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News

Continues in the spanish repertoire “The Colonel has no one to write to him” by Gabriel Garcia Marquez

North America / USA / New York

During this month of March, the super theatrical production “The Colonel has no one to write to him” by Gabriel Garcia Marquez, continues in the Spanish Repertoire, the only company to present plays entirely in Spanish since 1968, subtitled in English, in New York City.

Gabriel Garcia Marquez
Gabriel Garcia Marquez

“The Colonel has no one to write to him” is under the direction of Colombian director Jorge Alí Triana and has a leading cast of wonderful Latin American theater, film and television actors such as: the first Colombian actor, Germán Jaramillo incarnating the Colonel and the first Cuban actress on the New York scene, Zulema Clares, playing the Colonel’s selfless wife. This play is an adaptation by Jorge Alí Triana and his daughter Verónica Triana to the novel published in 1961 by the Nobel Prize for Literature (1982) and world-renowned Colombian writer, Gabriel García Márquez.

The story of this theatrical piece focuses on the life of a retired colonel, who fought in the Colombian Civil War and since then has longed for his retirement pension, delayed for 15 years due to the country’s bureaucracy.

The Colonel has no one to write to him - Gabriel Garcia Marquez
The Colonel has no one to write to him – Gabriel Garcia Marquez

The thoughtful colonel lives with his unconditional wife in a situation of poverty and they only have a fighting rooster, the product of the inheritance of their deceased son, Agustín. The bird becomes, then, a possible salvation from his misery, since he questions whether or not to sell it to be able to eat, while every Friday he waits for the postman, who yells at him: “Nothing for the colonel.” Nobody writes to the colonel.”

According to statements made by director Jorge Alí Triana for the news outlet Efe, the play “The Colonel has no one to write to him”: “It is a play about dignity, about hope. Every transcendental work of art has a great metaphor and here is that of our peoples who have waited their whole lives with great hope that their situation will change”.

While for the actor Germán Jaramillo, the personification of the colonel has been quite a challenge. “Entering a character like the colonel is like entering the universe of Shakespeare… It is a very beautiful fable but it is also the story of power, old age, decrepitude and political struggle. And this character (the Colonel) in García Márquez’s perspective, which is also universal, achieves that greatness”. (Statements to an international media).

The bird and The Colonel has no one to write to him - Gabriel Garcia Marquez
The bird and The Colonel has no one to write to him – Gabriel Garcia Marquez

The play concentrates the action in the dialogues, maintains the atmosphere of the time and has a dramatic language.

 

Gabriel Garcia Marquez (Writter):

 

Gabriel García Márquez was born in Aracataca (Colombia) on March 6, 1927. He studied law at the National University of Colombia, but abandoned it to devote himself to journalism and literature.

In 1955, he published “The Leaf Storm”, his first novel. In 1961, he settled in Mexico City. That same year he published “The colonel has no one to write to him” and the following year “Big Mama’s funerals”. In 1967, he had “One Hundred Years of Solitude” published in Buenos Aires, the work that consecrated him worldwide. In 1972, he won the Rómulo Gallegos Prize and in 1982, the Nobel Prize for Literature.

Other of his great works are: “The Autumn of the Patriarch” (1975), “Chronicle of a Death Foretold” (1981), “Love in the Time of Cholera” (1985) and “News of a Kidnapping” (1996) . His memoirs were published in 2002 under the title “Living to tell the story.” On Thursday, April 17, 2014, at the age of 87, he died in Mexico City, being one of the most recognized, admired and influential authors of Latin American literature and culture.

 

JORGE ALI TRIANA (DIRECTOR):

Jorge Alí Triana was born in Colombia and is considered one of the most distinguished film and theater directors in Latin America. He studied film and theater at the Higher Academy of Arts in Prague. He is the founder of the Popular Theater of Bogotá. His films have been presented at the most important film festivals in the world such as Cannes, Sundance, Berlin, London and Mar del Plata.

His theatrical credits include “Chronicle of a Death Foretold”, “The Goat Party”, “Don Quixote”, “Blind Date”, among many others, for Repertoire Español. Triana has collaborated with Gabriel García Márquez in several film and theater projects, among them: “Time to die” and “Oedipus Alcalde”, the latter selected to be presented at the Cannes Festival in 1996.

Some of the recognitions that he has in his have are: 3 ACE Awards for Best Director; a Tucán Award for best film for “Time to die”, the Ombú de Oro and Ombú de Plata awards at the Mar del Plata Festival, both for his film “Bolívar Soy Yo!”, among others. Triana directs in Repertorio since 1992 and currently presides over her own production company “Dramax”, where she makes the TV series “Comando Elite” for the RCN – Colombia network.

Jorge Alí Triana
Jorge Alí Triana

GERMAN JARAMILLO (ACTOR):

Germán Jaramillo was born in Manizales, Colombia. His performances as an actor earned him awards as the best actor of the year in Colombia on several occasions. He starred in the film “La virgen de los sicarios” (2000), with which he obtained international nominations and awards.

He is also known for his performances in “Paraíso Travel” (2008) and the famous series “Narcos” (2015). Jaramillo is co-founder of ID Studio Theater in New York, of which he is the Artistic Director. He is also co-founder of the Teatro Libre de Bogotá (1973) and its Actors Training School (1988), where he worked as a resident actor, producer and director for almost 30 years with more than 40 productions. His credits in Repertoire Español include: “Blind Date”, “Bad Grass Never Dies”, “Aunt Julia and the Writer” and “Burundanga”.

German Jaramillo and Zulema Clares
German Jaramillo and Zulema Clares

ZULEMA CLARES (ACTRESS):

Born in Cuba and graduated from the National School of Art in Havana in the careers of Choral Direction and Theater Direction. She has worked in theater, film and television as an actress, playwright and director. She was the founder of the Argos Teatro de Cuba group in 1996 and soon after became one of the most acclaimed actresses on the Cuban scene for her performances in classics by Strindberg, Brecht and Calderón de La Barca, among others. She worked as an acting and directing teacher at the National School of Theater in Cuba.

His film credits include the leading roles in “The Nights of Constantinople”, “Three Times Two” (Silver Zenith, debut film, Montreal 2004) and “Long Distance”. He currently resides in New York and is part of the Spanish Repertory company of actors. His credits with the company include “La fiesta del chivo”, “La casa de Bernarda Alba”, “En el nombre de Salomé”, among many others.

 

Functions:

▪ Friday, March 02: 8:00 pm

▪ Saturday, March 03: 8:00 pm

▪ Sunday, March 04: 3:00pm

▪ Thursday, March 08: 7:00 pm

▪ Saturday, March 10: 3:00pm

▪ Friday, March 16: 11:00am and 8:00pm

▪ Thursday, March 22: 7:00pm

General Admission

▪ $30.00

logo repertorio - Gabriel Garcia Marquez
logo repertorio – Gabriel Garcia Marquez

Address: Spanish Repertoire. 138 East 27th Street, New York, NY 10016

 

“The colonel has no one to write to him.” An adaptation of the novel by Gabriel García Márquez as part of the 50th Anniversary of Spanish Repertory.

Do not miss it!!!

The bird and The Colonel has no one to write to him - Gabriel Garcia Marquez
The bird and The Colonel has no one to write to him – Gabriel Garcia Marquez

For more information visit: https://repertorio.nyc or follow them on Facebook: https://www.facebook.com/repertorionyc/

The legacy of El Palladium lives on, as demonstrated by ‘Mambo Fantasy’

The legacy On Saturday, January 18, 2025, the Tropicoro Club at the Fairmont El San Juan Hotel in Puerto Rico was decked out to celebrate the music of Tito Rodríguez; led by his heir, Tito Rodriguez Jr., and El Caballero de la Salsa: Gilbertito Santa Rosa on vocals and the characteristic marquee of “El Inolvidable”. The show was part of ‘Mambo Fantasy’, a duel between the legacy of Tito Puente and that of Tito Rodríguez, two of the Kings of mambo during the golden age of big bands.

Humberto Ramirez, Herman Olivera, Tito Rodriguez jr. y Gilberto SantaRosa en Mambo Fantasy
Humberto Ramirez, Herman Olivera, Tito Rodriguez jr. y Gilberto SantaRosa en Mambo Fantasy

The dance concert featured the musical power of the big orchestras, responsible for placing Latin music among the favorites of the dancing public. It was a must remember that the history of what was the era of mambo was strengthened in the emblematic New York halls, among which “El Palladium” stood out. To do so, the dance corps of Tito Ortos and Tamara Livolsi was accompanied by the nonagenarian Mambo Mike, engaging in an energetic choreography that the trio executed to perfection.

The legacy of Tito Puente resonated under the musical direction of the trumpeter, arranger, composer and producer Humberto Ramírez, with Hermán Olivera and Michelle Brava as the singers in charge of interpreting Puente’s repertoire.

Michelle La Brava 'Mambo Fantasy' en Puerto Rico
Michelle La Brava ‘Mambo Fantasy’ en Puerto Rico

Rodríguez’s legacy was carried out by the union between the timbalero, arranger, composer, producer and orchestra director, heir to the musicality and the name of one of our greatest musical glories -Tito Rodríguez, Jr.- and one of the greatest stars of contemporary music -Gilberto Santa Rosa. The group was composed of: Gerardo Rivas on the tumbadoras, Pete Perignon on the bongos, Mako Pérez and Genaro “Ginno” Ramírez on the chorus, Luis Marín on the piano, Johnny Torres on the bass; Freddie Miranda, Josué Urbina, Saviel Cartagena and Francisco “Pacman” Cruz on the saxophones; Georgie Torres and Anthony “Nony” Rosado on the trombones; with Rolando Alejandro, Pedro Marcano, Kevin Ibáñez and Becky Zambrana on the trumpets. And since legacies are significant, it should not be overlooked that the three percussionists of this group are children of musicians.

Orquesta 'Mambo Fantasy' en Puerto Rico
Orquesta ‘Mambo Fantasy’ en Puerto Rico

The repertoire, which included “Mama Güela,” “A los Muchachos de Belén,” “Vuela la paloma,” the bolero “Me faltabas tú,” “Baranga,” “Bon sueno,” “Yambú,” “Avísale a mi contrario,” “El agua de Belén,” “Óyeme Antonia,” “Estoy como nunca,” and the surprising intervention of the tumbador singer Johnny Rivero, the bolero “Tómame ya,” “El que se fue,” and “Abarriba cumbiaremos,” made it clear that the musical complexity of the golden age of mambo remains alive. The Gentleman of Salsa gave a lecture on his expertise in the most Tito Rodríguez-like dance that has ever been seen and heard, imprinting his interpretive style on the songs of “El Inolvidable,” while demonstrating his mastery of the dance, sliding across the stage using Rodríguez’s best steps.

Herman Olivera 'Mambo Fantasy' en Puerto Rico
Herman Olivera ‘Mambo Fantasy’ en Puerto Rico

Evidently, the participation of El Caballero de la Salsa was inspired by the musical perfection of “El Inolvidable”, achieving an impeccable performance. Through the magic that Santa Rosa brought to the concert, Tito Rodríguez, Jr. managed to connect with the Puerto Rican public that follows his father’s music. For our part, we are grateful for the invitation of the work team responsible for the success of ‘Mambo Fantasy’, while we remain awaiting the next show that manages to bring together these greats of mambo.

Also Read: Bella Martinez, the irreverent Salsa writer

Bella Martinez Puerto Rico

Mariana “The Sonera of Venezuela and for the world”

Janett Guevara García, artistically known as Mariana “La Sonera de Venezuela”, was born in La Pastora, Caracas on January 19, daughter of Reina García and Vicente Guevara.

Daughter of Reyna García and Vicente Guevara, she is the oldest of six siblings and from a very young age she showed her taste for music; an activity that has been her eternal passion, and has led her to make 12 record productions.

Mariana La Sonera de Venezuela
Mariana La Sonera de Venezuela

She is the oldest of six siblings and from a very young age she showed her taste for music; an activity that has been her eternal passion and has led her to make six record productions.

Educated in a convent school, she always participated and stood out in cultural events, until on one occasion she was suspended for telling the mother superior that there was a song called “La Cárcel” by Septeto Juventud that she wanted to sing at a cultural event.

At the age of 14, during her high school education, she learned to play drums and participated in the choir of the Caricuao Parish church where she lived.

As the years went by, Mariana was invited by Mr. Naty Martinez to a rehearsal, who was impressed when he heard her and decided to make a musical production.

That is when Mariana’s true pilgrimage began, going through stages earning the admiration of salsa greats.

In past years, she received praise from Queen Celia Cruz and has the guarantee and support of the singers of the Fania Stars, the Gran Combo de Puerto Rico, José Alberto El Canario and even her great friend and fellow countryman Oscar D’León.

Oscar El Sonero del Mundo y Mariana La Sonera de Venezuela
Oscar El Sonero del Mundo y Mariana La Sonera de Venezuela

Mariana has been worthy of awards such as “El Congo de Oro” at the Barranquilla salsa festival.

She has been praised by personalities such as Don Tite Curet Alonzo. Mariana alternates her exciting career with the media, where she has a radio program dedicated to our Latin music “Sonsoneando con Mariana” winner of the 2010 Excellence Award, as a popular radio space in the Vargas State Venezuela.

She recently participated in the heartfelt tribute to the 50 years of artistic career of maestro Elio Pacheco, founder of the Latin Dimension, where she recorded an excellent song called “Al Olvido”.

She received praise from the Cuban queen Celia Cruz, and has the support of singers such as the Fania Stars, José Alberto “El Canario”, the Gran Combo de Puerto Rico and even her friend and confidant Oscar D’ León.

“Oscar represents more than a friend to me; he is like a brother. When he has a presentation in Vargas he does not hesitate to call me to see us and talk about our projects. I thank him a lot for his advice, because it has helped me to be where I am. The responsibility of being La Sonera de Venezuela falls on my shoulders.”

Y así quedó esta Sonera para su noche boleros
Y así quedó esta Sonera para su noche boleros

She has managed to release 12 musical productions. Among her best-known songs are “Frases hecha” in 1996, recorded in Peru and “Eres más fuerte que yo” by the composer Enrique Hidalgo.

Awards obtained

La Sonera has been worthy of multiple awards, including the “Congo de Oro” at the Barranquilla Salsa Festival, as well as the nomination three times in a row for the Vargas Excellence.

She has also received plaques as Female New Artist of the Year and Best Sonera in Caribbean Representation.

“I will never forget when they gave me the Catatumbo de Oro in Maracaibo, in the year 2000. It is one of my greatest achievements.”

Mariana La Sonera en el Santuario de La Divina Pastora en Barquisimeto
Mariana La Sonera en el Santuario de La Divina Pastora en Barquisimeto

My family is my life

At just 18 years old, Mariana became a mother for the first time. “It is something that very few people know, but my first husband mistreated me physically, verbally and psychologically. The only thing I can be thankful for from that relationship is the existence of my son.”

She is currently a speaker, producer, and host of her own radio show “SONSONEANDO CON MARIANA,” broadcast Monday through Friday from 12:00 AM to 2:00 PM on Dial Azul 95.9 FM. At the same time, she directs her own group and is part of Jeque y su Banda, the Rumberos Callejón orchestra, directed by the experienced timbalero Carlitos Padrón, where she shares the stage with Rodrigo Mendoza, Wilmer Lozano, among others.

Edgar Dolor, Hayzalex, El Jeque, Janett Trejo, Mariana, Frederick, Carlitos Hurtado
Edgar Dolor, Hayzalex, El Jeque, Janett Trejo, Mariana, Frederick, Carlitos Hurtado

Research Sources:

Djane. Shina Rojas

Luisana Brito, [email protected]

Also Read: “Canelita Medina” Caribbean popular music loses one of its best exponents

Logo Mix January 2025International Salsa Magazine, always pioneer in offering new opportunities for the union of Latin Music through technological empowerment, offers the most important and innovative application for Smartphone will enter our ranks, Salsa Google, in alliance with the most successful Search Company and chosen by Internet users, Google.

This APP that you can download globally, securely and immediately on your Android or iOS mobile device, will definitely change the way you are aware of all the Salsero International.

Events of your Community, Nation, State, Country and the entire Hemisphere, gathered in one place and tip of of your fingers.

ISN’T IT TIME TO BE THE LEADER OF YOUR OWN PROMOTION THROUGH AN ACCESSIBLE GLOBAL TOOL?Dual APP January 2025

SalsaApp is the only app made for smart phones with the highest standards of quality and technological development of the current era that will allow you to consolidate your leadership, promotion and insurmountable scope, only provided by the main publisher, International Salsa Magazine, leader of communication and information of the Salsa Community of the five continents: America, Europe, Africa, Asia and Oceania.SalsaApp PointerISM proposes to change the perception of the search for information about your Latin nights with the Events, Artists, Festivals, Concerts, DJ’s and Clubs updated daily, which gives it an avant-garde and distinctive versatility in the style of communication and collaboration between different generations that contributes a evolution to the Latin culture.

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The Son Rumbero Academy: E-Learning in virtual classrooms reached the world of dance

Latin America / Venezuela / Caracas

The Son Rumbero Academy, in step with technological advances, now opens a virtual classroom that will allow you to access an interesting range of online courses open to all through distance education processes with invited international instructors.

The teaching and learning processes are led hand in hand by education professionals, people who handle various tools and techniques that allow reaching the objectives of generalized instruction, now, the means and the contexts that affect this process are in the same way. of great importance to meet the aforementioned goals, hence the institutions invest so much time in physical improvements for the setting of the spaces destined to unite these processes.

It is not new to speak that technological means have invaded all areas of knowledge, there is no longer an area or content that is not already in process or in the process of being taught through the internet, hence the term distance learning. It is not something that escapes from the normality of our day to day.

Professor José Manuel Pérez, director of the Son Rumbero Academy with a great career in the field of salsa and education professional in the area of ​​computer science, is carrying out a process of teaching dance through virtual means, in this case, using the so famous virtual classrooms, where it focuses on asynchronous and asynchronous communication processes by which, the didactic interaction with the students predominates as the elementary basis of teaching, the student becomes the main center of self-information managing their learning through tutors and classmates from the open classroom for the specific dance specialty, is learning to dance by learning, it is doing it between appropriate means and environments.

Aula Virtual - Son Rumbero Academy
Aula Virtual – Son Rumbero Academy

The ways and methods of how to educate in the world of dance have always been maintained, in fact many people look for different alternatives given the circumstances of their tasks, work, home, occupations, in itself, an endless number of causes motivate the desertion when it comes to complying with schedules and routines in dance halls or gyms…

How many do not avoid entering this face-to-face modality due to little free time or the long time it takes to travel to a location, hence new ideas arise that facilitate access to world of dance from any corner of the world and at the time you want, and who would not like to adjust their classes to the hours and days they prefer, even more so if they can change them weekly according to their availability.

The Son Rumbero Academy project is not an original project, E-Learning and virtual classrooms have been in the educational world for several years, only that for the context of dance it was present in tutorial videos, a positive element but more of the same circle for some:

With a virtual classroom, the teaching process is extended, it not only depends on what the student has seen and practiced, in this we obtain constant supervision of the process, teachers dedicated to nourishing theoretical information and practicing something extremely important when understanding music and shaping it in dance it is about taking evaluations, participating in forums or conversations with several students in the same classroom, surveys, tutorial videos, correction process by videos sent to the teacher, easy access to multimedia elements…

from songs to explanatory audios, a world full of of elements that support to a greater degree the fact of learning from any dance discipline, not to mention seminars or professional courses, certifications of improvements in methodological processes in teaching for teachers and instructors, going from evaluation processes for dance competitions to complete percussion courses, a whole world of knowledge and elements given to the me You work in dance and now in music.

Son Rumbero Academy
Son Rumbero Academy

For this month of April, the project will begin with 3 high-impact courses, one on Cuban folklore dictated by Mr. Damian Ballester, a certification for instructors based on planning, evaluation and methodological processes of teaching by Professor José Manuel Pérez , closing with a theoretical-practical seminar on the complex of the rumba soon dictated by a professional in this area, director of one of the largest Cuban groups and participate in endless documentaries oriented to the complex of the rumba, a surprise that They will give us soon.

In the same way, they are betting on a new teaching method for beginners, those who perhaps want more privacy when starting steps in the world of salsa or another genre, new media that can contribute to the development of the diffusion of salsa in the world.

The invitation is now open for you to follow the accounts of the son rumbero academy on Instagram and Facebook at @sonrumbero, by the numbers of its offices in Colombia +573022582306, Venezuela +584122110104, Chile and soon in Peru and Argentina.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.