News

Rosario Jermano

Europa / Italia / Napoles

Rosario Jermano is probably the best known Italian percussionist, open to all types of traditional and worldwide ethnic music.

Jermano’s Neapolitan origin together with his extraordinary intuitive interpretations have given birth to a music with a genuine Mediterranean sound with colours from World music and pop influences.
His world is not conned to the Neapolitan area, but is open to the sound and cultures of the entire Mediterranean area, mixed in a truly exciting blend.

The exotic Middle East as well as tribal Africa are united by the sound of his percussions to create what he himself calls “The breath of life”.

Jermano has played with played with: Zucchero Fornaciari, Eros Ramazzotti, Fabrizio De Andre, Pino Daniele, Renato Zero, Rai Orchestra, Loredana Berte, Mia Martini, Ornella Vanoni, Gino Paoli, Fiorella Mannoia, Ana Belen, Edoardo Bennato, Eduardo De Crescenzo, Luca Barbarossa, Corrado Rustici, Raf, Riccardo Cocciante, New Perigeo, Toots Thielemans, David Foster, Gigi D’Alessio, Nuova Compagnia di Canto Popolare, Enzo Gragnaniello, Natascia Bonacci, Patch Stewart, Sting & Zucchero, Toquino, Luca De Filippo, Yaire, Jose Miguel Diez, Lorca, Tishubi y Giorgina, Andrea Bocelli, Tyromancino, Del Newman Orchestra.

For more information:
Facebook: https://www.facebook.com/R.Jermano/

Salsa: From New York to the world!

North America – United States – New York

Last February we actively participated in different activities in New York, promoted by different instances and always supported from the Spanish Harlem Salsa Gallery Museum and The Johnny Cruz Show.

Johnny Cruz: We were part of the Somos Puerto Rico event, together with more than 25 artists and with the collaboration of La Boom, which allowed thousands of people to work for our island: Puerto Rico. There was a lot of music, and we were accompanied by artists such as Jova Rodríguez, Arlene, Roberto Vásquez, Anissa Gatners, Fernando Berniero, Alex Bautista, Jen Carrasco and Kevin Tapia, among others.

We also had typical food for sale and many initiatives aimed at saving so many lives in need. From this event we want to continue bringing families to the United States and they can be calm until they stop shaking in the south west of Puerto Rico. You are not alone!

In addition, we are working hard on a documentary about Frank Ferrer, always thinking of immortalizing figures that have consolidated Salsa in the world as a Latin genre of world projection.

Salsa, as you know, is a typically New York musical genre, the result of the influence of great Latin jazz musicians, and the existence of a youth of Latin origin born, or resident in New York, in slums where Salsa is the best expression, spiced up by the exile produced by the Cuban Revolution and the awareness of American racial minorities.

In 1964, Johnny Pacheco, a flutist of Dominican origin, and Jerry Masucci, a young businessman, founded the Fania label, which gave the old Latin labels, a more modern sense of Caribbean music. Musicians and singers of the previous generation were reinvented, but others were incorporated as a young Willie Colon, the Palmieri brothers, Eddy and Charlie; Papo Luca, Ray Barreto, Larry Harlow. And, there were also singers who put their voice to Salsa to tell stories of the street, daily or reflexive, that were the mirror of the life of the neighborhoods: Cheo Feliciano, Adalberto de Santiago, Andy Montáñez, the Ismaeles -Miranda and Ribera-, Justo Betancourt, Héctor Lavoe or Rubén Blades.

Johnny Cruz Salsa: From New York to the world!

The influence of the Cuban revolution had led composers and salsa musicians to become aware that it was necessary to compose songs that talked about what was happening in the streets from a critical perspective, giving way to a new salsa and foot reality for characters as Frank Ferrer started from folklore and protest to arrive at salsa mixing both concepts in an exemplary album: Yerbabuena. All this and much more can be enjoyed very soon.

For this month of March, Puerto Rico will organize the 1st World Salsa Collectors Meeting and of course we will be there representing New York with the Salsa Museum (SPAHA Salsa Gallery Museum). From March 7th, at least 15 organizations of this type of collector from seven countries will exhibit their collections of the Caribbean genre.

The collectors meeting will take place at the Sheraton Hotel, in Miramar, under the theme “La Salsa se baila así” and will be free admission. It will be attended by collectors from Puerto Rico, Colombia, Panama, Peru, Ecuador, Mexico and several cities in the United States.

That day will be the official release in LP format of the album “Mario Ortiz, 55 Aniversario”, nominated for the last edition of the Latin Grammys.

The event includes memorabilia exhibitors of legendary salsa artists such as Willie Rosario, Bobby Valentín, Roberto Roena o la Sonora Ponceña, as well as the Museo de la Salsa de Puerto Rico or the Fundación Nacional para la Cultura Popular.

Pieces from the Jairo Varela Museum, renowned deceased Colombian musician, whose orchestra Grupo Niche is still active and triumphing around the world will be presented. The writer Daniel Nina, will give a lecture about Salsa, and Puerto Rican dancer Tito Ortos will talk about the history of salsa dancing. We can enjoy live music with the group Cubaneo 54, and a great closing with the several times awarded Big Band of the Free School of Music of San Juan, directed by Professor Manuel García. See you there!

As always, remember that Spanish Harlem Salsa Gallery is in 1708 Lexington ave New York N.Y. 10029. Open free to the public all Thursdays & Fridays from 4 to 7 pm and Saturdays from 1 to 8 pm. Check the updates in our website: spahasalsagallery.com.

Johnny Cruz - Spaha Salsa Gallery — Johnny Cruz – Spaha Salsa Gallery

Also, The Johnny Cruz Show, the #1 Salsa Show on television on all 5 Boroughs of New York on CH67. Saturdays from 3:30 to 4:30 pm.

Contact: Johnny Cruz. 917-747-8505. [email protected].

By Johnny Cruz Correspondent, New York City, New York

Origins of Kizomba

Kizomba is a very catchy musical genre that has its origin in Angola, Africa. It can be said that its birth was in the 1980s; but if we want to understand its history, we must look further back to the 50s and 60s.

It was then that certain traditional dances of the African country and one of them was semba, began mixing with other rhythms both from its country of origin and other cultures after Africa was colonized by Europe in the 14th century. It is from there that a fusion of rhythms begins in which partner dancing takes center stage.

However, the old continent did not do all the work. Argentina and Cuba also played an essential role in the form in which semba must be danced.

In Portugal, the word Kizomba has its origin in all musical rhythms that derive from zouk, with which it is often constantly confused. It is a type of dancing laden with great sensuality and highly contagious that has become very popular with the passage of time, particularly in countries such as the United States, Canada, France, Spain, Poland, Belgium, Denmark, among others. Many Latin Americans consider that this is a breath of fresh air because it does not seem like anything they previously knew in terms of dance.

One of the reasons that it became so famous around the world is that this dance is very easy to learn due to its softness and simple dance steps. If you want to learn to dance, kizomba is a very good option to begin with.

Kizomba lets the couple play the music they dance. The more intimate the members of the couple, the more likely that the dance will be much more sensual and there will be much more complicity between men and women who enjoy this pleasure.

How kizomba originated

As we have said previously, kizomba has its origin in Angola, which was a colony of Portugal in the mid-1970s. With the arrival of Cuban military personnel, certain rhythms came from the Caribbean island that started to be used by various Angolan artists for their musical projects. The result was a fabulous mix of fast local rhythms with much slower, romantic and partially synthetic sounds.

The resulting genre was danced with semba and merenque, which made it known as kizombadas and, subsequently, kizomba.

By the 90’s, the word kizomba started to be used in Portugal to refer to all African rhythms danced in the nightspots of the most important cities in the European country. With the passage of time, the term would be used to refer to the musical genre and many other sub-genres with which it shares history.

Once this type of dance began to take hold in the rest of Europe, it was in France where all these rhythms that resemble one another started to be called kizomba, leading to the controversy over whether it and soft zouk are the same. Given that on certain islands belonging to France they were the cradle of zouk, it can be assumed that this has kindled heated debate even further still.

At the beginning, kizomba was only able to spread throughout the African continent, but migration allowed it to reach Europe and America respectively where a lot of passionate dance groups of this genre began to appear. The number of followers accumulated by this genre in countries such as Portugal, France or Spain was very huge.

Currently, there are a number of exponents of this kind of music that became famous worldwide such as Nelson Freitas, Djodje, Anselmo Ralph, Matias Damasio, among many others.

Kizomba in Europe

It is incredible the number of places where you can enjoy this spectacular dance. One of them is the world famous Eiffel Tower, where there are many options to learn or improve the dance steps. In France, the genre has been very popular, so much so that many places for dancing celebrate exclusive kizomba nights known as kizomba soirées by the locals. Considering the major African influence on this dance, those wishing to find out more will be able to enjoy a wonderful mix of dance styles and cultures that will leave no one indifferent.

In these places, you can share with a very impressive amount of tourists and foreigners from around the world. This contributes enormously to linkages and friendships between people of other cultures and other ways of seeing the world, which may be very rewarding from all points of view.

In the case of Lisbon, Portugal, it can be said that this is another place that every lover of kizomba in Europe should visit. Besides being a city that receives all its visitors with genuine hospitality, the dancing and music are ever-present. Among the many places you can go to enjoy the dance, it is important to mention the Estudio Sabor & Dança dance studio, the Academy World Dance and the Kizomba Power Dance School.

Regarding Barcelona, Spain, what can be said is that this is one of the best European cities for dancing as there is a gigantic variety of musical styles that can be found there. There are always parties and events worth attending. One of those dances that can be found in the city’s nightlife is kizomba that has gained popularity in recent years.

Latin music events and festivals were based on salsa and bachata, but kizomba has completely changed that reality. Today, it is very common to find festivals and congresses dedicated exclusively to this dance and its most loyal lovers. If you want to learn to dance this genre, there are a number of schools and workshops that could be very useful such as Así se Baila, Seven Dance and Baila Barcelona.

Kizomba in Latin America

Many people who do not know the origin of the kizomba think that it originated in Latin America due to its type of dancing, but the fact is that this dance was not even known in most countries of the continent. In fact, its main boom started relatively recently in some places such as Colombia, where it began to be known not long ago. In that country, there are currently academies and teachers who are dedicated exclusively to this musical style, which has started to happen in other Latin nations.

In Venezuela, it is said that it has been danced for more than 10 years, but it began to be known a short while ago thanks to some videos on the major social networks after it became famous in Europe. The pioneers of this practice were a certain number of instructors born in the Caribbean country after being trained in Brazil. Following this, kizomba was the subject of a great deal of interest in many young Venezuelans who want to learn to dance it. There are not many records on places to dance where this genre may be found, but there is no doubt that soon it will be like this.

Kizomba in Asia

There are many events and congresses linked to kizomba in Asia, which have a great influx of visitors, even when it is commonly believed that Asians are not fans of this type of rhythm. Experience with congresses of the last years has given the impression that this is not true. In fact, there are many fans of this rhythm from the continent who want to know all events and competitions details that are carried out in their countries for the coming months.

Japan is one of the nations where this type of event can be found the most. Such is the case of the Japan Kizomba Festival that has been going on in the country for many years due to the high level of attendance of visitors.

Video: https://www.youtube.com/watch?v=6WOVBNULkYc

Good initiatives must be shared!

North America - United States - New York

We were taking the Salsa exhibition to Puerto Rico for the I Encuentro de Coleccionistas de Salsa, we made an exhibition of the clothing, records and instruments used by the Fania All Star orchestra, Tito Puente, Héctor Lavoe, Adalberto Santiago, the Gran Combo and others. For the first time, the last “tuxedo” that Tito Puente used in his participation with the Orquesta Sinfónica de Puerto Rico was exhibited.

Spanish Harlem Salsa Music Gallery, offered an exhibition and Master Class on the history of Salsa at the Escuela Especializada en Música Jesús T. Piñero in Cidra, Puerto Rico. We transported ourselves to Puerto Rico in search of an opportunity to publicize the Salsa Museum-Gallery in New York.

This is part of the efforts being made for the participation and dedication that is made to the people of Cidra in the Desfile Nacional Puertorriqueño 2020 and that is locally coordinated by the Patronato Cidreño along with other civic and professional organizations.

We were able to benefit hundreds of students at this school who are precisely focused on music. The knowledge offered in the three conferences and being able to closely observe the exhibition helped to foster the enthusiasm of the students who make up the campus, unique in the mountains of Puerto Rico, dedicated to the creation of good musicians and knowledgeable in musical art.

We are dedicated to enhancing Latin music and offering spaces focused on arts education, accessible and friendly to the community as a strategic partner.

I thank valuable people such as Laura Torres, Silkia Vázquez, Wilson Nazario and Wilfrido Torres “Puruco” for all the attention and teamwork that we were able to develop during our visit. I cannot stop also thanking my assistant in Puerto Rico, Carmen Cruz; and to Joseph Cruz for his magnificent and beautiful work with me during this pleasant experience.

I also take advantage of this space in International Salsa Magazine because I want to tell you about an artist and a great friend who is doing his best for music and Salsa. Without a doubt, Yova Rodríguez is a long-standing professional who has developed countless projects and initiatives to support those who need it most. With his music, his work and his human quality, he has reached many hearts from New York.

Geovanni “Yova” Rodríguez Ruiz, born in Puerto Rico, had a musical inspiration since he was a child, his uncle Antonio “Toño” Ruiz – his mother’s uncle who played the cuatro – was his first music teacher (melody) and his uncle José Antonio “Pipo” Ruiz Crespo -mama’s younger brother- taught him how to sing aguinaldos (lyrics); and with this they formed the solid foundations that encouraged little Yova to prepare himself accordingly for his foray into the musical world.

The celebration of the Promesa de Reyes, a celebration in which he participated with his mother at his short seven years, leads him to worry about creating and recreating aguinaldos to be interpreted each year, which in some way becomes the seed of composer that we know today.

At the age of 14, he attended the Escuela Libre de Música Ernesto Ramos Antonini in Mayagüez, hand in hand with piano teacher César Toro, rising as vocal leader of the Orchestra after a year.

Years later he gave himself the task of forming his own musical concept, and thus Sakao Aká was born. This orchestra was in charge of accompanying singers such as Camilo Azuquita, Ray de la Paz, Pupy Cantor and Herman Olivera in their presentations in Puerto Rico; and the cover letter for some of these singers to integrate Yova as a chorus girl in their presentations in various countries in Central and South America.

At the end of the 90s, on a trip to Cuba, he was impacted by the music of Fernando Borrego Linares, better known as Polo Montañez, to the point that, some years later upon learning of his death, he had the idea of paying tribute to him, his musical reference, thus giving birth to the idea for her debut feature Homenaje a Polo Montañez (2005), a production of 10 songs by Montañez, and covered by Yova Rodríguez with the participation of renowned musicians from the patio such as Herman Olivera, Héctor “Pichie ”Pérez, Papo Lucca, Edwin“ Caneca ”Rosas, Edwin Colón Zayas, among others.

In 2008, like many of her compatriots, Yova prepares her luggage and heads to the southern United States, where she stays for two years and then moves to New York, a city that has become her center of operations and from where He has extended his working ties as a composer and where he records his next two productions.

The album Letras, canciones y sueños, musical work of 8 songs all written by Yova, comes to light after some years of having published his first production and of having worked silently composing and waiting for his opportunity. This possibility is materialized in 2013.

Already in 2015, the album Mi musa en las voces de mis amigos is released.

Recently, Yova Rodríguez has created more than 420 songs, and many of them have been duly registered with the American Society of Composers, Authors and Editors (ASCAP) under the registry “El Negrito De Delia Music” . “Exceso de amor” is the first composition he has interpreted and recorded; like the song “No me odies”, it is the first recording of a song by him made by a third party.

Now they are going to hear more from Yova, as some productions that will include her compositions are in the process of recording / publishing. Attentive to the upcoming releases of the young Puerto Rican percussionist José Jomar Marcano, the master trumpeter Luis González, the young trombonist, arranger musician and also singer Leo Morales; the renowned DJ Andy Rodríguez, better known as DJ ANDY and the Venezuelan sonero Marcial Isturiz .

Also, The Johnny Cruz Show, the # 1 Salsa Show on television on all 5 Boroughs of New York on CH67. Saturdays from 3:30 to 4:30 pm.

Contact: Johnny Cruz. 917-747-8505. [email protected]

By Johnny Cruz, ISM Correspondent, New York, New York

Primer Impacto premieres “Bohemio En Cuarentena” by José Alberto “El Canario” and Pedro Miguel Morales

Latin America / Dominican Republic

The main program of the Univisión network, Primer Impacto, premiered the video for “Bohemio En Cuarentena” a salsa made by the legendary José Alberto “El Canario” and the singer-songwriter Pedro Miguel Morales.

In an exclusive interview with journalist Tony Dandrades, the singers told from their residences the origin of this theme that is already on all digital platforms.

“It is a song that was born from the inspiration of my great friend Pedro Miguel Morales, who in the middle of a few drinks in the patio of my house came out the first chords. This song is in line with the current situation that we are all experiencing in especially bohemians like us, performers of the genre of romantic salsa, boleros, merengue and other rhythms” expressed El Canario.

“It has been a great experience for his talent as a singer and Pedro’s spirit of self-improvement and hard work. Bohemio en Cuarentena has all the qualities to reach and conquer all lovers of the genre and good taste in music with the favor of God and we hope that this song reaches the last corner of the hearts of our admirers” finished José Alberto “El Canario”.

For his part, Pedro Miguel expressed that it was “an immense honor to have the great opportunity to record this song with an icon of Latin music such as José Alberto. Impressed by his humility and enormously grateful for this dream come true. The song It was made with a lot of love and fabulous musicians were also integrated.

The theme had the musical arrangement of Humberto Insignares and the participation of Juan Valdez on piano, Humberto Ibarra on percussion, Patricio Bonilla on horns, Kiwzo Fumero on trumpets and Braulii Fernandez on bass.

This song is part of the album entitled “Vidas Paralelas” where Pedro Miguel Morales features the artists Amaury Gutierrez, Yiyo Sarante and the Dominican Got Talent finalist, Lorainne.

Pedro Miguel is also the author of hits such as “La noche” and “El Mejor” in the voice of Héctor Acosta “El Torito” and several soap opera songs.