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North America

Vicente “Little Johnny” Rivero Conguero, Percussionist, Producer, Composer and Band Leader

“Tell me your name in leather, Little Johnny, Little Johnny” Hard Strike.

Conguero, percussionist, producer, composer, and conductor, Little Johnny Rivero has performed throughout the United States, Canada, Europe, Africa, Asia, the Caribbean, and the South Pacific.

Born in New York City to Puerto Rican parents, Rivero was attracted to Latin jazz and the sounds and rhythms of the New York area rumberos as a child.

At age 10, Johnny began practicing percussion and joined his school band.

Conguero, percussionist, producer, composer and bandleader, Little Johnny Rivero has performed throughout the United States, Canada, Europe, Africa, Asia, the Caribbean and the South Pacific.
“Tell me your name in leather, Little Johnny, Little Johnny.”

Shortly thereafter, he took dance lessons, which eventually led him to stage performances with the bands of the time at such famous venues as the Manhattan Center, Colgate Garden, Copacabana, and the Palladium.

At age 14, Rivero joined Orquesta Colón, the youngest Latin band in New York City, and recorded two albums with them.

Shortly thereafter, he took dance classes, which eventually led him to perform on stage with the bands of the time in such famous venues as the Manhattan Center, Colgate Garden, Copacabana, and the Palladium.

In 1973, Rivero moved to Puerto Rico with his parents and joined Sonora Ponceña in 1974.

After playing bongos with them for a year and a half, he switched to congas, which rekindled the love he had for the instrument as a child.

Rivero attributes the rhythms and professional direction he learned from Quique Lucca and his son, Papo Lucca, as qualities that have made him what he is today.

During the 16 years that Rivero played with La Sonora Ponceña, he traveled all over the world and made 18 highly respected albums with them.

Rivero has recorded with producers such as Eddie Palmieri, Brian Lynch, and Dr. Lonnie Smith.

In May 1997, Rivero shared the stage with his inspiration and idol, José Mangual. Rivero’s credits also include work with Charlie Palmieri, Dave Valentín, Rubén Blades, Cheo Feliciano, Andy Montanez, Ismael Miranda, Celia Cruz, Giovanni Hidalgo, Ray Barretto, Patato Valdez, Changito, Tata Guines, John Santos, Sergio George, Bebo Valdes, Paquito D’Rivera, Tito Puente, and many other artists.

Rivero’s first solo effort, “Pasos Gigantes,” was well-received by critics and music fans.

He wrote and produced all the songs on that CD, showing off his skills as an arranger and musician.

He is currently working on his next CD, “Music in Me”, his first Latin Jazz album, which will include musicians, Brian Lynch on trumpet, Zaccai Curtis on piano and keyboards, Luques Curtis on bass, Louis Founche on saxophone, Andrei Matorin on violin, Ludwig Alfonso on drums, and Anthony Carrillo on bongo and bata drums.

Currently, Rivero is traveling internationally with Grammy Award winner Eddie Palmieri.

He also continues to record in-studio sessions and perform with many of the most respected acts in Latin music, including his own band.

Percussionist Johnny Rivero presents the album "Golpe Duro", with his band El Cartel de Nueva York.
Percussionist Johnny Rivero presents the album “Golpe Duro”, with his band El Cartel de Nueva York.

Legendary conguero, percussionist, producer, composer and bandleader Little Johnny Rivero is proud to present his latest album, Golpe Duro, with Anthony Almonte.

From New York and after moving to Puerto Rico, he spent sixteen years with the Sonora Ponceña band and recorded eighteen highly respected albums.

He has played with many of the biggest and most respected names in Latin music, including nine-time Grammy Award winner Eddie Palmieri.

During that same time, Little Johnny formed his salsa band and his Latin jazz band and continued to teach percussion at Kennedy High School in the Bronx, NY. It was there that Anthony Almonte, a high school student at the time, would become one of his music students.

Little Johnny has always had a passion for writing music and over the course of four years since his last album, he was inspired to write once again. He set out to create a danceable album that would highlight the roots of Son Montuno, Guaracha Mambo, and Latin jazz.

The only thing missing was a singer. In a rehearsal, his friend and colleague Jeffery Lopez mentioned that there was a talented “new guy” on the block. He came down, and here he was, Anthony Almonte from Kennedy HS. As they say “the rest is history” and the result of their collaboration is Little Johnny’s latest album, Golpe Duro.

Website: Little Johnny Rivero

Article of Interest: Eddie Palmieri: A Memorable Career

Larry Harlow ¨El Judío Maravilloso¨ Salsa Legend

He is a traditional and important figure in Latin music.

Pianist, Multi-Instrumentalist, Arranger, Composer, Producer and Musical Director Lawrence Ira Khan “Larry Harlow el Judío Maravilloso” was born on March 20, 1939, in Brooklyn, New York, USA.

He traveled to Cuba in the ’50s, at which time he established his residence and began to study Afro-Cuban music. After gaining experience, he returned to New York to develop his own style and created his group “The Harlow Orchestra”.

Later, he participated in “The Fania All Stars”. During his years with Fania, Harlow recorded 35 albums as the leader of his own orchestra and another 20 as a member of Fania.

Harlow ha participado activamente en giras internacionales y en las principales ciudades de Estados Unidos. Actualmente, además de tocar con su banda, Harlow graba y dirige videos para artistas líderes en Estados Unidos y Europa.
Larry Harlow, creator and innovator of salsa.

He also produced more than 200 recordings for other artists, created and composed the first salsa opera, “Hommy”, which he orchestrated, directed and performed in New York and Puerto Rico.

Harlow stays active on international tours as well as in the main cities of the United States. In the present day, in addition to playing with his band, Harlow records and directs videos for standout artists from the United States and Europe.

Larry Harlow, a salsa composer.

The Latin music iconic pianist’s career in 10 recordings that marked an era and the history.

Heavy Smokin’ (1966)

Impresionado con la forma de tocar de la orquesta, Masucci se acercó a su líder, un joven pianista de origen judío llamado Larry Harlow, y le ofreció un contrato discográfico. Harlow sería el primer artista firmado con el nuevo sello Fania Records. Grabado con el cantante cubano Felo Brito, este primer LP incluye "La juventud", además de "Chez José", un homenaje al conjunto donde todo comenzó.
Heavy Smokin (1966)

In 1964, future salsa impresario Jerry Masucci went to the Chez José club to go dancing with his girlfriend in Manhattan. Impressed with the orchestra playing, Masucci approached its leader, a young pianist of Jewish origin named Larry Harlow, and offered him a record contract. Harlow would be the first artist signed by the newly-opened label of Fania Records. Recorded with Cuban singer Felo Brito, this first LP includes “La juventud”, as well as “Chez José”, which was a tribute to the club where it all started.

Presenta a Ismael Miranda (1969)

Aunque sus personalidades son completamente distintas, Harlow y Miranda graban una serie de LP explosivos con ritmos afrocubanos. Esta es su segunda colaboración y presenta algunas canciones de boogaloo, que estaba de moda en el momento. El bajista es Bobby Valentin, quien aporta tres temas, entre ellos el swing letal de "La Contraria".
Presenta a Ismael Miranda (1969)

In the late 1960s, Harlow found the singer who would bring his group to the aristocracy of salsa: a young Puerto Rican boy named Ismael Miranda. Although their personalities are completely different, Harlow and Miranda record a series of explosive LPs with Afro-Cuban rhythms. This is their second collaboration and features some boogaloo songs, which was the fashion of the moment. The bassist is Bobby Valentin, who contributes three songs, including the lethal swing of “La Contraria”.

Abran Paso! (1971)

Su sonido de trombón y trompeta alcanza un paroxismo de sabor en Abran paso !, anclado en tan maravillosas composiciones de Ismael Miranda como "Abandonada fue", "Donde llevas el son" y "Dolor y amor". El cantante aporta su sensibilidad puertorriqueña, mientras que las orquestaciones de Harlow se nutren de la tradición del son cubano. Una combinación de electrizante éxito artístico y comercial.
Abran paso! (1971)

While collaborating with the legendary Fania All Stars as a keyboard player, Harlow feverishly records, taking advantage of the explosion of salsa as a cultural phenomenon. His trombone and trumpet sound reaches a paroxysm of flavor on Abran paso!, anchored in such wonderful compositions made by Ismael Miranda as “Abandonada fue”, “Donde llevas el son” and “Dolor y amor”. The singer brings his Puerto Rican sensibility, while the orchestrations of Harlow are nurtured in the tradition of Cuban son. An combination of electrifying artistic and commercial success.

Homenaje a Arsenio Rodríguez (1971)

Junto a Miranda, compuso la canción "Arsenio", una salsa fuerte con sabor cubano y un clima de melancolía desgarradora. El resto del LP, que fue grabado en una sesión de ocho horas, está dedicado al repertorio de Rodríguez, con versiones extraordinarias de "Tumba y bongo", "No me llores" y "El terror", entre otros. Indispensable.
Tribute to  Arsenio Rodríguez (1971)

When Arsenio Rodriguez (musical genius, blind, and pioneer of Cuban son passed away in Los Angeles in December 1970) Harlow quickly decided to record an LP dedicated to his work. Along with Miranda, he wrote the song “Arsenio”, a strong salsa with Cuban flavour and a climate of heartbreaking melancholy. The rest of the LP, which was recorded in an eight-hour session, is dedicated to Rodríguez’s repertoire, with extraordinary versions of “Tumba y bongo”, “No me llores” and “El terror”, among others. Indispensable.

Hommy A Latin Opera (1973)

Inspirado en la ópera rock Tommy del grupo inglés The Who, grabó Hommy, con la participación de Cheo Feliciano y Pete "El Conde" Rodríguez, entre otros. Harlow le pidió a Celia Cruz, que estaba desatendida por la industria de la música en ese momento, que cantara "Gracia Divina", que resucitó su carrera.
Hommy A Latin Opera (1973)

In the early 70s, Ismael Miranda decided to leave the orchestra of Harlow and pursue a solo career, which would cause animosity between them for a long time. Harlow began developing ambitious projects. Inspired by the rock opera Tommy by the English group The Who, he recorded Hommy, with the participation of Cheo Feliciano and Pete “El Conde” Rodríguez, among others. Harlow asked Celia Cruz, who was neglected by the music industry at that time, to sing “Gracia Divina”, which resurrected her career.

Salsa (1974)

Bajo el sencillo título Salsa, rinde homenaje a las raíces cubanas de la música tropical, combinando el sonido del trombón y la trompeta con dos violines que evocan la estética charanga de grupos como la Orquesta Aragón. Con "La cartera", una versión de una canción de Arsenio Rodríguez, Harlow logró su mayor éxito. Gracias a los cantantes Adalberto Santiago y Junior González surgió el sobrenombre de "El Judío Maravilloso"
Salsa (1974)

Harlow recorded one of his most significant albums in just two days. Under the simple title Salsa, it paid tribute to the Cuban roots of tropical music, combining the trombone and trumpet sound with two violins that evoke the aesthetics charanga made by groups like Orquesta Aragón. With “La cartera”, a cover version of a song by Arsenio Rodriguez, Harlow achieved his biggest hit. Thanks to singers Adalberto Santiago and Junior González, the nickname “El Judío Maravilloso” came about.

El Judío Maravilloso (1975)

Este LP del año 1975 sigue explotando un sonido épico con marcada influencia cubana. El tema de apertura, "El dolorcito de mi china", de Arsenio Rodríguez, tiene una duración de 10 minutos e incluye un solo de piano lleno de virtuosismo y expresividad. El auge de la carrera del tecladista no mostró signos de desvanecimiento, como lo demuestran sus versiones de "Buenavista guaguancó" y "El negrito ñéngere", así como el instrumental psicodélico "Latin Roots", compuesto por el propio Harlow.
El judío Maravilloso (1975)

Harlow continued to record prodigious albums, now with Junior Gonzalez as lead vocalist. This LP of the year 1975 continues to exploit an epic sound with a amarked Cuban influence. The opening track, “El dolorcito de mi china”, by Arsenio Rodriguez, lasts 10 minutes and includes a piano solo full of virtuosity and expressiveness. The peak of keyboard player’s carrer showed no signs of fading, as demonstrated by his versions of “Buenavista guaguancó” and “El negrito ñéngere”, as well as the psychedelic instrumental “Latin Roots”, composed by Harlow himself.

La Raza Latina (1977)

Harlow participó de esta tendencia con un musical, A Salsa Suite, que describe la evolución del género tropical desde África hasta el Caribe, pasando por Nueva York de los años 50 y 60 y culminando con una canción dedicada al futuro. Harlow contrató a Rubén Blades para que fuera su vocalista, aunque este no es su mejor momento. Un disco fallido y breve, pero fascinante en su ambición conceptual.
La Raza Latina (1977)

At the end of the 70s, salsa is fertile ground for grandiloquent experiments of a symphonic character. Harlow participated in this trend with a musical, A Salsa Suite, which describes the evolution of the tropical genre from Africa to the Caribbean, passing through New York of the 50s and 60s and culminating in a song dedicated to the future. Harlow hired Rubén Blades to be his vocalist, although this is not his prime. A failed and brief album, but fascinating in its conceptual ambition.

Larry Harlow presents Latin Fever (1978)

A fines de la década de 1990, cuando el interés por la salsa clásica había ido en aumento, formó la banda Latin Legends con el conguero Ray Barretto y el cantante Adalberto Santiago. Este primer disco cuenta con la participación de Pete "El Conde" Rodríguez (unos años antes de su muerte) e Ismael Miranda. El sonido es cálido y orgánico, enfatizando el conocimiento musical de estos veteranos. Según Harlow, era su banda favorita para tocar en vivo.
Banda de leyendas latinas de Larry Harlow (1998)

Harlow always showed the eclectic trends of a cosmopolitan musician. In 1970, for example, he recorded a rock record in the style of Chicago band with the group Ambergris. In 1978, he produced this fascinating LP by Latin Fever, a group consisting of 14 female singers and instrumentalists. These include percussionist Susan Hadjopoulos, who would become famous with English Joe Jackson, and the singer Ada Chabrier, who also collaborated with Ray Barretto and Willie Colón. A rarity that is worth discovering.

Larry Harlow’s Latin Legends Band (1998)

Harlow continued to record high-quality LPs in the 1980s. In the late 1990s, when the interest in classic salsa had been increasing, he formed the band Latin Legends with conguero Ray Barretto and singer Adalberto Santiago. This first album includes the participation of Pete “El Conde” Rodríguez (a few years before his death) and Ismael Miranda. The sound is warm and organic, emphasizing the musical knowledge of these veterans. According to Harlow, it was his favorite band to play live.

The Jewish Salsa Pianist, Innovative and Irreverent

This day 20 / 8 /2021 and after 32 days hospitalized “El Judío Maravilloso” Larry dies in New York at 12:30 a.m. from complications as a kidney patient that weakened his already weary heart.

Words of his wife Maria Del Carmen Harlow-Kahn

“Mi Amore, you are already free to play your music in the celestial orchestra. Thank you for the honor of accompanying you and loving you till the end of your life. 

You will live forever in my heart and in the hearts of all who love your music and your huge legacy, fly high my Wonderful Jew and rest in peace.”

Sources:

Ernesto Lechner de AAPR

Artículo de interés: La voz de Markolino Dimond y su irreverente piano en Funk / Soul & Funk-Disco “The Alexander Review

Johnny Vega Musical legend Composer and Vocalist

Born in Santurce, Puerto Rico, veteran songwriter, and singer Johnny Vega grew up surrounded by music and relatives with the same natural talent he discovered in himself at an early age.

It wasn’t long before his obvious gift of writing accompanied by strong vocals was in demand.

Many salsa greats highlighted Johnny Vega, as a songwriter and vocalist at an early age New York was the vanguard of his success.

Relocating as a teenager, with his family, he mastered his craft in both Spanish and English being one of the first Puerto Rican musicians to compose and sing a bilingual hit, singing with Cortijo for the legendary band “Cortijo y su Combo” in the early 70s.

His musical career as described here gave him the notoriety that follows today, currently involved in multiple projects, Johnny continues to write and often performs at sold-out venues in his hometown.

It wasn't long before his obvious gift of writing accompanied by strong vocals was in demand. Many great salseros highlighted Johnny Vega, as a songwriter and vocalist at an early age New York was the vanguard of his success.
Johnny Vega veteran Puerto Rican singer and songwriter Born in Santurce, Puerto Rico

Johnny Vega has participated with a myriad of orchestras to name a few:

Trio Las 3 Voces

Jóvenes Del Ritmo

Gil Suarez Y Su Orquesta Latin Highs

Sonora Casino

Cortijo Y Su Combo

Kako And His Trabuco

Conjunto Los Imposibles

Orquesta Sabor

Conjunto Antonetti

Orquesta La Muralla

Conjunto La Villa Arecibo

Paquito Guzman Y Su Orquesta

Conjunto Santurce

Los 7 Gatos

Renovación 90

Hermanos Gonzalez (Help Yourselves 2015)

Noel Quintana & Latin Crew Popeye Y La Flaca 2016

Soloist Tribute To Celia

From this era of inspiration, Johnny gives the master Tommy Olivencia the song "Pancuco", especially for Frankie Ruiz.
Johnny Vega has participated with countless orchestras.

Some of his compositions:

Popeye – Ay Caray – Adalberto Santiago

Pancuco – Frankie Ruiz

Tú y tu novela – Pasado, presenté y futuro – Mike Cora

Avísale – Clown – incredulous – La Muralla

I’m dying inside – Rafi Marrero

Volver- Tito Rodriguez Jr. Singing Gilberto Santa Rosa

My Salsa is my Cura- Josean Rivera

Hermano Cortijo- Josean Rivera

Sueño de un Borincano- Willie Morales “El Piloto de la Salsa”.

Que le Pasa al Cielo- Chevy El Pitirre de la Salsa

Aquí Mando Yo- Chevy El Pitirre de la Salsa

From that moment on Johnny began to write and share his compositions with local bands so that they could establish their own musical identity.

From that era of inspiration, Johnny gave the maestro Tommy Olivencia the song “Pancuco”, especially for Frankie Ruiz.

Also “Ay Caray” & “Popeye el Marino” for Adalberto Santiago. Many of the musicians who grew up under the supervision of maestro Johnny Vega initially, went on to form part of the orchestras of Celia Cruz, Sonora Ponceña, Héctor Lavoe and many other high caliber bands.

In Rochester, Johnny sang with Orquesta Sabor, Antonetti, and Mike Rosario’s Muralla with whom he formed a solid partnership which included great productions, one of them being “Avísale” a collector’s item for which royalties are still being paid three decades later.

Songs by Johnny Vega-

Father and Son

Compañera Mía

Tribute To Celia

Listen To My Message

Born To Sing

Johnny Vega lives in Rochester NY with his wife of 56 years, 5 children, grandchildren, and great-grandchildren.

He continues to leave his great musical legacy.

Contact:

Facebook: Johnny Vega

https://www.facebook.com/johnny.vega.7503

Instagram: @vjohnny220

https://instagram.com/vjohnny220?utm_medium=copy_link

If you require Vega’s pen write to email.

[email protected]

Por: Erika Muñoz 

La Mulata Rumbera

Erika Muñoz 

“Se Armó la Rumba en México”

Corresponsal de International Salsa Magazine

Article of Interest: Willie Morales The Salsa Pilot Taking off with force… New, Tasty and Danceable Salsa!

 

Cristian Cuevas is a Versatile Producer, Singer-Songwriter and Pianist

From Santiago de Chile to the world

International Salsa Magazine / www.SalsaGoogle.com and its leading correspondent in Miami, Diana Marie, awarded “La Dama de la Salsa 2021” by Richard Roman’s Salsa Superior, are privileged to present one of the most important bastions of our Latin music Cristian Cuevas.

It all began when his father brought home a keyboard one afternoon. Cristian Cuevas, born in Santiago, Chile, began playing the piano at the age of 6.

It was immediately evident that he had a gift and by the age of 8 he was playing with local bands and artists. playing with local bands and artists, all over Chile. When Cristian was 9 years old, his talent caught the attention of Chilean media, and he became a constant musical guest on “Buenos Dias a Todos”, the best late-night show in Chile at the time.

Cristian Cuevas
It was immediately apparent that I had a gift and by the age of 8 I was playing with local bands and artists all over Chile.
playing with local bands and artists, all over Chile

due to the success and exposure gained while working on “Buenos Dias a Todos”, Cristian was contacted by the producers of Univision where he was asked to fly to Chile to work on the show here he was asked to fly to Miami FL, and perform on the TV show “Sábado Gigante”.

After performing on the show, Cristian was offered a permanent spot on Sábado Gigante’s children’s segment and Cristian at age 11 moved with his family to Miami where he began his musical career.

By the time Cristian was 17, he was teaching as an instructor for local middle schools and high schools in Miami such as Miami Killian High, Felix Varela High, and Glades Middle School.

Portada Cristian Cuevas
Cristian Cuevas – Ganas de Ti

When he was 18, Cristian began to gain recognition among the Miami music scene and quickly began his first tour with Sonora Carruseles and other artists in the Miami salsa scene.

Today, Cristian Cuevas is one of the toughest working musicians in South Florida, he is also working as a musical director and composer for television shows on various networks such as Telemundo/NBC and Mega TV, and whether he is performing at sold-out venues around the world, playing on national television for millions of viewers, or recording from his home studio.

At 30 years old, Cristian Cuevas continues to write his musical journey while currently working as a producer and arranging his own upcoming album where he is featured singing and playing the piano.

Work history: Cristian has performed and toured the world with worldwide recognition award winning artists in the Latin music industry, such as: Jon Secada, Julio Iglesias Jr, Gilberto Santa Rosa, Oscar D' León, Elvis Crespo, Charlie Zaa, Tito Nieves, La India, Luis Enrique, Sheila E.
Cristian Cuevas, Manolito Rodríguez y Kachiro Thompson

Work History: Cristian has performed and toured the world with world-renowned award-winning artists in the Latin music industry such as: Jon Secada, Julio Iglesias Jr, Gilberto Santa Rosa, Oscar D’ Leon, Elvis Crespo, Charlie Zaa, Tito Nieves, La India, Luis Enrique, Sheila E., among others.

While on tour Cristian has also shared the stage with names such as: UB40, Kool & The Gang, Judith Hill, Willie Colon, José Feliciano, Rubén Blades, Gloria Trevi, among others.

Contact

Cristian Cuevas Productions

Miami FL

[email protected]

Tel: 786-768-9422

Facebook: Cristian Cuevas

Source: www.CristianCuevasMusic.com

By: Diana Marie Miami Correspondent for International Salsa Magazine

Supporting Emerging National and International Talent

Article of Interest: Fabián Rosales Araos Chilean singer-songwriter, a native of the city of Valparaíso

The role of the Spaha Salsa Gallery in Latin music

Spanish Harlem Salsa Gallery y música latina

La Spanish Harlem Salsa Gallery es uno de esos lugares que todo amante de la salsa en Nueva York debería visitar, ya que hay mucho que ver aquí. Este museo cuenta con todo tipo de artículos donados por numerosos artistas de renombre o familiares de algunos fallecidos. Esta colección de valiosas posesiones ha dado como resultado un conjunto de objetos invaluables que dejarán fuera del agua a cualquiera que visite las instalaciones de una institución tan especial. 

La Spanish Harlem Salsa Gallery, también conocida como Spaha Salsa Gallery, se puede definir como una institución de carácter cultural cuyo propósito principal es servir como un recordatorio de lo grande que es nuestra cultura, especialmente nuestra música. Tanto los residentes como los visitantes de East Harlem, Nueva York, pueden aprender sobre el género de la salsa y sus raíces siempre que lo deseen. Todo gracias a una gran cantidad de herramientas, información y muchas iniciativas con las que los interesados ​​conocerán de primera mano todo tipo de datos interesantes sobre la salsa. 

Otro de los grandes objetivos que persigue este lugar es la búsqueda del conocimiento sobre la música latina y los artistas involucrados para ofrecerlo a todo aquel que decida visitar sus instalaciones. Es por ello que tanto su presidente Johnny Cruz como el equipo que lo asiste se han encargado de crear una galería inclusiva y diversa en la que se puede apreciar hasta dónde ha llegado el talento hispano de la mano de sus máximas estrellas.

Johnny Cruz tocando los timbales
Johnny Cruz, director de la Galería Spaha Salsa

Papel de la Galería Spaha Salsa en la difusión de la cultura latina 

The role played by the Spaha Salsa Gallery in the dissemination of Latin culture is very important, since these institutions are the ones that manage to arouse the interest of the inhabitants of Harlem and other nearby sectors towards one of the most representative musical genres of Latinity. This has made many other cultural institutions to use this gallery in order to awaken a higher interest in its own activities, which shows extensive cooperation between those who seek to promote anything Latin-related at all costs. 

Fortunately, our work is not that complicated to carry out because too many tourists visit New York every day and many of them know that this city was the birthplace of the biggest salsa movement in history, so they are always looking for cultural sports in which you can find information about this set of rhythms and how it emerges in the public arena.   

Instruments donated by La Sonora Ponceña
Some instruments donated by La Sonora Ponceña

Who Johnny Cruz is 

Johnny Cruz is the founder of the Spaha Salsa Gallery, but there are many other facets by which this talented Puerto Rican is known in the entertainment industry. Cruz is a famous musician and record producer who has worked and make friends with a wide number of artists from all genres, by providing him with the platform to create a true sanctuary for Latin music lovers. 

One interesting fact about the museum is that it is located on the plot where a hardware business owned by Johnny’s father used to function, which was made into something completely different thanks to the genius of his son long after. Today, that place contains several of the most invaluable objects in the history of salsa and whose relationship with some of the greatest figures of the genre is legendary.   

Migdalia Sanchéz joins Johnny Cruz and his programme

Migdalia Sánchez
Migdalia Sánchez, director of Latino 99 FM

Recently, it has been reported that Migdalia Sanchez, director of the radio station Latino 99 FM, has decided to broadcast the programme hosted by Johnny Cruz at the same time so that all its listeners can enjoy the talent of the entertainer and his exciting interviews. The Johnny Cruz Show will be broadcasted on Saturdays from 9 to 10 p.m.

Enlace al sitio web oficial de la galería Spaha Salsa: spahasalsagallery.com

Por: Johnny Cruz corresponsal de International Salsa Magazine en la ciudad de Nueva York, Nueva York

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.