member of the JAZZ ENSEMBLE BAND and the Big Band Jazz.

It didn’t take long for some of these great musicians to come and join Rubby’s Orchestra… At the request of a great Puerto Rican friend, and high ranking Army officer Eddie Velez, Rubby agreed to form his Orchestra back in Tacoma Washington State.

Remembering beautiful moments lived outside of his homeland until 1980, when he returned to Puerto Rico for a recording contract with the firm TH RECORDS, In this “come-back” in his return to Puerto Rico for the 80’s Rubby produces one of his most successful works: “De Regreso” with songs like: A Mi Jibarita, El Amor, Maria Teresa, Sra. Temptation with singers Raul Carbonell and Tony Rivas.

At the end of the 80’s Rubby Haddock ventured into Puerto Rican television, Wapa TV and Telemundo Channel 2, as producer of shows such as “Un puertorriqueño para la Historia (José Feliciano)”, New Year’s Eve Specials, etc.

Rubby Haddock y Sus Amigos, where the most prestigious artists such as: José José, José Feliciano, Mongo Santamaría, Barry Rogers, Eddie Palmieri, Julio Angel, and many more paraded in this section produced within the Midday Show. …. This show remained on the air for five and a half years.

Rubby Haddock
Rubby Haddock

By 1992 Rubby Haddock y su Orquesta represented Puerto Rico in the Puerto Rican Pavilion at Expo 1992 in Seville, Spain.

In the mid 90’s, although Rubby still continued as the Director of his Orchestra, he also ventured as an Entrepreneur with his own commercial Advertising Agency, where in addition to directing the entire operation of the agency Haddock & Haddock Adv, he was also the Creative, being in charge of all the production of Radio, Press and Television commercials for all the clients of the Agency.

By that time Rubby had already founded his own Recording Studio (Pentagrama Round), where he produced his three most recent productions of this decade in addition to sharing recordings for artist friends such as: Omar Alfano with Son By 4, it was from this studio that hits such as “A puro Dolor” were released.

His recording engineer was the outstanding engineer Sonny Hernandez. With him he shared works with artists such as: Danny Rivera, Andrés Jiménez, Ismael Miranda, Elvis Crespo, Melina León, Edwin Colon Sayas, Trió Borinquén, and others.

In 2000 Rubby moved to the United States where he currently lives. His fans constantly ask him to re-form his Orchestra because they miss his music and they also ask him for a compilation of his hits and a “Historia DVD” exposing the History of his Salsa, which seems to be Rubby Haddock’s next endeavor as an Artist.

Rubby has 3 sons, the first 2 Reuben Haddock and Rubby Haddock Jr, dedicated their careers to the business world and his youngest son Randy Haddock, who currently lives in New York, is a musician, singer and composer, already demonstrating great talent and the vein that comes from Don Ruben (grandfather) and Rubby (his father).

A very special thanks to Edgar Berrio and all the staff of Las Leyendas Vivas De La Salsa #8 for this great recognition, on behalf of Rubby Haddock and his family
A very special thanks to Edgar Berrio and all the staff of Las Leyendas Vivas De La Salsa #8 for this great recognition, on behalf of Rubby Haddock and his family

Sources:

https://www.rubbyhaddock.com/news

pequi34 via Musica.com

Also Read: Jerry Ferrao says in salsa key: “My life is a drum”.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.